Black Christmas
Slay, girls
2019 | 92m | English
Popularity: 1.0 (history)
| Director: | Sophia Takal |
|---|---|
| Writer: | Sophia Takal, April Wolfe |
| Staring: |
| A group of sorority pledges are stalked by a stranger during their Christmas break. That is until the young women discover that the killer is part of an underground campus conspiracy. | |
| Release Date: | Dec 11, 2019 |
|---|---|
| Director: | Sophia Takal |
| Writer: | Sophia Takal, April Wolfe |
| Genres: | Horror, Mystery |
| Keywords | holiday, remake, sorority, serial killer, slasher, christmas horror, sorority girls, holiday horror |
| Production Companies | Universal Pictures, Blumhouse Productions, Divide / Conquer |
| Box Office |
Revenue: $18,529,730
Budget: $5,000,000 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Imogen Poots | Riley Stone |
| Aleyse Shannon | Kris Waterson |
| Lily Donoghue | Marty Coolidge |
| Brittany O'Grady | Jesse Bolton-Sinclair |
| Caleb Eberhardt | Landon |
| Cary Elwes | Professor Gelson |
| Simon Mead | Nate |
| Madeleine Adams | Helena Ritterhouse |
| Nathalie Morris | Fran Abrams |
| Ben Black | Phil McIllaney |
| Zoë Robins | Oona Apteao |
| Ryan Phillips | Brian Huntley |
| Mark Neilson | Gil O'Leary |
| Lucy Currey | Lindsay Helms |
| Jonny McBride | Black Mask |
| Name | Job |
|---|---|
| Jo Schwarz | Art Direction |
| Sophia Takal | Writer, Director |
| Mark Schwartzbard | Director of Photography |
| Brooke Blair | Original Music Composer |
| Will Blair | Original Music Composer |
| Terri Taylor | Casting |
| Lucy-Belle Willcox | Makeup Artist |
| Jeremy Archibald | Set Dresser |
| Nicholas Cochran | Sound Re-Recording Mixer |
| Oleg Kulchytskyi | Sound Re-Recording Mixer |
| Andrew Twite | Sound Effects Editor |
| Nate Smalley | Visual Effects Producer |
| James David Hattin | Visual Effects Supervisor |
| April Wolfe | Writer |
| Mark Robins | Production Design, Production Designer |
| Ben Baudhuin | Editor |
| Jaindra Watson | Costume Designer |
| Annie Weston | Unit Production Manager |
| Seumas Cooney | First Assistant Director |
| Rachael Rowe | Second Assistant Director |
| Renee Minasian | Post Production Supervisor |
| Ross McGarva | Art Direction |
| Mason Rattray | Set Designer |
| Michelle Freeman | Set Decoration |
| Chris Elliott | Set Decoration |
| Emily Harris | Assistant Set Decoration |
| Myk Farmer | Production Sound Mixer |
| Sandy Wakefield | Boom Operator |
| Alani Lewis | Boom Operator |
| Steve Yardley | Special Effects Supervisor, Special Effects |
| Jenny Rushton | Costume Supervisor |
| Karen Hossack | Key Set Costumer |
| Alex Guillot | Costume Standby |
| Stefan Knight | Prosthetic Designer |
| Cath Maguire | Hair Supervisor, Makeup Supervisor |
| Ebony Kay | Prosthetic Supervisor |
| Laurie Buckland | Makeup Artist |
| Christal Allpress | Makeup Artist |
| Ciara Fitzsimons | Makeup Artist |
| Nicola Abbott | Makeup Artist |
| Zoe Douglas | Makeup Artist |
| Sarah Hinch | Script Supervisor |
| Andrew Burfield | Second Second Assistant Director |
| Ally Conover | Casting Associate |
| Lilly Tyson | Casting Assistant |
| Jason Sacharoff | First Assistant Editor |
| Jeff Cummings | First Assistant Editor |
| Amanda Mulderry | Assistant Editor |
| Brendan Chan | Assistant Editor |
| Shannon Lynch | Assistant Editor |
| Kau Kasashima | Assistant Editor |
| Emma Present | ADR Supervisor |
| Jake Weber | Dialogue Editor |
| Amber Jasmin Morrow | Hairstylist |
| P.K. Hooker | Sound Designer, Supervising Sound Editor |
| Andrea von Foerster | Music Supervisor |
| Rachel Bullock | Casting Assistant |
| Sarah Irwin | Stunt Double |
| Roy Moore | Original Film Writer |
| Tanya Bidois | Special Effects Coordinator |
| Jacqueline Lee Geurts | Stunt Double |
| Jonathan Costelloe | Stunt Coordinator |
| Robbie Smith | Stunt Coordinator |
| Rob McKenzie | Stunts |
| Mark Trotter | Utility Stunts |
| Jo Bollinger | Gaffer |
| Dana Little | Steadicam Operator |
| Solomon Bollinger | Chief Lighting Technician |
| Kirsty Griffin | Still Photographer |
| Teddy Blanks | Title Designer |
| Jeff Betancourt | Editor |
| Sarah Domeier Lindo | Casting |
| Name | Title |
|---|---|
| Jason Blum | Producer |
| Ben Cosgrove | Producer |
| Adam Hendricks | Producer |
| Greg Gilreath | Executive Producer |
| Chloe Smith | Co-Producer |
| Gabby Zemer | Co-Producer |
| Zac Locke | Executive Producer |
| Brigitte Berman | Producer |
| Couper Samuelson | Executive Producer |
| Jeanette Volturno | Executive Producer |
| Jennifer Scudder Trent | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 19 | 33 | 13 |
| 2024 | 5 | 30 | 51 | 12 |
| 2024 | 6 | 16 | 23 | 10 |
| 2024 | 7 | 18 | 39 | 10 |
| 2024 | 8 | 15 | 36 | 8 |
| 2024 | 9 | 10 | 16 | 7 |
| 2024 | 10 | 14 | 22 | 6 |
| 2024 | 11 | 17 | 36 | 10 |
| 2024 | 12 | 22 | 60 | 12 |
| 2025 | 1 | 15 | 22 | 8 |
| 2025 | 2 | 10 | 16 | 3 |
| 2025 | 3 | 4 | 16 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 3 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 7 | 16 | 0 |
| 2025 | 12 | 4 | 7 | 2 |
| 2026 | 1 | 3 | 6 | 1 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 861 | 887 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 883 | 896 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 627 | 840 |
More like Woke Christmas. A pedantic, misandric lecture in self righteousness and social justice whinging. ...
Black Christmas (2019) is just bad. The plot tries to be a horror movie with a message, but it completely forgets to be scary or even interesting. There’s no real tension, and everything feels super predictable. It’s like the movie wants to make a point so badly that it skips over things like suspen ... se, mystery, or even just good storytelling. Instead of a creepy, slow-build slasher, you get a messy, rushed, and weirdly lifeless movie that doesn’t know what it wants to be. The directing feels basic, like they just wanted to get through the scenes as quickly as possible. The cinematography is nothing special either—flat and boring, like a low-budget TV show. The acting is all over the place. Some of the cast tries to make it work, but the script is so bad that even the best performances can’t save it. The dialogue is awkward and forced, making dramatic moments feel cheesy instead of intense. On top of that, the pacing is a mess. Some scenes drag forever, and others rush through important moments like they’re late for something. The script is just full of nonsense, and even simple things don’t make sense. The score? Completely forgettable. The sound design doesn’t do much either, which is a problem in a horror movie. Overall, it’s just a weak attempt at both horror and social commentary, failing at both.