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Ava

Kill. Or be killed.
2020 | 96m | English

(66728 votes)

TMDb IMDb

Popularity: 3 (history)

Director: Tate Taylor
Writer: Matthew Newton
Staring:
Details

A black ops assassin is forced to fight for her own survival after a job goes dangerously wrong.
Release Date: Jul 02, 2020
Director: Tate Taylor
Writer: Matthew Newton
Genres: Action, Crime, Thriller
Keywords assassin, secret organization, murder, female assassin, professional assassin, secret, thriller
Production Companies Voltage Pictures, Freckle Films, Vertical
Box Office Revenue: $2,987,741
Budget: $0
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jessica Chastain Ava
John Malkovich Duke
Common Michael
Colin Farrell Simon
Geena Davis Bobbi
Jess Weixler Judy
Ioan Gruffudd Peter
Diana Silvers Camille
Joan Chen Toni
Efka Kvaraciejus Alain
Christopher J. Domig Gunther
Michel Muller Teddy
Dieter Riesle Gunther's Officer
Aramis Merlin Gunther's Officer
Michael Guarnera Lobby Bartender
Bruce-Robert Serafin Toni's Outdoor Guard
Jeff Bellin Boston Jogger
Martin Lee Tony the Alcoholic
Constantin Tripes Other German Guard
Ronald Woodhead German Guard Helping Ava
Simonne Stern Daniela
Steve Gagliastro Larry the Nurse
Nadezhda Russo Simon's Wife
Joe Sobalo Jr. Alejandro
Catherine Virginia Patterson Patient Jinny
Victoria Diamond Go-Go Dancer (uncredited)
Lin Hult Female German Embassy Guest (uncredited)
Ben Bunnag French Traveler (uncredited)
Charles Coan Hotel Guest (uncredited)
Andresito Germosen De La Cruz Hotel Guest (uncredited)
Annie Pisapia Female Shopper (uncredited)
Marisa Defranco Embassy Hostess (uncredited)
Chris J. Faria German Soldier (uncredited)
Ineke Garbacz German Embassy Party Guest (uncredited)
Silas Archer Gustav Dog in Park (uncredited)
Benjamin Healy Guest Checking In (uncredited)
GeGe Jackson French Tourist (uncredited)
Levon Panek Club Goer (uncredited)
Omar Khan Hotel Guest (uncredited)
James L. Leite Nite Club Raver (uncredited)
Rob Lévesque Panicked Father (uncredited)
Kimberly Mae Club Goer (uncredited)
Cassidy Neal Hotel Bartender (uncredited)
Rickland Powell Lounge Patron (uncredited)
Dannielle Rose Nightclub Raver (uncredited)
Carissa Roy Club Goer (uncredited)
Sheila Salaverry Nightclub Raver (uncredited)
Yefim Somin Saudi Royal (uncredited)
Scott Sederquist German Soldier (uncredited)
Alexandria Tait Hotel Guest (uncredited)
Susan Halsey Singer Raver (uncredited)
Uliana Tabaka Club Goer (uncredited)
Brian Tobin Embassy Guard (uncredited)
Name Job
Paul Robert Turner Matte Painter
Matthew Newton Screenplay
Tate Taylor Director
Stephen Goldblatt Director of Photography
Zach Staenberg Editor
Bear McCreary Original Music Composer
Joel Dougherty Sound Re-Recording Mixer
Jeff Imada Stunt Coordinator
David Allen Cluck First Assistant Director
Wendy Hoffmann ADR Voice Casting
Ranjani Brow ADR Voice Casting
Amy Johnston Stunt Double
Lauren Mary Kim Stunts
Donna Evans Stunt Double
Mallory Thompson Stunt Double
Gui DaSilva-Greene Stunts
Jason Fyrberg Sound Mixer
Stephen Turro Second Second Assistant Director
Molly Hughes Production Design
John R. Kaplan Dolly Grip
Emily Aragones Still Photographer
Will Arnot "A" Camera Operator, Steadicam Operator
Michael Dynice Rigging Gaffer
Brett Robinson First Assistant Director
Lindsey Weissmueller Casting Director
Neely Eisenstein Casting Director
Megan Coates Costume Design
Linda Cohen Music Supervisor
Leslie E. Rollins Set Decoration
Mike Schenk Assistant Property Master
Vince Mountain Assistant Art Director
Justine Follansbee Art Department Production Assistant
Rick Radomski Art Department Coordinator
Masha Kurenkov Carpenter
Nick Bellofatto Carpenter
Benjamin Regan Carpenter
Ashley Troiani Propmaker, Carpenter
Greg Gonzalez Property Master, Armorer
Stephen C. Peterman Leadman
Paul Peabody Construction Coordinator
Thomas Colleran Scenic Artist
Amber Primm Scenic Artist
Katrina Morgan Set Decorating Coordinator
Brenda McNally Hair Department Head
Jarrett Staaf Set Dresser
Sean Martin Set Dresser
Christopher Sawtelle Set Dresser
Stephanie Ingram Hairstylist
Tricia Turczynski Set Dresser
Emma C. Rotondi Key Hair Stylist
Nicky Pattison Illum Key Makeup Artist
Tommy Fitzgerald "B" Camera Operator
Krystle Poulin Makeup Artist
Trish Seeney Makeup Department Head
Linda Dowds Makeup Artist
Brandon J. Meadows Best Boy Electric
Edwin Rubio Camera Operator
Lon Caracappa Electrician
Guy Holt Electrician, Generator Operator
David Demers Electrician
Nicholas Pasquariello Digital Imaging Technician
Alexandra Hadley Electrician
Dan Mason First Assistant "B" Camera
Stephen Kaye Electrician
Jill Tufts First Assistant "B" Camera
Nolan Ball First Assistant "A" Camera
Steven R. Mathis Gaffer
Mark Oliver Generator Operator
Tim Fagundes Grip
Walton Hall Grip
Toshadeva Palani Loader
Samuel Lüsted Second Assistant "A" Camera
Felix Giuffrida Second Assistant "B" Camera
Chris Malenfant Second Assistant "B" Camera
Jonathan Hall Additional Director of Photography
Seacia Pavao Additional Still Photographer
Arianna Gallo Assistant Costume Designer
Nicholas Cushman Costume Assistant
Sara Dangler Key Costumer
Amanda Hannan Set Costumer
Joanna Murphy Wardrobe Supervisor
Vikram Kale Compositor
Manmath Birader Digital Compositor
Neeraj Dhote Digital Compositor
Anupam Pal Digital Compositor
Bhanu Prakash Digital Effects Supervisor
Mayur Gangasagar Matte Painter
Salim Kandulna Visual Effects Compositor
Balaji Sreedharan Visual Effects Production Manager
Greg Behrens Visual Effects Supervisor
Bharat De Visual Effects Supervisor
Mangesh Palkrit Digital Effects Supervisor, Visual Effects Supervisor
John Ruggieri Special Effects Supervisor, Special Effects Coordinator
Patrick Christensen ADR Mixer
Brian Courchine Boom Operator
Bogdan Zavarzin Foley Artist
Rustam Gimadiyev Foley Mixer
Greg ten Bosch Sound Effects Editor
Andrew Twite Sound Effects Editor
Dionysius Vlachos Sound Mix Technician
Greg P. Russell Sound Re-Recording Mixer
David V. Butler Supervising ADR Editor
Katie Halliday Supervising Sound Editor
Rob Bessette Colorist
Corinne Bogdanowicz Digital Intermediate Colorist
Kyle Tekiela EPK Editor
Emily Freund First Assistant Editor
Michael Baber Music Editor
Mary Parker Music Editor
Gary L. Whelpley Armorer
Laura Calcagni Production Coordinator
Jenna Dayton Script Supervisor
Joaquin Diego Prange Location Manager
Will Files Supervising Sound Editor
Ramses del Hierro Production Supervisor
Nancy Kirhoffer Post Production Supervisor
Steve Cooper Art Direction
Patricia Klawonn Assistant Art Director
Niko Diaz Set Dresser
James Sanderson Set Dresser
Rory Brett Set Dresser
Cara E. Rhodes Set Dresser
Joshua Manning Set Dresser
Frank M. Fleming Set Dresser
Catherine Scott Set Dresser
Andrew Dehlinger Set Dresser
Christopher Love Drone Operator
Ian Halter Generator Operator
Peter D'Angelo Rigging Grip
Barry F. Hite Rigging Grip
Zachary Brown Rigging Grip
Devin Charette Rigging Grip
Fletcher Zona Rigging Grip
Robin Chalfin Tailor
Lindsey Kethan Truck Costumer
Carolyn Volta Costume Assistant
Mariarosa Calderon Production Accountant
Josef Boreland Marine Coordinator
Rachel Goldman Casting Assistant
Julia Solomon Casting Assistant
Joey Montenarello Casting Associate
Roya Semnanian Casting Associate
Molly Oliver Extras Casting
Marina Clarke Paolino Extras Casting
Ashley Skomurski Local Casting
Aaron Kahl Local Casting
Julie Arvedon Knowlton Local Casting
Michael Caizzi Propmaker
Stephen Goudreau Propmaker
Aaron Emery Propmaker
Henry Tomkins Propmaker
Mathew T. Meeds Propmaker
Stephanie Lapointe Propmaker
Pamela Peabody Construction Buyer
Kerri McGill Scenic Artist
James Tolman Scenic Artist
Julia Garrison Scenic Artist
Josie Colt Scenic Artist
Isabel Riley Scenic Artist
Tommy Carroll Special Effects Technician
Herve Desroches Special Effects Technician
Ashley Lambert ADR Voice Casting
Ralph Wilber III Special Effects Technician
Matt Blackshear Digital Intermediate Editor
Zara Park Digital Intermediate Producer
Christopher Abdon Digital Intermediate Assistant
Hugo Smith Digital Intermediate Assistant
Brandon Trotter Digital Intermediate Assistant
Brett Turner Digital Intermediate Assistant
Brandee Wyse Digital Intermediate Assistant
Vivek Shelke Digital Effects Supervisor
Laura Carnegie VFX Editor
Bojan Zoric VFX Supervisor
Sunkyu Park Visual Effects Coordinator
Prashant Agrawal Visual Effects Production Manager
Toshiko Miura Compositing Supervisor
Christine Moosher Assistant Set Decoration
Catherine Rooney Greensman
Russell Farmarco Dialogue Editor
Dasom Song Matte Painter
Chengwei Zheng Matte Painter
Peter Braeley Matte Painter
John Dinh Compositor
Eric Covello Compositor
Daniel Lee Compositor
Yuri Shubenin Compositor
Guillaume Tunzini BTS Photographer
Name Title
Jessica Chastain Producer
Nicolas Chartier Producer
Erika Hampson Executive Producer
John Norris Executive Producer
Babacar Diene Co-Producer
Jonathan Deckter Executive Producer
Dominic Rustam Producer
Kelly Carmichael Producer
Narine Garibyan Co-Producer
William Earon Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 44 60 28
2024 5 64 84 48
2024 6 46 68 31
2024 7 37 64 26
2024 8 38 88 25
2024 9 31 44 21
2024 10 39 73 27
2024 11 36 44 25
2024 12 31 37 22
2025 1 33 56 24
2025 2 20 31 4
2025 3 9 29 2
2025 4 5 9 2
2025 5 4 10 3
2025 6 4 7 3
2025 7 3 4 2
2025 8 3 4 2
2025 9 3 4 2

Trending Position


Year Month High Avg
2025 5 943 971
Year Month High Avg
2025 4 709 802
Year Month High Avg
2025 3 514 590
Year Month High Avg
2024 11 841 882

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Reviews

AdamRife
N/A

This movie started out really slow, the middle was really slow and the end was predictable and slow, nice to see Gina Davis but if you want a decent movie watch something else. ...

Jun 23, 2021
wildhunt1
9.0

**Overall Score: 4.6/5, 4.5/5 Stars, 9/10 Stars** It's rare when you buy a movie unseen an end up enjoying it. I have always been a fan of Jessica Chastain, so when I saw a new movie with her in it, I knew I had to at least give it a shot. When I saw that it was inexpensive on VUDU, I figured w ... hy not just buy it. And I have to admit, I'm glad I did. **Storyline: 4/5**. Jessica Chastain plays Ava, an assassin working for a mysterious company who doesn't really appreciate the fact that she talks to her targets. When she begins questioning herself, she goes home to see her family and ends up in a struggle for her life. **Characters: 4/5**. Ava is the main focus of the movie, but we also get introduced to her mother, sister, ex-boyfriend, and handler throughout the movie. Each has their own issues with Ava, but the one closest to her is Duke, her handler and trainer. Her mother is in the story for really no reason than backstory for Ava's character. The sister, Judy, is a little more involved with her overall and might be the closest thing to a full secondary character. The ex-boyfriend, Michael, comes in a close third. There is no deep character connections in this movie, but the characters all do a good job moving the story forward. **Direction: 4/5**. I do not think I have seen any movies by Tate Taylor before, but he's done a few movies that I never cared to see, so this is my first experience with him. Overall, he's not a bad director. He has a good eye for how a movie should be filmed, he doesn't use any crazy camera movements to show action, and overall I was happy with how he made the movie. I had no real problems with his sense of direction. **Casting: 5/5**. I love when a movie has a good cast. Jessica Chastain, Geena Davis, Common, Colin Farrell and John Malkovich are always good in whatever roles they are given. **Acting: 5/5**. What makes a good movie to me is when you lose the actors in their roles. There were times when this did not happen in the movie, but it was very rare. For the most part, I believed everyone as the parts they played and not as the actors playing them. **Music: 4/5**. The music in this movie isn't the type I would download the soundtrack for, but it did its job in blending in without being a distraction, giving scenes that little extra *umph* they would need. **Cinematography: 5/5**. One of the most annoying things in recent action movies is the use of shaky-cam to give a feel of action. Thankfully, this movie did not use that. Scenes were shot well, and lighting was always perfect. **Production Design: 5/5**. There did not seem to be too many built sets in this movie, which really helped because I'm sure this movie probably did not have a large budget. The sets they used were used well and helped bring the story together. **Pacing: 5/5**. This movie did not drag like I was expecting it to. It moved a little slow but not at a pace where I kept wondering when the movie was going to end. Scenes seemed to be the perfect length to keep the story going without rushing through them or taking too long to get through. **Enjoyment: 5/5**. To me, how much I enjoy a movie is one of the most important factors. I enjoyed this movie a lot. It was a good spy-assassin thriller with a low enough budget that not too many chances could be taken so the story had to come through. I debated on whether my enjoyment was 4/5 or 5/5, and it might change in the future, but for now, I really did enjoy this movie.

Jun 23, 2021
Kamurai
8.0

Great watch, will likely watch again, and do recommend. This is probably one of the best assassin movies I've ever seen ("Smokin' Aces", "Kill Me Three Times" and "Hanna" come to mind as others), the best thing it does is be refreshing, normally when a "character comes home after a long time awa ... y" trope happens, it's all about re-integrating, and how that affects the family, and it becomes a dark dramedy about dysfunctional families. I'm not saying it doesn't to that, to a degree, but it does it in a spectacular way, and keeps it brief. It would actually be a solution to the main adversity of the movie, but because the premise is that she drags her work home with her, it's all about survival. Jessica Chastain, Colin Ferrell, and (especially) John Malkovich do an amazing job on rather down to Earth (if a bit psychotic and brutal) action sequences. While there is a lot going on around the story, the real focus, and it's worth it, her just trying to live through the organization she joined which she knows has to end in either her or the company's death. I do feel like the worst of it is just that Diana Silvers sort of got sidelined, but I'm hoping that the sequel will focus on her quite a bit.

Jun 23, 2021
Kamurai
8.0

Great watch, will likely watch again, and do recommend. This is probably one of the best assassin movies I've ever seen ("Smokin' Aces", "Kill Me Three Times" and "Hanna" come to mind as others), the best thing it does is be refreshing, normally when a "character comes home after a long time awa ... y" trope happens, it's all about re-integrating, and how that affects the family, and it becomes a dark dramedy about dysfunctional families. I'm not saying it doesn't to that, to a degree, but it does it in a spectacular way, and keeps it brief. It would actually be a solution to the main adversity of the movie, but because the premise is that she drags her work home with her, it's all about survival. Jessica Chastain, Colin Ferrell, and (especially) John Malkovich do an amazing job on rather down to Earth (if a bit psychotic and brutal) action sequences. While there is a lot going on around the story, the real focus, and it's worth it, her just trying to live through the organization she joined which she knows has to end in either her or the company's death. I do feel like the worst of it is just that Diana Silvers sort of got sidelined, but I'm hoping that the sequel will focus on her quite a bit.

Jun 23, 2021
jw
4.0

**special mix** Double Scotch, but ice?! Well, some like it. Part of the story is standard thriller fare by now - the professional assassin becoming hunted. Some over-the-top action scenes there. Another part is the dysfunctional but caring family, with guilt, remorse, love, drama. Well playe ... d, but it's an unusual combination with the assassin story; and this special mix will appeal to some people - but my guess is: not many. Good actors giving good performances, solid work from other departments. But I don't think script and direction were bringing their A-game. The part I liked best were the close combat parts. These were worth watching, IMHO - the exhaustion that sets in, no matter how trained people are; well played, choreographed, and the make-up+fx departments did a good job as well. I can't recommend this in general; you need to have some special taste to enjoy it. In which case, have fun. And you may like "Hummingbird (2013)".

Jun 23, 2021
itsogs
8.0

This movie was great for entertainment, the action was there, and the story was believable, although sometimes a little strange. All in all, I would watch this again. ⭐⭐⭐⭐ ...

Sep 30, 2021