Popularity: 3 (history)
Director: | Tate Taylor |
---|---|
Writer: | Matthew Newton |
Staring: |
A black ops assassin is forced to fight for her own survival after a job goes dangerously wrong. | |
Release Date: | Jul 02, 2020 |
---|---|
Director: | Tate Taylor |
Writer: | Matthew Newton |
Genres: | Action, Crime, Thriller |
Keywords | assassin, secret organization, murder, female assassin, professional assassin, secret, thriller |
Production Companies | Voltage Pictures, Freckle Films, Vertical |
Box Office |
Revenue: $2,987,741
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jessica Chastain | Ava |
John Malkovich | Duke |
Common | Michael |
Colin Farrell | Simon |
Geena Davis | Bobbi |
Jess Weixler | Judy |
Ioan Gruffudd | Peter |
Diana Silvers | Camille |
Joan Chen | Toni |
Efka Kvaraciejus | Alain |
Christopher J. Domig | Gunther |
Michel Muller | Teddy |
Dieter Riesle | Gunther's Officer |
Aramis Merlin | Gunther's Officer |
Michael Guarnera | Lobby Bartender |
Bruce-Robert Serafin | Toni's Outdoor Guard |
Jeff Bellin | Boston Jogger |
Martin Lee | Tony the Alcoholic |
Constantin Tripes | Other German Guard |
Ronald Woodhead | German Guard Helping Ava |
Simonne Stern | Daniela |
Steve Gagliastro | Larry the Nurse |
Nadezhda Russo | Simon's Wife |
Joe Sobalo Jr. | Alejandro |
Catherine Virginia Patterson | Patient Jinny |
Victoria Diamond | Go-Go Dancer (uncredited) |
Lin Hult | Female German Embassy Guest (uncredited) |
Ben Bunnag | French Traveler (uncredited) |
Charles Coan | Hotel Guest (uncredited) |
Andresito Germosen De La Cruz | Hotel Guest (uncredited) |
Annie Pisapia | Female Shopper (uncredited) |
Marisa Defranco | Embassy Hostess (uncredited) |
Chris J. Faria | German Soldier (uncredited) |
Ineke Garbacz | German Embassy Party Guest (uncredited) |
Silas Archer Gustav | Dog in Park (uncredited) |
Benjamin Healy | Guest Checking In (uncredited) |
GeGe Jackson | French Tourist (uncredited) |
Levon Panek | Club Goer (uncredited) |
Omar Khan | Hotel Guest (uncredited) |
James L. Leite | Nite Club Raver (uncredited) |
Rob Lévesque | Panicked Father (uncredited) |
Kimberly Mae | Club Goer (uncredited) |
Cassidy Neal | Hotel Bartender (uncredited) |
Rickland Powell | Lounge Patron (uncredited) |
Dannielle Rose | Nightclub Raver (uncredited) |
Carissa Roy | Club Goer (uncredited) |
Sheila Salaverry | Nightclub Raver (uncredited) |
Yefim Somin | Saudi Royal (uncredited) |
Scott Sederquist | German Soldier (uncredited) |
Alexandria Tait | Hotel Guest (uncredited) |
Susan Halsey Singer | Raver (uncredited) |
Uliana Tabaka | Club Goer (uncredited) |
Brian Tobin | Embassy Guard (uncredited) |
Name | Job |
---|---|
Paul Robert Turner | Matte Painter |
Matthew Newton | Screenplay |
Tate Taylor | Director |
Stephen Goldblatt | Director of Photography |
Zach Staenberg | Editor |
Bear McCreary | Original Music Composer |
Joel Dougherty | Sound Re-Recording Mixer |
Jeff Imada | Stunt Coordinator |
David Allen Cluck | First Assistant Director |
Wendy Hoffmann | ADR Voice Casting |
Ranjani Brow | ADR Voice Casting |
Amy Johnston | Stunt Double |
Lauren Mary Kim | Stunts |
Donna Evans | Stunt Double |
Mallory Thompson | Stunt Double |
Gui DaSilva-Greene | Stunts |
Jason Fyrberg | Sound Mixer |
Stephen Turro | Second Second Assistant Director |
Molly Hughes | Production Design |
John R. Kaplan | Dolly Grip |
Emily Aragones | Still Photographer |
Will Arnot | "A" Camera Operator, Steadicam Operator |
Michael Dynice | Rigging Gaffer |
Brett Robinson | First Assistant Director |
Lindsey Weissmueller | Casting Director |
Neely Eisenstein | Casting Director |
Megan Coates | Costume Design |
Linda Cohen | Music Supervisor |
Leslie E. Rollins | Set Decoration |
Mike Schenk | Assistant Property Master |
Vince Mountain | Assistant Art Director |
Justine Follansbee | Art Department Production Assistant |
Rick Radomski | Art Department Coordinator |
Masha Kurenkov | Carpenter |
Nick Bellofatto | Carpenter |
Benjamin Regan | Carpenter |
Ashley Troiani | Propmaker, Carpenter |
Greg Gonzalez | Property Master, Armorer |
Stephen C. Peterman | Leadman |
Paul Peabody | Construction Coordinator |
Thomas Colleran | Scenic Artist |
Amber Primm | Scenic Artist |
Katrina Morgan | Set Decorating Coordinator |
Brenda McNally | Hair Department Head |
Jarrett Staaf | Set Dresser |
Sean Martin | Set Dresser |
Christopher Sawtelle | Set Dresser |
Stephanie Ingram | Hairstylist |
Tricia Turczynski | Set Dresser |
Emma C. Rotondi | Key Hair Stylist |
Nicky Pattison Illum | Key Makeup Artist |
Tommy Fitzgerald | "B" Camera Operator |
Krystle Poulin | Makeup Artist |
Trish Seeney | Makeup Department Head |
Linda Dowds | Makeup Artist |
Brandon J. Meadows | Best Boy Electric |
Edwin Rubio | Camera Operator |
Lon Caracappa | Electrician |
Guy Holt | Electrician, Generator Operator |
David Demers | Electrician |
Nicholas Pasquariello | Digital Imaging Technician |
Alexandra Hadley | Electrician |
Dan Mason | First Assistant "B" Camera |
Stephen Kaye | Electrician |
Jill Tufts | First Assistant "B" Camera |
Nolan Ball | First Assistant "A" Camera |
Steven R. Mathis | Gaffer |
Mark Oliver | Generator Operator |
Tim Fagundes | Grip |
Walton Hall | Grip |
Toshadeva Palani | Loader |
Samuel Lüsted | Second Assistant "A" Camera |
Felix Giuffrida | Second Assistant "B" Camera |
Chris Malenfant | Second Assistant "B" Camera |
Jonathan Hall | Additional Director of Photography |
Seacia Pavao | Additional Still Photographer |
Arianna Gallo | Assistant Costume Designer |
Nicholas Cushman | Costume Assistant |
Sara Dangler | Key Costumer |
Amanda Hannan | Set Costumer |
Joanna Murphy | Wardrobe Supervisor |
Vikram Kale | Compositor |
Manmath Birader | Digital Compositor |
Neeraj Dhote | Digital Compositor |
Anupam Pal | Digital Compositor |
Bhanu Prakash | Digital Effects Supervisor |
Mayur Gangasagar | Matte Painter |
Salim Kandulna | Visual Effects Compositor |
Balaji Sreedharan | Visual Effects Production Manager |
Greg Behrens | Visual Effects Supervisor |
Bharat De | Visual Effects Supervisor |
Mangesh Palkrit | Digital Effects Supervisor, Visual Effects Supervisor |
John Ruggieri | Special Effects Supervisor, Special Effects Coordinator |
Patrick Christensen | ADR Mixer |
Brian Courchine | Boom Operator |
Bogdan Zavarzin | Foley Artist |
Rustam Gimadiyev | Foley Mixer |
Greg ten Bosch | Sound Effects Editor |
Andrew Twite | Sound Effects Editor |
Dionysius Vlachos | Sound Mix Technician |
Greg P. Russell | Sound Re-Recording Mixer |
David V. Butler | Supervising ADR Editor |
Katie Halliday | Supervising Sound Editor |
Rob Bessette | Colorist |
Corinne Bogdanowicz | Digital Intermediate Colorist |
Kyle Tekiela | EPK Editor |
Emily Freund | First Assistant Editor |
Michael Baber | Music Editor |
Mary Parker | Music Editor |
Gary L. Whelpley | Armorer |
Laura Calcagni | Production Coordinator |
Jenna Dayton | Script Supervisor |
Joaquin Diego Prange | Location Manager |
Will Files | Supervising Sound Editor |
Ramses del Hierro | Production Supervisor |
Nancy Kirhoffer | Post Production Supervisor |
Steve Cooper | Art Direction |
Patricia Klawonn | Assistant Art Director |
Niko Diaz | Set Dresser |
James Sanderson | Set Dresser |
Rory Brett | Set Dresser |
Cara E. Rhodes | Set Dresser |
Joshua Manning | Set Dresser |
Frank M. Fleming | Set Dresser |
Catherine Scott | Set Dresser |
Andrew Dehlinger | Set Dresser |
Christopher Love | Drone Operator |
Ian Halter | Generator Operator |
Peter D'Angelo | Rigging Grip |
Barry F. Hite | Rigging Grip |
Zachary Brown | Rigging Grip |
Devin Charette | Rigging Grip |
Fletcher Zona | Rigging Grip |
Robin Chalfin | Tailor |
Lindsey Kethan | Truck Costumer |
Carolyn Volta | Costume Assistant |
Mariarosa Calderon | Production Accountant |
Josef Boreland | Marine Coordinator |
Rachel Goldman | Casting Assistant |
Julia Solomon | Casting Assistant |
Joey Montenarello | Casting Associate |
Roya Semnanian | Casting Associate |
Molly Oliver | Extras Casting |
Marina Clarke Paolino | Extras Casting |
Ashley Skomurski | Local Casting |
Aaron Kahl | Local Casting |
Julie Arvedon Knowlton | Local Casting |
Michael Caizzi | Propmaker |
Stephen Goudreau | Propmaker |
Aaron Emery | Propmaker |
Henry Tomkins | Propmaker |
Mathew T. Meeds | Propmaker |
Stephanie Lapointe | Propmaker |
Pamela Peabody | Construction Buyer |
Kerri McGill | Scenic Artist |
James Tolman | Scenic Artist |
Julia Garrison | Scenic Artist |
Josie Colt | Scenic Artist |
Isabel Riley | Scenic Artist |
Tommy Carroll | Special Effects Technician |
Herve Desroches | Special Effects Technician |
Ashley Lambert | ADR Voice Casting |
Ralph Wilber III | Special Effects Technician |
Matt Blackshear | Digital Intermediate Editor |
Zara Park | Digital Intermediate Producer |
Christopher Abdon | Digital Intermediate Assistant |
Hugo Smith | Digital Intermediate Assistant |
Brandon Trotter | Digital Intermediate Assistant |
Brett Turner | Digital Intermediate Assistant |
Brandee Wyse | Digital Intermediate Assistant |
Vivek Shelke | Digital Effects Supervisor |
Laura Carnegie | VFX Editor |
Bojan Zoric | VFX Supervisor |
Sunkyu Park | Visual Effects Coordinator |
Prashant Agrawal | Visual Effects Production Manager |
Toshiko Miura | Compositing Supervisor |
Christine Moosher | Assistant Set Decoration |
Catherine Rooney | Greensman |
Russell Farmarco | Dialogue Editor |
Dasom Song | Matte Painter |
Chengwei Zheng | Matte Painter |
Peter Braeley | Matte Painter |
John Dinh | Compositor |
Eric Covello | Compositor |
Daniel Lee | Compositor |
Yuri Shubenin | Compositor |
Guillaume Tunzini | BTS Photographer |
Name | Title |
---|---|
Jessica Chastain | Producer |
Nicolas Chartier | Producer |
Erika Hampson | Executive Producer |
John Norris | Executive Producer |
Babacar Diene | Co-Producer |
Jonathan Deckter | Executive Producer |
Dominic Rustam | Producer |
Kelly Carmichael | Producer |
Narine Garibyan | Co-Producer |
William Earon | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 44 | 60 | 28 |
2024 | 5 | 64 | 84 | 48 |
2024 | 6 | 46 | 68 | 31 |
2024 | 7 | 37 | 64 | 26 |
2024 | 8 | 38 | 88 | 25 |
2024 | 9 | 31 | 44 | 21 |
2024 | 10 | 39 | 73 | 27 |
2024 | 11 | 36 | 44 | 25 |
2024 | 12 | 31 | 37 | 22 |
2025 | 1 | 33 | 56 | 24 |
2025 | 2 | 20 | 31 | 4 |
2025 | 3 | 9 | 29 | 2 |
2025 | 4 | 5 | 9 | 2 |
2025 | 5 | 4 | 10 | 3 |
2025 | 6 | 4 | 7 | 3 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 3 | 4 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 943 | 971 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 709 | 802 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 514 | 590 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 841 | 882 |
This movie started out really slow, the middle was really slow and the end was predictable and slow, nice to see Gina Davis but if you want a decent movie watch something else. ...
**Overall Score: 4.6/5, 4.5/5 Stars, 9/10 Stars** It's rare when you buy a movie unseen an end up enjoying it. I have always been a fan of Jessica Chastain, so when I saw a new movie with her in it, I knew I had to at least give it a shot. When I saw that it was inexpensive on VUDU, I figured w ... hy not just buy it. And I have to admit, I'm glad I did. **Storyline: 4/5**. Jessica Chastain plays Ava, an assassin working for a mysterious company who doesn't really appreciate the fact that she talks to her targets. When she begins questioning herself, she goes home to see her family and ends up in a struggle for her life. **Characters: 4/5**. Ava is the main focus of the movie, but we also get introduced to her mother, sister, ex-boyfriend, and handler throughout the movie. Each has their own issues with Ava, but the one closest to her is Duke, her handler and trainer. Her mother is in the story for really no reason than backstory for Ava's character. The sister, Judy, is a little more involved with her overall and might be the closest thing to a full secondary character. The ex-boyfriend, Michael, comes in a close third. There is no deep character connections in this movie, but the characters all do a good job moving the story forward. **Direction: 4/5**. I do not think I have seen any movies by Tate Taylor before, but he's done a few movies that I never cared to see, so this is my first experience with him. Overall, he's not a bad director. He has a good eye for how a movie should be filmed, he doesn't use any crazy camera movements to show action, and overall I was happy with how he made the movie. I had no real problems with his sense of direction. **Casting: 5/5**. I love when a movie has a good cast. Jessica Chastain, Geena Davis, Common, Colin Farrell and John Malkovich are always good in whatever roles they are given. **Acting: 5/5**. What makes a good movie to me is when you lose the actors in their roles. There were times when this did not happen in the movie, but it was very rare. For the most part, I believed everyone as the parts they played and not as the actors playing them. **Music: 4/5**. The music in this movie isn't the type I would download the soundtrack for, but it did its job in blending in without being a distraction, giving scenes that little extra *umph* they would need. **Cinematography: 5/5**. One of the most annoying things in recent action movies is the use of shaky-cam to give a feel of action. Thankfully, this movie did not use that. Scenes were shot well, and lighting was always perfect. **Production Design: 5/5**. There did not seem to be too many built sets in this movie, which really helped because I'm sure this movie probably did not have a large budget. The sets they used were used well and helped bring the story together. **Pacing: 5/5**. This movie did not drag like I was expecting it to. It moved a little slow but not at a pace where I kept wondering when the movie was going to end. Scenes seemed to be the perfect length to keep the story going without rushing through them or taking too long to get through. **Enjoyment: 5/5**. To me, how much I enjoy a movie is one of the most important factors. I enjoyed this movie a lot. It was a good spy-assassin thriller with a low enough budget that not too many chances could be taken so the story had to come through. I debated on whether my enjoyment was 4/5 or 5/5, and it might change in the future, but for now, I really did enjoy this movie.
Great watch, will likely watch again, and do recommend. This is probably one of the best assassin movies I've ever seen ("Smokin' Aces", "Kill Me Three Times" and "Hanna" come to mind as others), the best thing it does is be refreshing, normally when a "character comes home after a long time awa ... y" trope happens, it's all about re-integrating, and how that affects the family, and it becomes a dark dramedy about dysfunctional families. I'm not saying it doesn't to that, to a degree, but it does it in a spectacular way, and keeps it brief. It would actually be a solution to the main adversity of the movie, but because the premise is that she drags her work home with her, it's all about survival. Jessica Chastain, Colin Ferrell, and (especially) John Malkovich do an amazing job on rather down to Earth (if a bit psychotic and brutal) action sequences. While there is a lot going on around the story, the real focus, and it's worth it, her just trying to live through the organization she joined which she knows has to end in either her or the company's death. I do feel like the worst of it is just that Diana Silvers sort of got sidelined, but I'm hoping that the sequel will focus on her quite a bit.
Great watch, will likely watch again, and do recommend. This is probably one of the best assassin movies I've ever seen ("Smokin' Aces", "Kill Me Three Times" and "Hanna" come to mind as others), the best thing it does is be refreshing, normally when a "character comes home after a long time awa ... y" trope happens, it's all about re-integrating, and how that affects the family, and it becomes a dark dramedy about dysfunctional families. I'm not saying it doesn't to that, to a degree, but it does it in a spectacular way, and keeps it brief. It would actually be a solution to the main adversity of the movie, but because the premise is that she drags her work home with her, it's all about survival. Jessica Chastain, Colin Ferrell, and (especially) John Malkovich do an amazing job on rather down to Earth (if a bit psychotic and brutal) action sequences. While there is a lot going on around the story, the real focus, and it's worth it, her just trying to live through the organization she joined which she knows has to end in either her or the company's death. I do feel like the worst of it is just that Diana Silvers sort of got sidelined, but I'm hoping that the sequel will focus on her quite a bit.
**special mix** Double Scotch, but ice?! Well, some like it. Part of the story is standard thriller fare by now - the professional assassin becoming hunted. Some over-the-top action scenes there. Another part is the dysfunctional but caring family, with guilt, remorse, love, drama. Well playe ... d, but it's an unusual combination with the assassin story; and this special mix will appeal to some people - but my guess is: not many. Good actors giving good performances, solid work from other departments. But I don't think script and direction were bringing their A-game. The part I liked best were the close combat parts. These were worth watching, IMHO - the exhaustion that sets in, no matter how trained people are; well played, choreographed, and the make-up+fx departments did a good job as well. I can't recommend this in general; you need to have some special taste to enjoy it. In which case, have fun. And you may like "Hummingbird (2013)".
This movie was great for entertainment, the action was there, and the story was believable, although sometimes a little strange. All in all, I would watch this again. ⭐⭐⭐⭐ ...