Popularity: 1 (history)
Director: | Tony D'Aquino |
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Writer: | Tony D'Aquino |
Staring: |
A young woman faces her darkest fears with seven other unwilling participants in a deadly game — a game that can only have one winner. | |
Release Date: | Apr 12, 2019 |
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Director: | Tony D'Aquino |
Writer: | Tony D'Aquino |
Genres: | Action, Horror, Thriller |
Keywords | kidnapping, epilepsy, murder, gore, eyeball, axe murder, head explosion, epileptic seizure, epileptic |
Production Companies | Head Gear Films, Metrol Technology, Kreo Films, Odin's Eye Entertainment, The Film Distillery |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Airlie Dodds | Kayla |
Linda Ngo | Rose |
Taylor Ferguson | Sheena |
Ebony Vagulans | Maddie |
Danielle Horvat | Jess |
Tom O'Sullivan | Derek |
Jessica Baker | Jackie |
Kaitlyn Boyé | Alice |
Harriet Davies | Sally |
Steve Morris | RotFace / PigFace |
Ben Toyer | SkinCrow |
Leon Stripp | BabyFace / Owly / Killer #1 |
Dean Gould | Killer #2 |
Brendan Kelly | Control Room Operator |
Tim Stiles | Thug |
Mike Wheeler | The Professor |
Michael Ubrihien | Professor's Assistant |
Name | Job |
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Zoe Cassidy | Props |
Leon Stripp | Stunts |
Ben Toyer | Stunts |
Rick Beecroft | First Assistant Director |
Abbey McNaughton | Production Runner |
Hannah de Feyter | Second Assistant Director |
Marianne Jade | Casting |
Zhenshi Van De Klooster | Second Assistant Camera |
Adrian Rostirolla | Editor |
Louise Mitchell | Casting |
Tony D'Aquino | Writer, Director |
Polly Crowden | Costume Supervisor |
Gareth Davies | Production Design |
Helen Magelaki | Makeup Designer, Makeup & Hair |
Christian Doran | Line Producer, Production Manager |
Edwina Wright | Assistant Editor |
Buck Rumstache | Props |
Joshua Sellick | Boom Operator |
Rachel Scane | Special Effects Assistant |
Garry Richards | Camera Operator, Director of Photography |
Tim Duck | Sound Recordist, Sound Re-Recording Mixer, Dialogue Editor |
David Springan O'Rourke | Sound Recordist |
Sheldon Wade | Special Effects Makeup Artist |
Dean Gould | Action Director |
Joel Cabban | Art Department Assistant |
Larry Van Duynhoven | Prosthetic Designer |
Rebecca Needs | Makeup & Hair |
Harriet Macarthur | Art Direction |
Ralph Fox | Unit Manager |
Toby Purtle | Sound Assistant |
Angelo Sartore | First Assistant Camera |
Gemma-Lark Johnson | Props |
Kenneth Lampl | Original Music Composer |
Marlee Barber | Stunt Double |
Jayde Rutene | Stunt Double |
Kirsten Axelholm | Original Music Composer |
Melanie Calvert | Production Coordinator |
Mila Gisbert | Script Supervisor |
Max McLachlan | Steadicam Operator, "B" Camera Operator |
Jeffrey Truong | First Assistant "B" Camera |
Matthew Ong | Second Assistant "B" Camera |
Laura Cotterill | Data Wrangler |
Russell Fewtrell | Gaffer |
Andrew Ward | Best Boy Electric |
Grace Park | Electrician |
Richard Allardice | Key Grip |
John Waterhouse | Grip |
Seth Justus | Concept Artist |
Jill Hewitt | Production Accountant |
Max Chen | Production Accountant |
Fei Mao | Production Accountant |
Jenny Brooks | Payroll Accountant |
Karel Segers | Script Consultant |
Martin Ollman | Still Photographer |
Ryan Ware | Visual Effects Supervisor |
Ashlee Robertson | Costume Assistant |
Andy Marriott | Post Production Supervisor |
Michael Easter | Digital Imaging Technician |
Jamie Hediger | Colorist |
Rohan Taylor | Music Editor, Sound Re-Recording Mixer, Supervising Sound Editor |
Duncan Lowe | Foley Editor, Sound Effects Editor, Foley Artist |
Myles Wrigley | Foley Editor, Sound Effects Editor |
Gabe Trew | Foley Artist |
Jasmine Parker | Foley Artist |
Grace Prow | Foley Artist |
James Henshaw | Sound Re-Recording Mixer |
Steve Morris | Stunts |
Name | Title |
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Tom Harberd | Associate Producer |
Phil Hunt | Executive Producer |
Compton Ross | Executive Producer |
Lisa Shaunessy | Producer |
Andrew Marriott | Producer |
Michael Favelle | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 19 | 26 | 14 |
2024 | 5 | 22 | 32 | 16 |
2024 | 6 | 20 | 34 | 12 |
2024 | 7 | 20 | 41 | 13 |
2024 | 8 | 16 | 27 | 10 |
2024 | 9 | 12 | 19 | 8 |
2024 | 10 | 15 | 23 | 10 |
2024 | 11 | 16 | 30 | 10 |
2024 | 12 | 14 | 24 | 9 |
2025 | 1 | 14 | 21 | 10 |
2025 | 2 | 15 | 29 | 3 |
2025 | 3 | 8 | 28 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 1 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
Trending Position
Splatter horror tends to measure its own value in gallons of blood and baskets of body parts, but D’Aquino should be saluted for adding some impressive style, nuance and imagination to ‘The Furies’. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-furi ... es-a-bloody-well-executed-gorefest