Come Away
A story about courage, wonder, and never growing old.
2020 | 94m | English
Popularity: 1 (history)
| Director: | Brenda Chapman |
|---|---|
| Writer: | Marissa Kate Goodhill |
| Staring: |
| Before Alice went to Wonderland, and before Peter became Pan, they were brother and sister. When their eldest brother dies in a tragic accident, they each seek to save their parents from their downward spirals of despair until finally they are forced to choose between home and imagination, setting the stage for their iconic journeys into Wonderland and Neverland. | |
| Release Date: | Nov 12, 2020 |
|---|---|
| Director: | Brenda Chapman |
| Writer: | Marissa Kate Goodhill |
| Genres: | Adventure, Fantasy |
| Keywords | woman director |
| Production Companies | TinRes Entertainment, Yoruba Saxon, Fred Films, Endurance Media, Hammerstone Studios, ACE Pictures Entertainment |
| Box Office |
Revenue: $1,746,860
Budget: $0 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Keira Chansa | Alice Littleton |
| Jordan A. Nash | Peter Littleton |
| Angelina Jolie | Rose Littleton |
| David Oyelowo | Jack Littleton |
| Reece Yates | David Littleton |
| Anna Chancellor | Eleanor Morrow |
| Clarke Peters | Mad Hatter |
| Michael Caine | Charlie |
| David Gyasi | James Littleton / CJ |
| Derek Jacobi | Mr. Brown |
| Jenny Galloway | Hannah O'Farrel |
| Ned Dennehy | Sam "Smee" Smiegel |
| Daniel Swain | George Darling |
| Ava Fillery | Wendy Darling |
| Jonathan Garcia | John Darling |
| Carter Thomas | Michael Darling |
| Jack Veal | Curly |
| Rishi Kuppa | Tootles |
| Alfie Hoang | Slightly |
| Nana Agyeman-Bediako | Nibs |
| Harry Newman | Twin |
| Oliver Frank Newman | Twin |
| Rob Pavey | Tweedledee |
| James Pavey | Tweedledum |
| Nigel Plaskitt | White Rabbit |
| Gugu Mbatha-Raw | Alice Littleton (Adult) |
| Damian O'Hare | Dr. Richards |
| Sean Baker | Mr. Brown's Butler |
| Johanna Thea | Mickeys Patron |
| Tristan Henry | The Butler |
| Thomas Goodridge | Riddler's Row Cobbler |
| Natalie Coombs | Gypsy |
| Petra Bryant | Prostitute |
| Martin Ballantyne | Ironmonger |
| Roger Ashton-Griffiths | Smoking Overweight Man |
| Shun Yin | Geisha |
| Samuel Pont | Mickey's Thug |
| Andrew Dunkelberger | Street Performer |
| Martyn Mayger | Street Drinker |
| Keith Chanter | Orphanage School Master |
| Savannah Read | Orphan Girl |
| Christine Callaghan | Tea Party Guest |
| Chloe Collingwood | Tea Party Guest |
| Trevor Johnson | Mourner |
| Sarah Lockett | Mourner |
| Richard Stanley | Labyrinth Addict |
| Jo Wheatley | Labyrinth Addict |
| Name | Job |
|---|---|
| Brenda Chapman | Director |
| J.M. Barrie | Characters |
| Jamie Mills | Gaffer |
| Adam Horton | Stunt Coordinator |
| Jules O'Loughlin | "A" Camera Operator, Director of Photography |
| Luciana Arrighi | Production Design |
| Christopher Tandon | Art Direction |
| Liz Ainley | Set Decoration |
| Louise Stjernsward | Costume Design |
| Eleanor Sabaduquia | Key Makeup Artist |
| Gisela Evert | Post Production Supervisor |
| Will Mackay | Stunts |
| Benos Noble | Stunts |
| Joe Watts | Stunts |
| Natasha Cousins | Costume Supervisor |
| Fabrice Spelta | Art Direction |
| Andrew Munro | Supervising Art Director |
| Kate J. Sullivan | Set Decoration |
| Karen Scott | Hair Supervisor, Makeup Supervisor |
| Richard Graysmark | First Assistant Director |
| Sanchez Mclean | Stunts |
| Tilly Powell | Stunts |
| Giulia Patanè | Script Supervisor |
| Cass Marks | Line Producer |
| Konnie Daniel | Hair Designer, Makeup Designer |
| Lillie Jeffrey | Casting |
| Justin Hawkins | First Assistant "B" Camera |
| Amy Yeats | Second Assistant "B" Camera |
| Rupert Lloyd-Parry | Key Grip |
| Hugh Sherlock | Sound Engineer |
| Katharine Rose | Costume Assistant |
| Pascale Recher | Hair Supervisor, Makeup Supervisor |
| Sally Watterston | Makeup & Hair |
| Reg Poerscout-Edgerton | Casting |
| Damien Walsh | First Assistant "A" Camera |
| Alex Van Heerden | Second Assistant "A" Camera |
| Michael Pentney | Digital Imaging Technician |
| David Lascelles | Production Sound Mixer |
| Françoise Fourcade | Assistant Costume Designer |
| Amber Brabant | Wardrobe Master |
| Jenny Hammond | Makeup & Hair |
| Ross Busby | Best Boy Electric |
| Danny Tyler | Electrician |
| John Bohan | Construction Manager |
| Robert Binnall | Second Unit Director of Photography |
| Amar Ingreji | Visual Effects Editor |
| Lacey Seringer | Assistant Editor |
| Amy Stockdale | Post Production Coordinator |
| Teresa Eckton | Sound Effects Editor |
| Matthew Hartman | ADR Editor, Dialogue Editor |
| Christopher Barron | Assistant Sound Editor |
| Scott Curtis | Foley Mixer |
| Kimberly Patrick | Foley Editor |
| Sean England | Foley Artist |
| Jeff Carson | Music Editor |
| Tanya Noel Hill | Music Editor |
| Noel Cowell | Property Master |
| James Summers | Rigging Gaffer |
| Jamie Bruce | Electrician |
| Greg Whitbrook | Electrician |
| Rory Okey | Casting Assistant |
| Emma McCleave | Associate Editor |
| Sarah K. Reimers | Additional Editor |
| Esther Bailey | Assistant Editor |
| Shaheen Schleifer | Post Production Coordinator |
| Stuart McCowan | ADR Editor |
| Alyssa Nevarez | Assistant Sound Editor |
| Shelley Roden | Foley Artist |
| Lola Debney | Music Coordinator |
| Jim Harrison | Music Editor |
| Will Taggart | Music Coordinator |
| John Debney | Original Music Composer |
| Dody Dorn | Editor |
| Marvin Campbell | Stunts |
| Amanda Foster | Stunts |
| James Pavey | Stunts |
| Rob Pavey | Stunts |
| Nik Schodel | Stunt Coordinator |
| Shane Steyn | Stunts |
| Alex Bailey | Still Photographer |
| Dave Isern | Steadicam Operator, "B" Camera Operator |
| Oliver Garcia | Assistant Costume Designer |
| Sian Crisp | Casting Assistant |
| Stevee Davies | Casting Assistant |
| Mac Smith | Supervising Sound Editor |
| Christopher Barnett | Sound Re-Recording Mixer |
| Shaun Farley | Sound Effects Editor |
| Chris Manning | Foley Editor |
| Marissa Kate Goodhill | Screenplay |
| Anisha Acharya | Additional Editor |
| Kyrsten Mate | Sound Designer |
| Juan Peralta | Sound Re-Recording Mixer |
| Name | Title |
|---|---|
| James Spring | Producer |
| Andrea Keir | Producer |
| Leesa Kahn | Producer |
| Minglu Ma | Executive Producer |
| Johnny Chang | Executive Producer |
| Courtney Chenn | Executive Producer |
| David Haring | Executive Producer |
| Pervez Delawalla | Executive Producer |
| Gia Muresan | Executive Producer |
| Steve Ponce | Executive Producer |
| Richard Graysmark | Co-Producer |
| George Acogny | Executive Producer |
| Peter Wong | Executive Producer |
| Emma Lee | Executive Producer |
| Waylen Lin | Executive Producer |
| Christian Mercuri | Executive Producer |
| Simon Fawcett | Executive Producer |
| Jane Hooks | Executive Producer |
| Michelle Manning | Executive Producer |
| Reg Poerscout-Edgerton | Co-Producer |
| Shereen Ali | Associate Producer |
| David Oyelowo | Producer |
| Steve Barnett | Executive Producer |
| Alex Lebovici | Executive Producer |
| Steve Richards | Producer |
| Timur Bekbosunov | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 33 | 55 | 22 |
| 2024 | 5 | 41 | 73 | 31 |
| 2024 | 6 | 29 | 54 | 16 |
| 2024 | 7 | 24 | 61 | 12 |
| 2024 | 8 | 22 | 49 | 11 |
| 2024 | 9 | 13 | 19 | 10 |
| 2024 | 10 | 16 | 28 | 11 |
| 2024 | 11 | 15 | 41 | 6 |
| 2024 | 12 | 13 | 27 | 8 |
| 2025 | 1 | 14 | 27 | 8 |
| 2025 | 2 | 10 | 14 | 3 |
| 2025 | 3 | 5 | 12 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 4 | 10 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
| 2025 | 11 | 3 | 5 | 2 |
| 2025 | 12 | 3 | 7 | 0 |
| 2026 | 1 | 1 | 1 | 1 |
| 2026 | 2 | 1 | 1 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 748 | 812 |
Come Away is a film about the power of imagination made by people who have none. This is not a script; it’s a mashup. Because it’s not enough to ruin one beloved children’s classic, this movie turns Alice and Peter Pan into biracial siblings whose parents are David Oyelowo and Angelina Jolie. Th ... e only way any of this would make any sense is if the entire story took place in either Neverland or Wonderland, which it most certainly doesn’t. Movies like this always remind me of Fran Lebowitz explaining that art shouldn’t be a democracy but an intellectual aristocracy. Here we have an interracial marriage set in a time and place where such a union would have been all but impossible. Ignoring the struggle for equality does a disservice to those who fought and died for it. The worst part is that the filmmakers lack the courage of their convictions, giving the dark-skinned Alice blonde highlights (which of course no one had in Victorian England). Do they actually think this is what happens when a blonde woman and a black man reproduce? Or are they afraid to make the character 'too black'? All these distractions, however, do not change the fact that the plot is hopelessly pedestrian; say what you will of Hook, but at least it had joie de vivre. How bad do you have to suck to co-opt two iconic characters and still come out with less than the sum of the parts?