Popularity: 6 (history)
Director: | Roland Emmerich |
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Writer: | Wes Tooke |
Staring: |
The story of the Battle of Midway, and the leaders and soldiers who used their instincts, fortitude and bravery to overcome massive odds. | |
Release Date: | Nov 06, 2019 |
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Director: | Roland Emmerich |
Writer: | Wes Tooke |
Genres: | Action, History, War |
Keywords | world war ii, based on true story, pacific war, pacific theater, 1940s, u.s. navy, battle of midway, historical fiction, naval warfare |
Production Companies | Centropolis Entertainment, Entertainment One, AGC Studios, Street Entertainment, Starlight Culture Entertainment Group, Shanghai RuYi Entertainment |
Box Office |
Revenue: $127,400,000
Budget: $100,000,000 |
Updates |
Updated: Aug 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Ed Skrein | Lieutenant Richard 'Dick' Best |
Patrick Wilson | Rear Admiral Edwin T. Layton |
Woody Harrelson | Admiral Chester W. Nimitz |
Luke Evans | Commander Wade McClusky |
Mandy Moore | Anne Best |
Luke Kleintank | Lieutenant Clarence Earle Dickinson |
Dennis Quaid | Vice Admiral William 'Bull' Halsey |
Aaron Eckhart | Lieutenant Colonel Jimmy Doolittle |
Keean Johnson | Chief Aviation Radioman James Murray |
Nick Jonas | Bruno Gaido |
Etsushi Toyokawa | Admiral Isoroku Yamamoto |
Tadanobu Asano | Rear Admiral Tamon Yamaguchi |
Darren Criss | Commander Eugene Lindsey |
Brandon Sklenar | George 'Tex' Gay |
Jake Manley | Willie West |
Jun Kunimura | Vice Admiral Chūichi Nagumo |
Nobuya Shimamoto | Captain Tomeo Kaku |
Brennan Brown | Commander Joseph Rochefort |
Jake Weber | Rear Admiral Raymond Spruance |
Alexander Ludwig | Lieutenant Roy Pearce |
David Hewlett | Husband Kimmel |
Mark Rolston | Ernest King |
Eric Davis | Captain Miles Browning |
Kenny Leu | Zhu Xuesan |
Rachael Perrell Fosket | Dagne Layton |
Peter Shinkoda | Cmdr. Minoru Genda |
James Carpinello | William Brockman |
Tim Beckmann | Captain Rawlings |
Sarah Souza | Marie Pearce |
Cameron Brodeur | Sully Brown |
Hiromoto Ida | Prime Minister Tojo |
Hiroaki Shintani | Emperor Hirohito |
Russell Dennis Lewis | Ensigh O’Flaherty |
Geoffrey Blake | John Ford |
Mikaël Conde | Bill Miller |
Madison Roukema | Barbara Best |
Christie Brooke | Millicent McClusky |
Dustin Geiger | Paul Crosley |
Jason Lee Hoy | Pat Rooney |
Ellen Dubin | Admiral King Secretary |
Jason New | Marine Captain (Midway) |
Dean Schaller | Jack MacKenzie Jr. |
Jacob Blair | Hank Potter |
Kayo Yasuhara | Geisha |
Rudolph Wallstrom | Petty Officer (Pacific HQ) |
Matthew MacCaull | Staff Officer (Nimitz) |
Philip Fu-Kang Wang | Chinese Major |
Johan Strombergsson-Denora | Radioman #1 (Enterprise SC) |
Nico DeCastris | Radioman #2 (Enterprise SC) |
Alexandre Dubois | Radar Officer (Enterprise) |
Tyler Elliot Burke | Radar Officer (Enterprise) |
Raphael Grosz-Harvey | Lt. JG (Hospital) |
Trevor Danielson | Talker |
Agostino Michael Cimino | Buzz Davis (Sonar Tech Nautilus) |
Takeshi Kurokawa | Imperial Guardsman |
Ryuta Kato | Japanese Junior Officer (Yamat) |
Garret Sato | Japanese Officer (Prison) |
Neil Girvan | Navy Yard Inspector |
Ellis Arch | Lofton Henderson |
Robert Crooks | McClusky's Radioman |
Sean Colby | Gay's Radioman |
Kasey Ryne Mazak | Signal Officer (Akagi) |
Ryo Hayashida | Deck Officer (Akagi) |
Michael Chapman | Helmsman (Nautilus) |
Masahiro Tanikawa Masa Tani | Damage Control Officer |
Ryohei Arima | Japanese Lieutenant (Kaga) |
Hiro Kanagawa | Makigumo Captain |
Ken Takikawa | Makigumo Lieutenant |
Leonardo Boudreau | Passing Sailor |
Tony Nowicki | SBD Pilot (Enterprise) |
Yuta Takenaka | Staff Officer (Yamato) |
Tatsuya Shirato | Flag Officer (Yamato) |
Tyler Hall | William 'Slim' Townsend |
Kyle Bougeno | Smoking Sailor |
David Dacosta | Breathless Ensign (Enterprise) |
Kazuki Gonzalez-Adachi | Hiryu Helmsman |
Reyn Halford | Torpedo Room Chief |
Toyoaki Ito Leung | Japanese Boy (10 YO) |
Halta Nonen | Japanese Boy #2 (6 YO) |
Adrian Spencer | Chief Medic (Enterprise) |
James Hicks | Edwin Kroeger |
Sebastian Pigott | Petty Officer #2 |
Simon Pelletier-Gilbert | Yorktown Spotter |
Philippe Verville | Doolittle's Bombardier |
Shigeru Yabuta | Japanese Duck Netting Officer |
Seunghwan Min | Zero Pilots Squadron Leader |
Christopher Tapia | Hiryu Pointer |
Sangwon Jun | Hiryu Talker |
Motoo Taira | Akagi Spotter |
Ana Maria Lombo | Ballroom Singer |
Name | Job |
---|---|
Robby Baumgartner | Director of Photography |
Adam Wolfe | Editor |
Mario Davignon | Costume Design |
Kirk M. Petruccelli | Production Design |
Andrea Kenyon | Casting Director |
Page Buckner | Art Direction |
Carolyne de Bellefeuille | Art Direction |
Jean-Pierre Paquet | Art Direction |
Christine Youngstrom | Art Department Coordinator |
Vicki Pui | Concept Artist |
Doug Hardwick | Construction Coordinator |
David Shauger | Construction Coordinator |
Martin Chalifoux | Construction Manager |
Alvin S. Cabrinha Jr. | Property Master |
Craig K. Lewis | Set Decoration Buyer |
Catherine Lam | Set Designer |
Chris Lewis | Set Designer |
Gaby Miègeville-Little | Set Designer |
Justin Neenan | Set Designer |
Radia Slaimi | Set Designer |
Simon Théberge | Set Designer |
Tom Curtis | Set Dresser |
Cedric Levesque | Set Dresser |
Hale Mawae | Set Dresser |
Maxime Privé | Set Dresser |
Nicolas Privé | Set Dresser |
Pierre Antoine Rousse | Set Dresser |
Christopher J. Wood | Set Dresser |
Johannes Muecke | Title Designer, Storyboard Artist |
Isabelle Guay | Supervising Art Director |
Pierre Daudelin | Best Boy Electric |
Joshua Atkin | Best Boy Electric |
Tuiaana Scanlan | Best Boy Grip |
Jeremy Brussell | Best Boy Grip |
Reid Murphy | Camera Operator |
Julie Garceau | Digital Imaging Technician |
Jeroen Hendriks | Digital Imaging Technician |
Alan Shultz | Dolly Grip |
Michael Keola Jones | Dolly Grip |
Rick Crum | Electrician |
Aaron McMullen | Electrician |
David Villeneuve | Electrician |
Joseph Segura | First Assistant Camera |
Steven Cueva | First Assistant Camera |
Marie-Julie Besse | First Assistant Camera |
Dany Racine | First Assistant "A" Camera |
Gary Pachany | First Assistant "B" Camera |
Eames Gagnon | Gaffer |
Joshua Davis | Gaffer |
Stephane Boisvert | Generator Operator |
Todd Schatz | Generator Operator |
David Dinel | Key Grip |
Les T. Tomita | Key Grip |
Rick Harris | Key Rigging Grip |
Stephen Bacquet | Lighting Technician |
Mónica Caballero | Lighting Technician |
Dan Goyens | Lighting Technician |
John M.H. Lee | Lighting Technician |
Allen Mozo | Lighting Technician |
Mike Gerzevitz | Lighting Technician |
Don Tomich | Rigging Gaffer |
James Takahashi | Rigging Grip |
Curtis Wingerter | Rigging Grip |
Soupharak Keoborakoth | Second Assistant "A" Camera |
Eric Aubin | Second Assistant "B" Camera |
Reiner Bajo | Still Photographer |
Alan Markfield | Still Photographer |
Don King | Underwater Camera |
Marcelo Padovani | Assistant Hairstylist |
Liliane Saad | Assistant Hairstylist |
Mahealani Diego | Assistant Makeup Artist |
Félix Larivière | Hair Department Head |
Eli Girard | Hairstylist |
Sheldon Yamauchi | Hairstylist |
Jean Scarabin | Hairstylist |
Pamela Goldammer | First Assistant Makeup Artist |
Paula Hong | Hairstylist |
Jean-Manuel Medina | Hairstylist |
Arthur B Wilson III | Hairstylist |
Ralph Malani | Key Hair Stylist |
Laine Rykes | Key Makeup Artist |
Catherine Lahaye | Makeup Artist |
Christine Carrière | Makeup Artist |
Jeong-Hwa Fonkalsrud | Makeup Department Head |
Emilie Gauthier | Makeup Designer |
Eric Rylander | Special Effects Coordinator |
Patrick Christensen | ADR Mixer |
Dave Goetter | ADR Mixer |
Matt Hovland | ADR Mixer |
Nicolas Dallaire | ADR Recordist |
Jon Lawless | ADR Recordist |
Wouter van Herwerden | ADR Recordist |
Cary Weitz | Boom Operator |
Josh Bower | Boom Operator |
Taylor Westerfield | Dialogue Editor |
Jacek Wiśniewski | Foley Artist |
Natalia Lubowiecka | Foley Editor |
Michał Wilczewski | Foley Editor |
Filip Stefanowski | Foley Mixer |
Louis Marion | Production Sound Mixer |
Steve Neal | Sound Editor |
Jan Bezouška | Sound Effects Editor |
Matt Yocum | Sound Effects Editor |
Michael Hoffman | Sound Mixer |
Tom Marks | Sound Re-Recording Mixer |
Greg P. Russell | Sound Re-Recording Mixer |
Peter Bawiec | Sound Re-Recording Mixer, Supervising Sound Editor |
Joshua Hakim | 3D Artist |
Babak Bina | 3D Generalist |
Daniel Perez | 3D Generalist |
Sebastian Butenberg | Animation Director |
Steve Seongik Hong | Animation Supervisor |
Johannes Wolz | Animation Technical Director |
Marc Roth | CG Supervisor |
Evgeny Berbasov | CG Supervisor |
Jason Hannen-Williams | CG Supervisor |
Dan Smiczek | CG Supervisor |
Prapanch Swamy | CG Supervisor |
Ryo Sakaguchi | CG Supervisor |
Lukas Lepicovsky | CG Supervisor |
Matthew Novak | CG Supervisor |
Florian Franke | Compositing Lead |
Rodions Jepejevs | Compositing Lead |
Jean-Philippe Tristant | Compositing Lead |
Enrique Sandoval Castro | Compositing Lead |
Danielle Norgate | Compositing Lead |
Henrique Reginato | Compositing Lead |
Phil Prates | Compositing Supervisor |
Egbert Reichel | Compositing Supervisor |
Mark Spindler | Compositing Supervisor |
Micah Gallagher | Compositing Supervisor |
Michael Porterfield | Compositing Supervisor |
Michael J. Viera | Compositing Supervisor |
Ning Yan | Lead Animator |
Patricia Binga | Lead Animator |
Philipp Winterstein | Lead Animator |
Rodgers Paul | Matte Painter |
Dasom Song | Matte Painter |
Peter Braeley | Matte Painter |
Chengwei Zheng | Matte Painter |
Eun Young Kim | Matte Painter |
Mujia Liao | Matte Painter |
Tricia Kim | Matchmove Supervisor |
Kevin Mains | Modeling |
Zaki Saati | Modeling |
Dylan Dunford | Modeling |
Mariana Gorbea | Modeling |
Benjamin Lepine | Modeling |
Ron Schrems | Modeling |
Magnus Skagerlund | Modeling |
Tefft Smith | Pre-Visualization Supervisor |
Laura Carnegie | VFX Editor |
Shae Salmon | VFX Editor |
Rene Toye | VFX Editor |
Ilkka Uitto | VFX Editor |
Thomas Weckenmann | VFX Editor |
Timur Yesilfiliz | VFX Editor |
Adam Figielski | VFX Supervisor |
Philip Nussbaumer | VFX Supervisor |
Phil Jones | VFX Supervisor |
Derek Spears | VFX Supervisor |
Selah Chung | Visual Effects Coordinator |
Marshall Rainey | Visual Effects Coordinator |
Natsai Todd | Visual Effects Coordinator |
Aditya Menon | Visual Effects Coordinator |
Kin Yiu | Visual Effects Coordinator |
Mandalyn Forbes | Visual Effects Coordinator |
Gray Xi | Visual Effects Coordinator |
Sophia Zhang | Visual Effects Coordinator |
Michael Armstrong | Visual Effects Coordinator |
Thelma Rangel | Visual Effects Coordinator |
Errol Stussi | Visual Effects Coordinator |
Thomas Dane Wagener | Visual Effects Coordinator |
Andrew Ryan Turner | Visual Effects Editor |
Steven Spady | Visual Effects Editor |
Tricia Mulgrew | Visual Effects Producer |
Greta Ruljevaite | Visual Effects Producer |
Sofronie Dun | Visual Effects Producer |
Iva Modrah | Visual Effects Producer |
Aaron Reznick | Visual Effects Production Manager |
Bill Wang | Visual Effects Production Manager |
Peter G. Travers | Visual Effects Supervisor |
Greg Strasz | Visual Effects Supervisor |
Nick Crew | Visual Effects Supervisor |
Laurent Taillefer | Visual Effects Supervisor |
Troy Moore | Visual Effects Supervisor |
Marylou Lim | Assistant Costume Designer |
Sara Eva Gonzalez | Costume Assistant |
Aaron Ellis | Costumer |
Josh Mar | Costumer |
Jen Martin | Costumer |
Sabrine Canuel | Key Costumer |
Paul Corricelli | Key Costumer |
Harlan Glenn | Key Costumer |
Cathie Valdovino | Set Costumer |
Gina Scarnati | Textile Artist |
Daryl Baboulis-Gyscek | Casting Assistant |
Caitlin Well | Casting Associate |
Karen Wood | Casting Associate |
Eriko Miyagawa | Casting Consultant |
Johanna Bautista | Extras Casting |
Danny MAlin | Extras Casting |
Dustin Snodgrass | Extras Casting |
Marie Medina | Extras Casting Assistant |
Martin Doepner | First Assistant Director |
Bethan Mowat | First Assistant Director |
Pauline Béraud | Script Supervisor |
Lorette Leblanc | Script Supervisor |
Ryan Stevens Harris | Assistant Editor |
Trevor White | Colorist |
Walter Volpatto | Digital Intermediate Colorist |
Paul O'Bryan | First Assistant Editor |
Rob Scratch Mitchell | Aerial Coordinator |
Harry Lu | Armorer |
Francie Brown | Dialect Coach |
Rebecca Gausnell | Dialect Coach |
Andrea Montana Knoll | Production Consultant |
Angela Laprete | Production Consultant |
Marie-Helene Roy | Production Coordinator |
Natacha Williams | Travel Coordinator |
Puelo Deir | Unit Publicist |
Marcin Kasiński | Foley Editor |
Thomas Wander | Original Music Composer |
Hiroko Yano | Thanks |
Roland Emmerich | Director |
Wes Tooke | Screenplay |
Carolyn A. Loucks | Set Decoration |
Nicholas Rymond | Leadman |
Patrick Kerton | Stunt Coordinator |
Tom Macdonald | Costume Supervisor |
Caitlin McKenna | ADR Voice Casting |
Katie Doyle | Casting Director |
Craig Hosking | Aerial Coordinator |
Carolina Jiménez | Layout |
Daniel McGraw | Makeup Artist |
Kacper Habisiak | Foley Editor |
Linda Flowers | Hairstylist |
Bryan Grill | Visual Effects Supervisor |
Nathalie Legault | Makeup Artist |
Hélène Lamarre | Art Department Coordinator |
Josephine Allegretti | Visual Effects |
Harald Kloser | Original Music Composer |
Name | Title |
---|---|
Wes Tooke | Executive Producer |
Ke Liming | Executive Producer |
Alastair Burlingham | Executive Producer |
Brent O'Connor | Executive Producer |
Miguel Palos | Executive Producer |
Rui Cui | Co-Executive Producer |
Roland Emmerich | Producer |
Mark Gordon | Producer |
Yu Dong | Executive Producer |
Peter Luo | Executive Producer |
Jeffrey Chan Wing-Hung | Executive Producer |
Harald Kloser | Producer |
Matt Jackson | Executive Producer |
Carsten H.W. Lorenz | Executive Producer |
Stuart Ford | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 62 | 104 | 34 |
2024 | 5 | 111 | 143 | 94 |
2024 | 6 | 82 | 155 | 38 |
2024 | 7 | 40 | 60 | 28 |
2024 | 8 | 43 | 106 | 24 |
2024 | 9 | 28 | 40 | 21 |
2024 | 10 | 35 | 68 | 21 |
2024 | 11 | 34 | 68 | 22 |
2024 | 12 | 40 | 56 | 26 |
2025 | 1 | 38 | 63 | 26 |
2025 | 2 | 24 | 37 | 4 |
2025 | 3 | 12 | 36 | 2 |
2025 | 4 | 9 | 12 | 6 |
2025 | 5 | 7 | 13 | 5 |
2025 | 6 | 5 | 9 | 4 |
2025 | 7 | 5 | 9 | 4 |
2025 | 8 | 4 | 7 | 3 |
2025 | 9 | 6 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 709 | 849 |
Year | Month | High | Avg |
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2025 | 8 | 423 | 772 |
Year | Month | High | Avg |
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2025 | 7 | 497 | 752 |
Year | Month | High | Avg |
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2025 | 6 | 515 | 782 |
Year | Month | High | Avg |
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2025 | 5 | 271 | 732 |
Year | Month | High | Avg |
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2025 | 4 | 536 | 808 |
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2025 | 3 | 289 | 662 |
Year | Month | High | Avg |
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2025 | 2 | 367 | 697 |
Year | Month | High | Avg |
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2025 | 1 | 426 | 746 |
Year | Month | High | Avg |
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2024 | 12 | 61 | 600 |
Year | Month | High | Avg |
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2024 | 11 | 475 | 738 |
Year | Month | High | Avg |
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2024 | 10 | 554 | 554 |
Year | Month | High | Avg |
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2024 | 8 | 595 | 814 |
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) With all due respect to Roland Emmerich and to his fantastic Independence Day, his movies never quite reach their potential, ending up in constant disappointments. It doesn't matter if he has excellent casts or amazing VFX tea ... ms, his films' screenplays are almost always stuffed with narrative issues. Midway is simply another installment in his saga of letdowns. Without knowing the director, anyone who looks at this movie will feel instantly captivated. From the unbelievably talented cast to the impressive visuals, it has two attention-grabber ingredients, which can result in a remarkable film… only if the two pillars of any cinematic production are decent enough: story and characters. These are the main issue with Emmerich's movies. His characters are not compelling or intriguing enough, and his screenplays lack creativity and excitement (whether these are written by him or someone else). When I noticed that Midway had such an acclaimed cast and that it was about the Battle of Midway, I immediately got excited. War epics are a genre that I sincerely appreciate. However, when I checked who was "running the show", I instantly lowered my expectations. Honestly, it's exactly what I expected it to be: visually gripping, but emotionally hollow. I don't want to understate it. The CGI work in this film is jaw-dropping. The actual war is riveting with astonishing aerial sequences and powerful sound design. Even at a regular screening with the usual 7.1 Dolby surround speakers, the floor was rumbling with the explosions and the planes. This is why I think audiences will definitely enjoy this movie. Maybe not a vast majority, but surely most people will leave their theaters feeling it was good entertainment. It has a long runtime, and it's hard to get through the exposition-heavy story, but in the end, I bet the general public will appreciate the war action enough to give the whole thing a thumbs up. Nevertheless, it's still a very superficial flick. While it's very respectful to everyone who fought in the war (including the Japanese) and to the historic event on itself, it lacks emotional attachment to its characters. Dunkirk was praised by both critics and audiences all around the world, but its main criticism connects to what I just wrote. Christopher Nolan's film also didn't have any compelling characters. However, there's a big difference between these two movies. Both their marketing and their ultimate goal are distinct. Dunkirk was all about showing the actual war. It never marketed itself as a character-study or that it would even have a significant focus on some of the heroes that fought there. Nolan repeated several times: it's about the war and the war only. It's genuinely one of the best, if not the best, *pure* war film I've ever seen. When it comes to depicting the claustrophobic, unbreathable, restless, bloody, loud event that a devastating war is, Dunkirk is so realistic it can even become uncomfortable with just sitting in your chair (at least, I did in IMAX). On the other hand, Midway's marketing was about paying homage to "people who fought in the Battle of Midway". Hence the stellar cast compared to Nolan's just competent actors (with obvious exceptions like Mark Rylance or Tom Hardy). It spends most of its screentime trying to develop the actual people that helped win that battle, not with the action itself. Therefore, these characters need engaging scripts and emotionally resonant arcs. Wes Tooke delivers a screenplay packed with so much exposition that a lot of it looks clearly unrealistic. Characters discuss specific topics that don't make any sense of being in a conversation at a particular time and place. Throughout the runtime, there are dialogue sequences with the sole purpose of explicitly telling the audience what we need to know to understand the story, which ends up turning the narrative confusing, convoluted, and lacking faster pacing. It's tough to get through the non-action periods, and I can't even imagine how dull it would be without such an impeccable cast. Ed Skrein remarkably portrays Dick Best, the only character who's genuinely compelling and carries a complete, well-developed arc. Unfortunately, I didn't feel invested in any other character. Only the best movies of every year can have a numerous and talented cast while giving each and every actor an exciting role. Midway has too many characters for the story it wants to tell. In addition to this, it has to stretch its runtime because you can't get Woody Harrelson or Dennis Quaid playing secondary roles and not giving them more than just a couple of lines. As time goes by, Emmerich's storytelling structure gets needlessly more and more complicated to follow. It's yet another film added to the "wasted potential" list… Potential due to how truly magnificent the action sequences can be. It's undeniable that these are entertaining, gripping, and exciting. The dive bombers' scenes are packed with so much tension that I was getting more and more frustrated every time they missed their target, and a bomb went into the sea. I wanted them to succeed so bad, and this feeling can only be triggered by something extraordinary. Midway's war is as close to epic as it could be, but as with every other cinematic production, if its story and its characters are not up to par with the action, there are no outstanding VFX that can save a lousy screenplay. All in all, Midway is a respectful homage to the people who fought in the Battle of Midway, but it fails to deliver an engaging story with compelling characters. With more characters that what it needed, the runtime is stretched beyond its limit due to the numerous acclaimed actors who would never be in a movie if they didn't have more than a couple of lines. Roland Emmerich has to thank his VFX team for presenting the closest war action we could ever get of the famous battle. Truly epic visuals with tense and riveting aerial sequences, plus a powerful sound design, get your teeth biting the nails. Unfortunately, except for Ed Skrein's character, I didn't feel invested enough to appreciate the non-action moments due to the confusing, convoluted, and exposition-heavy narrative. It's a shame that a visually impressive film possesses such an emotionally dull story. However, I still recommend it for anyone who enjoys war epics and "based on a true story" adaptations. PS: it doesn’t hurt to research a bit about the Battle of Midway. I didn’t and I’m sort of regretting that now. Don’t make the same mistake. Going in with basic knowledge of what, how, and why it happened will only help you enjoy this movie more. Rating: C+
***Just the facts, Jack*** Intelligence officer Edwin Layton (Patrick Wilson) warns that a Japanese attack is imminent, but his advice is disregarded and the Japanese use their carrier fleet to attack Pearl Harbor on December 7, 1941. Admiral Chester Nimitz (Woody Harrelson) swiftly assumes comma ... nd of the heavily weakened US Pacific Fleet. After the Doolittle air raid on Tokyo & Honshu 4.5 months later, events lead up to the Battle of Midway on June 4–7, 1942. Ed Skrein plays cocky pilot Dick Best while Dennis Quaid is on hand as carrier commander William "Bull" Halsey. "Midway" (2019) tackles the Battle of Midway and events leading up to it without throwing in a dramatic fictional story, like the love triangle of “Pearl Harbor” (2001). While I loved “Pearl Harbor” and proudly stand by it, “Midway” chooses to stick to the facts and is thrilling from beginning to end. The main cast members are all real-life figures and there’s a tribute to each at the close. This is superior to the 1976 movie because Roland Emmerich had the CGI technology to pull off the battle scenes which take place in & above the Pacific Ocean near the atoll of Midway, which is located a little over a thousand miles west of Hawaii. The flick successfully takes the viewer right into the midst of the fight on the water, in the air and under the water. It’s exciting, horrific and revelatory. The film runs almost 2 hours and 18 minutes. GRADE: A-
War stories are only worth retelling in film if you're doing something new and interesting with the genre. Otherwise, it's just a retread of 'Pearl Harbour' or 'Fury' or any of the dozen other thematically-empty, explosion-happy extravaganzas from the last ten years. There's a compelling, nuanced, a ... nd affecting film to be made about Midway. This is not that film. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-midway-sound-and-fury-signifying-nothing
Admittedly I have a love for anything involving World War II and although the dialogue was a bit spotty and some of the visual effects were okay at best, I still found this to be a pretty good war movie and nice performances all around. Probably doesn't rank all that high compared to others about Mi ... dway and Pearl Harbor, yet still found it to be worth checking out. **3.75/5**
Click here for a video version of this review: youtu.be/2Mr6XRF4GR4 _Midway_ is an ambitous film that sets out to follow the United States entry into World War Two, from the attack on Pearl Harbour through to the Battle of Midway. To tell this story it focuses on two main characters who are also ... based on real life people. There's Ed Skrein playing Dick Best, a pilot on the USS Enterprise, and Patrick Wilson playing intelligence officer Edwin Layton. As you might imagine jamming seven months of war into just over two hours is a big task, and while they did manage to pull this off, the result is a movie that feels rushed, where we can't get to know all the many characters, and which probably requires a pretty strong knowledge of this time period in history to understand all the things that are rapidly being thrown on screen. I actually had a lot of trouble telling who was who in many of the scenes involving the pilots. Apart from Ed Skrein and Luke Evans the rest of the pilots and rear gunners are such a copy / paste of each other and they come and go so fast on screen that you have zero time to have any kind of emotional connection to them, even though the movie tries to make you feel for them. For a lead actor, Skrein is very wooden and uninspiring, and I don't think has shoulders big enough to carry his part of the film. Then, as if the 10,000 mile an hour story is not bad enough, this movie relies very heavily on visual effects. Apart from close-ups, everything you see that involves a ship or a plane is entirely CGI and it is woefully bad 99% of the time. I've used the Playstation analogy a lot, and this is another example. I feel like if they had cut back the story to not cover so many fights and battles, there would have been a lot less visual effect shots. And with less shots to create and render, perhaps those remaining would have come out looking more realistic. As it is, it really takes you out of the movie - the planes move like they are weightless and defy the laws of physics, the explosions look they were made in AfterEffects, and each scene on a ship has that horrible green screen glow about it. In summary I think this movie suffers from trying to do too much all at once. This came off feeling more like a trilogy of movies about Pearl Harbour, The Doolittle Raid, and The Battle of Midway had been edited down to one single movie. The end result is a rushed film that is hard to follow, whose characters are difficult to connect with, and whose visual effects are video game level at best. This will not go down in history as a great war film.
This movie was a bit of a positive surprise. I was actually prepared to not like it that much but Hollywood actually made a decent war movie without pushing their usual left wing political propaganda and woke SJW bullshit. It’s really a good movie in pretty much all aspects. First, I liked tha ... t it covers quite a bit more than “just” Midway. It actually starts before the attack on Pearl Harbor. Then it covers the attack on Perl Harbor and also the famous Dolittle raid on Tokay to finally end up with the battle of Midway. All of it is more or less historically accurate. We also get to see a fair amount of the history from the viewpoint of the Japanese. Whether that bit of the story is actually entirely accurate I guess no one will ever know of course. I also liked that they took the effort to get all Japanese actors (or Japanese looking at least) playing the Japanese side and that they spoke Japanese all the time. That’s the kind of thing that gives the right atmosphere for those parts of the movie. The acting was overall good on both sides. I quite liked Woody Harrelson as Nimitz. Ed Skrein was probably the actor I felt made the most mediocre performance but that might just be me. Of course there can be no war movie without things going boom and this movie didn’t disappoint on that. It has plenty of action, lots of flight scenes and lots of thing being blown up and it was overall well made. The effects when large ships got torpedoed, bombed or when their munitions exploded was quite realistic. You could see the ships shuddering and the effect on the water around it. If I should complain about something it was that the movie is too short. Given the large time period it covers there is so much material that it could easily have been longer. It almost felt a bit rushed. There could have been much more suspense around the battle of Midway itself and the part of how they got Yorktown operational, and hid the fact from the Japanese, in time for the battle was altogether left out for example. The movie was 2 hours 18 minutes long which is respectable but not that long by today’s standards. All three of the extended Lord of the Rings movies was three and a half hours long and this one could easily have been as long.
I am not a fan of war movies (and therefore not an authoritative reviewer) so I can only say that I thought it was fairly entertaining. Woody Harrelson and Dennis Quaid were as good as I would expect them to be and the large cast certainly held their own. I felt there were some war movie cliches ... here and there, but the Japanese were portrayed with respect and, I assume, realism. The battle felt like a very near thing to me, like it could easily have gone the other way with a bit less bravery and persistence on the part of the American fliers. Plus it showed only two planes returning in the end, but someone said they lost half their men. Perhaps the rest landed on different carriers and was just unclear. But as I said, I knew little of the details of the battle going in.