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Midway Poster

Midway

One battle turned the tide of war.
2019 | 138m | English

(102297 votes)

TMDb IMDb

Popularity: 6 (history)

Director: Roland Emmerich
Writer: Wes Tooke
Staring:
Details

The story of the Battle of Midway, and the leaders and soldiers who used their instincts, fortitude and bravery to overcome massive odds.
Release Date: Nov 06, 2019
Director: Roland Emmerich
Writer: Wes Tooke
Genres: Action, History, War
Keywords world war ii, based on true story, pacific war, pacific theater, 1940s, u.s. navy, battle of midway, historical fiction, naval warfare
Production Companies Centropolis Entertainment, Entertainment One, AGC Studios, Street Entertainment, Starlight Culture Entertainment Group, Shanghai RuYi Entertainment
Box Office Revenue: $127,400,000
Budget: $100,000,000
Updates Updated: Aug 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Ed Skrein Lieutenant Richard 'Dick' Best
Patrick Wilson Rear Admiral Edwin T. Layton
Woody Harrelson Admiral Chester W. Nimitz
Luke Evans Commander Wade McClusky
Mandy Moore Anne Best
Luke Kleintank Lieutenant Clarence Earle Dickinson
Dennis Quaid Vice Admiral William 'Bull' Halsey
Aaron Eckhart Lieutenant Colonel Jimmy Doolittle
Keean Johnson Chief Aviation Radioman James Murray
Nick Jonas Bruno Gaido
Etsushi Toyokawa Admiral Isoroku Yamamoto
Tadanobu Asano Rear Admiral Tamon Yamaguchi
Darren Criss Commander Eugene Lindsey
Brandon Sklenar George 'Tex' Gay
Jake Manley Willie West
Jun Kunimura Vice Admiral Chūichi Nagumo
Nobuya Shimamoto Captain Tomeo Kaku
Brennan Brown Commander Joseph Rochefort
Jake Weber Rear Admiral Raymond Spruance
Alexander Ludwig Lieutenant Roy Pearce
David Hewlett Husband Kimmel
Mark Rolston Ernest King
Eric Davis Captain Miles Browning
Kenny Leu Zhu Xuesan
Rachael Perrell Fosket Dagne Layton
Peter Shinkoda Cmdr. Minoru Genda
James Carpinello William Brockman
Tim Beckmann Captain Rawlings
Sarah Souza Marie Pearce
Cameron Brodeur Sully Brown
Hiromoto Ida Prime Minister Tojo
Hiroaki Shintani Emperor Hirohito
Russell Dennis Lewis Ensigh O’Flaherty
Geoffrey Blake John Ford
Mikaël Conde Bill Miller
Madison Roukema Barbara Best
Christie Brooke Millicent McClusky
Dustin Geiger Paul Crosley
Jason Lee Hoy Pat Rooney
Ellen Dubin Admiral King Secretary
Jason New Marine Captain (Midway)
Dean Schaller Jack MacKenzie Jr.
Jacob Blair Hank Potter
Kayo Yasuhara Geisha
Rudolph Wallstrom Petty Officer (Pacific HQ)
Matthew MacCaull Staff Officer (Nimitz)
Philip Fu-Kang Wang Chinese Major
Johan Strombergsson-Denora Radioman #1 (Enterprise SC)
Nico DeCastris Radioman #2 (Enterprise SC)
Alexandre Dubois Radar Officer (Enterprise)
Tyler Elliot Burke Radar Officer (Enterprise)
Raphael Grosz-Harvey Lt. JG (Hospital)
Trevor Danielson Talker
Agostino Michael Cimino Buzz Davis (Sonar Tech Nautilus)
Takeshi Kurokawa Imperial Guardsman
Ryuta Kato Japanese Junior Officer (Yamat)
Garret Sato Japanese Officer (Prison)
Neil Girvan Navy Yard Inspector
Ellis Arch Lofton Henderson
Robert Crooks McClusky's Radioman
Sean Colby Gay's Radioman
Kasey Ryne Mazak Signal Officer (Akagi)
Ryo Hayashida Deck Officer (Akagi)
Michael Chapman Helmsman (Nautilus)
Masahiro Tanikawa Masa Tani Damage Control Officer
Ryohei Arima Japanese Lieutenant (Kaga)
Hiro Kanagawa Makigumo Captain
Ken Takikawa Makigumo Lieutenant
Leonardo Boudreau Passing Sailor
Tony Nowicki SBD Pilot (Enterprise)
Yuta Takenaka Staff Officer (Yamato)
Tatsuya Shirato Flag Officer (Yamato)
Tyler Hall William 'Slim' Townsend
Kyle Bougeno Smoking Sailor
David Dacosta Breathless Ensign (Enterprise)
Kazuki Gonzalez-Adachi Hiryu Helmsman
Reyn Halford Torpedo Room Chief
Toyoaki Ito Leung Japanese Boy (10 YO)
Halta Nonen Japanese Boy #2 (6 YO)
Adrian Spencer Chief Medic (Enterprise)
James Hicks Edwin Kroeger
Sebastian Pigott Petty Officer #2
Simon Pelletier-Gilbert Yorktown Spotter
Philippe Verville Doolittle's Bombardier
Shigeru Yabuta Japanese Duck Netting Officer
Seunghwan Min Zero Pilots Squadron Leader
Christopher Tapia Hiryu Pointer
Sangwon Jun Hiryu Talker
Motoo Taira Akagi Spotter
Ana Maria Lombo Ballroom Singer
Name Job
Robby Baumgartner Director of Photography
Adam Wolfe Editor
Mario Davignon Costume Design
Kirk M. Petruccelli Production Design
Andrea Kenyon Casting Director
Page Buckner Art Direction
Carolyne de Bellefeuille Art Direction
Jean-Pierre Paquet Art Direction
Christine Youngstrom Art Department Coordinator
Vicki Pui Concept Artist
Doug Hardwick Construction Coordinator
David Shauger Construction Coordinator
Martin Chalifoux Construction Manager
Alvin S. Cabrinha Jr. Property Master
Craig K. Lewis Set Decoration Buyer
Catherine Lam Set Designer
Chris Lewis Set Designer
Gaby Miègeville-Little Set Designer
Justin Neenan Set Designer
Radia Slaimi Set Designer
Simon Théberge Set Designer
Tom Curtis Set Dresser
Cedric Levesque Set Dresser
Hale Mawae Set Dresser
Maxime Privé Set Dresser
Nicolas Privé Set Dresser
Pierre Antoine Rousse Set Dresser
Christopher J. Wood Set Dresser
Johannes Muecke Title Designer, Storyboard Artist
Isabelle Guay Supervising Art Director
Pierre Daudelin Best Boy Electric
Joshua Atkin Best Boy Electric
Tuiaana Scanlan Best Boy Grip
Jeremy Brussell Best Boy Grip
Reid Murphy Camera Operator
Julie Garceau Digital Imaging Technician
Jeroen Hendriks Digital Imaging Technician
Alan Shultz Dolly Grip
Michael Keola Jones Dolly Grip
Rick Crum Electrician
Aaron McMullen Electrician
David Villeneuve Electrician
Joseph Segura First Assistant Camera
Steven Cueva First Assistant Camera
Marie-Julie Besse First Assistant Camera
Dany Racine First Assistant "A" Camera
Gary Pachany First Assistant "B" Camera
Eames Gagnon Gaffer
Joshua Davis Gaffer
Stephane Boisvert Generator Operator
Todd Schatz Generator Operator
David Dinel Key Grip
Les T. Tomita Key Grip
Rick Harris Key Rigging Grip
Stephen Bacquet Lighting Technician
Mónica Caballero Lighting Technician
Dan Goyens Lighting Technician
John M.H. Lee Lighting Technician
Allen Mozo Lighting Technician
Mike Gerzevitz Lighting Technician
Don Tomich Rigging Gaffer
James Takahashi Rigging Grip
Curtis Wingerter Rigging Grip
Soupharak Keoborakoth Second Assistant "A" Camera
Eric Aubin Second Assistant "B" Camera
Reiner Bajo Still Photographer
Alan Markfield Still Photographer
Don King Underwater Camera
Marcelo Padovani Assistant Hairstylist
Liliane Saad Assistant Hairstylist
Mahealani Diego Assistant Makeup Artist
Félix Larivière Hair Department Head
Eli Girard Hairstylist
Sheldon Yamauchi Hairstylist
Jean Scarabin Hairstylist
Pamela Goldammer First Assistant Makeup Artist
Paula Hong Hairstylist
Jean-Manuel Medina Hairstylist
Arthur B Wilson III Hairstylist
Ralph Malani Key Hair Stylist
Laine Rykes Key Makeup Artist
Catherine Lahaye Makeup Artist
Christine Carrière Makeup Artist
Jeong-Hwa Fonkalsrud Makeup Department Head
Emilie Gauthier Makeup Designer
Eric Rylander Special Effects Coordinator
Patrick Christensen ADR Mixer
Dave Goetter ADR Mixer
Matt Hovland ADR Mixer
Nicolas Dallaire ADR Recordist
Jon Lawless ADR Recordist
Wouter van Herwerden ADR Recordist
Cary Weitz Boom Operator
Josh Bower Boom Operator
Taylor Westerfield Dialogue Editor
Jacek Wiśniewski Foley Artist
Natalia Lubowiecka Foley Editor
Michał Wilczewski Foley Editor
Filip Stefanowski Foley Mixer
Louis Marion Production Sound Mixer
Steve Neal Sound Editor
Jan Bezouška Sound Effects Editor
Matt Yocum Sound Effects Editor
Michael Hoffman Sound Mixer
Tom Marks Sound Re-Recording Mixer
Greg P. Russell Sound Re-Recording Mixer
Peter Bawiec Sound Re-Recording Mixer, Supervising Sound Editor
Joshua Hakim 3D Artist
Babak Bina 3D Generalist
Daniel Perez 3D Generalist
Sebastian Butenberg Animation Director
Steve Seongik Hong Animation Supervisor
Johannes Wolz Animation Technical Director
Marc Roth CG Supervisor
Evgeny Berbasov CG Supervisor
Jason Hannen-Williams CG Supervisor
Dan Smiczek CG Supervisor
Prapanch Swamy CG Supervisor
Ryo Sakaguchi CG Supervisor
Lukas Lepicovsky CG Supervisor
Matthew Novak CG Supervisor
Florian Franke Compositing Lead
Rodions Jepejevs Compositing Lead
Jean-Philippe Tristant Compositing Lead
Enrique Sandoval Castro Compositing Lead
Danielle Norgate Compositing Lead
Henrique Reginato Compositing Lead
Phil Prates Compositing Supervisor
Egbert Reichel Compositing Supervisor
Mark Spindler Compositing Supervisor
Micah Gallagher Compositing Supervisor
Michael Porterfield Compositing Supervisor
Michael J. Viera Compositing Supervisor
Ning Yan Lead Animator
Patricia Binga Lead Animator
Philipp Winterstein Lead Animator
Rodgers Paul Matte Painter
Dasom Song Matte Painter
Peter Braeley Matte Painter
Chengwei Zheng Matte Painter
Eun Young Kim Matte Painter
Mujia Liao Matte Painter
Tricia Kim Matchmove Supervisor
Kevin Mains Modeling
Zaki Saati Modeling
Dylan Dunford Modeling
Mariana Gorbea Modeling
Benjamin Lepine Modeling
Ron Schrems Modeling
Magnus Skagerlund Modeling
Tefft Smith Pre-Visualization Supervisor
Laura Carnegie VFX Editor
Shae Salmon VFX Editor
Rene Toye VFX Editor
Ilkka Uitto VFX Editor
Thomas Weckenmann VFX Editor
Timur Yesilfiliz VFX Editor
Adam Figielski VFX Supervisor
Philip Nussbaumer VFX Supervisor
Phil Jones VFX Supervisor
Derek Spears VFX Supervisor
Selah Chung Visual Effects Coordinator
Marshall Rainey Visual Effects Coordinator
Natsai Todd Visual Effects Coordinator
Aditya Menon Visual Effects Coordinator
Kin Yiu Visual Effects Coordinator
Mandalyn Forbes Visual Effects Coordinator
Gray Xi Visual Effects Coordinator
Sophia Zhang Visual Effects Coordinator
Michael Armstrong Visual Effects Coordinator
Thelma Rangel Visual Effects Coordinator
Errol Stussi Visual Effects Coordinator
Thomas Dane Wagener Visual Effects Coordinator
Andrew Ryan Turner Visual Effects Editor
Steven Spady Visual Effects Editor
Tricia Mulgrew Visual Effects Producer
Greta Ruljevaite Visual Effects Producer
Sofronie Dun Visual Effects Producer
Iva Modrah Visual Effects Producer
Aaron Reznick Visual Effects Production Manager
Bill Wang Visual Effects Production Manager
Peter G. Travers Visual Effects Supervisor
Greg Strasz Visual Effects Supervisor
Nick Crew Visual Effects Supervisor
Laurent Taillefer Visual Effects Supervisor
Troy Moore Visual Effects Supervisor
Marylou Lim Assistant Costume Designer
Sara Eva Gonzalez Costume Assistant
Aaron Ellis Costumer
Josh Mar Costumer
Jen Martin Costumer
Sabrine Canuel Key Costumer
Paul Corricelli Key Costumer
Harlan Glenn Key Costumer
Cathie Valdovino Set Costumer
Gina Scarnati Textile Artist
Daryl Baboulis-Gyscek Casting Assistant
Caitlin Well Casting Associate
Karen Wood Casting Associate
Eriko Miyagawa Casting Consultant
Johanna Bautista Extras Casting
Danny MAlin Extras Casting
Dustin Snodgrass Extras Casting
Marie Medina Extras Casting Assistant
Martin Doepner First Assistant Director
Bethan Mowat First Assistant Director
Pauline Béraud Script Supervisor
Lorette Leblanc Script Supervisor
Ryan Stevens Harris Assistant Editor
Trevor White Colorist
Walter Volpatto Digital Intermediate Colorist
Paul O'Bryan First Assistant Editor
Rob Scratch Mitchell Aerial Coordinator
Harry Lu Armorer
Francie Brown Dialect Coach
Rebecca Gausnell Dialect Coach
Andrea Montana Knoll Production Consultant
Angela Laprete Production Consultant
Marie-Helene Roy Production Coordinator
Natacha Williams Travel Coordinator
Puelo Deir Unit Publicist
Marcin Kasiński Foley Editor
Thomas Wander Original Music Composer
Hiroko Yano Thanks
Roland Emmerich Director
Wes Tooke Screenplay
Carolyn A. Loucks Set Decoration
Nicholas Rymond Leadman
Patrick Kerton Stunt Coordinator
Tom Macdonald Costume Supervisor
Caitlin McKenna ADR Voice Casting
Katie Doyle Casting Director
Craig Hosking Aerial Coordinator
Carolina Jiménez Layout
Daniel McGraw Makeup Artist
Kacper Habisiak Foley Editor
Linda Flowers Hairstylist
Bryan Grill Visual Effects Supervisor
Nathalie Legault Makeup Artist
Hélène Lamarre Art Department Coordinator
Josephine Allegretti Visual Effects
Harald Kloser Original Music Composer
Name Title
Wes Tooke Executive Producer
Ke Liming Executive Producer
Alastair Burlingham Executive Producer
Brent O'Connor Executive Producer
Miguel Palos Executive Producer
Rui Cui Co-Executive Producer
Roland Emmerich Producer
Mark Gordon Producer
Yu Dong Executive Producer
Peter Luo Executive Producer
Jeffrey Chan Wing-Hung Executive Producer
Harald Kloser Producer
Matt Jackson Executive Producer
Carsten H.W. Lorenz Executive Producer
Stuart Ford Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 62 104 34
2024 5 111 143 94
2024 6 82 155 38
2024 7 40 60 28
2024 8 43 106 24
2024 9 28 40 21
2024 10 35 68 21
2024 11 34 68 22
2024 12 40 56 26
2025 1 38 63 26
2025 2 24 37 4
2025 3 12 36 2
2025 4 9 12 6
2025 5 7 13 5
2025 6 5 9 4
2025 7 5 9 4
2025 8 4 7 3
2025 9 6 7 4

Trending Position


Year Month High Avg
2025 9 709 849
Year Month High Avg
2025 8 423 772
Year Month High Avg
2025 7 497 752
Year Month High Avg
2025 6 515 782
Year Month High Avg
2025 5 271 732
Year Month High Avg
2025 4 536 808
Year Month High Avg
2025 3 289 662
Year Month High Avg
2025 2 367 697
Year Month High Avg
2025 1 426 746
Year Month High Avg
2024 12 61 600
Year Month High Avg
2024 11 475 738
Year Month High Avg
2024 10 554 554
Year Month High Avg
2024 8 595 814

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Reviews

msbreviews
5.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog :) With all due respect to Roland Emmerich and to his fantastic Independence Day, his movies never quite reach their potential, ending up in constant disappointments. It doesn't matter if he has excellent casts or amazing VFX tea ... ms, his films' screenplays are almost always stuffed with narrative issues. Midway is simply another installment in his saga of letdowns. Without knowing the director, anyone who looks at this movie will feel instantly captivated. From the unbelievably talented cast to the impressive visuals, it has two attention-grabber ingredients, which can result in a remarkable film… only if the two pillars of any cinematic production are decent enough: story and characters. These are the main issue with Emmerich's movies. His characters are not compelling or intriguing enough, and his screenplays lack creativity and excitement (whether these are written by him or someone else). When I noticed that Midway had such an acclaimed cast and that it was about the Battle of Midway, I immediately got excited. War epics are a genre that I sincerely appreciate. However, when I checked who was "running the show", I instantly lowered my expectations. Honestly, it's exactly what I expected it to be: visually gripping, but emotionally hollow. I don't want to understate it. The CGI work in this film is jaw-dropping. The actual war is riveting with astonishing aerial sequences and powerful sound design. Even at a regular screening with the usual 7.1 Dolby surround speakers, the floor was rumbling with the explosions and the planes. This is why I think audiences will definitely enjoy this movie. Maybe not a vast majority, but surely most people will leave their theaters feeling it was good entertainment. It has a long runtime, and it's hard to get through the exposition-heavy story, but in the end, I bet the general public will appreciate the war action enough to give the whole thing a thumbs up. Nevertheless, it's still a very superficial flick. While it's very respectful to everyone who fought in the war (including the Japanese) and to the historic event on itself, it lacks emotional attachment to its characters. Dunkirk was praised by both critics and audiences all around the world, but its main criticism connects to what I just wrote. Christopher Nolan's film also didn't have any compelling characters. However, there's a big difference between these two movies. Both their marketing and their ultimate goal are distinct. Dunkirk was all about showing the actual war. It never marketed itself as a character-study or that it would even have a significant focus on some of the heroes that fought there. Nolan repeated several times: it's about the war and the war only. It's genuinely one of the best, if not the best, *pure* war film I've ever seen. When it comes to depicting the claustrophobic, unbreathable, restless, bloody, loud event that a devastating war is, Dunkirk is so realistic it can even become uncomfortable with just sitting in your chair (at least, I did in IMAX). On the other hand, Midway's marketing was about paying homage to "people who fought in the Battle of Midway". Hence the stellar cast compared to Nolan's just competent actors (with obvious exceptions like Mark Rylance or Tom Hardy). It spends most of its screentime trying to develop the actual people that helped win that battle, not with the action itself. Therefore, these characters need engaging scripts and emotionally resonant arcs. Wes Tooke delivers a screenplay packed with so much exposition that a lot of it looks clearly unrealistic. Characters discuss specific topics that don't make any sense of being in a conversation at a particular time and place. Throughout the runtime, there are dialogue sequences with the sole purpose of explicitly telling the audience what we need to know to understand the story, which ends up turning the narrative confusing, convoluted, and lacking faster pacing. It's tough to get through the non-action periods, and I can't even imagine how dull it would be without such an impeccable cast. Ed Skrein remarkably portrays Dick Best, the only character who's genuinely compelling and carries a complete, well-developed arc. Unfortunately, I didn't feel invested in any other character. Only the best movies of every year can have a numerous and talented cast while giving each and every actor an exciting role. Midway has too many characters for the story it wants to tell. In addition to this, it has to stretch its runtime because you can't get Woody Harrelson or Dennis Quaid playing secondary roles and not giving them more than just a couple of lines. As time goes by, Emmerich's storytelling structure gets needlessly more and more complicated to follow. It's yet another film added to the "wasted potential" list… Potential due to how truly magnificent the action sequences can be. It's undeniable that these are entertaining, gripping, and exciting. The dive bombers' scenes are packed with so much tension that I was getting more and more frustrated every time they missed their target, and a bomb went into the sea. I wanted them to succeed so bad, and this feeling can only be triggered by something extraordinary. Midway's war is as close to epic as it could be, but as with every other cinematic production, if its story and its characters are not up to par with the action, there are no outstanding VFX that can save a lousy screenplay. All in all, Midway is a respectful homage to the people who fought in the Battle of Midway, but it fails to deliver an engaging story with compelling characters. With more characters that what it needed, the runtime is stretched beyond its limit due to the numerous acclaimed actors who would never be in a movie if they didn't have more than a couple of lines. Roland Emmerich has to thank his VFX team for presenting the closest war action we could ever get of the famous battle. Truly epic visuals with tense and riveting aerial sequences, plus a powerful sound design, get your teeth biting the nails. Unfortunately, except for Ed Skrein's character, I didn't feel invested enough to appreciate the non-action moments due to the confusing, convoluted, and exposition-heavy narrative. It's a shame that a visually impressive film possesses such an emotionally dull story. However, I still recommend it for anyone who enjoys war epics and "based on a true story" adaptations. PS: it doesn’t hurt to research a bit about the Battle of Midway. I didn’t and I’m sort of regretting that now. Don’t make the same mistake. Going in with basic knowledge of what, how, and why it happened will only help you enjoy this movie more. Rating: C+

Jun 23, 2021
Wuchak
8.0

***Just the facts, Jack*** Intelligence officer Edwin Layton (Patrick Wilson) warns that a Japanese attack is imminent, but his advice is disregarded and the Japanese use their carrier fleet to attack Pearl Harbor on December 7, 1941. Admiral Chester Nimitz (Woody Harrelson) swiftly assumes comma ... nd of the heavily weakened US Pacific Fleet. After the Doolittle air raid on Tokyo & Honshu 4.5 months later, events lead up to the Battle of Midway on June 4–7, 1942. Ed Skrein plays cocky pilot Dick Best while Dennis Quaid is on hand as carrier commander William "Bull" Halsey. "Midway" (2019) tackles the Battle of Midway and events leading up to it without throwing in a dramatic fictional story, like the love triangle of “Pearl Harbor” (2001). While I loved “Pearl Harbor” and proudly stand by it, “Midway” chooses to stick to the facts and is thrilling from beginning to end. The main cast members are all real-life figures and there’s a tribute to each at the close. This is superior to the 1976 movie because Roland Emmerich had the CGI technology to pull off the battle scenes which take place in & above the Pacific Ocean near the atoll of Midway, which is located a little over a thousand miles west of Hawaii. The flick successfully takes the viewer right into the midst of the fight on the water, in the air and under the water. It’s exciting, horrific and revelatory. The film runs almost 2 hours and 18 minutes. GRADE: A-

Jun 23, 2021
maketheSWITCH
3.0

War stories are only worth retelling in film if you're doing something new and interesting with the genre. Otherwise, it's just a retread of 'Pearl Harbour' or 'Fury' or any of the dozen other thematically-empty, explosion-happy extravaganzas from the last ten years. There's a compelling, nuanced, a ... nd affecting film to be made about Midway. This is not that film. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-midway-sound-and-fury-signifying-nothing

Jun 23, 2021
JPV852
8.0

Admittedly I have a love for anything involving World War II and although the dialogue was a bit spotty and some of the visual effects were okay at best, I still found this to be a pretty good war movie and nice performances all around. Probably doesn't rank all that high compared to others about Mi ... dway and Pearl Harbor, yet still found it to be worth checking out. **3.75/5**

Jun 23, 2021
SierraKiloBravo
4.0

Click here for a video version of this review: youtu.be/2Mr6XRF4GR4 _Midway_ is an ambitous film that sets out to follow the United States entry into World War Two, from the attack on Pearl Harbour through to the Battle of Midway. To tell this story it focuses on two main characters who are also ... based on real life people. There's Ed Skrein playing Dick Best, a pilot on the USS Enterprise, and Patrick Wilson playing intelligence officer Edwin Layton. As you might imagine jamming seven months of war into just over two hours is a big task, and while they did manage to pull this off, the result is a movie that feels rushed, where we can't get to know all the many characters, and which probably requires a pretty strong knowledge of this time period in history to understand all the things that are rapidly being thrown on screen. I actually had a lot of trouble telling who was who in many of the scenes involving the pilots. Apart from Ed Skrein and Luke Evans the rest of the pilots and rear gunners are such a copy / paste of each other and they come and go so fast on screen that you have zero time to have any kind of emotional connection to them, even though the movie tries to make you feel for them. For a lead actor, Skrein is very wooden and uninspiring, and I don't think has shoulders big enough to carry his part of the film. Then, as if the 10,000 mile an hour story is not bad enough, this movie relies very heavily on visual effects. Apart from close-ups, everything you see that involves a ship or a plane is entirely CGI and it is woefully bad 99% of the time. I've used the Playstation analogy a lot, and this is another example. I feel like if they had cut back the story to not cover so many fights and battles, there would have been a lot less visual effect shots. And with less shots to create and render, perhaps those remaining would have come out looking more realistic. As it is, it really takes you out of the movie - the planes move like they are weightless and defy the laws of physics, the explosions look they were made in AfterEffects, and each scene on a ship has that horrible green screen glow about it. In summary I think this movie suffers from trying to do too much all at once. This came off feeling more like a trilogy of movies about Pearl Harbour, The Doolittle Raid, and The Battle of Midway had been edited down to one single movie. The end result is a rushed film that is hard to follow, whose characters are difficult to connect with, and whose visual effects are video game level at best. This will not go down in history as a great war film.

Jun 23, 2021
Dark Jedi
N/A

This movie was a bit of a positive surprise. I was actually prepared to not like it that much but Hollywood actually made a decent war movie without pushing their usual left wing political propaganda and woke SJW bullshit. It’s really a good movie in pretty much all aspects. First, I liked tha ... t it covers quite a bit more than “just” Midway. It actually starts before the attack on Pearl Harbor. Then it covers the attack on Perl Harbor and also the famous Dolittle raid on Tokay to finally end up with the battle of Midway. All of it is more or less historically accurate. We also get to see a fair amount of the history from the viewpoint of the Japanese. Whether that bit of the story is actually entirely accurate I guess no one will ever know of course. I also liked that they took the effort to get all Japanese actors (or Japanese looking at least) playing the Japanese side and that they spoke Japanese all the time. That’s the kind of thing that gives the right atmosphere for those parts of the movie. The acting was overall good on both sides. I quite liked Woody Harrelson as Nimitz. Ed Skrein was probably the actor I felt made the most mediocre performance but that might just be me. Of course there can be no war movie without things going boom and this movie didn’t disappoint on that. It has plenty of action, lots of flight scenes and lots of thing being blown up and it was overall well made. The effects when large ships got torpedoed, bombed or when their munitions exploded was quite realistic. You could see the ships shuddering and the effect on the water around it. If I should complain about something it was that the movie is too short. Given the large time period it covers there is so much material that it could easily have been longer. It almost felt a bit rushed. There could have been much more suspense around the battle of Midway itself and the part of how they got Yorktown operational, and hid the fact from the Japanese, in time for the battle was altogether left out for example. The movie was 2 hours 18 minutes long which is respectable but not that long by today’s standards. All three of the extended Lord of the Rings movies was three and a half hours long and this one could easily have been as long.

May 16, 2024
narrator56
8.0

I am not a fan of war movies (and therefore not an authoritative reviewer) so I can only say that I thought it was fairly entertaining. Woody Harrelson and Dennis Quaid were as good as I would expect them to be and the large cast certainly held their own. I felt there were some war movie cliches ... here and there, but the Japanese were portrayed with respect and, I assume, realism. The battle felt like a very near thing to me, like it could easily have gone the other way with a bit less bravery and persistence on the part of the American fliers. Plus it showed only two planes returning in the end, but someone said they lost half their men. Perhaps the rest landed on different carriers and was just unclear. But as I said, I knew little of the details of the battle going in.

Apr 06, 2023