Popularity: 1 (history)
| Director: | Vernon Sewell |
|---|---|
| Writer: | Tony Hawes |
| Staring: |
| A gambler tries to strike it rich at the racetrack but gets taken by a gorgeous blonde who also happens to be a crook. | |
| Release Date: | Mar 28, 1964 |
|---|---|
| Director: | Vernon Sewell |
| Writer: | Tony Hawes |
| Genres: | Comedy |
| Keywords | |
| Production Companies | Independent Artists |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: May 07, 2024 Entered: May 05, 2024 |
| Name | Character |
|---|---|
| Carol Cleveland | Sandra |
| Tony Tanner | Terry Blessing |
| Joan Sims | Peggy Bennett |
| Graham Stark | Hartley Fitzroy-Miles |
| Jeanne Moody | Claire Snow |
| Eric Dodson | George |
| Toni Palmer | Bridget |
| Murray Kash | Mario |
| Christine Hargreaves | Linda Rich |
| Juliet Cooke | Dorothy |
| Eddie Leslie | Traffic Warden |
| Duncan Lewis | Trilby Hat |
| Valerie Walsh | Maxine |
| Bernard Goldman | Mendoza |
| Edward Caddick | Bookie |
| Tony Hawes | Joe |
| Alan Baulch | Alfie |
| Pamela Manson | None |
| Name | Job |
|---|---|
| Mike Fox | First Assistant Camera |
| Roy Walker | Art Direction |
| Ray Sturgess | Camera Operator |
| Helene Bevan | Hairstylist |
| Vernon Sewell | Director |
| Reginald H. Wyer | Director of Photography |
| Tony Hawes | Writer |
| Arthur Alcott | Production Supervisor |
| Joy Mercer | Continuity |
| Vi Murray | Wardrobe Designer |
| Ken Scrivener | Sound Re-Recording Mixer |
| William P. Cartlidge | Assistant Director |
| John Wilcox | Makeup Artist |
| Tristam Cones | Sound Editor |
| Johnny Douglas | Original Music Composer, Conductor |
| Simon Kaye | Sound Recordist |
| Name | Title |
|---|---|
| E.M. Smedley-Aston | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 3 | 1 |
| 2024 | 5 | 2 | 5 | 1 |
| 2024 | 6 | 1 | 4 | 0 |
| 2024 | 7 | 2 | 5 | 0 |
| 2024 | 8 | 1 | 4 | 0 |
| 2024 | 9 | 1 | 3 | 1 |
| 2024 | 10 | 1 | 2 | 1 |
| 2024 | 11 | 1 | 2 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 1 | 1 | 1 |
| 2025 | 2 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 1 |
| 2025 | 11 | 1 | 1 | 1 |
Trending Position
This is really just a vehicle for small-time theatre star Tony Tanner, and it's doesn't really add up to much. He ("Terry") is having a good night having found a penny on the street and by one means or another turned it into a tidy twenty quid. There is soon quite a fly in his ointment, though, when ... an ex turns up and deposits "Alfie" (Alan Baulch) on him, claiming he is their son. What now ensues is a rather predictable series of scenarios that though occasionally lit up by Joan Simms as the landlady "Peggy", these recycle themselves a bit too often. Tanner has timing and some personality, but somehow this film just neuters that quite effectively with a really limiting stage-like production and some borderline inane dialogue. There is plenty of London photography, but after a few scenes that becomes unremarkable too. Saturday afternoon B-feature fodder, that's all, I'm afraid.