Popularity: 1 (history)
| Director: | Amanda Kramer |
|---|---|
| Writer: | Amanda Kramer, Benjamin Shearn |
| Staring: |
| After a catastrophic event, eight girls find themselves stranded in a house without electricity. As they run out of food and water, their sanity begins to crumble, and soon they regress to their baser instincts. | |
| Release Date: | Oct 18, 2019 |
|---|---|
| Director: | Amanda Kramer |
| Writer: | Amanda Kramer, Benjamin Shearn |
| Genres: | Horror, Thriller |
| Keywords | |
| Production Companies | Pfaff & Pfaff Productions, Love & Death Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 04, 2024 Entered: Apr 26, 2024 |
| Name | Character |
|---|---|
| Annalise Basso | Piper |
| Ryan Simpkins | Dolly |
| Ariela Barer | Olivia |
| Maya Hawke | Romy |
| Tatsumi Romano | Amanda |
| Odessa A'zion | Blake |
| Atheena Frizzell | Eden |
| Zora Casebere | Mallory |
| Noel David Taylor | The Man |
| Name | Job |
|---|---|
| Noel David Taylor | Production Design, Editor |
| Ariel Ruiz | Art Direction |
| Katie Vonderheide | Set Decoration |
| Jillian Cainghug | Costume Design |
| Jordan Wayne Zhu | First Assistant Director |
| Giulio Carmassi | Sound Designer |
| Amanda Kramer | Director, Screenplay |
| Benjamin Shearn | Screenplay, Editor |
| Callie Ryan | Music |
| Patrick Meade Jones | Cinematography |
| Name | Title |
|---|---|
| Jamie Dolan | Producer |
| Leal Naim | Producer |
| Thomas R. Burke | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 11 | 1 |
| 2024 | 5 | 8 | 23 | 3 |
| 2024 | 6 | 5 | 18 | 1 |
| 2024 | 7 | 5 | 9 | 2 |
| 2024 | 8 | 3 | 5 | 1 |
| 2024 | 9 | 2 | 2 | 1 |
| 2024 | 10 | 2 | 5 | 1 |
| 2024 | 11 | 2 | 4 | 1 |
| 2024 | 12 | 2 | 3 | 1 |
| 2025 | 1 | 2 | 6 | 1 |
| 2025 | 2 | 1 | 3 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 2 | 1 |
| 2025 | 11 | 1 | 1 | 1 |
Trending Position
Whilst I appreciate the film's navigation of holding females accountable for the way we act towards each other, I can see how a male watching this film would feel targeted and/or annoyed for its aggressive generalisation of men and the way they view women. This then becomes more destructive to the q ... ualities and message of feminism. Films with a feminist undertow should seek to portray inequality in a reasonable and educational format - not make men run away. As for me? I'm still waiting on a film that explores the positives of female relationships, no talk of men or catty behaviour; just real, empowering and relatable content. - Lily Meek Read Lily's full article... https://www.maketheswitch.com.au/article/feature-ladyworld-experimental-thriller-not-so-thrilling Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
This is something I've spoken about before, I believe it was seeing _The Killing of a Sacred Deer_ that sparked the conversation. Now I know it's not actually this straight forward, but essentially my point was thus: There are two primary forms of "Weird movie". One is grounded, real-world character ... s trying to navigate a nonsense, unrealistic environment. The other is populated by bizarre, unrealistic characters forced to exist in a plausible, terrestrial environment. I'm only really a fan of the former. _Ladyworld_ is the latter. And boy did that score fuckin' irritate me. _Final rating:★½: - Boring/disappointing. Avoid where possible._