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Red Riding Hood

Who's afraid?
2011 | 100m | English

(118100 votes)

TMDb IMDb

Popularity: 5 (history)

Details

Valerie is in love with a brooding outsider, Peter, but her parents have arranged for her to marry another man. Unwilling to lose each other, Valerie and Peter plan to run away together when Valerie's older sister is killed by a werewolf that prowls the dark forest surrounding their village. Panic grips the town as Valerie discovers that she has a unique connection to the beast--one that inexorably draws them together, making her both suspect ... and bait.
Release Date: Mar 10, 2011
Director: Catherine Hardwicke
Writer: David Leslie Johnson-McGoldrick
Genres: Fantasy, Drama, Horror, Mystery, Thriller
Keywords winter, fairy tale, hood, werewolf, aftercreditsstinger, duringcreditsstinger, woman director
Production Companies Warner Bros. Pictures, Appian Way, Random Films
Box Office Revenue: $89,162,162
Budget: $42,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Amanda Seyfried Valerie
Gary Oldman Father Soloman
Billy Burke Cesaire
Shiloh Fernandez Peter
Max Irons Henry Lazar
Julie Christie Valerie's Grandmother
Lukas Haas Father August
Virginia Madsen Suzette
Shauna Kain Roxanne
Michael Hogan The Reeve
Adrian Holmes Captain
Cole Heppell Claude
Christine Willes Madame Lazar
Michael Shanks Adrien Lazar
Kacey Rohl Prudence
Megan Charpentier Young Valerie
D.J. Greenburg Young Peter
Carmen Lavigne Rose
Don Thompson Tavern Owner
Matt Ward Captain's Brother
Jen Halley Marguerite
Jordan Becker Woodcutter
Alexandria Maillot Lucie, Valerie's sister
Bella King Solomon's Daughter
Olivia Steele-Falconer Solomon's Daughter
James Michalopolous Solomon's Soldier
Darren Shahlavi Solomon's Soldier
Dalias Blake Solomon's Soldier
Michael Adamthwaite Solomon's Soldier
Lauro David Chartrand-DelValle Solomon's Soldier
Brad Kelly Solomon's Soldier
Paul Wu Solomon's Soldier
Gavin Buhr Solomon's Soldier
Samuel A. Smith Solomon's Soldier
Che Pritchard Dancer
Kaitlyn McCready Dancer
Michelle Christa Smith Dancer
Sarah Elgart Dancer
Dalila Bela Man's Daughter
Monika Spruch Dancer
Chris Webb Stunt Player
Jana Berengel Singer (uncredited)
Mark Jaxin Villager (uncredited)
Name Job
Liz Goldwyn Set Designer
Catherine Hardwicke Director
Nesta Chapman Stunts
Krista Bell Stunt Double, Stunts
Maja Aro Stunts
Cindy Evans Costume Design
Ronna Kress Casting
Thomas E. Sanders Production Design
Nancy Richardson Editor
Kimi Webber Script Supervisor
Joel Whist Special Effects Coordinator
Lise Richardson Music Editor
Carie Wallis Art Department Coordinator
Bruce Tanis Sound Effects Editor
Jay Wilkinson Sound Effects Editor
Paul Berolzheimer Sound Effects Editor
David Tickell Chief Lighting Technician
Julie McHaffie Hair Department Head
Neil Greenberg Visual Effects Editor
Patrick Gray Wardrobe Supervisor
David Hadaway Set Designer
Jennifer Nash Supervising Music Editor
Monica Huppert Key Makeup Artist
Byron Wilson Supervising Dialogue Editor
Debbie Geaghan Wardrobe Supervisor
Jeffrey A. Okun Visual Effects Supervisor
Matt Fausak Music Editor
Tanya Hudson Key Makeup Artist
Peter Stratford Set Designer
Stephen S. Campanelli Camera Operator
David Legault Visual Effects Editor
Hans Dayal Location Manager
Christy Dimmig Post Production Supervisor
Brendan Ferguson Unit Production Manager
Lisa Davidson Production Coordinator
John Burke Set Designer
Jay Mitchell Set Designer
Michael J. LeGresley Location Scout
Kelsey Wheeler Pilot
Don MacAulay Art Direction
Glen Hawkins Key Grip
Justin Bergler Second Assistant Camera
Anita Bevelheimer Digital Compositor
Pauline Duvall Sequence Supervisor
Ryan Bailey Chief Lighting Technician
Sophia Lo Compositor
Shih-hao Jason Huang Modeling
Kathleen Largay Digital Intermediate Editor
Tim Weyers Post Production Coordinator
Drew Sacks Post Production Assistant
George Doering Musician
James Thatcher Musician
James McMurachy Assistant Chief Lighting Technician
Maxine Gervais Digital Intermediate Colorist
Mo Henry Negative Cutter
Andrew Capicik Second Assistant Camera
Brian R. Wells Animation Supervisor
Dione Wood Visual Effects Production Assistant
Mykel Thuncher Colorist
Ted Smith First Assistant "C" Camera
David McIntosh Key Rigging Grip
Marlis Coto Digital Compositor
Adam Ohl Digital Intermediate Producer
Kris Tobiasson Lighting Technician
Tyler Guenther Rigging Grip
Spiro Grant Second Assistant Camera
James Cochrane Visual Effects Coordinator
Brian Spirnak Assistant Editor
Shannan Burkley Matte Painter
Thomas Boland Visual Effects Producer
David Robinson Visual Effects Producer
Matthew Sakata Visual Effects Production Assistant
Drew David Best Boy Grip
Lauren Weidel Visual Effects Coordinator
Patrick Russ Orchestrator
Terry McEwen First Assistant "B" Camera
Carmen Morrow Assistant Editor
Trevor Carabin Assistant Chief Lighting Technician
Sean M. Harding First Assistant Camera
Jay Anderson Generator Operator
Patrick Hogue Second Assistant Camera
Kimberly French Still Photographer
Jiyeon Cho Lighting Artist
Caleb Thompson Digital Compositor
Christopher Lasko Assistant Editor
Ryan Monro Dolly Grip
David McClung Gaffer
Roger Vernon Second Unit Director of Photography
Alan Z. McCurdy First Assistant Editor
Andrew D. Wilson Camera Operator
James Kohne Dolly Grip
Mike Kirilenko Key Grip
Andrew Kinney Orchestrator
Warren Mazutinec Assistant Editor
David A. Arnold Dialogue Editor
Eli Zagoudakis Stunts
Kye Walstrom Stunts
Clay Virtue Stunts
Cody Thomson Stunts
Quentin Schneider Stunts
Greg Schlosser Stunts
Cody Laudan Stunts
Dave Hospes Stunts
Mike Garthwaite Stunts
Mike Desabrais Stunts
Lloyd Cunningham Stunts
Yves Cameron Stunts
Trevor Jones Stunts
David Leslie Johnson-McGoldrick Writer
Mandy Walker Director of Photography
Brian Reitzell Original Music Composer, Music Supervisor
Alex Heffes Original Music Composer
Julia Wong Editor
Shane Vieau Set Decoration
Laurent Kossayan Supervising Sound Editor
Andy Cheng Stunt Coordinator
Scott Nicholson Stunt Coordinator
Sarah Elgart Choreographer
Jim Rowe Unit Production Manager
Terry Haggar Color Timer
Tom Boyd Musician
Jeff Atmajian Orchestrator
Chris Webb Stunts
Owen Walstrom Stunts
Melissa R. Stubbs Stunts
Sylvesta Stuart Stunt Double, Stunts
Jeff Sanca Stunts
Jovan Nenadic Stunts
Tony Morelli Stunts
Phillip Mitchell Stunts
Don Lew Stunts
Jon Kralt Stunts
Andrea Kinsky Stunt Double
Rob Hayter Stunts
Kory Grim Stunts
Christopher Gordon Stunts
Duane Dickinson Stunts
Bruce Crawford Stunts
Brent Connolly Stunts
Scott J. Ateah Stunts
Ken Smith Post Production Assistant
Name Title
Michael Ireland Executive Producer
Alex Mace Co-Producer
Leonardo DiCaprio Producer
Julie Yorn Producer
Catherine Hardwicke Executive Producer
Jim Rowe Executive Producer
Jennifer Davisson Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 32 41 24
2024 5 38 52 22
2024 6 31 52 18
2024 7 37 61 21
2024 8 27 38 17
2024 9 24 44 17
2024 10 28 42 19
2024 11 26 55 18
2024 12 25 33 18
2025 1 26 48 17
2025 2 18 35 4
2025 3 11 53 2
2025 4 5 10 3
2025 5 4 10 3
2025 6 3 5 3
2025 7 3 5 3
2025 8 3 5 3

Trending Position


Year Month High Avg
2025 7 597 822
Year Month High Avg
2025 5 830 871
Year Month High Avg
2025 4 934 934
Year Month High Avg
2024 11 980 980

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Reviews

tanty
6.0

Hardwicke clones Twilight style on every way in this movie: photography, editing, dialogues, disconnected story telling and even the looks of the male hero. However, the script is interesting and keeps you hooked on not knowing what's going on until the end. ...

Jun 23, 2021
s6kx
9.0

This artistic masterpiece is unfortunately undervalued. Unfortunately, Warner Bros. Entertainment does not know its worth, and due to their lack of interest in it, it has become obscure. This artistic masterpiece must be revived again. Warner Bros. Entertainment must do this, just as 20th Century Fo ... x did when it released two improved releases of the Titanic movie in 2003 and 2012. Who would believe that a movie released in 1997 is now available in 4K quality and 3D technology?! Warner Bros. Entertainment must re-release the movie trailer in 4K quality as a first step to correct its course, and launch a new strong marketing campaign for the Red Riding Hood movie, just as it launched a strong marketing campaign for the Barbie movie that does not deserve it. They should do this for the movie that deserves it, not the opposite. Essentially, the reason for the lack of fame of the Red Riding Hood movie was the failure of Warner Bros. Entertainment in its marketing campaign for the movie, as it was a very weak campaign, in addition to its excessive pursuit of the PG-13 age rating instead of accepting its R-rating, which led to changing the ending for the PG-13 rated cut. The reason was not the movie itself or the director Catherine Hardwicke. In fact, Catherine Hardwicke directed the movie in an unimaginable way, especially in the unrated original cut of the movie known as the Alternate Cut. The existence of a rated cut without additional terms such as (Alternate Cut) does not necessarily mean that it is the original cut. In fact, the original cut is the one that was not modified to fit the PG-13 age rating. The original cut is the one that was released as is without modifications. The original cut is the one that the MPAA did unrate, so you always find the word Unrated next to it. The original cut is the Alternate Cut, and it was not named Director's Cut because Warner Bros. Entertainment changed the ending of the PG-13 rated cut to fit the PG-13 age rating. Therefore, it is no longer possible to name the original cut as Director's Cut, as this title does not include the change in the ending. Therefore, they had to name the original cut as the Alternate Cut to include the change in the ending. As you know, production companies do not like the R-rating because it narrows the audience range, which reduces revenues. Therefore, Warner Bros. Entertainment pressured Catherine Hardwicke to modify the movie to be released with a PG-13 age rating instead of an R-rating. This explains why the ending was changed in the rated cut compared to the unrated original cut. In my opinion, both cuts are successful artistic masterpieces, but the original cut is more artistically successful, and I loved it more. My rating for the rated cut (modified) is 9/10, and my rating for the unrated original cut (Alternate Cut) is 10/10. It is the best and greatest of all time in presenting the story of Red Riding Hood, and no movie surpasses it in presenting this story. Thank you, Catherine Hardwicke, for this artistic masterpiece.

Jun 24, 2024