Popularity: 5 (history)
Director: | Catherine Hardwicke |
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Writer: | David Leslie Johnson-McGoldrick |
Staring: |
Valerie is in love with a brooding outsider, Peter, but her parents have arranged for her to marry another man. Unwilling to lose each other, Valerie and Peter plan to run away together when Valerie's older sister is killed by a werewolf that prowls the dark forest surrounding their village. Panic grips the town as Valerie discovers that she has a unique connection to the beast--one that inexorably draws them together, making her both suspect ... and bait. | |
Release Date: | Mar 10, 2011 |
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Director: | Catherine Hardwicke |
Writer: | David Leslie Johnson-McGoldrick |
Genres: | Fantasy, Drama, Horror, Mystery, Thriller |
Keywords | winter, fairy tale, hood, werewolf, aftercreditsstinger, duringcreditsstinger, woman director |
Production Companies | Warner Bros. Pictures, Appian Way, Random Films |
Box Office |
Revenue: $89,162,162
Budget: $42,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Amanda Seyfried | Valerie |
Gary Oldman | Father Soloman |
Billy Burke | Cesaire |
Shiloh Fernandez | Peter |
Max Irons | Henry Lazar |
Julie Christie | Valerie's Grandmother |
Lukas Haas | Father August |
Virginia Madsen | Suzette |
Shauna Kain | Roxanne |
Michael Hogan | The Reeve |
Adrian Holmes | Captain |
Cole Heppell | Claude |
Christine Willes | Madame Lazar |
Michael Shanks | Adrien Lazar |
Kacey Rohl | Prudence |
Megan Charpentier | Young Valerie |
D.J. Greenburg | Young Peter |
Carmen Lavigne | Rose |
Don Thompson | Tavern Owner |
Matt Ward | Captain's Brother |
Jen Halley | Marguerite |
Jordan Becker | Woodcutter |
Alexandria Maillot | Lucie, Valerie's sister |
Bella King | Solomon's Daughter |
Olivia Steele-Falconer | Solomon's Daughter |
James Michalopolous | Solomon's Soldier |
Darren Shahlavi | Solomon's Soldier |
Dalias Blake | Solomon's Soldier |
Michael Adamthwaite | Solomon's Soldier |
Lauro David Chartrand-DelValle | Solomon's Soldier |
Brad Kelly | Solomon's Soldier |
Paul Wu | Solomon's Soldier |
Gavin Buhr | Solomon's Soldier |
Samuel A. Smith | Solomon's Soldier |
Che Pritchard | Dancer |
Kaitlyn McCready | Dancer |
Michelle Christa Smith | Dancer |
Sarah Elgart | Dancer |
Dalila Bela | Man's Daughter |
Monika Spruch | Dancer |
Chris Webb | Stunt Player |
Jana Berengel | Singer (uncredited) |
Mark Jaxin | Villager (uncredited) |
Name | Job |
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Liz Goldwyn | Set Designer |
Catherine Hardwicke | Director |
Nesta Chapman | Stunts |
Krista Bell | Stunt Double, Stunts |
Maja Aro | Stunts |
Cindy Evans | Costume Design |
Ronna Kress | Casting |
Thomas E. Sanders | Production Design |
Nancy Richardson | Editor |
Kimi Webber | Script Supervisor |
Joel Whist | Special Effects Coordinator |
Lise Richardson | Music Editor |
Carie Wallis | Art Department Coordinator |
Bruce Tanis | Sound Effects Editor |
Jay Wilkinson | Sound Effects Editor |
Paul Berolzheimer | Sound Effects Editor |
David Tickell | Chief Lighting Technician |
Julie McHaffie | Hair Department Head |
Neil Greenberg | Visual Effects Editor |
Patrick Gray | Wardrobe Supervisor |
David Hadaway | Set Designer |
Jennifer Nash | Supervising Music Editor |
Monica Huppert | Key Makeup Artist |
Byron Wilson | Supervising Dialogue Editor |
Debbie Geaghan | Wardrobe Supervisor |
Jeffrey A. Okun | Visual Effects Supervisor |
Matt Fausak | Music Editor |
Tanya Hudson | Key Makeup Artist |
Peter Stratford | Set Designer |
Stephen S. Campanelli | Camera Operator |
David Legault | Visual Effects Editor |
Hans Dayal | Location Manager |
Christy Dimmig | Post Production Supervisor |
Brendan Ferguson | Unit Production Manager |
Lisa Davidson | Production Coordinator |
John Burke | Set Designer |
Jay Mitchell | Set Designer |
Michael J. LeGresley | Location Scout |
Kelsey Wheeler | Pilot |
Don MacAulay | Art Direction |
Glen Hawkins | Key Grip |
Justin Bergler | Second Assistant Camera |
Anita Bevelheimer | Digital Compositor |
Pauline Duvall | Sequence Supervisor |
Ryan Bailey | Chief Lighting Technician |
Sophia Lo | Compositor |
Shih-hao Jason Huang | Modeling |
Kathleen Largay | Digital Intermediate Editor |
Tim Weyers | Post Production Coordinator |
Drew Sacks | Post Production Assistant |
George Doering | Musician |
James Thatcher | Musician |
James McMurachy | Assistant Chief Lighting Technician |
Maxine Gervais | Digital Intermediate Colorist |
Mo Henry | Negative Cutter |
Andrew Capicik | Second Assistant Camera |
Brian R. Wells | Animation Supervisor |
Dione Wood | Visual Effects Production Assistant |
Mykel Thuncher | Colorist |
Ted Smith | First Assistant "C" Camera |
David McIntosh | Key Rigging Grip |
Marlis Coto | Digital Compositor |
Adam Ohl | Digital Intermediate Producer |
Kris Tobiasson | Lighting Technician |
Tyler Guenther | Rigging Grip |
Spiro Grant | Second Assistant Camera |
James Cochrane | Visual Effects Coordinator |
Brian Spirnak | Assistant Editor |
Shannan Burkley | Matte Painter |
Thomas Boland | Visual Effects Producer |
David Robinson | Visual Effects Producer |
Matthew Sakata | Visual Effects Production Assistant |
Drew David | Best Boy Grip |
Lauren Weidel | Visual Effects Coordinator |
Patrick Russ | Orchestrator |
Terry McEwen | First Assistant "B" Camera |
Carmen Morrow | Assistant Editor |
Trevor Carabin | Assistant Chief Lighting Technician |
Sean M. Harding | First Assistant Camera |
Jay Anderson | Generator Operator |
Patrick Hogue | Second Assistant Camera |
Kimberly French | Still Photographer |
Jiyeon Cho | Lighting Artist |
Caleb Thompson | Digital Compositor |
Christopher Lasko | Assistant Editor |
Ryan Monro | Dolly Grip |
David McClung | Gaffer |
Roger Vernon | Second Unit Director of Photography |
Alan Z. McCurdy | First Assistant Editor |
Andrew D. Wilson | Camera Operator |
James Kohne | Dolly Grip |
Mike Kirilenko | Key Grip |
Andrew Kinney | Orchestrator |
Warren Mazutinec | Assistant Editor |
David A. Arnold | Dialogue Editor |
Eli Zagoudakis | Stunts |
Kye Walstrom | Stunts |
Clay Virtue | Stunts |
Cody Thomson | Stunts |
Quentin Schneider | Stunts |
Greg Schlosser | Stunts |
Cody Laudan | Stunts |
Dave Hospes | Stunts |
Mike Garthwaite | Stunts |
Mike Desabrais | Stunts |
Lloyd Cunningham | Stunts |
Yves Cameron | Stunts |
Trevor Jones | Stunts |
David Leslie Johnson-McGoldrick | Writer |
Mandy Walker | Director of Photography |
Brian Reitzell | Original Music Composer, Music Supervisor |
Alex Heffes | Original Music Composer |
Julia Wong | Editor |
Shane Vieau | Set Decoration |
Laurent Kossayan | Supervising Sound Editor |
Andy Cheng | Stunt Coordinator |
Scott Nicholson | Stunt Coordinator |
Sarah Elgart | Choreographer |
Jim Rowe | Unit Production Manager |
Terry Haggar | Color Timer |
Tom Boyd | Musician |
Jeff Atmajian | Orchestrator |
Chris Webb | Stunts |
Owen Walstrom | Stunts |
Melissa R. Stubbs | Stunts |
Sylvesta Stuart | Stunt Double, Stunts |
Jeff Sanca | Stunts |
Jovan Nenadic | Stunts |
Tony Morelli | Stunts |
Phillip Mitchell | Stunts |
Don Lew | Stunts |
Jon Kralt | Stunts |
Andrea Kinsky | Stunt Double |
Rob Hayter | Stunts |
Kory Grim | Stunts |
Christopher Gordon | Stunts |
Duane Dickinson | Stunts |
Bruce Crawford | Stunts |
Brent Connolly | Stunts |
Scott J. Ateah | Stunts |
Ken Smith | Post Production Assistant |
Name | Title |
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Michael Ireland | Executive Producer |
Alex Mace | Co-Producer |
Leonardo DiCaprio | Producer |
Julie Yorn | Producer |
Catherine Hardwicke | Executive Producer |
Jim Rowe | Executive Producer |
Jennifer Davisson | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 32 | 41 | 24 |
2024 | 5 | 38 | 52 | 22 |
2024 | 6 | 31 | 52 | 18 |
2024 | 7 | 37 | 61 | 21 |
2024 | 8 | 27 | 38 | 17 |
2024 | 9 | 24 | 44 | 17 |
2024 | 10 | 28 | 42 | 19 |
2024 | 11 | 26 | 55 | 18 |
2024 | 12 | 25 | 33 | 18 |
2025 | 1 | 26 | 48 | 17 |
2025 | 2 | 18 | 35 | 4 |
2025 | 3 | 11 | 53 | 2 |
2025 | 4 | 5 | 10 | 3 |
2025 | 5 | 4 | 10 | 3 |
2025 | 6 | 3 | 5 | 3 |
2025 | 7 | 3 | 5 | 3 |
2025 | 8 | 3 | 5 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 597 | 822 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 830 | 871 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 934 | 934 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 980 | 980 |
Hardwicke clones Twilight style on every way in this movie: photography, editing, dialogues, disconnected story telling and even the looks of the male hero. However, the script is interesting and keeps you hooked on not knowing what's going on until the end. ...
This artistic masterpiece is unfortunately undervalued. Unfortunately, Warner Bros. Entertainment does not know its worth, and due to their lack of interest in it, it has become obscure. This artistic masterpiece must be revived again. Warner Bros. Entertainment must do this, just as 20th Century Fo ... x did when it released two improved releases of the Titanic movie in 2003 and 2012. Who would believe that a movie released in 1997 is now available in 4K quality and 3D technology?! Warner Bros. Entertainment must re-release the movie trailer in 4K quality as a first step to correct its course, and launch a new strong marketing campaign for the Red Riding Hood movie, just as it launched a strong marketing campaign for the Barbie movie that does not deserve it. They should do this for the movie that deserves it, not the opposite. Essentially, the reason for the lack of fame of the Red Riding Hood movie was the failure of Warner Bros. Entertainment in its marketing campaign for the movie, as it was a very weak campaign, in addition to its excessive pursuit of the PG-13 age rating instead of accepting its R-rating, which led to changing the ending for the PG-13 rated cut. The reason was not the movie itself or the director Catherine Hardwicke. In fact, Catherine Hardwicke directed the movie in an unimaginable way, especially in the unrated original cut of the movie known as the Alternate Cut. The existence of a rated cut without additional terms such as (Alternate Cut) does not necessarily mean that it is the original cut. In fact, the original cut is the one that was not modified to fit the PG-13 age rating. The original cut is the one that was released as is without modifications. The original cut is the one that the MPAA did unrate, so you always find the word Unrated next to it. The original cut is the Alternate Cut, and it was not named Director's Cut because Warner Bros. Entertainment changed the ending of the PG-13 rated cut to fit the PG-13 age rating. Therefore, it is no longer possible to name the original cut as Director's Cut, as this title does not include the change in the ending. Therefore, they had to name the original cut as the Alternate Cut to include the change in the ending. As you know, production companies do not like the R-rating because it narrows the audience range, which reduces revenues. Therefore, Warner Bros. Entertainment pressured Catherine Hardwicke to modify the movie to be released with a PG-13 age rating instead of an R-rating. This explains why the ending was changed in the rated cut compared to the unrated original cut. In my opinion, both cuts are successful artistic masterpieces, but the original cut is more artistically successful, and I loved it more. My rating for the rated cut (modified) is 9/10, and my rating for the unrated original cut (Alternate Cut) is 10/10. It is the best and greatest of all time in presenting the story of Red Riding Hood, and no movie surpasses it in presenting this story. Thank you, Catherine Hardwicke, for this artistic masterpiece.