Eli
2019 | 98m | English
Popularity: 2 (history)
| Director: | Ciarán Foy |
|---|---|
| Writer: | David Chirchirillo, Ian B. Goldberg, Richard Naing |
| Staring: |
| A boy named Eli with a rare autoimmune disorder is confined to a special experimental clinic for his treatment. He soon begins experiencing supernatural forces, turning the supposedly safe facility into a haunted prison for him and his fellow patients. | |
| Release Date: | Oct 18, 2019 |
|---|---|
| Director: | Ciarán Foy |
| Writer: | David Chirchirillo, Ian B. Goldberg, Richard Naing |
| Genres: | Horror |
| Keywords | haunted house, young boy, allergy, supernatural phenomena |
| Production Companies | Paramount Pictures, MTV Films, Intrepid Pictures, Bellevue Productions, Paramount Players |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Charlie Shotwell | Eli |
| Sadie Sink | Haley |
| Lili Taylor | Dr. Isabella Horn |
| Kelly Reilly | Rose |
| Max Martini | Paul |
| Deneen Tyler | Nurse Barbara |
| Katia Gomez | Nurse Maricela |
| Austin Foxx | Perry |
| Parker Lovein | Lucius |
| Lou Beatty Jr. | Motel Owner |
| Jared Bankens | Gang Leader |
| Nathaniel Woolsey | Punk |
| Kailia Posey | Agnes |
| Name | Job |
|---|---|
| Allison Caetano | Stunts |
| Ciarán Foy | Director |
| Kellie Roy | Casting |
| Jenny Hinkey | Unit Production Manager |
| Andrew W. Bofinger | Set Decoration |
| Michael Applebaum | "B" Camera Operator, Second Unit Director of Photography |
| Larron Rome Julian | Second Assistant "A" Camera |
| Richard Schexnayder | Production Sound Mixer |
| Wise Wolfe | Location Manager |
| Adriane Bennett | Key Costumer |
| Bailey Domke | Makeup Artist |
| Craig Mann | Supervising Sound Editor, Sound Re-Recording Mixer |
| Nancy Kirhoffer | Post Production Supervisor |
| Matthew Monaco | Production Accountant |
| Bruce Tanis | Sound Effects Editor |
| Randy Wilson | Foley Mixer, Foley Supervisor |
| John Sievert | Foley Artist |
| Kristi McIntyre | Foley Editor |
| Jesse Michael Owen | Storyboard Artist |
| Jeffrey Gowing | Transportation Coordinator |
| Aaron Becker | Title Designer |
| Terry Anderson | Costume Design |
| Jason Hellmann | Editor |
| David Chirchirillo | Story, Screenplay |
| Richard Graves | First Assistant Director |
| Eric Leach | "A" Camera Operator |
| Josh Greer | First Assistant "A" Camera |
| Rena Sternfeld-Allon | Script Supervisor |
| Andy Ryan | Chief Lighting Technician |
| Joe Arnold | Property Master |
| Clara Diaz | Seamstress |
| Donna Spahn | Hair Department Head |
| Erick Donaldson | Art Direction |
| Lisa Lengyel | First Assistant "B" Camera |
| Brad Lokey | Boom Operator |
| Wells A. Smith | First Company Grip |
| Andree Fortier | Costume Supervisor |
| Kim Perrodin | Makeup Department Head |
| Blythe Bickham | Hairstylist |
| Laura Wiest | Sound Re-Recording Mixer |
| Patti Perret | Still Photographer |
| Michael J. Benavente | Dialogue Editor |
| Daniel Pagan | Sound Effects Editor |
| Ron Mellegers | Foley Mixer |
| Jason Charbonneau | Foley Artist |
| Denise Slenski | Music Editor |
| Adele Plauche | Set Designer |
| Manny Dubón | Digital Intermediate Editor |
| Nathan Carlson | Graphic Designer |
| Lisa Kutyreff | Art Department Coordinator |
| Chase Keehn | Dialogue Editor |
| Suat O. Ayas, Mpse | Sound Effects Editor |
| Stefan Fraticelli | Foley Artist |
| Travis MacKay | ADR Mixer |
| James Harris | Construction Coordinator |
| David Sousa | Animal Wrangler |
| Jose Marra | Visual Effects Supervisor |
| Joseph Ahn | Title Designer |
| Bill Boes | Production Design |
| Anne McCarthy | Casting |
| Andy Dylan | Stunt Coordinator, Second Unit Director |
| Jeff Cutter | Director of Photography |
| Wesley Sewell | Visual Effects Supervisor |
| Juliene Joyner | Stunts |
| Bear McCreary | Original Music Composer |
| Ian B. Goldberg | Screenplay |
| Richard Naing | Screenplay |
| Name | Title |
|---|---|
| Trevor Macy | Producer |
| Melinda Nishioka | Co-Producer |
| Jenny Hinkey | Executive Producer |
| David O'Leary | Associate Producer |
| John Zaozirny | Producer |
| Matt Alvarez | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 24 | 47 | 15 |
| 2024 | 5 | 25 | 54 | 16 |
| 2024 | 6 | 20 | 28 | 13 |
| 2024 | 7 | 22 | 35 | 16 |
| 2024 | 8 | 18 | 34 | 12 |
| 2024 | 9 | 18 | 23 | 15 |
| 2024 | 10 | 17 | 31 | 12 |
| 2024 | 11 | 15 | 23 | 10 |
| 2024 | 12 | 17 | 32 | 10 |
| 2025 | 1 | 21 | 44 | 13 |
| 2025 | 2 | 13 | 23 | 3 |
| 2025 | 3 | 5 | 17 | 1 |
| 2025 | 4 | 3 | 5 | 1 |
| 2025 | 5 | 3 | 4 | 2 |
| 2025 | 6 | 2 | 3 | 2 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 7 | 2 |
| 2025 | 11 | 3 | 6 | 2 |
| 2025 | 12 | 2 | 5 | 1 |
| 2026 | 1 | 2 | 2 | 1 |
| 2026 | 2 | 2 | 2 | 1 |
Trending Position
_Eli_ director Ciarán Foy is also the man behind 2012's _Citadel_, which I found to be drastically underappreciated. For that reason, I went into _Eli_ completely blind, expected to enjoy it of off of Foy's involvement alone. Ended up being pretty disappointed. The effects they use for the titular E ... li's skin rashes appearing and disappearing are **great**, I was genuinely impressed, truly. But the quote-unquote "mysteries" of the movie ("Hm, this doesn't seem quite right, what's really going on here?") start very early on in the piece, and are drawn out for sooooo long, then only about half of those mysteries are answered in one single reveal, and even those ones are resolved in a way I was not at all satisfied by. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
I won't get the movie plot away but I will say this ... this movie is extremely interesting from start to finish. The cast is brilliant, the story was intriguing oh, and the ending maybe even smile and laugh a little but that might be just because I have a morbid sense of humor. It's definitely wort ... h a watch.
Eli (2019) presents an intriguing concept with a surprising twist that keeps viewers engaged despite some narrative flaws. The story centers on a boy with an autoimmune disorder brought to a mysterious treatment facility, creating a suspenseful and eerie atmosphere. The conflict escalates as Eli ... grows uneasy with the strange treatments and tense family dynamics, leading to a layered climax, though some scenes intended to build tension feel awkward or unnecessary. The twist’s execution lacks full impact, weakening the emotional resonance. Technically, the film is well-crafted with effective cinematography, sound, and color that support the mood, while performances remain solid but unremarkable. Key story elements like Dr. Horn’s background and Eli’s origins are underdeveloped, leaving questions about motivations and emotional depth. Despite its shortcomings, Eli offers a watchable horror experience with a compelling premise and suspenseful moments. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)