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22 July Poster

22 July

The true story of a day that started like any other
2018 | 143m | English

(40285 votes)

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Popularity: 1 (history)

Details

On 22 July 2011, neo-Nazi terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. This three-part story focuses on the survivors, the political leadership of Norway, and the lawyers involved.
Release Date: Oct 04, 2018
Director: Paul Greengrass
Writer: Paul Greengrass, Åsne Seierstad
Genres: Thriller, Crime, Drama, History
Keywords bomb, neo-nazism, norway, aftermath, summer camp, car bomb, based on true story, tragedy, trial, brain injury, oslo, norway, shooting spree, far right, mass killing, summer camp island
Production Companies Scott Rudin Productions
Box Office Revenue: $0
Budget: $20,000,000
Updates Updated: Feb 04, 2026
Entered: Apr 13, 2024
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Full Credits

Name Character
Jonas Strand Gravli Viljar Hanssen
Anders Danielsen Lie Anders Behring Breivik
Jon Øigarden Geir Lippestad
Seda Witt Lara Rashid
Ola G. Furuseth Prime Minister Stoltenberg
Maria Bock Christin Kristoffersen
Isak Bakli Aglen Torje Hanssen
Thorbjørn Harr Sveinn Are Hanssen
Marit Andreassen Prime Minister Aide
Øystein Martinsen Prime Minister Aide
Valborg Frøysnes Prime Minister Aide
Thor-Harald Normann Simon Sæbø
Anders Kulsrud Storruste Anders Kristiansen
Monica Borg Fure Utøya Camp Leader
Mathias Eckhoff Utøya Security
Selma Strøm Sönmez Bano Rashid
Hilde Olausson Breivik's Mother
Lena Kristin Ellingsen Signe Lippestad
Anneke von der Lippe PST Director
Trygve Svindland Justice Minister
Trim Balaj Odd Ivar Grøn
Pål Espen Kilstad PM's Bodyguard
Håkon Smeby NRK Reporter
Endre Hellestveit Security Official
Lars Arentz-Hansen Security Official
Turid Gunnes Family Lawyer
Ulrikke Hansen Døvigen Prosecution Lawyer
Hasse Lindmo Prosecution Lawyer
Tone Danielsen Judge Wenche Arntzen
Vivian Hein Defense Lawyer
Fredrik Stenberg Ditlev-Simonsen Defense Lawyer
Charlotte Grundt Detective Anderson
Ingri Enger Damon Inquiry Lawyer
Mikkel Bratt Silset Hønefoss Policeman
André Sørum Hønefoss Detective
Tómas Guðbjartsson Op Room Trauma Surgeon
Andri Wilberg Orrason Op Room Trauma Doctor
Eindride Eidsvold Extremist
Joakim Skarli Knut Arne Pettersen , Paramedic
Marita Fjeldheim Wierdal Forensics Officer
Terje Ranes Parent
Øyvind Venstad Kjeksrud Parent
Silje Breivik Parent
Mette Scarth Tønseth Parent
Ellen Birgitte Winther Parent
Ole Aleksander Wold Lien
Tommy Hyving Security Guard
Name Job
Paul Greengrass Writer, Director
Pål Ulvik Rokseth Director of Photography
William Goldenberg Editor
Rikke Louise Andersson Set Decoration
Dan Hubbard Casting
Chris Carreras First Assistant Director
Ellen Michelsen Casting
Esme Coleman Visual Effects
Zoe Morgan Script Supervisor
Tone Carlsen Costume Supervisor
Ad Stoop Sound Recordist
Árni Gústafsson Sound Mixer
Tinna Ingimarsdottir Makeup Artist
Vidar Svendsen Makeup Department Head
Marius Winje Brustad Art Direction
Rachael Tate Dialogue Editor
Liv Ask Production Design
Margrét Einarsdóttir Costume Design
Tor Arne Øvrebø Line Producer
Jun B. Kim Assistant Editor
Ben Smithers Music Editor
Rune Andersen Special Effects Supervisor
Glen Gathard Foley Mixer
Fie Baro Makeup Artist
Dorte Pedersen Special Effects Makeup Artist
Ida Astero Welle Prosthetics
Mark Taylor Sound Re-Recording Mixer
Sune Martin Original Music Composer
Fredric Vogel ADR Mixer
Eirik Halsen Sound Recordist
Peter Burgis Foley Artist
Åsne Seierstad Novel
Andie Davies Visual Effects
Richard Wilson Second Assistant Director
Name Title
Scott Rudin Producer
Eli Bush Producer
Chris Carreras Executive Producer
Gregory Goodman Producer
Amy Lord Associate Producer
Organization Category Person
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Popularity History


Year Month Avg Max Min
2024 4 19 41 11
2024 5 30 58 19
2024 6 25 49 16
2024 7 18 29 13
2024 8 20 41 12
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2024 12 17 39 9
2025 1 22 41 12
2025 2 16 34 3
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2025 11 2 5 1
2025 12 1 1 0
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Reviews

StamS
7.0

A dry film that fails to highlight the true face of the emerging phenomenon of Nazism in Europe. Greengrass (director and screenwriter) tries (and succeeds in some scenes) to shock, but this is not enough for the viewer to understand how dangerously neo-Nazi ideology has infected the Western world. ... The creators seem to believe that simply narrating such a senseless act is enough to awaken viewers, but they are wrong. To truly understand both the sick essence and the causes that are bringing this monstrous ideology back to the forefront, we need to look in the mirror. We need to understand and, consequently, accept that the root of Nazism lies in the heart of the societies we have built around us. Nazism did not fall from the sky. Breivik did not fall from the sky, nor was he born from a metaphysical Hell. He was born, raised, and lives among us. He is our neighbour. He is the one who usually says "we need a Franco," "under the military Junta everyone had a job," "I have no problem with illegal immigrants, but...". That is why, in my opinion, the only intensely bright spot of the film is Breivik's last line to his lawyer at the end of the film. A line that concludes a conversation between the two of them, in which the lawyer seemingly wins on points, as he chooses not to respond to this line. "You don't even see us." This line encapsulates the whole problem of European Nazism, as the vast majority of our fellow citizens choose to turn a blind eye to all of this. We choose to look the other way, to pretend we didn't see how the supermarket clerk spoke to the immigrant customer, not to react to the bus driver when he unreasonably forces the refugee child off the vehicle, to continue getting our information from journalists who whitewash fascists at every opportunity, offering them a platform to utter lies sprinkled with half-truths. Europe has turned a blind eye. It has chosen not to see Nazism in France, Italy, Sweden, the UK, Germany, Greece, Ukraine, Hungary, and other countries because it considers other problems more important. And to a certain extent, it is right. Nazism is not the most important problem. But it is the most deafening alarm that everything is wrong: the bail out of banks, the violation of human rights, the abolition of labour rights, austerity policies, in short, the abandonment of citizens to the mercy of capital and economic growth. And all this with the complicity of our own awkwardness and inaction. So, we don't even see them, because we have more important problems to deal with and because in our dizziness and panic as we drown, we will grab anything that even faintly appears as something that can keep us afloat. Many will grasp the weight of Nazism and drag down with them those around them, just as happened 90 years ago.

May 10, 2025