22 July
The true story of a day that started like any other
2018 | 143m | English
Popularity: 1 (history)
| Director: | Paul Greengrass |
|---|---|
| Writer: | Paul Greengrass, Åsne Seierstad |
| Staring: |
| On 22 July 2011, neo-Nazi terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. This three-part story focuses on the survivors, the political leadership of Norway, and the lawyers involved. | |
| Release Date: | Oct 04, 2018 |
|---|---|
| Director: | Paul Greengrass |
| Writer: | Paul Greengrass, Åsne Seierstad |
| Genres: | Thriller, Crime, Drama, History |
| Keywords | bomb, neo-nazism, norway, aftermath, summer camp, car bomb, based on true story, tragedy, trial, brain injury, oslo, norway, shooting spree, far right, mass killing, summer camp island |
| Production Companies | Scott Rudin Productions |
| Box Office |
Revenue: $0
Budget: $20,000,000 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jonas Strand Gravli | Viljar Hanssen |
| Anders Danielsen Lie | Anders Behring Breivik |
| Jon Øigarden | Geir Lippestad |
| Seda Witt | Lara Rashid |
| Ola G. Furuseth | Prime Minister Stoltenberg |
| Maria Bock | Christin Kristoffersen |
| Isak Bakli Aglen | Torje Hanssen |
| Thorbjørn Harr | Sveinn Are Hanssen |
| Marit Andreassen | Prime Minister Aide |
| Øystein Martinsen | Prime Minister Aide |
| Valborg Frøysnes | Prime Minister Aide |
| Thor-Harald Normann | Simon Sæbø |
| Anders Kulsrud Storruste | Anders Kristiansen |
| Monica Borg Fure | Utøya Camp Leader |
| Mathias Eckhoff | Utøya Security |
| Selma Strøm Sönmez | Bano Rashid |
| Hilde Olausson | Breivik's Mother |
| Lena Kristin Ellingsen | Signe Lippestad |
| Anneke von der Lippe | PST Director |
| Trygve Svindland | Justice Minister |
| Trim Balaj | Odd Ivar Grøn |
| Pål Espen Kilstad | PM's Bodyguard |
| Håkon Smeby | NRK Reporter |
| Endre Hellestveit | Security Official |
| Lars Arentz-Hansen | Security Official |
| Turid Gunnes | Family Lawyer |
| Ulrikke Hansen Døvigen | Prosecution Lawyer |
| Hasse Lindmo | Prosecution Lawyer |
| Tone Danielsen | Judge Wenche Arntzen |
| Vivian Hein | Defense Lawyer |
| Fredrik Stenberg Ditlev-Simonsen | Defense Lawyer |
| Charlotte Grundt | Detective Anderson |
| Ingri Enger Damon | Inquiry Lawyer |
| Mikkel Bratt Silset | Hønefoss Policeman |
| André Sørum | Hønefoss Detective |
| Tómas Guðbjartsson | Op Room Trauma Surgeon |
| Andri Wilberg Orrason | Op Room Trauma Doctor |
| Eindride Eidsvold | Extremist |
| Joakim Skarli | Knut Arne Pettersen , Paramedic |
| Marita Fjeldheim Wierdal | Forensics Officer |
| Terje Ranes | Parent |
| Øyvind Venstad Kjeksrud | Parent |
| Silje Breivik | Parent |
| Mette Scarth Tønseth | Parent |
| Ellen Birgitte Winther | Parent |
| Ole Aleksander Wold Lien | |
| Tommy Hyving | Security Guard |
| Name | Job |
|---|---|
| Paul Greengrass | Writer, Director |
| Pål Ulvik Rokseth | Director of Photography |
| William Goldenberg | Editor |
| Rikke Louise Andersson | Set Decoration |
| Dan Hubbard | Casting |
| Chris Carreras | First Assistant Director |
| Ellen Michelsen | Casting |
| Esme Coleman | Visual Effects |
| Zoe Morgan | Script Supervisor |
| Tone Carlsen | Costume Supervisor |
| Ad Stoop | Sound Recordist |
| Árni Gústafsson | Sound Mixer |
| Tinna Ingimarsdottir | Makeup Artist |
| Vidar Svendsen | Makeup Department Head |
| Marius Winje Brustad | Art Direction |
| Rachael Tate | Dialogue Editor |
| Liv Ask | Production Design |
| Margrét Einarsdóttir | Costume Design |
| Tor Arne Øvrebø | Line Producer |
| Jun B. Kim | Assistant Editor |
| Ben Smithers | Music Editor |
| Rune Andersen | Special Effects Supervisor |
| Glen Gathard | Foley Mixer |
| Fie Baro | Makeup Artist |
| Dorte Pedersen | Special Effects Makeup Artist |
| Ida Astero Welle | Prosthetics |
| Mark Taylor | Sound Re-Recording Mixer |
| Sune Martin | Original Music Composer |
| Fredric Vogel | ADR Mixer |
| Eirik Halsen | Sound Recordist |
| Peter Burgis | Foley Artist |
| Åsne Seierstad | Novel |
| Andie Davies | Visual Effects |
| Richard Wilson | Second Assistant Director |
| Name | Title |
|---|---|
| Scott Rudin | Producer |
| Eli Bush | Producer |
| Chris Carreras | Executive Producer |
| Gregory Goodman | Producer |
| Amy Lord | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 19 | 41 | 11 |
| 2024 | 5 | 30 | 58 | 19 |
| 2024 | 6 | 25 | 49 | 16 |
| 2024 | 7 | 18 | 29 | 13 |
| 2024 | 8 | 20 | 41 | 12 |
| 2024 | 9 | 11 | 18 | 8 |
| 2024 | 10 | 14 | 23 | 9 |
| 2024 | 11 | 13 | 23 | 9 |
| 2024 | 12 | 17 | 39 | 9 |
| 2025 | 1 | 22 | 41 | 12 |
| 2025 | 2 | 16 | 34 | 3 |
| 2025 | 3 | 6 | 15 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
| 2025 | 11 | 2 | 5 | 1 |
| 2025 | 12 | 1 | 1 | 0 |
| 2026 | 1 | 1 | 2 | 0 |
| 2026 | 2 | 1 | 1 | 1 |
Trending Position
A dry film that fails to highlight the true face of the emerging phenomenon of Nazism in Europe. Greengrass (director and screenwriter) tries (and succeeds in some scenes) to shock, but this is not enough for the viewer to understand how dangerously neo-Nazi ideology has infected the Western world. ... The creators seem to believe that simply narrating such a senseless act is enough to awaken viewers, but they are wrong. To truly understand both the sick essence and the causes that are bringing this monstrous ideology back to the forefront, we need to look in the mirror. We need to understand and, consequently, accept that the root of Nazism lies in the heart of the societies we have built around us. Nazism did not fall from the sky. Breivik did not fall from the sky, nor was he born from a metaphysical Hell. He was born, raised, and lives among us. He is our neighbour. He is the one who usually says "we need a Franco," "under the military Junta everyone had a job," "I have no problem with illegal immigrants, but...". That is why, in my opinion, the only intensely bright spot of the film is Breivik's last line to his lawyer at the end of the film. A line that concludes a conversation between the two of them, in which the lawyer seemingly wins on points, as he chooses not to respond to this line. "You don't even see us." This line encapsulates the whole problem of European Nazism, as the vast majority of our fellow citizens choose to turn a blind eye to all of this. We choose to look the other way, to pretend we didn't see how the supermarket clerk spoke to the immigrant customer, not to react to the bus driver when he unreasonably forces the refugee child off the vehicle, to continue getting our information from journalists who whitewash fascists at every opportunity, offering them a platform to utter lies sprinkled with half-truths. Europe has turned a blind eye. It has chosen not to see Nazism in France, Italy, Sweden, the UK, Germany, Greece, Ukraine, Hungary, and other countries because it considers other problems more important. And to a certain extent, it is right. Nazism is not the most important problem. But it is the most deafening alarm that everything is wrong: the bail out of banks, the violation of human rights, the abolition of labour rights, austerity policies, in short, the abandonment of citizens to the mercy of capital and economic growth. And all this with the complicity of our own awkwardness and inaction. So, we don't even see them, because we have more important problems to deal with and because in our dizziness and panic as we drown, we will grab anything that even faintly appears as something that can keep us afloat. Many will grasp the weight of Nazism and drag down with them those around them, just as happened 90 years ago.