Popularity: 3 (history)
| Director: | Joanna Hogg |
|---|---|
| Writer: | Joanna Hogg |
| Staring: |
| A shy but ambitious film student falls into an intense, emotionally fraught relationship with a charismatic but untrustworthy older man. | |
| Release Date: | May 17, 2019 |
|---|---|
| Director: | Joanna Hogg |
| Writer: | Joanna Hogg |
| Genres: | Drama, Romance |
| Keywords | drug addiction, filmmaking, semi autobiographical, woman director, 1980s, film school, mother daughter relationship, toxic relationship |
| Production Companies | BBC Film, BFI, Sikelia Productions, JWH Films |
| Box Office |
Revenue: $2,087,678
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Honor Swinton Byrne | Julie |
| Tom Burke | Anthony |
| Tilda Swinton | Rosalind |
| Richard Ayoade | Patrick |
| Ariane Labed | Garance |
| Jaygann Ayeh | Marland |
| Jack McMullen | Jack |
| Chyna Terrelonge Vaughan | Tamara |
| Tosin Cole | Phil |
| Hannah Ashby Ward | Tracey |
| Frankie Wilson | Frankie |
| James Spencer Ashworth | William |
| Janet Etuk | Lora |
| Alice McMillan | Elisa |
| Jake Phillips Head | Julie's Lover |
| Barbara Peirson | Barbara |
| Lydia Fox | Lydia |
| James Dodds | James |
| El Pilkington | Susan |
| Neil Young | Radio Interviewer |
| Dick Fontaine | Head of Film School |
| Steve Gough | Head of Direction |
| Crispin Buxton | Head of Production |
| Grace Snell | Dress Maker |
| Siobhan Harper Ryan | Makeup Artist |
| Leighton Spence | Student Cameraman |
| Lee Martin | School Handyman |
| Nicholas Gollop | Doctor |
| Leonardo Bozzo | Bell Boy Venice |
| Carla Ornstein | NA Speaker |
| Jaz Dalrymple | NA Member |
| Peter Hall | NA Member |
| Estelle Long | NA Member |
| James Barrett | Film School Student |
| Roscoe Gibson-Denney | Film School Student |
| Eleanor Goff | Film School Student |
| Ben Hecking | Film School Student |
| Pedro Moura | Film School Student |
| Calhan Mundy | Film School Student |
| Keifer Nyron Taylor | Film School Student |
| Tom Rout | Film School Student |
| Fabrizio Matteini | Concierge (uncredited) |
| Jack W. Gregory | Ray (uncredited) |
| Richard Tree | Hotel Guest (uncredited) |
| Name | Job |
|---|---|
| Helle le Fevre | Editor |
| Joanna Hogg | Director, Writer |
| David Raedeker | Director of Photography |
| Leighton Spence | Focus Puller |
| Crispin Buxton | Location Manager |
| Lesley Stewart | Line Producer |
| Siobhan Harper Ryan | Hair Designer, Makeup Designer |
| Sara Doughty | Script Supervisor |
| Rebecca Gillies | Set Decoration |
| Ilona Cheshire | Music Supervisor, Unit Publicist |
| Paolo Guglielmotti | First Assistant Director |
| Stéphane Collonge | Production Design |
| Pedro Moura | Art Direction |
| Grace Snell | Costume Design |
| Jack Sauverin | Third Assistant Director |
| Robyn Forsythe | Production Manager |
| Matthew Winter | Location Scout |
| Mimi Winsor | Set Decoration |
| Nicola Dove | Still Photographer |
| Charles-Jean Boucher | VFX Artist |
| Toby Hosking | Second Assistant Director |
| Paula Hey | Costume Supervisor |
| Jovan Ajder | Supervising Sound Editor, Sound Re-Recording Mixer |
| Samir Fočo | Sound Effects Editor |
| Howard Peryer | Sound Mixer |
| Gisela Evert | Post Production Supervisor |
| Emily Stubbs | Production Coordinator |
| Nick Gordon Smith | "B" Camera Operator |
| Luke Cairns | Focus Puller |
| Darren Johnson | Clapper Loader |
| Alan Andrade | Digital Imaging Technician |
| Hattie Gent | Assistant Art Director |
| Luke Moran-Morris | Assistant Art Director |
| Lee Martin | Property Master |
| Paul House | Construction Manager |
| Rebecca Crang | Makeup & Hair |
| Stuart Johnson | Gaffer |
| Peter Tainty | Best Boy Electric |
| Mark Forsythe | Electrician |
| Andrew Hamilton | Assistant Location Manager |
| Nicola Chisholm | Casting Associate |
| Colin McGregor | Transportation Captain |
| Mike G.B. Macleod | Assistant Editor |
| Ruben Aguirre Barba | Dialogue Editor |
| Aleksandra Stojanovic | Foley Artist |
| Vladan Nedeljkov | Foley Recordist |
| Vladimir Kerkez | Foley Editor |
| Olivia Scott-Webb | Casting |
| Name | Title |
|---|---|
| Joanna Hogg | Producer |
| Martin Scorsese | Executive Producer |
| Emma Tillinger Koskoff | Executive Producer |
| Crispin Buxton | Associate Producer |
| Luke Schiller | Producer |
| Andrew Starke | Executive Producer |
| Lizzie Francke | Executive Producer |
| Rose Garnett | Executive Producer |
| Dave Bishop | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Spirit Awards | Best Picture | N/A | Nominated |
| Sundance Film Festival | Best Director | Joanna Hogg | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 19 | 32 | 12 |
| 2024 | 5 | 22 | 51 | 14 |
| 2024 | 6 | 14 | 21 | 10 |
| 2024 | 7 | 16 | 25 | 8 |
| 2024 | 8 | 15 | 27 | 8 |
| 2024 | 9 | 10 | 15 | 6 |
| 2024 | 10 | 12 | 20 | 7 |
| 2024 | 11 | 12 | 24 | 7 |
| 2024 | 12 | 10 | 14 | 7 |
| 2025 | 1 | 11 | 20 | 6 |
| 2025 | 2 | 8 | 13 | 3 |
| 2025 | 3 | 4 | 11 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 4 | 1 |
| 2025 | 10 | 3 | 6 | 2 |
| 2025 | 11 | 4 | 4 | 3 |
Trending Position
masterpiece ...
Even in the writing of this review, I continue to toss ‘The Souvenir’ around in my mind. I left the cinema disappointed and frustrated by it, wishing it had let me in more instead of simply presenting itself to me, but a friend had told me that it is a film that grows on you. I think they may have b ... een right. The more I interrogate Joanna Hogg’s film, just as Joanna Hogg interrogates her own life, the more fascinating questions and provocations I find. Right now, I like the film more than love it, but I said the same a year ago about Chang-dong Lee’s <a href=“/article/review-burning-one-of-the-best-films-of-the-decade“>‘Burning’</a>, and on my second viewing realised that was actually a masterpiece. I’m not sure the same will happen with ‘The Souvenir’, but I wouldn’t be surprised if, when you ask me my thoughts on it in a year, my answer may be different from what it is now. Perhaps the most intriguing aspect of ‘The Souvenir' is that Hogg always intended for it to be a two-part film, with Part II currently filming. Maybe it’s just that we haven’t seen where else she intends to go, what is next in Julie’s development as an artist, how tragedy will shape her as an artist and as a human being. In that sense, despite its flaws, ‘The Souvenir’ may be one of the most interesting provocations in independent cinema in the last few years. The more I think about it, the more I’m keen to try it again, and the more I’m keen to see where Julie’s story goes next. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-the-souvenir-a-flawed-but-fascinating-act-of-autobiography
I am not quite sure what Joanna Hogg was trying to achieve here. The depressing inevitability of the film's conclusion left by little jeopardy with the plot. The performances were fine, but nothing more - and the manipulative toxicity of Anthony's (Tom Burke) behaviour towards Julie (Honor Swinton B ... yrne) isn't developed anywhere near enough. The film does look good, though!