Popularity: 4 (history)
Director: | Derek Cianfrance |
---|---|
Writer: | Derek Cianfrance, Cami Delavigne, Joey Curtis |
Staring: |
Dean and Cindy live a quiet life in a modest neighborhood. They appear to have the world at their feet at the outset of the relationship. However, his lack of ambition and her retreat into self-absorption cause potentially irreversible cracks in their marriage. | |
Release Date: | Dec 26, 2010 |
---|---|
Director: | Derek Cianfrance |
Writer: | Derek Cianfrance, Cami Delavigne, Joey Curtis |
Genres: | Drama, Romance |
Keywords | depression, nurse, love at first sight, classroom, bridge, alcoholism, divorce, dancing, pennsylvania, usa, pregnancy, marriage, dysfunctional family, love, cynical, abortion, broken marriage, tragic, nonlinear timeline, student, romantic |
Production Companies | Hunting Lane Films, Silverwood Films, Incentive Filmed Entertainment, Chrysler Corporation, Shade Pictures, Motel Movies, Cottage Industries |
Box Office |
Revenue: $15,440,333
Budget: $1,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Ryan Gosling | Dean |
Michelle Williams | Cindy |
John Doman | Jerry |
Mike Vogel | Bobby |
Ben Shenkman | Dr. Feinberg |
Jen Jones | Gramma |
Maryann Plunkett | Glenda |
Faith Wladyka | Frankie |
Marshall Johnson | Marshall |
James Benatti | Jamie |
Barbara Troy | Jo |
Carey Westbrook | Charley |
Eileen Rosen | Mimi |
Enid Graham | Professor |
Ashley Gurnari | Checker |
Jack Parshutich | Billy |
Samii Ryan | Amanda |
Mark Benginia | Concierge |
Timothy Liveright | Doctor |
Tamara Torres | Maria |
Robert Russell | Justice of the Peace |
Michelle Nagy | Music Teacher |
Felicia Reid | Nurse |
Melvin Jurdem | Old Man |
Alan Malkin | Cab Driver |
Derik Belanger | Tony |
Isabella Frigoletto | Child #1 |
Madison Ledergerber | Child #2 |
Jaimie Jensen | Pregnant Woman |
Joseph Basile | Warehouse Mover (uncredited) |
Ian Bonner | Room Service Guy (uncredited) |
Robert Eckard | Father (uncredited) |
Corey Sullivan | Jake (uncredited) |
Name | Job |
---|---|
Derek Cianfrance | Director, Writer |
Andrij Parekh | Director of Photography |
Inbal Weinberg | Production Design |
Barbara Jean Kearney | Digital Intermediate |
Drew Jiritano | Special Effects Supervisor |
Joe Rudge | Music Supervisor |
Cami Delavigne | Writer |
Michael Marino | Prosthetic Designer |
Eddie DeCurtis | Set Dresser |
Sebastian Henshaw | Foley Artist |
Charles Christopher Rubino | Title Designer |
Jasmine E. Ballou | Set Decoration |
Ron Patane | Editor |
Grizzly Bear | Original Music Composer |
Tony Osso | Script Supervisor |
Evan Benjamin | Supervising Dialogue Editor |
Vince Reed Camuto | Boom Operator |
Brad Robinson | Second Assistant Director |
Joey Curtis | Writer |
Bobby Diehl | Hair Department Head |
Adam Escott | First Assistant Director |
Jeffrey Jones | Set Dresser |
Tony Volante | Sound Re-Recording Mixer |
Nina Kuhn | Gaffer |
Norm Marshall | Other |
Davi Russo | Still Photographer |
Jim Helton | Editor |
Erin Benach | Costume Design |
Max Sherwood | Property Master |
Dan Flosdorf | Sound Designer |
Seth Tallman | Boom Operator |
Carrie Fix | Unit Production Manager |
Leo Won | Makeup Department Head |
Chris Potter | Art Direction |
Damian Canelos | Sound Mixer |
Oliver Cary | Camera Operator |
Adam Caldwell | Casting Associate |
Cindy Tolan | Casting |
Steve Giammaria | Sound Recordist |
Blaise Corrigan | Stunt Coordinator |
Manny Siverio | Stunt Coordinator |
Mariela Comitini | First Assistant Director |
Radium Cheung | Gaffer |
Jesse Getchell | Art Department Assistant |
Name | Title |
---|---|
Scott Osman | Executive Producer |
Jack Lechner | Executive Producer |
Mark Brooke | Executive Producer |
Doug Dey | Executive Producer |
Cassian Elwes | Co-Executive Producer |
Alex Orlovsky | Producer |
Carrie Fix | Co-Producer |
Rena Ronson | Co-Executive Producer |
Lynette Howell Taylor | Producer |
Jamie Patricof | Producer |
Ryan Gosling | Executive Producer |
Michelle Williams | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Spirit Awards | Best Actor | Ryan Gosling | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 30 | 44 | 21 |
2024 | 5 | 30 | 42 | 17 |
2024 | 6 | 34 | 53 | 17 |
2024 | 7 | 32 | 45 | 20 |
2024 | 8 | 22 | 33 | 15 |
2024 | 9 | 19 | 25 | 14 |
2024 | 10 | 25 | 39 | 17 |
2024 | 11 | 27 | 38 | 19 |
2024 | 12 | 26 | 44 | 18 |
2025 | 1 | 32 | 52 | 23 |
2025 | 2 | 32 | 54 | 5 |
2025 | 3 | 9 | 35 | 2 |
2025 | 4 | 9 | 14 | 4 |
2025 | 5 | 7 | 13 | 4 |
2025 | 6 | 4 | 7 | 3 |
2025 | 7 | 3 | 4 | 3 |
2025 | 8 | 3 | 4 | 3 |
2025 | 9 | 4 | 5 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 524 | 584 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 716 | 742 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 664 | 817 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 607 | 771 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 862 | 862 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 868 | 868 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 612 | 788 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 593 | 752 |
**It is a discreet film, which can go unnoticed, but very intense, realistic, believable and that can be difficult to see for many people.** Romantic dramas aren't exactly my favorite type of film, but I recognize the quality of work done in this film, and the skill of director Derek Cianfrance. ... In almost every way, this film was a labor of love, drawing heavily on the director's personal experience who, as a young man, witnessed his parents' divorce. Although the film has a name that reminds us of the rosier side of love, the film actually does a very detailed dissection of a relationship, from beginning to end. I can even agree if someone tells me that this film is not for everyone: it is a dense film, something slow, there are very monotonous passages, dialogues that seem to be there just to fill time, but that actually help us to understand the personality and way of acting of the two elements of the couple. In addition, the film does not have a linear narrative, making several setbacks and temporal advances, in order to intersperse the past and the present, showing us the evolution of the relationship and, also, its wear and tear. It's not a nice movie or easy to watch, and in large part this is due to the authenticity of what we see. That couple could be our neighbor, or one of us. It is a film that, for many people, can evoke painful memories of past and present courtships and marriages. I really enjoyed the interpretation of Ryan Gosling and Michelle Williams. Both actors were fully committed to the work, built a powerful chemistry and partnership, they are largely the soul of the film. Gosling played a romantic who absolutely believes in love and seems willing to do anything to try to make their marriage work. He's passionate, absolute and enthusiastic, the kind of man who doesn't mind taking risks, and has the self-confidence to run after the ones he loves. Williams made her character more reserved, tough, a little defensive, but full of personality and inner strength. Moreover, the actress would get an Oscar nomination for Best Actress with this work. The film has a very well executed cinematography, excellent editing work and good production values. It's not a flashy film, it will surely go unnoticed by many people, and in fact it's not a perfect film or totally likable, but it's interesting, it's intense, and if we give it a chance, it's impossible not to feel sympathy for the characters. and suffer with the difficulties they go through.
A really rather dreary depiction of two young people from pretty dysfunctional backgrounds who get together - with her baby from another relationship - and struggle through life. Ryan Gosling is "Dean" a working class man quite content to make his way as a handy man/painter whilst "Cindy" (Michelle ... Williams) is a nurse who has (slightly) greater aspirations for both of them, and her little girl. The story is delivered in threads that try to reconcile their separate, rather depressing, routes to their current predicaments alongside their prevailing issues. Certainly there was love, once, in their relationship but that has long been supplanted by resentment, frustration and even some jealousy before it all culminates with a rather disastrous "romantic" night in an hotel. The relentless inevitability of the story is writ large from the start, and although the film is well put together, it cannot elevate it from the realms of a rather drab, angry melodrama.