Popularity: 4 (history)
Director: | Steven Soderbergh |
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Writer: | Susannah Grant |
Staring: |
A twice-divorced mother of three who sees an injustice, takes on the bad guy and wins -- with a little help from her push-up bra. Erin goes to work for an attorney and comes across medical records describing illnesses clustered in one nearby town. She starts investigating and soon exposes a monumental cover-up. | |
Release Date: | Mar 17, 2000 |
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Director: | Steven Soderbergh |
Writer: | Susannah Grant |
Genres: | Drama |
Keywords | biography, based on true story, single mother, water pollution, environmental law, legal drama, corporate negligence |
Production Companies | Jersey Films |
Box Office |
Revenue: $256,271,286
Budget: $52,000,000 |
Updates |
Updated: Aug 15, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Julia Roberts | Erin Brockovich |
Albert Finney | Ed Masry |
Aaron Eckhart | George |
Marg Helgenberger | Donna Jensen |
Cherry Jones | Pamela Duncan |
Veanne Cox | Theresa Dallavale |
Conchata Ferrell | Brenda |
Tracey Walter | Charles Embry |
Peter Coyote | Kurt Potter |
Michael Harney | Pete Jensen |
Scarlett Pomers | Shanna Jensen |
Scotty Leavenworth | Matthew Brown |
Gina Gallego | Ms. Sanchez |
T.J. Thyne | David Foil (1st PG&E Rep) |
Valente Rodriguez | Donald |
Erin Brockovich | Waitress |
David Brisbin | Dr. Jaffe |
Dawn Didawick | Rosalind |
George Rocky Sullivan | Los Angeles Judge |
Pat Skipper | Defending Lawyer |
Jack Gill | Defendant |
Irene Olga López | Mrs. Morales |
Emily Marks | Beth (8 months) |
Julie Marks | Beth (8 months) |
Gemmenne de la Peña | Katie |
Adilah Barnes | Anna |
Irina V. Passmoore | Babysitter |
Ron Altomare | Biker Friend |
Charles John Bukey | Biker Friend |
Randy Lowell | Brian Frankel |
Jamie Harrold | Scott |
Sarah Ashley | Ashley Jensen |
Joe Chrest | Tom Robinson |
Meredith Zinner | Mandy Robinson |
William Lucking | Bob Linwood |
Mimi Kennedy | Laura Ambrosino |
Scott Sowers | Mike Ambrosino |
Kristina Malota | Annabelle Daniels |
Wade Williams | Ted Daniels |
Cordelia Richards | Rita Daniels |
Ashley Pimental | Beth (18 months) |
Brittany Pimental | Beth (18 months) |
Larry Martinez | Nelson Perez |
LeRoy A. Simmons | Self |
Don Snell | PG&E Lawyer |
Michael Shamberg | PG&E Lawyer |
Ronald E. Hairston | Car Messenger |
Scott Allen | Town Meeting Plaintiff |
Sheila Shaw | Ruth Linwood |
Matthew Kimbrough | Bartender |
Jason Cervantes | Check Messenger |
Spencer Kayden | Tearful Courtroom Spectator (uncredited) |
Norma Maldonado | Woman #1 (uncredited) |
Mike Malone | Baxter (uncredited) |
Tom Tangen | Ned (uncredited) |
Julie Wagner | E.R. Admitting Nurse (uncredited) |
Name | Job |
---|---|
Edward Lachman | Director of Photography |
Anne V. Coates | Editor |
Margery Simkin | Casting |
Philip Messina | Production Design |
Jeffrey Kurland | Costume Design |
Susannah Grant | Writer |
John Robotham | Stunt Coordinator |
Thomas Newman | Original Music Composer |
Carmen Cuba | Casting Associate |
Larry Blake | Sound Re-Recording Mixer, Supervising Sound Editor |
Alicia Stevenson | Foley |
Dawn Fintor | Foley Artist, Foley |
Barry Idoine | First Assistant Camera |
Roydon Clark | Stunt Double |
Rick Avery | Stunt Driver |
Aaron Glascock | Dialogue Editor |
Gary Archer | Prosthetics |
Joni Avery | Stunts |
Steve Kelso | Stunt Driver |
Steven Soderbergh | Director |
Frederic W. Brost | Unit Production Manager |
Kristen Toscano Messina | Set Decoration |
Chris Lombardi | Camera Operator |
Thomas Causey | Production Sound Mixer |
Joseph F. Brennan | Boom Operator |
Robin Le Chanu | Production Coordinator |
Annie Welles | Script Supervisor |
Christa Munro | Art Direction |
Keith P. Cunningham | Assistant Art Director |
Masako Masuda | Set Designer |
Patricia Klawonn | Set Designer |
Blair Huizingh | Art Department Coordinator |
Richard Hartley | Rigging Gaffer |
Robb Sullivan | First Assistant Editor |
Kevin Hannigan | Special Effects |
Elaine Ramires | Costume Supervisor |
Fran Vega-Buck | Set Costumer |
Corey Bronson | Set Costumer |
Shoshana Rubin | Set Costumer |
Emily Wyss | Set Costumer |
Richard Dean | Makeup Artist |
Bonnie Clevering | Hair Designer |
Deborah Mills-Whitlock | Hair Department Head |
Michelle Weiss | Hairstylist |
Bernard Gough | Hairstylist |
Anthony Wilson | Hairstylist |
Ken Lavet | Location Manager |
Spooky Stevens | Unit Publicist |
Bob Marshak | Still Photographer |
Chris Snyder | Construction Coordinator |
Jon Carpenter | Transportation Coordinator |
Shane Greedy | Transportation Captain |
Rich Bennetti | Transportation Co-Captain |
Caitlin Maloney | Post Production Supervisor |
Monica de Armond | Post Production Assistant |
Amanda Scheer-Demme | Music Supervisor |
Bill Bernstein | Music Editor |
Thomas J. Smith | Visual Effects Supervisor |
Carole Cowley | Visual Effects Producer |
Dana Ross | Color Timer |
Sarah Bullion | Art Department Assistant |
Richard Boris | Greensman |
Jason Bedig | Leadman |
Scott Shordon | Painter |
Francis N. 'Lucky' Costello | Standby Painter |
Charles John Bukey | Grip |
Dale E. Anderson | Set Dressing Artist |
Steven Kissick | Carpenter |
Antoine Mascaro | Chef |
Charles Drake | Craft Service |
Loren Bess | Driver |
Taina Mirach | Production Intern |
Thomas S. Dickson | Projection |
John Bullard | Propmaker |
Joseph Keideth | Security |
Harold Fowler | Set Medic |
Keri Bruno | Set Production Assistant |
Eric Flickinger | Sound Recordist |
Marc C. Geschwind | Stand In |
Frank Endewardt | Best Boy Electric |
Gary M. Lang | Electrician |
Russ Caldwell | Gaffer |
Ricki L. Stein | Production Accountant |
James C. Taylor | Production Supervisor |
James Morioka | Assistant Sound Editor |
Thomas Pasatieri | Orchestrator |
Mark Tait Lewis | Digital Compositors |
Thomas John McGowan | Studio Teachers |
Mark Kenna | Dolby Consultant |
John Owens | Electrician |
Janis Mekaelian | Key Costumer |
Nicholas Wolfert | Additional Second Assistant Director |
Michael Risoli | Second Second Assistant Director |
Alberto Christiano Lombardo | Assistant Property Master |
Thomas Moffitt | Set Painter |
Erin Boyd | Swing |
Niamh Murphy | Textile Artist |
Ron Bedrosian | ADR Mixer |
Brian Basham | ADR Recordist |
David Betancourt | Foley Mixer |
Jon Vogl | Foley Recordist |
Richard Kite | Utility Sound |
Werner Hahnlein | Special Effects Assistant |
James W. Apted | Assistant Camera |
Rodney Veto | Best Boy Grip |
Stacy De La Motte | Camera Loader |
Paul Threlkeld | Dolly Grip |
Isaac Friedman | Second Assistant Camera |
Brumby Broussard | Casting Assistant |
Gary Burritt | Negative Cutter |
Caleb Duffy | Assistant Location Manager |
Buck Damon | Music Consultant |
Gavin J. Behrman | Assistant Accountant |
Karen Jarnecke | Assistant Production Coordinator |
Rich King | Extras Casting |
Cheri Hall | First Assistant Accountant |
Jim Swidarski | Payroll Accountant |
Brett Brown | Production Assistant |
J. Larsen Jay | Production Secretary |
Peter Bankins | Property Master |
Thomas A. Curran | Grip |
Mike Malone | Set Dresser |
Tabby Hanson | Stunt Double |
David Hallinan | Second Assistant Director |
Michael Keller | Sound Re-Recording Mixer |
Gregory Jacobs | Assistant Director |
Dennis Sands | Scoring Mixer |
Randy Berrett | Rigging Grip |
Carla Meyer | Dialect Coach |
Ken Diaz | Tattoo Designer |
John Axelrad | Assistant Editor |
Name | Title |
---|---|
Michael Shamberg | Producer |
Stacey Sher | Producer |
Carla Santos Shamberg | Executive Producer |
Gail Lyon | Co-Producer |
Danny DeVito | Producer |
John Hardy | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Picture | N/A | Nominated |
Golden Globes | Best Supporting Actress | Julia Robertson | Won |
Academy Awards | Best Picture | N/A | Nominated |
Academy Awards | Best Actress | Julia Robertson | Won |
Academy Awards | Best Supporting Actress | Julia Roberts | Won |
BAFTA Awards | Best Actress | Julia Roberts | Won |
BAFTA Awards | Best Actress | Julia Robertson | Won |
SAG Awards | Best Picture | N/A | Nominated |
SAG Awards | Best Supporting Actress | Julia Robertson | Won |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 39 | 63 | 27 |
2024 | 5 | 44 | 101 | 28 |
2024 | 6 | 36 | 52 | 26 |
2024 | 7 | 37 | 48 | 24 |
2024 | 8 | 32 | 57 | 20 |
2024 | 9 | 25 | 40 | 18 |
2024 | 10 | 31 | 50 | 20 |
2024 | 11 | 32 | 57 | 20 |
2024 | 12 | 32 | 77 | 22 |
2025 | 1 | 35 | 69 | 23 |
2025 | 2 | 23 | 37 | 4 |
2025 | 3 | 10 | 36 | 2 |
2025 | 4 | 8 | 15 | 4 |
2025 | 5 | 8 | 15 | 4 |
2025 | 6 | 5 | 9 | 4 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 7 | 9 | 3 |
2025 | 9 | 6 | 9 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 459 | 729 |
Year | Month | High | Avg |
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2025 | 8 | 64 | 448 |
Year | Month | High | Avg |
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2025 | 7 | 996 | 996 |
Year | Month | High | Avg |
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2025 | 5 | 832 | 832 |
Year | Month | High | Avg |
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2025 | 3 | 576 | 815 |
Year | Month | High | Avg |
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2025 | 2 | 994 | 994 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 741 | 808 |
For the first time in my life, I got people respecting me. Please, don't ask me to give it up. The film is based on a real case and is about real people so to that ends it is obviously simple in structure, and nagging away as you watch it is the fact that the ending is never in doubt, it "is" all ... too predictable. However, what made Erin Brockovich the success it was is that the title character is not only interesting but also, importantly, intriguing. A foul mouthed hard bitten, twice divorced mother of three has to fight her corner just to get an honest days pay. It's a fabulous story backed up by a simply incredible performance from Julia Roberts. Here Roberts has let her hair down, puts on a push up bra and a short skirt, she is clearly enjoying the freedom of the role, and the results are real effective. I have no doubt that working alongside Albert Finney helped Roberts no ends, but it is her show all the way, and she alone masks over what really is an ordinary film, there is nothing we haven't seen before here, it's just a more modern take on the good versus evil corporate company scenario. It's steadily directed by Steven Soderbergh, emotional scenes are not overstretched to treacle point, and all in all it's good solid story telling. Repeat viewings prove to dilute the uplift factor of the finale, but Roberts' performance certainly holds firm for evermore. 8/10 for the film, 10/10 for Roberts' ballsy show. If only we could have had more of these performances from her.
Very good film. Julia Roberts is terrific. It may go on for 10-15 minutes too long, but even so <em>'Erin Brockovich'</em> is a fascinating biographical film. The dialogue is pretty sharp, there are a few good lines in there for Roberts. She herself is terrific here, I enjoyed her whole performan ... ce. Away from Roberts, you have Albert Finney and Aaron Eckhart involved, as well as a few minor roles for recognisable faces from television - namely Michael Harney and Wade Williams. Finney and Eckhart are more than decent, but Roberts is most definitely the one that keeps the film moving forward. Well worth a watch.
Not that bad of a movie. Honestly there's all kind of plants around the world that pollute a lot of different things that are harmful to us. I wish they would have had trial in this movie and make them sweat. Would have been nice to see. ...
Julia Roberts is at her best here as the eponymously feisty woman who is struggling to keep her three kids fed and watered whilst holding down a decent job. An accident sends her the way of attorney Ed Masry (Albert Finney) who makes some damages promises that don't prove forthcoming - so she decide ... s that she is going to work for him - whether he likes it or not! Admin ensues and during some routine filing she starts to notice a prevalence of medical records contained in property transaction documentation. A little further investigation and a few conversations with some local people soon suggests to her, and her still sceptical boss, that a large corporate enterprise has been systematically poisoning the water supply and misleading the residents about some pretty ghastly illnesses that had befallen them. Needless to say, the lawyers for big business and the system itself lobs quite a few obstacles in their path, but as this true story unravels we receive an entertainingly focussed and well written objective lesson in tenacity and dedication. There's an increasingly effective chemistry here between Roberts and Finney, and with Aaron Eckhart providing the babysitting services - and allowing us all to come up for air now and again, this turns out to be a compelling drama, peppered with some lovely dark humour, that still works well.