Popularity: 2 (history)
| Director: | Simon Hunter | 
|---|---|
| Writer: | Edward Lynden-Bell, Elizabeth O'Halloran | 
| Staring: | 
| To try and overcome a lifetime of bitterness and resentment, an older lady decides to climb a mountain in Scotland. | |
| Release Date: | May 25, 2018 | 
|---|---|
| Director: | Simon Hunter | 
| Writer: | Edward Lynden-Bell, Elizabeth O'Halloran | 
| Genres: | Drama | 
| Keywords | |
| Production Companies | |
| Box Office | 
              
                Revenue: $0
                Budget: $0  | 
      
| Updates | 
          Updated: Aug 03, 2024 Entered: Apr 20, 2024  | 
      
| Name | Character | 
|---|---|
| Sheila Hancock | Edie | 
| Kevin Guthrie | Jonny | 
| Paul Brannigan | McLaughlin | 
| Amy Manson | Fiona | 
| Wendy Morgan | Nancy | 
| Rachael Keiller | Hotel Receptionist | 
| Donald Pelmear | George | 
| Daniela Bräuer | German hiker | 
| Christopher Dunne | Cafe owner | 
| Tori Butler-Hart | Doctor | 
| Calum MacRae | Bothy Man | 
| Tanya Winsor | Jane | 
| Sallyann Fellowes | Retirement home manager | 
| Wynne Potts | Care Assistant | 
| Tom McHugh | Station guard | 
| Seoras Hearton | Reid | 
| Shaun Cowan | Bell | 
| Name | Job | 
|---|---|
| Simon Hunter | Director, Idea | 
| August Jakobsson | Director of Photography | 
| Edward Lynden-Bell | Story | 
| Elizabeth O'Halloran | Screenplay | 
| Debbie Wiseman | Original Music Composer | 
| Olly Stothert | Editor | 
| Jeremy Zimmermann | Casting | 
| Chris Richmond | Production Design | 
| Boadicea Shouls | Art Direction | 
| Georgina Napier | Costume Design | 
| Amanda Green | Makeup Artist | 
| Laura Bernice Watson | Hair Designer, Makeup Designer | 
| Emma James | Production Manager | 
| Peter Bristowe | Production Assistant | 
| Craig Kenny | First Assistant Director | 
| Michael Taylor | Property Master | 
| Grace Averbuch | Dialogue Editor | 
| Nick Baldock | ADR Recordist | 
| Adrian Baumeister | Sound Re-Recording Mixer | 
| Adele Fletcher | ADR Editor | 
| Filip Krzyżykowski | Foley Editor | 
| Joanne Lau | Assistant Sound Editor | 
| Tomasz Maciątek | Foley Recordist | 
| Sebastian Morsch | Sound Designer | 
| Jacek Wiśniewski | Foley Artist | 
| Dan Avram | Visual Effects Editor | 
| Jean-Michel Boublil | Visual Effects Supervisor | 
| Meike Deutscher | Matte Painter | 
| Jaz Rongokea | Visual Effects Producer | 
| Tommy Clarke | Second Unit Director of Photography | 
| Greg McFarlane King | Gaffer | 
| Pascoe Morrissey | Aerial Director of Photography | 
| Aubrey Pascoe | Key Grip | 
| Drew Wright | Electrician | 
| Irene Ilias | Casting Associate | 
| Stephen Fuller | Third Assistant Director | 
| Paolo Guglielmotti | Second Unit First Assistant Director | 
| Dominic Smithers | Set Decoration | 
| Andrew Bradley | Focus Puller | 
| Julian Sharma | Clapper Loader | 
| Sam Cousins | Sound Recordist | 
| Sapphire Cecil | Assistant Makeup Artist | 
| Name | Title | 
|---|---|
| Tim Dennison | Co-Producer | 
| Edward Little | Associate Producer | 
| Mark Stothert | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 9 | 19 | 4 | 
| 2024 | 5 | 9 | 15 | 5 | 
| 2024 | 6 | 7 | 17 | 3 | 
| 2024 | 7 | 7 | 12 | 3 | 
| 2024 | 8 | 6 | 11 | 3 | 
| 2024 | 9 | 5 | 8 | 3 | 
| 2024 | 10 | 6 | 11 | 3 | 
| 2024 | 11 | 6 | 14 | 3 | 
| 2024 | 12 | 6 | 15 | 3 | 
| 2025 | 1 | 6 | 11 | 3 | 
| 2025 | 2 | 3 | 5 | 2 | 
| 2025 | 3 | 3 | 6 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 2 | 3 | 2 | 
| 2025 | 11 | 2 | 2 | 2 | 
Trending Position
This is one of those quiet dramas that I enjoy watching as a counterbalance to the blockbusters and bigger budget offerings. It was entertaining and well acted by the lead, and who says only young people should be shown try to overcome [physical and mental obstacles? Apparently the elderly actress d ... idn’t have anyone filling in for her during the hiking and climbing scenes. Good for her. To be honest, it is not one that will stand out in my memory, that I will seek out at a later date thinking, “I really should watch that again.” But if it were to show up on one of my streaming channels, I could see myself saying, “Why not?”