Enchanted
The real world and the animated world collide.
2007 | 107m | English
Popularity: 6 (history)
| Director: | Kevin Lima |
|---|---|
| Writer: | Bill Kelly |
| Staring: |
| The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world? | |
| Release Date: | Nov 20, 2007 |
|---|---|
| Director: | Kevin Lima |
| Writer: | Bill Kelly |
| Genres: | |
| Keywords | poison, prince, fairy tale, princess, female protagonist, female villain, manhattan, new york city, evil queen, fantasy world, evil witch, true love, part animation, live action and animation |
| Production Companies | Walt Disney Pictures, Josephson Entertainment, Andalasia Productions, Right Coast |
| Box Office |
Revenue: $340,487,652
Budget: $85,000,000 |
| Updates |
Updated: Jan 09, 2026 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Evelyne Noraz | Makeup Artist |
| Kevin Lima | Director |
| Mona May | Costume Design |
| James Baxter | Animation Supervisor |
| Paul Brizzi | Storyboard |
| John Papsidera | Casting |
| Kristin Bernstein | Second Assistant Director |
| Rick Baker | Special Effects Makeup Artist |
| Nicki Ledermann | Makeup Department Head |
| Randy Thom | Sound Designer, Sound Re-Recording Mixer, Supervising Sound Editor |
| Dennis Leonard | Supervising Sound Editor |
| Andreas Deja | Animation |
| Michael Silvers | Supervising Dialogue Editor, Supervising ADR Editor |
| Colette D. Dahanne | Sound Effects Editor |
| Andrea Gard | Foley Editor |
| Terri Douglas | ADR Voice Casting |
| Michael Bloomberg | Thanks |
| Chris Barnes | Stunts |
| Jill Brown | Stunts |
| Kimberly Shannon Murphy | Stunt Double |
| Carl Paoli | Stunt Double |
| Derrick Simmons | Stunts |
| Rick LeFevour | Stunts |
| Caroline Vexler | Stunt Double |
| John Cenatiempo | Utility Stunts |
| Chris Cenatiempo | Stunts |
| Samantha MacIvor | Stunts |
| Shawnna Thibodeau | Stunts |
| James Mazzola | Property Master |
| Peter Epstein | Stunts |
| Nicole Callender | Utility Stunts |
| Blaise Corrigan | Stunts |
| Kazu Hiro | Special Effects Makeup Artist |
| Bill Corso | Special Effects Makeup Artist, Makeup Effects |
| Gary Rizzo | Sound Re-Recording Mixer |
| G.A. Aguilar | Stunt Coordinator, Second Unit Director |
| Stephen A. Rotter | Editor |
| Gregory Perler | Editor |
| Trevor Tamboline | Animation |
| Chuck Duke | Animation |
| Mick De Falco | Layout |
| Howard R. Campbell | Lighting Technician |
| Claire Williams | Compositors |
| Rick Maki | Visual Development |
| Stuart Wurtzel | Production Design |
| Marcia Ross | Casting |
| Joseph E. Iberti | Unit Production Manager |
| Michael DeCasper | First Assistant Director |
| Maggie Murphy | Second Assistant Director |
| John O'Connell | Choreographer |
| Thomas Schelesny | Visual Effects Supervisor |
| Chris Montan | Executive Music Producer |
| John Kasarda | Art Direction |
| Miguel López-Castillo | Assistant Art Director |
| Jeffrey D. McDonald | Assistant Art Director |
| David Stein | Assistant Art Director |
| Tom Warren | Assistant Art Director |
| George DeTitta Jr. | Set Decoration |
| Leo Holder | Graphic Designer |
| Nora Kasarda | Art Department Coordinator |
| Jessica T. Sinoway | Assistant Costume Designer |
| Amy Ritchings | Assistant Costume Designer |
| Gail A. Fitzgibbons | Costume Supervisor |
| Winsome G. McKoy | Costume Supervisor |
| Christine Schultz | Key Costumer |
| Mike Marino | Special Effects Makeup Artist |
| Peggy Schierholz | Hair Department Head |
| Thom Gonzales | Assistant Hairstylist |
| Donna Marie Fischetto | Hairstylist |
| Robin Day | Hairstylist |
| Victoria Wood | Wigmaker |
| Robert Presley | Camera Operator |
| Bobby Mancuso | First Assistant Camera |
| Scott Tinsley | Second Assistant Camera |
| Nils Johnson | Video Assist Operator |
| Deirdre Horgan | Script Supervisor |
| Tod A. Maitland | Sound Mixer |
| Michael Scott | Boom Operator |
| Timothy R. Boyce Jr. | Utility Sound |
| Evan Perazzo | Location Manager |
| John W. DeBlau | Chief Lighting Technician |
| Tom Percarpio | Assistant Chief Lighting Technician |
| Robert M. Andres | Key Grip |
| Chris Skutch | Best Boy Grip |
| Arthur Blum | Dolly Grip |
| William Hines | Rigging Gaffer |
| Vinny Mazzarella | Assistant Property Master |
| Frank Didio | Construction Foreman |
| Catriona Crosby | Set Dresser |
| Richard Nelson | Set Dresser |
| Deb Dyer | Production Accountant |
| Peter J. Silbermann | Unit Publicist |
| Barry Wetcher | Still Photographer |
| James Fanning | Transportation Captain |
| Edward Fanning | Transportation Co-Captain |
| David M. Dunlap | Second Unit Director of Photography |
| James Durante | First Assistant Editor |
| Kenneth Karman | Supervising Music Editor |
| Jeremy Raub | Music Editor |
| Jayne Armstrong | Post Production Supervisor |
| Jeanie Daniels | Post Production Accountant |
| E. Larry Oatfield | Foley Editor |
| Jana Vance | Foley Artist |
| Ellen Heuer | Foley Artist |
| Dennie Thorpe | Foley Artist |
| Frank Rinella | Foley Mixer |
| Sean England | Foley Recordist |
| Bob Peishel | Digital Intermediate Producer |
| Jeong-Hwa Fonkalsrud | Makeup Artist |
| Jennifer Johnson | Hairstylist |
| Julia Lallas | Makeup Artist |
| Gine Lui | Location Scout |
| Jon Null | Supervising Dialogue Editor, Supervising ADR Editor |
| Alan Menken | Songs, Original Music Composer |
| Stephen Schwartz | Songs |
| Steve Kirshoff | Special Effects Coordinator |
| Ron Petagna Sr. | Construction Coordinator |
| Don Burgess | Director of Photography |
| Dan Lemmon | Visual Effects Supervisor |
| Dawn Solér | Music Supervisor |
| Bill Kelly | Writer |
| Mac Smith | Other |
| Judi Lewis Ockler | Stunts |
| David E. Fluhr | Sound Re-Recording Mixer |
| Aaron Vexler | Stunt Double |
| Name | Title |
|---|---|
| Barry Josephson | Producer |
| Barry Sonnenfeld | Producer |
| Ezra Swerdlow | Executive Producer |
| Christopher Chase | Executive Producer |
| Sunil Perkash | Executive Producer |
| Susan Ringo | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 52 | 75 | 31 |
| 2024 | 5 | 61 | 90 | 47 |
| 2024 | 6 | 48 | 71 | 29 |
| 2024 | 7 | 51 | 71 | 28 |
| 2024 | 8 | 41 | 60 | 30 |
| 2024 | 9 | 33 | 47 | 25 |
| 2024 | 10 | 38 | 54 | 28 |
| 2024 | 11 | 40 | 71 | 27 |
| 2024 | 12 | 40 | 66 | 28 |
| 2025 | 1 | 52 | 85 | 33 |
| 2025 | 2 | 36 | 48 | 8 |
| 2025 | 3 | 10 | 41 | 3 |
| 2025 | 4 | 12 | 16 | 7 |
| 2025 | 5 | 8 | 16 | 6 |
| 2025 | 6 | 7 | 11 | 5 |
| 2025 | 7 | 6 | 7 | 4 |
| 2025 | 8 | 6 | 9 | 5 |
| 2025 | 9 | 7 | 12 | 5 |
| 2025 | 10 | 5 | 8 | 4 |
| 2025 | 11 | 5 | 6 | 4 |
| 2025 | 12 | 4 | 5 | 3 |
| 2026 | 1 | 5 | 7 | 3 |
| 2026 | 2 | 5 | 6 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 274 | 715 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 494 | 773 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 630 | 805 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 369 | 703 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 483 | 805 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 505 | 750 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 355 | 733 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 560 | 750 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 790 | 893 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 361 | 696 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 418 | 789 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 252 | 775 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 471 | 755 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 461 | 824 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 819 | 909 |
Honestly I can't really tell if this is wholesome or not? And I can't get into why without spoilers, but I just... A lot of weird decisions went into making _Enchanted_... Still a good time. Has that young & old appeal thing working for it. _Final rating:★★★ - I liked it. Would personally recomme ... nd you give it a go._
Amy Adams is really quite entertaining in this latter day take on the "Snow White" fable. Falling pray to the envious Queen "Narissa" (a few fleeting appearances from Susan Sarandon) who wants her power, as well as her beauty, "Giselle" finds herself crawling out of a manhole cover and arriving in m ... odern day New York City. Dressed as for a children's fairy tale party, she quickly finds herself a new friend in the form of "Robert" (Patrick Dempsey) and his young daughter "Morgan" (Rachel Covey). Initially he thinks she is not quite the full shilling, but the arrival of her pursuing beau Prince "Edward" (James Marsden) and his wily butler "Nathaniel" (Timothy Spall) soon sets him straight - and makes him realise that he - egged on by his daughter - is falling for this young woman. Who will win her heart? Can they get back to their home land of "Adalasia"? I could have been doing with a little more animation mixed into this, but as it is, it is a quickly paced and enjoyable family drama with a decent degree of chemistry between Adams and the admittedly rather wooden, but easy on the eye, Dempsey. Marsden is probably the star for me, he manages to carry the character of chivalrous dope quite amusingly at times, and Spall always did manage these ever so humble, slightly obsequious, parts well too. Idina Menzel is here, yes, but no real chance for her to belt out any power ballads - indeed, the triple Oscar-nominated soundtrack is not one of Alan Menken's more memorable, I thought. Maybe a little too long, but it's still quite a creative interpretation of the original story, and is an easy to watch feel-good film.