Popularity: 2 (history)
| Director: | Michael Haneke |
|---|---|
| Writer: | Michael Haneke |
| Staring: |
| George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time. | |
| Release Date: | Oct 05, 2005 |
|---|---|
| Director: | Michael Haneke |
| Writer: | Michael Haneke |
| Genres: | Drama, Mystery, Thriller |
| Keywords | paris, france, upper class, dreams, anonymous letter, suppressed past, confidence, menace, lie, algerian, paranoia, hidden camera, intellectual, flashback, family relationships, writer, conscience, guilt, threat, videotape, publisher, phone call, paranoid, neo-noir, apartment |
| Production Companies | ARTE France Cinéma, Les Films du Losange, Wega Film, BiM Distribuzione, France 3 Cinéma, Bavaria Film, ORF, WDR/Arte |
| Box Office |
Revenue: $16,197,824
Budget: $8,500,000 |
| Updates |
Updated: Nov 10, 2025 Entered: Nov 10, 2025 |
| Name | Character |
|---|---|
| Daniel Auteuil | Georges Laurent |
| Juliette Binoche | Anne Laurent |
| Annie Girardot | Georges's Mother |
| Bernard Le Coq | Georges's Editor-In-Chief |
| Daniel Duval | Pierre |
| Maurice Bénichou | Majid |
| Walid Afkir | Majid's Son |
| Lester Makedonsky | Pierrot Laurent |
| Nathalie Richard | Mathilde |
| Denis Podalydès | Yvon |
| Caroline Baehr | Nurse |
| Christian Benedetti | Georges's Father |
| Loïc Brabant | Police Officer No. 2 |
| Aïssa Maïga | Chantal |
| Jean-Jacques Brochier | TV Guest |
| Paule Daré | The Orphanage Attendant |
| Louis-Do de Lencquesaing | Bookstore Owner |
| Annette Faure | Young Georges's Mother |
| Hugo Flamigni | Young Georges |
| Peter Stephan Jungk | Writer |
| Diouc Koma | Cycliste |
| Marie Kremer | Jeannette |
| Nicky Marbot | The Orphanage Driver |
| Malik Nait Djoudi | Young Majid |
| Marie-Christine Orry | Housekeeper |
| Mazarine Pingeot | TV Guest |
| Julie Recoing | Georges's Assistant |
| Karla Suarez | Novelist |
| Jean Teulé | TV Guest |
| Philippe Besson | TV Guest |
| Laurent Suire | Police Officer No. 1 |
| Carlo Azeglio Ciampi | Self (archive footage) |
| François Négret | Man in Elevator (uncredited) |
| Name | Job |
|---|---|
| Michael Haneke | Screenplay, Director |
| Kris Portier de Bellair | Casting |
| Jean-Pierre Laforce | Sound Editor |
| Pascal Chauvin | Foley Artist |
| Katharina Biró | First Assistant Director |
| Walter Stöger | Gaffer |
| Waldemar Pokromski | Special Effects Makeup Artist |
| Lisy Christl | Costume Design |
| Emmanuel de Chauvigny | Production Design |
| Jean-Paul Mugel | Production Sound Mixer, Sound Designer |
| Philippe Hubin | Special Effects Supervisor |
| Olivier Neveu | Gaffer |
| Carlos Cabeceràn | Steadicam Operator |
| Peter Ecker | Property Master |
| Alain Olivieri | First Assistant Director |
| Moritz von Blücher | Second Second Assistant Director |
| Thi-Loan Nguyen | Makeup Artist |
| Christoph Kanter | Production Design |
| Michael Hudecek | Editor |
| Christian Berger | Director of Photography |
| Nadine Muse | Editor |
| Laurent Bozzi | Hairstylist |
| Christophe Surbier | Grip |
| Kathrin Resetarits | Second Second Assistant Director |
| Joël Lavau | Makeup Artist |
| Name | Title |
|---|---|
| Michael Katz | Executive Producer |
| Rémi Burah | Producer |
| Michael Weber | Producer |
| Valerio De Paolis | Producer |
| Michael André | Associate Producer |
| Margaret Ménégoz | Executive Producer |
| Andrew Colton | Executive Producer |
| Veit Heiduschka | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 25 | 10 |
| 2024 | 5 | 22 | 38 | 9 |
| 2024 | 6 | 33 | 54 | 18 |
| 2024 | 7 | 32 | 53 | 21 |
| 2024 | 8 | 27 | 53 | 10 |
| 2024 | 9 | 11 | 18 | 7 |
| 2024 | 10 | 13 | 19 | 9 |
| 2024 | 11 | 13 | 25 | 7 |
| 2024 | 12 | 11 | 15 | 6 |
| 2025 | 1 | 14 | 29 | 8 |
| 2025 | 2 | 10 | 16 | 3 |
| 2025 | 3 | 5 | 16 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 33 | 1 |
| 2025 | 11 | 10 | 28 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 991 | 991 |
On the face of it, "Georges" (Daniel Auteuil) and wife "Anne" (Juliette Binoche) are a successfully married couple. Both working in publishing, he has his own review programme on television whilst their teenage son "Pierrot" (Lester Makedonsky) remains pretty distant from their professional and soci ... al lives. When "Georges" starts receiving anonymous VHS cassettes things become much more tense and the strains on this family more pronounced. These tapes initially begin by surveilling their home, but gradually they become more penetrative and invasive. The police can't do anything and their neighbours have seen nothing untoward locally. Then he discovers what might just be a clue and that takes him to "Majid" (Maurice Bénichou) who lives with his grown-up son (Walid Afkir). It transpires that his family has history with this man. In fact, he is all but an half-brother to "Georges" and after a rather frank conversation he assures him that he has nothing to do with these intimidatory packages. When "Pierrot" makes an unscheduled overnight stay with a friend, the parents become frenzied and it looks like whoever has set out to wreck their lives might just have accomplished their task! Pretty much from the start, Auteuil is on good form as the man about to blow his top. His character is becoming more and more frustrated and his portrayal really counters well with Binoche's sparingly but potently delivered wife who is largely unaware of all the pieces of her husband's familial jigsaw as they fall into place. When tragedy strikes - only a matter of time - the tension is raised another notch, but will we ever discover who is doing what to whom? Or why? The backstory here is as important as what's going on presently, and that information isn't presented as fluidly as I'd have liked. We are not really given much information to go on, and when we are it is almost as if it's there to justify the plot we are seeing unfold rather than the other way around. That said, it's still quite a tensely directed and paced affair that is worth watching.