Madame X
I MADE ONE MISTAKE...AND I HAVE MORE THAN PAID FOR IT!
1937 | 72m | English
Popularity: 2 (history)
| Director: | Sam Wood, Gustav Machatý |
|---|---|
| Writer: | John Meehan, James Kevin McGuinness |
| Staring: |
| An alcoholic woman was charged and tried for murder and a young defense attorney, unaware that she is his mother, takes the assignment to defend her in court. | |
| Release Date: | Oct 01, 1937 |
|---|---|
| Director: | Sam Wood, Gustav Machatý |
| Writer: | John Meehan, James Kevin McGuinness |
| Genres: | Drama |
| Keywords | banishment, lawyer, alcoholic, courtroom, hidden identity, murder trial, fallen woman, social scandal, protective mother, adulterous wife, noble woman, criminal defense attorney, cruel husband, alcoholic woman, web of lies |
| Production Companies | Metro-Goldwyn-Mayer |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 29, 2026 Entered: Apr 24, 2024 |
| Name | Character |
|---|---|
| Gladys George | Jacqueline Fleuriot / Miss Pran / Madame X |
| Warren William | Bernard Fleuriot |
| John Beal | Raymond Fleuriot |
| Reginald Owen | Maurice Dourel |
| William Henry | Hugh Fariman Jr. |
| Henry Daniell | Lerocle |
| Phillip Reed | Jean Rochin |
| Lynne Carver | Helene |
| Emma Dunn | Rose, Fleuriot's Houskeeper |
| Ruth Hussey | Annette |
| Luis Alberni | Scipio |
| George Zucco | Dr. LaFarge |
| Cora Witherspoon | Nora |
| Jonathan Hale | Hugh Fariman Sr. |
| Adia Kuznetzoff | Captain Dorcas |
| Lowden Adams | Fleuriot's Butler |
| Stanley Andrews | Gendarme Testifying in Court |
| Sam Ash | Silent Gendarme at Villa |
| Joseph E. Bernard | Deck Steward on Yacht |
| Arthur Blake | Ferguson |
| Anita Camargo | Mexican Girl |
| Harvey Clark | Meryval |
| Ronnie Cosby | Peter Simonds |
| Nick De Ruiz | Hotel Porter |
| Donald Douglas | Mr. Edison |
| Barry Downing | Raymond Fleuriot, Age 3 |
| Art Dupuis | Clerk at Newspaper Office |
| Leila Esparza | Girl |
| Fred Farrell | Porter |
| Christian J. Frank | Jailer |
| Helen Freeman | Nurse |
| Edward Gargan | Mate of Dorcas |
| Helen Giere | Mother |
| Frank Hagney | Jailer |
| Mahlon Hamilton | Spectator |
| Clarence Harvey | Fleuriot's Clerk |
| Edward Keane | Gendarme at Villa |
| Louis LaBey | Doctor in Court |
| Hal Le Sueur | Spectator |
| Edward LeSaint | Detective |
| Theodore Lorch | Pawnbroker |
| Viola Louie | Girl |
| Max Lucke | Wine Waiter |
| Francisco Marán | Gendarme in Court |
| Louis Mercier | French Newspaper Employee |
| Torben Meyer | Peridcord |
| Robert Middlemass | Prefect of Police |
| Belle Mitchell | Nun |
| Dickie Moore | Allan Simonds |
| Leonard Mudie | Prosecutor Valmorin |
| George Ovey | Bartender in Montage |
| Gene Perry | Gendarme with Prefect of Police |
| J.H. Peters | Spectator |
| Paul Porcasi | Hotel Gran Via Proprietor |
| Gene Reynolds | Raymond Fleuriot, Age 12-14 |
| Katherine Sabichi | Customer at Nora's |
| Ferdinand Schumann-Heink | Maitre d'Hotel |
| Henry Taylor | Taxi Driver |
| Jacques Vanaire | Waiter |
| Frederick Vogeding | Gendarme in Court for Jacqueline |
| Charles Waldron | President of Court |
| E. Alyn Warren | Clerk |
| Nina Borget | Customer at Nora's |
| Christina Montt | Suzie |
| Bill Bradley | Attorney in Court (uncredited) |
| Name | Job |
|---|---|
| Alexandre Bisson | Theatre Play |
| Frank E. Hull | Editor |
| Tom Andre | Assistant Director |
| Urie McCleary | Art Direction |
| Dolly Tree | Costume Design |
| John Hoffman | Editorial Services |
| Wayne Allen | Orchestrator |
| Paul Marquardt | Orchestrator |
| Zacharias Yaconelli | Lyricist |
| Sam Wood | Director |
| John Meehan | Screenplay |
| James Kevin McGuinness | Screenplay |
| David Snell | Original Music Composer |
| John F. Seitz | Director of Photography |
| Cedric Gibbons | Art Direction |
| Edwin B. Willis | Art Direction |
| Douglas Shearer | Sound Director |
| Gustav Machatý | Co-Director |
| Name | Title |
|---|---|
| James Kevin McGuinness | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 13 | 1 |
| 2024 | 5 | 9 | 13 | 6 |
| 2024 | 6 | 6 | 15 | 1 |
| 2024 | 7 | 4 | 9 | 2 |
| 2024 | 8 | 4 | 8 | 1 |
| 2024 | 9 | 2 | 6 | 1 |
| 2024 | 10 | 3 | 5 | 1 |
| 2024 | 11 | 2 | 7 | 1 |
| 2024 | 12 | 2 | 3 | 1 |
| 2025 | 1 | 2 | 4 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 3 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 2 | 5 | 1 |
| 2025 | 12 | 2 | 6 | 0 |
| 2026 | 1 | 2 | 7 | 0 |
| 2026 | 2 | 2 | 3 | 2 |
Trending Position
When young lawyer “Raymond” (Raymond Hackett) is tasked with defending a self-confessed murderess, he tries to learn a little of just what drove her to commit a crime that she won’t explain nor attempt to hide from. It’s that retrospective that introduces us to “Madame X”. She (Ruth Chatterton) was ... a young woman married to an indifferent man “Louis” (Lewis Stone) whose unkindness drove her into the arms of another man. He died quite quickly afterwards, and her jealous husband forbade her access to their three year old son. Disconsolate, the woman took to a path of destitution and absinthe and that ultimately saw her in the courtroom. What we all know, though, is that this young man is the son of the powerful Attorney General of France, and that he - well he has a shame of his own to deal with that goes back many years and of which his son is unaware. She refuses to identify anyone from the story to “Raymond” but the harrowing gist of her tribulations stimulates in him a determination to exonerate a woman whom he considers to have been appallingly treated by her husband and life in general. Stone and Hackett both deliver fine here, but they very much play second fiddle to a Chatterton who is on great form as the beleaguered woman who, in front of our eyes, sees her life disappear into a doldrum of booze and despair. She has quite a lot of help from the make-up department and from a sympathetic production design that adds depth to her sorry tale, and though this isn’t the most quickly paced (melo)drama you will ever see, it’s a fine example of a woman exuding love, pain and even optimism in an environment where she has little, if any, status.