Popularity: 1 (history)
| Director: | Tali Shalom-Ezer |
|---|---|
| Writer: | Joe Barton |
| Staring: |
| The daughter of a man on death row falls in love with a woman on the opposing side of her family's political cause. | |
| Release Date: | Mar 31, 2018 |
|---|---|
| Director: | Tali Shalom-Ezer |
| Writer: | Joe Barton |
| Genres: | Drama, Romance |
| Keywords | death row, forbidden love, lesbian relationship, lgbt, lesbian |
| Production Companies | Killer Films, Great Point Media, Lexis Media |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Elliot Page | Lucy |
| Kate Mara | Mercy |
| Amy Seimetz | Martha |
| Charlie Shotwell | Benjamin |
| Elias Koteas | Simon |
| Tonya Pinkins | Agatha |
| Brian Geraghty | Weldon |
| Beau Knapp | Toby |
| Jake Robinson | Ian |
| Denise Dal Vera | Alice |
| Buz Davis | Morris |
| Jordan Trovillion | Katlin |
| Bishop Stevens | Paul |
| Lisa DeRoberts | Toni |
| Mac Blais | Billy |
| Kevin Crowley | Ernie |
| Bryant Bentley | Missouri Reporter |
| Dann Fink | Announcer (voice) |
| Matt Walton | Announcer (voice) |
| William C. Ingram | Protestor (uncredited) |
| Bret Aaron Knower | Cop/ Bar Patron |
| John E. Brownlee | Police Lieutenant (uncredited) |
| Name | Job |
|---|---|
| Joe Barton | Screenplay |
| Michael Brook | Original Music Composer |
| Laura Macara | Production Executive |
| Einat Glaser-Zarhin | Editor |
| Tali Shalom-Ezer | Director |
| Radek Ładczuk | Director of Photography |
| Name | Title |
|---|---|
| David Hinojosa | Producer |
| Kate Mara | Producer |
| Elliot Page | Producer |
| Jim Reeve | Executive Producer |
| Robert Halmi Jr. | Executive Producer |
| Talia Bernstein | Associate Producer |
| Logan Steinhardt | Associate Producer |
| Karri O'Reilly | Executive Producer |
| Christine Vachon | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 14 | 18 | 10 |
| 2024 | 5 | 16 | 23 | 10 |
| 2024 | 6 | 19 | 34 | 12 |
| 2024 | 7 | 18 | 36 | 10 |
| 2024 | 8 | 13 | 23 | 9 |
| 2024 | 9 | 11 | 18 | 7 |
| 2024 | 10 | 13 | 25 | 7 |
| 2024 | 11 | 13 | 23 | 8 |
| 2024 | 12 | 12 | 23 | 7 |
| 2025 | 1 | 11 | 16 | 8 |
| 2025 | 2 | 10 | 14 | 3 |
| 2025 | 3 | 5 | 15 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 5 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 1 | 1 | 1 |
Trending Position
Now this was an odd one. I don't know if I've really seen a movie in which the message is "When it comes to the death penalty, a centrist view is what's best". I've **defintely** never seen a movie in which that is the core of the movie from start to end, and that movie is a **romance**. Salvaged by ... the 110% believable performances given by both leads. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._