Popularity: 4 (history)
Director: | Vincenzo Natali |
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Writer: | Vincenzo Natali, Graeme Manson, André Bijelic |
Staring: |
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first. | |
Release Date: | Jul 11, 1998 |
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Director: | Vincenzo Natali |
Writer: | Vincenzo Natali, Graeme Manson, André Bijelic |
Genres: | Science Fiction, Mystery, Thriller |
Keywords | escape, entrapment, riddle, autism, mathematics, claustrophobia, maze, prime number, psychology, trapdoor, gore, trap, murder, labyrinth, cube, survival horror, mechanical, numbers, industrial |
Production Companies | The Feature Film Project, Cube Libre |
Box Office |
Revenue: $8,969,065
Budget: $257,899 |
Updates |
Updated: Aug 22, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Nicole de Boer | Leaven |
Nicky Guadagni | Holloway |
Maurice Dean Wint | Quentin |
David Hewlett | Worth |
Andrew Miller | Kazan |
Wayne Robson | Rennes |
Julian Richings | Alderson |
Name | Job |
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Vincenzo Natali | Screenplay, Director |
Andy Jekabsons | First Assistant Camera |
Brian Fowler | Head Carpenter |
Jeff Orr | Boom Operator, Grip |
Mark Korven | Original Music Composer |
Graeme Manson | Screenplay |
Craig Henighan | Sound Effects Editor |
Anastasia Masaro | Assistant Art Director |
Patrick Tidy | First Assistant Director |
Regan Moore | Stunt Double |
Derek Rogers | Camera Operator, Director of Photography |
John Sanders | Editor |
Wendy May Moore | Costume Design |
André Bijelic | Screenplay |
Jasna Stefanovic | Production Design |
Lisa Burling | Script Supervisor |
Darcy Kite | Foley Recordist, Sound Re-Recording Mixer |
William Phillips | Post Production Supervisor |
John Stoneham Jr. | Stunt Coordinator |
Todd Warren | Sound Re-Recording Mixer |
Frank Leone | Color Timer |
Jill Purdy | Sound Effects Editor |
Jeff Wachsmann | Boom Operator |
Greg Sigurdson | Assistant Art Director |
Geoff Tunnard | First Assistant Editor |
Michael Gibson | Still Photographer |
Norah Wakula | Production Manager |
Bob Ceh | Scenic Artist |
Patricia Joyes | Script Supervisor |
Susann Greenwood | Hairstylist, Makeup Artist |
Rob Kingston | Unit Publicist |
Susan Tanton | Scenic Artist |
Cheryl Ladrillo | Scenic Artist |
Scott Smith | Camera Operator, Second Unit Director of Photography |
Diana Magnus | Art Direction |
Stephen Barden | Sound Effects Editor |
Jeremy Hudspith | Gaffer |
Stephen Willetts | Scenic Artist |
Andrew Rucklidge | Assistant Art Director |
Louise Mackintosh | Makeup Designer, Hair Designer |
Peter Atto | Art Department Assistant |
Mario D'Amaral | Art Department Assistant |
Jane Kim | Art Department Assistant |
Sue Motahedin | Art Department Assistant |
Mark Newman | Art Department Assistant |
Jamie Williamson | Art Department Assistant |
Gene Alexander | Property Master |
Tamara Rigby-Funke | Costume Mistress |
Sophie Giraud | Additional Still Photographer |
Paul Gentleman | Camera Trainee |
Juliet Wintrobe | Camera Trainee |
Patrick McGowan | First Assistant Camera |
Mark McLean | First Assistant Camera |
Stephani Buchman | Electrician |
Scott Craven | Electrician |
Edmond Kopp | Electrician |
Jim Young | Electrician |
Sandor Ajzenstat | Grip |
Brad Hopkins | Grip |
Paul Howden | Grip |
Don Irvine | Grip |
Todd Moore | Grip |
Brian Myatt | Boom Operator, Grip |
Mark Ryan | Grip |
Craig Semenuk | Grip |
Barb Sniderman | Grip |
Kevin Richter | Key Grip |
Daniel Chiasson | Second Assistant Camera |
Matthew Brookes | Second Assistant Camera |
Kevin P. O'Rourke | Second Assistant Camera |
Deborah Kiss | Second Assistant Director, Production Coordinator |
Sarah Jarvis | Second Unit First Assistant Director |
Oscar Fenoglio | Second Unit Director |
John Laing | ADR Editor |
Greg Shim | ADR Recordist |
Patricia Quintanilla | Assistant Dialogue Editor |
Colin Woods | Assistant Dialogue Editor |
Sue Conley | Dialogue Editor |
Michelle Schubert | Foley Artist |
John Sievert | Foley Artist |
Virginia Storey | Foley Artist |
Walter-Joseph Grabowski | Foley Recordist |
Keith Elliott | Foley Recordist |
Peter Kelly | Sound Re-Recording Mixer |
Dana Kearns | Boom Operator, On Set Props |
Brad Thornton | Sound Mix Technician |
Mark Zsifkovits | Sound Mix Technician |
Steve McNamee | Sound Recordist |
Deirdre Bowen | Casting Consultant |
Lisa Bechard | Digital Effects Producer |
Stephen Segal | Digital Effects Producer |
Wiebke von Carolsfeld | Associate Editor |
Rob MacKinnon | First Assistant Editor |
Nick Seary | Production Accountant |
Liz Wolfe | Production Assistant |
Linda Darras | Production Secretary |
Hugh Graham | Story Editor |
Evelyn Mitsou | On Set Props |
Patty White | Hairstylist, Makeup Artist |
Rebecca Stoneham | Stunt Double |
Bryan J. Thomas | Stunts |
Name | Title |
---|---|
Colin Brunton | Executive Producer |
Betty Orr | Producer |
Mehra Meh | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 28 | 46 | 18 |
2024 | 5 | 31 | 54 | 21 |
2024 | 6 | 46 | 73 | 30 |
2024 | 7 | 45 | 69 | 27 |
2024 | 8 | 38 | 70 | 19 |
2024 | 9 | 18 | 25 | 13 |
2024 | 10 | 23 | 43 | 15 |
2024 | 11 | 21 | 34 | 13 |
2024 | 12 | 22 | 39 | 14 |
2025 | 1 | 26 | 37 | 20 |
2025 | 2 | 21 | 32 | 4 |
2025 | 3 | 7 | 25 | 2 |
2025 | 4 | 5 | 8 | 3 |
2025 | 5 | 4 | 8 | 3 |
2025 | 6 | 4 | 6 | 3 |
2025 | 7 | 3 | 5 | 3 |
2025 | 8 | 3 | 5 | 3 |
2025 | 9 | 4 | 6 | 3 |
Trending Position
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2025 | 9 | 369 | 762 |
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2025 | 8 | 450 | 768 |
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2025 | 7 | 388 | 713 |
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2025 | 6 | 557 | 790 |
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2025 | 5 | 698 | 855 |
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2025 | 4 | 510 | 737 |
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2025 | 3 | 814 | 909 |
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2025 | 2 | 273 | 678 |
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2025 | 1 | 655 | 824 |
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2024 | 12 | 626 | 821 |
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2024 | 11 | 539 | 737 |
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2024 | 10 | 675 | 883 |
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2024 | 9 | 781 | 899 |
Year | Month | High | Avg |
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2024 | 8 | 876 | 884 |
**Spoiler Alert** While Cube presents an intriguing premise of individuals trapped in a deadly maze, the execution leaves much to be desired. The film attempts to blend horror with existential themes, however it's lackluster the result is more confusing than thought-provoking. The lack of clarity ... regarding the Cube's purpose and the characters' motivations creates a narrative void that fails to engage the audience meaningfully. Instead of offering insightful commentary, it often feels like a series of contrived scenarios designed solely for shock value and being gory. The performances are generally subpar, with characters portrayed in exaggerated manners that detract from their believability. For instance, Quentin's descent into madness is depicted through over-the-top acting rather than nuanced character development. This makes it difficult for viewers to empathize with any of the characters, as they come across as unlikable or poorly developed archetypes rather than fully realized individuals which results in unstickable mediocre act. The film's reliance on mathematical concepts as a means of escape is both its unique selling point and its downfall. While the idea of using advanced mathematics to navigate the Cube is intriguing, it ultimately feels forced and unrealistic. The plot hinges on the assumption that a specific character possesses unique skills necessary for survival, which raises questions about fairness and logic within the narrative. This reliance on improbable scenarios leads to significant plot holes that undermine the overall tension and coherence of the story and popping more questions than giving answers to the ones that are already there. Perhaps most frustrating is the film's ending, which resolves the intricate buildup with a lackluster conclusion that feels like a betrayal of its earlier promise. After building tension through complex character dynamics and deadly traps, the resolution appears rushed and unsatisfying. The film ends without providing any real answers or closure, leaving viewers feeling cheated after investing their time in a convoluted journey of nothingness. In summary, Cube offers a fascinating concept but falters in execution, character development, and narrative coherence. Its potential as a thought-provoking horror film is squandered by poor acting and an unsatisfactory conclusion, making it difficult to recommend despite its cult status (Other ones are spectacular disasters in their own right, so it's best to just steer clear of them altogether).
Cube is a fascinating, low-budget sci-fi thriller that makes the most of its minimalist setup. The concept is simple but incredibly effective, a group of strangers trapped in a deadly maze of cube-shaped rooms. The movie thrives on its tension and psychological undertones, diving into how humans rea ... ct under extreme pressure. It’s a smart, inventive film that doesn’t spoon-feed answers, leaving you to wrestle with its deeper themes about survival, human nature, and systems of control. While the traps and puzzles are memorable, the true focus is on the characters and how they clash as their desperation grows. That said, the film isn’t without its flaws. The constant use of tight close-ups and high focal lengths creates an almost unbearable sense of claustrophobia, but not always in a good way. At times, the cinematography feels disorienting and can pull you out of the moment. Combined with some uneven performances and occasionally stiff dialogue, these elements might not work for everyone. Still, Cube is a must-watch if you enjoy tense, thought-provoking thrillers that make you question everything by the time the credits roll. It’s the kind of movie that sticks with you, even if it leaves you a little shaken.