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Cube

Don't look for a reason... Look for a way out.
1998 | 90m | English

(257615 votes)

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Popularity: 4 (history)

Details

A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
Release Date: Jul 11, 1998
Director: Vincenzo Natali
Writer: Vincenzo Natali, Graeme Manson, André Bijelic
Genres: Science Fiction, Mystery, Thriller
Keywords escape, entrapment, riddle, autism, mathematics, claustrophobia, maze, prime number, psychology, trapdoor, gore, trap, murder, labyrinth, cube, survival horror, mechanical, numbers, industrial
Production Companies The Feature Film Project, Cube Libre
Box Office Revenue: $8,969,065
Budget: $257,899
Updates Updated: Aug 22, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Nicole de Boer Leaven
Nicky Guadagni Holloway
Maurice Dean Wint Quentin
David Hewlett Worth
Andrew Miller Kazan
Wayne Robson Rennes
Julian Richings Alderson
Name Job
Vincenzo Natali Screenplay, Director
Andy Jekabsons First Assistant Camera
Brian Fowler Head Carpenter
Jeff Orr Boom Operator, Grip
Mark Korven Original Music Composer
Graeme Manson Screenplay
Craig Henighan Sound Effects Editor
Anastasia Masaro Assistant Art Director
Patrick Tidy First Assistant Director
Regan Moore Stunt Double
Derek Rogers Camera Operator, Director of Photography
John Sanders Editor
Wendy May Moore Costume Design
André Bijelic Screenplay
Jasna Stefanovic Production Design
Lisa Burling Script Supervisor
Darcy Kite Foley Recordist, Sound Re-Recording Mixer
William Phillips Post Production Supervisor
John Stoneham Jr. Stunt Coordinator
Todd Warren Sound Re-Recording Mixer
Frank Leone Color Timer
Jill Purdy Sound Effects Editor
Jeff Wachsmann Boom Operator
Greg Sigurdson Assistant Art Director
Geoff Tunnard First Assistant Editor
Michael Gibson Still Photographer
Norah Wakula Production Manager
Bob Ceh Scenic Artist
Patricia Joyes Script Supervisor
Susann Greenwood Hairstylist, Makeup Artist
Rob Kingston Unit Publicist
Susan Tanton Scenic Artist
Cheryl Ladrillo Scenic Artist
Scott Smith Camera Operator, Second Unit Director of Photography
Diana Magnus Art Direction
Stephen Barden Sound Effects Editor
Jeremy Hudspith Gaffer
Stephen Willetts Scenic Artist
Andrew Rucklidge Assistant Art Director
Louise Mackintosh Makeup Designer, Hair Designer
Peter Atto Art Department Assistant
Mario D'Amaral Art Department Assistant
Jane Kim Art Department Assistant
Sue Motahedin Art Department Assistant
Mark Newman Art Department Assistant
Jamie Williamson Art Department Assistant
Gene Alexander Property Master
Tamara Rigby-Funke Costume Mistress
Sophie Giraud Additional Still Photographer
Paul Gentleman Camera Trainee
Juliet Wintrobe Camera Trainee
Patrick McGowan First Assistant Camera
Mark McLean First Assistant Camera
Stephani Buchman Electrician
Scott Craven Electrician
Edmond Kopp Electrician
Jim Young Electrician
Sandor Ajzenstat Grip
Brad Hopkins Grip
Paul Howden Grip
Don Irvine Grip
Todd Moore Grip
Brian Myatt Boom Operator, Grip
Mark Ryan Grip
Craig Semenuk Grip
Barb Sniderman Grip
Kevin Richter Key Grip
Daniel Chiasson Second Assistant Camera
Matthew Brookes Second Assistant Camera
Kevin P. O'Rourke Second Assistant Camera
Deborah Kiss Second Assistant Director, Production Coordinator
Sarah Jarvis Second Unit First Assistant Director
Oscar Fenoglio Second Unit Director
John Laing ADR Editor
Greg Shim ADR Recordist
Patricia Quintanilla Assistant Dialogue Editor
Colin Woods Assistant Dialogue Editor
Sue Conley Dialogue Editor
Michelle Schubert Foley Artist
John Sievert Foley Artist
Virginia Storey Foley Artist
Walter-Joseph Grabowski Foley Recordist
Keith Elliott Foley Recordist
Peter Kelly Sound Re-Recording Mixer
Dana Kearns Boom Operator, On Set Props
Brad Thornton Sound Mix Technician
Mark Zsifkovits Sound Mix Technician
Steve McNamee Sound Recordist
Deirdre Bowen Casting Consultant
Lisa Bechard Digital Effects Producer
Stephen Segal Digital Effects Producer
Wiebke von Carolsfeld Associate Editor
Rob MacKinnon First Assistant Editor
Nick Seary Production Accountant
Liz Wolfe Production Assistant
Linda Darras Production Secretary
Hugh Graham Story Editor
Evelyn Mitsou On Set Props
Patty White Hairstylist, Makeup Artist
Rebecca Stoneham Stunt Double
Bryan J. Thomas Stunts
Name Title
Colin Brunton Executive Producer
Betty Orr Producer
Mehra Meh Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 28 46 18
2024 5 31 54 21
2024 6 46 73 30
2024 7 45 69 27
2024 8 38 70 19
2024 9 18 25 13
2024 10 23 43 15
2024 11 21 34 13
2024 12 22 39 14
2025 1 26 37 20
2025 2 21 32 4
2025 3 7 25 2
2025 4 5 8 3
2025 5 4 8 3
2025 6 4 6 3
2025 7 3 5 3
2025 8 3 5 3
2025 9 4 6 3

Trending Position


Year Month High Avg
2025 9 369 762
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2025 8 450 768
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2025 7 388 713
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2025 6 557 790
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2025 5 698 855
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2025 4 510 737
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2025 3 814 909
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2025 2 273 678
Year Month High Avg
2025 1 655 824
Year Month High Avg
2024 12 626 821
Year Month High Avg
2024 11 539 737
Year Month High Avg
2024 10 675 883
Year Month High Avg
2024 9 781 899
Year Month High Avg
2024 8 876 884

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Reviews

frmfm
N/A

**Spoiler Alert** While Cube presents an intriguing premise of individuals trapped in a deadly maze, the execution leaves much to be desired. The film attempts to blend horror with existential themes, however it's lackluster the result is more confusing than thought-provoking. The lack of clarity ... regarding the Cube's purpose and the characters' motivations creates a narrative void that fails to engage the audience meaningfully. Instead of offering insightful commentary, it often feels like a series of contrived scenarios designed solely for shock value and being gory. The performances are generally subpar, with characters portrayed in exaggerated manners that detract from their believability. For instance, Quentin's descent into madness is depicted through over-the-top acting rather than nuanced character development. This makes it difficult for viewers to empathize with any of the characters, as they come across as unlikable or poorly developed archetypes rather than fully realized individuals which results in unstickable mediocre act. The film's reliance on mathematical concepts as a means of escape is both its unique selling point and its downfall. While the idea of using advanced mathematics to navigate the Cube is intriguing, it ultimately feels forced and unrealistic. The plot hinges on the assumption that a specific character possesses unique skills necessary for survival, which raises questions about fairness and logic within the narrative. This reliance on improbable scenarios leads to significant plot holes that undermine the overall tension and coherence of the story and popping more questions than giving answers to the ones that are already there. Perhaps most frustrating is the film's ending, which resolves the intricate buildup with a lackluster conclusion that feels like a betrayal of its earlier promise. After building tension through complex character dynamics and deadly traps, the resolution appears rushed and unsatisfying. The film ends without providing any real answers or closure, leaving viewers feeling cheated after investing their time in a convoluted journey of nothingness. In summary, Cube offers a fascinating concept but falters in execution, character development, and narrative coherence. Its potential as a thought-provoking horror film is squandered by poor acting and an unsatisfactory conclusion, making it difficult to recommend despite its cult status (Other ones are spectacular disasters in their own right, so it's best to just steer clear of them altogether).

Oct 29, 2024
RalphRahal
6.0

Cube is a fascinating, low-budget sci-fi thriller that makes the most of its minimalist setup. The concept is simple but incredibly effective, a group of strangers trapped in a deadly maze of cube-shaped rooms. The movie thrives on its tension and psychological undertones, diving into how humans rea ... ct under extreme pressure. It’s a smart, inventive film that doesn’t spoon-feed answers, leaving you to wrestle with its deeper themes about survival, human nature, and systems of control. While the traps and puzzles are memorable, the true focus is on the characters and how they clash as their desperation grows. That said, the film isn’t without its flaws. The constant use of tight close-ups and high focal lengths creates an almost unbearable sense of claustrophobia, but not always in a good way. At times, the cinematography feels disorienting and can pull you out of the moment. Combined with some uneven performances and occasionally stiff dialogue, these elements might not work for everyone. Still, Cube is a must-watch if you enjoy tense, thought-provoking thrillers that make you question everything by the time the credits roll. It’s the kind of movie that sticks with you, even if it leaves you a little shaken.

Jan 18, 2025