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Strange Illusion Poster

Strange Illusion

1945 | 87m | English

(1299 votes)

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Popularity: 4 (history)

Details

An adolescent believes that his widowed mother's suitor may have murdered his father.
Release Date: Mar 31, 1945
Director: Edgar G. Ulmer
Writer: Adele Comandini, Fritz Rotter
Genres: Mystery, Thriller
Keywords suspicion of murder, widow, film noir, b movie, family tension, college student
Production Companies PRC
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 09, 2025
Entered: Apr 20, 2024
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Full Credits

Name Character
Jimmy Lydon Paul Cartwright
Warren William Brett Curtis
Sally Eilers Virginia Cartwright
Regis Toomey Dr. Vincent
Charles Arnt Professor Muhlbach
George H. Reed Benjamin
Jayne Hazard Dorothy Cartwright
Jimmy Clark George Hanover
Mary McLeod Lydia
Pierre Watkin District Attorney Wallace Armstrong
Sonia Sorel Charlotte Farber
Theresa Harris Maid
Name Job
Adele Comandini Screenplay
Fritz Rotter Original Story
Leo Erdody Original Music Composer
Philip Tannura Director of Photography
Paul Palmentola Art Direction
Harry Reif Set Decoration
Carl Pierson Editor
Edgar G. Ulmer Director
Name Title
Leon Fromkess Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 11 2
2024 5 7 11 4
2024 6 6 19 2
2024 7 5 9 3
2024 8 6 15 3
2024 9 4 8 2
2024 10 4 11 2
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2024 12 3 6 1
2025 1 4 13 1
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2025 4 1 3 1
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2025 9 2 2 1
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2025 11 4 5 3

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Reviews

Geronimo1967
7.0

Shortly after his father dies, the bright young “Paul” (Jimmy Lydon) starts to have nightmares that his mother’s new beau is, in some way, behind the death. Of course, she (Sally Ellers) doesn’t know of his spooky suspicions, but he does confide in his doctor (Regis Toomey) who is sceptical to begin ... with, but who begins to wonder if this man “Curtis” (Warren William) is indeed whom he claims to be. Might he have had an hand in the seemingly accidental death of the father - who was a judge? As the story develops, the young lad has to take up residence at the asylum of the enigmatic “Prof. Muhlbach” (Charles Ant) and the plot thickens more. Is there any truth to his dreaming or is he just a succumbing to the stresses and strains of his father’s death and of his mother’s impending nuptials? Lydon holds this together enthusiastically and as the mystery deepens, it has a slightly more sinister feel to it than many of these standard afternoon features. It also touches, albeit superficially, on the effects of grief on the young man and offers us something psychologically plausible for a while as “Paul” struggles to conclude himself whether he is correct or just losing the plot. Speaking of plots, yes there are some familiarities with other noir mysteries here, but Lydon does well and this certainly is just a little more menacingly different.

Mar 22, 2025