Popularity: 3 (history)
| Director: | Stacie Passon |
|---|---|
| Writer: | Stacie Passon, Shirley Jackson, Mark Kruger |
| Staring: |
| In Shirleyville, Vermont, during the sixties, sisters Merricat and Constance, along with their ailing uncle Julian, confined to a wheelchair, live isolated in a big mansion located on the hill overlooking the town, tormented by the memories of a family tragedy occurred six years ago. The arrival of cousin Charles will threaten the fragile equilibrium of their minds, haunted by madness, fear and superstition. | |
| Release Date: | May 17, 2019 |
|---|---|
| Director: | Stacie Passon |
| Writer: | Stacie Passon, Shirley Jackson, Mark Kruger |
| Genres: | Mystery, Thriller |
| Keywords | based on novel or book, small town, dysfunctional family, agoraphobia, family tragedy, cousin relationship, isolated house, sister sister relationship, social prejudice |
| Production Companies | Furthur Films, Mighty Engine, Albyn Media |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Taissa Farmiga | Merricat Blackwood |
| Alexandra Daddario | Constance Blackwood |
| Crispin Glover | Uncle Julian Blackwood |
| Sebastian Stan | Charles Blackwood |
| Paula Malcomson | Helen Clarke |
| Peter Coonan | Bobby Dunham |
| Ian Toner | Jim Donnell |
| Joanne Crawford | Stella |
| Anna Nugent | Lucille Wright |
| Peter O'Meara | Sam Clarke |
| Luan James Geary | Sean Harris |
| Cormac Melia | Tim Harris |
| Liz O'Sullivan | Mrs. Harris |
| Bosco Hogan | Old Ned |
| Stephen Hogan | John Blackwood |
| Maria Doyle Kennedy | Mrs. Blackwood |
| Name | Job |
|---|---|
| Stacie Passon | Screenplay, Director |
| Shirley Jackson | Novel |
| Chan Kin | Property Master |
| Eimer Ní Mhaoldomhnaigh | Costume Designer |
| Jacob Ribicoff | Sound Designer |
| Sharon Doyle | Makeup Designer |
| Michael McMenomy | Sound Designer |
| Sophie Higel | Second Assistant Director |
| Hugh Fox | Sound Recordist |
| Martin Czembor | Sound Re-Recording Mixer |
| Ryan Denmark | Editor |
| Andrew Hewitt | Original Music Composer |
| Anna Rackard | Production Design |
| John Foster | Grip |
| Ed Bruce | Visual Effects Supervisor |
| Eileen Buggy | Hair Designer |
| Mark Kruger | Screenplay |
| Suzanne McAuley | Line Producer |
| Addo Gallagher | Gaffer |
| Bernard Walsh | Still Photographer |
| Piers McGrail | Director of Photography |
| Jonathan Shaw | First Assistant Director |
| Eimear O'Kane | Unit Production Manager |
| Alan Walsh | Stunt Coordinator |
| Louise Mathews | Art Direction |
| James David Redding III | Sound Re-Recording Mixer |
| Maggie Phillips | Music Supervisor |
| Maureen Hughes | Casting |
| Leslie Bloome | Foley Artist |
| Trevor Murphy | Second Assistant Camera |
| Bryan Tormey | Assistant Art Director |
| Name | Title |
|---|---|
| Michael Douglas | Executive Producer |
| Jim Reeve | Executive Producer |
| Jared Ian Goldman | Producer |
| Robert Mitas | Producer |
| Kieran Corrigan | Executive Producer |
| Robert Halmi Jr. | Executive Producer |
| Laurence Jackson Hyman | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 13 | 18 | 9 |
| 2024 | 5 | 17 | 24 | 13 |
| 2024 | 6 | 18 | 33 | 11 |
| 2024 | 7 | 20 | 41 | 11 |
| 2024 | 8 | 15 | 25 | 9 |
| 2024 | 9 | 13 | 18 | 9 |
| 2024 | 10 | 18 | 32 | 9 |
| 2024 | 11 | 16 | 32 | 7 |
| 2024 | 12 | 13 | 17 | 8 |
| 2025 | 1 | 13 | 19 | 9 |
| 2025 | 2 | 9 | 16 | 3 |
| 2025 | 3 | 5 | 11 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 5 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 4 | 1 |
| 2025 | 10 | 4 | 5 | 4 |
| 2025 | 11 | 3 | 3 | 3 |
Trending Position
Just watched this & have no idea what was going on or what is was about. Must be for people who have read the book. ...
I genuinely like all four of the core cast members of _We Have Always Lived in the Castle_ especially Daddario, and they're all good in this, and there are a couple of scenes here with genuine tension, but the reality is that by the end of movie, I'd spent half of the runtime straight-up bored. ... _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._