Popularity: 2 (history)
Director: | Kimble Rendall |
---|---|
Writer: | Jonathan Scanlon, Paul Staheli, Kimble Rendall |
Staring: |
An innocent discovery of a well-preserved mummified Emperor from 200 BC China unearths a 2000 year old nightmare - a secret that should have remained buried. | |
Release Date: | Jan 19, 2018 |
---|---|
Director: | Kimble Rendall |
Writer: | Jonathan Scanlon, Paul Staheli, Kimble Rendall |
Genres: | Adventure, Action, Horror |
Keywords | china, sandstorm, giant spider, spider, chinese, tomb, spider web, archaeological expedition |
Production Companies | Arclight Films, Screen Australia, Screen Queensland, Grand Canal Pictures, Aurora Alliance, Sleeping Otters Productions, Hamilton Entertainment, Rong De Culture |
Box Office |
Revenue: $7,910,928
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Li Bingbing | Jia |
Kellan Lutz | Jack Ridley |
Kelsey Grammer | Mason |
Wu Zun | Luke |
Stef Dawson | Milly Piper |
Shane Jacobson | Gary |
Ryan Johnson | Ethan |
Jason Chong | Chen Xhu |
Eva Liu | Yin |
Yasmin Kassim | Lisa |
Tim Draxl | Andrew |
Victoria Liu | Concubine |
Christine Milo | Emperor's Courtier |
Chunqing Zhao | Mother |
Yongqiang Yang | Father |
Qianhua Chen | Young Jia |
Liu Ruogu | Young Luke |
Chloe Guy | Little Girl |
Ken Watanabe | Father |
Name | Job |
---|---|
Jonathan Scanlon | Story |
Richard Learoyd | Editor |
John Andersen | Assistant Art Director |
Flavia Dias Riley | Visual Effects Producer |
Carl Firth | Assistant Editor |
Tess Natoli | Hair Designer |
Ethan Vellacott | Visual Effects Editor |
Laura Dunkley | Visual Effects Coordinator |
David Tilburey | Lighting Technician |
Paul Seipel | First Assistant Camera |
Kasia Rymar | Visual Effects Producer |
Matthew Hanger | CG Supervisor |
Troy Follington | Makeup Supervisor, Hair Supervisor |
Kathryn Metcalfe | Location Manager |
Marlee Barber | Stunt Double |
Ric Anderson | Stunt Coordinator |
Nir Shelter | Digital Imaging Technician |
Brad Shield | Director of Photography |
Geraldine Tartan | Construction Coordinator |
Mat Evans | Editor |
Joe Stick | Rigging Gaffer |
Marc Varisco | Visual Effects Supervisor |
Stephen Oh | Camera Operator |
Rebecca Allen | Makeup Artist |
Billy Harmer | Key Grip |
Jason Fernandez | Music Editor |
Scott Dolan | First Assistant Camera |
Matt Slattery | Gaffer |
Adrian Hauser | Digital Intermediate |
Glenn T. | Assistant Costume Designer |
Alan Willis | Lighting Technician |
Angela Moore | Stunts |
Paul Staheli | Screenplay |
Mingyiang Li | Producer's Assistant |
John Higgins | Art Direction |
Leigh Pickford | Casting |
Madeleine Overett | Costume Supervisor |
Martin Rutter | Lighting Technician |
Anthony Smith | 2D Supervisor |
Greg Tidman | Key Grip |
Liam O'Kane | Visual Effects Coordinator |
Reg Garside | Gaffer |
Stewart Dean | Digital Intermediate |
Charlie Adams | Lighting Technician |
Chris Piccaro | Music Supervisor |
Jayne Herrmann | Visual Effects Producer |
Lou Henry | Special Effects Coordinator |
Lesley Parker | Line Producer |
Aaron Bishop | Stunt Double |
David Aponas | Data Wrangler |
Kimble Rendall | Director, Story, Screenplay |
Roc Chen | Original Music Composer |
Ann Fay | Casting |
Nicholas McCallum | Production Design |
John Stokes | Second Unit Cinematographer |
Mark 'Tubby' Taylor | Still Photographer |
Gary Hamilton | Original Concept |
Philli Anderson | Stunt Double |
Rosco Campbell | Stunt Double |
Rumi Kikuchi | Stunt Double |
Name | Title |
---|---|
Shuo Deng | Producer |
Lewei He | Executive Producer |
Mark Lazarus | Producer |
Jaeson Ma | Associate Producer |
Elliot Tong Ming-Kei | Executive Producer |
Brian Beckmann | Executive Producer |
Gary Hamilton | Producer |
Ying Ye | Producer |
Li Bingbing | Producer |
Todd Fellman | Executive Producer |
Mike Gabrawy | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 22 | 29 | 15 |
2024 | 5 | 20 | 29 | 12 |
2024 | 6 | 19 | 28 | 12 |
2024 | 7 | 20 | 44 | 13 |
2024 | 8 | 15 | 29 | 10 |
2024 | 9 | 12 | 18 | 8 |
2024 | 10 | 16 | 31 | 10 |
2024 | 11 | 57 | 153 | 26 |
2024 | 12 | 23 | 32 | 17 |
2025 | 1 | 21 | 34 | 13 |
2025 | 2 | 15 | 22 | 4 |
2025 | 3 | 11 | 40 | 1 |
2025 | 4 | 3 | 5 | 1 |
2025 | 5 | 2 | 5 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 783 | 783 |
Right, I love this genre of action/adventure historical movie. How the hell we have ended up with this diabolical drivel, though, is as much of a mystery as could ever be hidden in an emperor's tomb. Kellan Lutz (Chris Pratt-lite) is the adventurer and Kelsey Grammar the megalomaniac businessman lea ... ding our intrepid team on a series of set-piece adventures in the search for the tomb of an ancient Chinese emperor. The SFX are the stuff of a school project and the script - well, less said about that the better.