Popularity: 4 (history)
Director: | Don Michael Paul |
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Writer: | Tony Giglio, Don Michael Paul, Paul W. S. Anderson |
Staring: |
Black Ops specialist Connor Gibson infiltrates a maximum security prison to take down legendary driver Frankenstein in a violent and brutal car race. | |
Release Date: | Oct 02, 2018 |
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Director: | Don Michael Paul |
Writer: | Tony Giglio, Don Michael Paul, Paul W. S. Anderson |
Genres: | Action, Science Fiction, Thriller |
Keywords | prison, car race, sequel, street race, infiltration, death game |
Production Companies | Capital Arts Entertainment, UFO International Productions, Universal 1440 Entertainment |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Velizar Bagarov | Boom Operator |
Kess Bonnet | Production Design |
Emil Gigov | Art Direction |
Yovko Dogandjiiski | Special Effects Supervisor |
Atanas Peichev | Sound Mixer |
Sofia Rakova | Special Effects, Props |
Alexander Dimitrov | Dolly Grip, Grip |
Alexei Karagyaur | Art Direction |
Gary Oldroyd | Post Production Consulting, Visual Effects Supervisor |
Tony Giglio | Story, Screenplay |
Vladimir Yossifov | Costume Design |
Mike Elliott | Assistant Director |
Vanick Moradian | Editor |
Mariana Love | Key Hair Stylist |
Natasha Roth | Assistant Production Coordinator, Production Accountant |
Ludmil Ivanov | Special Effects, Prosthetic Supervisor |
Yanko Ushatov | Line Producer |
Milena Karova | Production Coordinator |
Maria Mladenova | Costume Design |
George Engel | Executive In Charge Of Production |
Nikola Prodanov | Assistant Costume Designer |
Radoslava Kostova | Art Department Coordinator |
Martin Chichov | Camera Operator |
Georgi Raykov | Camera Operator |
Arta Tozzi | Set Decoration |
Anastas Nedelchev | Construction Coordinator, Construction Manager |
Kiril Kurtov | Grip |
Georgi Petrov Yakimov | Costume Supervisor |
Gillian Hawser | Casting |
Kristina Sakizli | Third Assistant Director |
Bea Stoykova | Producer's Assistant |
Yavor Denev | Painter |
Vasil Stefanov | Digital Imaging Technician |
Emiliyan Atanasov | Camera Operator |
Natalia Kirilova | Graphic Designer |
Peter Krumov | Carpenter |
Martin Genchev | Props |
Asen Bozilov | Assistant Set Decoration |
Krasimir Rizov | Draughtsman |
Stoyan Doychev | Painter |
Jesse Eagle | Camera Operator |
Kiril Valchanov | Steadicam Operator |
Borislav Anchev | Grip |
Borislav Hristov | Carpenter |
Angel Balakchiyski | Camera Operator |
Delyan Kaloyanov | Digital Imaging Technician |
Lonnie A. Mathes | Assistant Editor |
Gregg Garvin | Colorist |
Charlie Variyski | Supervising Editor |
Mihaela Gavanozova | Painter |
Nikolai Nikolov | Graphic Designer |
Vasil Galabov | Key Grip |
Estitxu Martinez de Albeniz | Camera Trainee |
Yasen Denev | Concept Artist |
Milen Ivanov | Hairstylist |
Bistra Kechedjieva | Assistant Makeup Artist |
Atanas Temnilov | Makeup & Hair Assistant |
Valentin Valov | Special Effects Makeup Artist |
Ivan Mitov | First Assistant Director |
Asya Chakarova | Second Assistant Director |
Ivan Kotsev | Second Unit First Assistant Director |
Marin Diimitrov | Assistant Property Master |
Asen Dimitrov | Property Master |
Borislav Bogdanov | Set Dresser |
Petar Kamenov | Ager/Dyer |
Ivailo Mitov | Ager/Dyer |
Mihaela Padeva | Ager/Dyer |
Vladislav Todorov | Ager/Dyer |
Vyarka Sirkova | Key Costumer |
Yordanka Orlova | Seamstress |
Yuliya Stoikova | Seamstress |
Nadya Dobrikova | Set Costumer |
Anna Filipova | Set Costumer |
Stoyan Terziev | Tailor |
Lyudmil Nikolov | Prosthetics |
Trayan Brankov | Special Effects Technician |
Peter Nikolov | Special Effects Technician |
Stefania Velichkova | Script Supervisor |
Katharine Duke | First Assistant Accountant |
Rumyana Dyulgerska | Payroll Accountant |
Sophia Hedlund | Production Executive |
Miroslav Stoilov | First Assistant "A" Camera |
Kaloyan Nedelchev | First Assistant "B" Camera |
Mihail Kotev | First Assistant "C" Camera |
Vladislav Mateev | First Assistant "D" Camera |
Iordan Borissov | Second Assistant "A" Camera |
Liudmil Donchev | Second Assistant "C" Camera |
Radoi Nikolov | Second Assistant "D" Camera |
Borislav Belberov | Second Assistant Camera |
Nikolay Gerjikov | Digital Compositor |
Stefan Rachev | Digital Compositor |
Milan Stoyanov | Digital Compositor |
Stephen Wilson | Digital Compositor |
Stanimir Angelov | VFX Artist |
Konstantin Dimitrov | VFX Artist |
Rumen Kirov | VFX Artist |
Martin Marchev | VFX Artist |
Venelin Marinov | VFX Artist |
Kalin Mihaylov | VFX Artist |
Kalin Stoyanov | VFX Artist |
Sabina Yordanova | VFX Artist |
Travis Dultz | VFX Editor |
Miik Dinko | ADR Mixer |
Colin Rogers | Foley Mixer |
Trevor Metz | Sound Effects Editor |
Greg Orloff | Sound Re-Recording Mixer |
Georgi Georgiev | Construction Buyer |
Nikolay Atanasov | Visual Effects Supervisor |
Melissa Reese | Theme Song Performance |
Don Michael Paul | Director, Screenplay |
Paul W. S. Anderson | Story, Characters |
Jan Glaser | Casting |
Stanimir Stamatov | Second Unit, Second Unit Director, Stunt Coordinator |
Georgi Dimitrov | Stunt Coordinator |
Radoslav Parvanov | Choreographer |
JR Esposito | Third Assistant Director, Casting |
Share Stallings | Studio Teachers |
Kalin Kerin | Stunt Driver |
Alexander Krumov | Director of Photography |
V.W. Scheich | Visual Effects Producer |
John Gilbert | Additional Editor |
Teodor Tzolov | Stunts |
Frederik Wiedmann | Original Music Composer |
Bryan Mantia | Theme Song Performance |
David Roth | Transportation Captain |
Name | Title |
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Greg Holstein | Producer |
Phillip J. Roth | Co-Producer |
Mike Elliott | Producer |
Paul W. S. Anderson | Executive Producer |
Jeremy Bolt | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 41 | 59 | 28 |
2024 | 5 | 49 | 62 | 29 |
2024 | 6 | 40 | 64 | 27 |
2024 | 7 | 47 | 70 | 30 |
2024 | 8 | 34 | 47 | 25 |
2024 | 9 | 32 | 61 | 21 |
2024 | 10 | 39 | 71 | 25 |
2024 | 11 | 40 | 52 | 28 |
2024 | 12 | 35 | 53 | 27 |
2025 | 1 | 35 | 49 | 23 |
2025 | 2 | 24 | 35 | 5 |
2025 | 3 | 16 | 41 | 3 |
2025 | 4 | 6 | 8 | 4 |
2025 | 5 | 4 | 7 | 2 |
2025 | 6 | 4 | 6 | 3 |
2025 | 7 | 4 | 4 | 3 |
2025 | 8 | 5 | 5 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 963 | 963 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 590 | 764 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 652 | 826 |
There is some decent fun to be found in _Beyond Anarchy_. It's more _Escape from LA_ than it is _Death Race 2000_, but still an entry in the franchise, which brings me to the core problem of Beyond Anarchy: Is it even really a _Death Race_ movie? The answer is yes, but to go beyond that an ask: Shou ... ld it have been a _Death Race_ movie? The answer's probably no. As I said to begin with, I had some fun with the movie, but the things that kept bringing it down were its awkward, half-hearted attatchments to the movies in the series that had gone before it. If they had have abandoned those sentiments completely, it probably would have made a better viewing experience, but then, if that had been the case, how could you call it _Death Race 4_? The opposite approach probably would have worked too, having Beyond Anarchy be an actual sequel that follows _Death Race 3_ and what came before in a way that makes sense, but then, it couldn't have been even close to the movie that we got. Instead we have _Beyond Anarchy's_ sequel-limbo status, a movie that I don't regret watching, but that also can't really work for people who are fans of the _Death Race_ franchise, or for people who have never even seen a Death Race movie. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._