Popularity: 1 (history)
Director: | Martin Ritt |
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Writer: | Harriet Frank Jr., William Faulkner, Irving Ravetch |
Staring: |
Accused barn burner and conman Ben Quick arrives in a small Mississippi town and quickly ingratiates himself with its richest family, the Varners. | |
Release Date: | May 17, 1958 |
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Director: | Martin Ritt |
Writer: | Harriet Frank Jr., William Faulkner, Irving Ravetch |
Genres: | Drama |
Keywords | small town, host family, arson, arsonist, stranger, general store, father son relationship, seducer, arranged marriage, sexual tension, false accusations, overbearing father, sharecropper, summertime, southern gothic, based on novel or book, family relationships, class differences, sexual repression, based on short story, father son conflict, father daughter relationship, charming man |
Production Companies | 20th Century Fox, Jerry Wald Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Paul Newman | Ben Quick |
Joanne Woodward | Clara Varner |
Anthony Franciosa | Jody Varner |
Orson Welles | Will Varner |
Lee Remick | Eula Varner |
Angela Lansbury | Minnie Littlejohn |
Richard Anderson | Alan Stewart |
Sarah Marshall | Agnes Stewart |
Mabel Albertson | Elizabeth Stewart |
J. Pat O'Malley | Ratliff |
Bill Walker | Lucius |
Robert Adler | Ambulance Driver (uncredited) |
Val Avery | Wilk (uncredited) |
Jim Brandt | Linus Olds (uncredited) |
Brian Corcoran | Harry Peabody (uncredited) |
Lee Erickson | Tom Shortly (uncredited) |
Byron Foulger | Harris (uncredited) |
I. Stanford Jolley | Houston (uncredited) |
Nicholas King | John Fisher (uncredited) |
Ralph Reed | J. V. Bookright (uncredited) |
Steve Widders | Buddy Peabody (uncredited) |
Name | Job |
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Martin Ritt | Director |
Harriet Frank Jr. | Screenplay |
William Faulkner | Short Story, Novel |
Sammy Cahn | Lyricist |
Jimmie Rodgers | Vocals |
Ben Nye | Makeup Artist |
Harry M. Leonard | Sound |
Eli Benneche | Set Decoration |
Helen Turpin | Hairstylist |
Lyle R. Wheeler | Art Direction |
Irving Ravetch | Screenplay |
Lionel Newman | Conductor |
Alex North | Original Music Composer, Songs |
E. Clayton Ward | Sound |
Walter M. Scott | Set Decoration |
Joseph LaShelle | Director of Photography |
Eli Dunn | Assistant Director |
Leonard Doss | Other |
Maurice Ransford | Art Direction |
Louis R. Loeffler | Editor |
Adele Palmer | Costume Design |
L.B. Abbott | Special Effects |
Charles LeMaire | Wardrobe Designer |
Name | Title |
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Jerry Wald | Producer |
Organization | Category | Person | |
---|---|---|---|
BAFTA Awards | Best Supporting Actress | Lee Remick | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 15 | 21 | 11 |
2024 | 5 | 17 | 26 | 10 |
2024 | 6 | 15 | 26 | 8 |
2024 | 7 | 19 | 34 | 11 |
2024 | 8 | 14 | 22 | 9 |
2024 | 9 | 12 | 19 | 7 |
2024 | 10 | 14 | 23 | 8 |
2024 | 11 | 10 | 15 | 7 |
2024 | 12 | 10 | 14 | 6 |
2025 | 1 | 12 | 16 | 8 |
2025 | 2 | 10 | 22 | 3 |
2025 | 3 | 5 | 15 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 2 | 5 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 1 | 2 | 1 |
Trending Position
This reminded me a little of "Cat on a Hot Tin Roof" (1954) with Paul Newman playing the roguish "Quick" who arrives in a small town, dominated by the "Varner" family and quickly tries to ingratiate himself into their wealthy ways. They, indeed the whole town, are dominated by the patriarchal "Will" ... (Orson Welles) who seems determined that his daughter "Clara" (Joanne Woodward) will marry local dullard "Stewart" (Richard Anderson). She, on the other hand, takes an instant shine to the newcomer and when brother, and general loafer, "Jody" (Anthony Franciosa) starts to feel a little threatened by this man who is seemingly of much more interest to his father than he is, things start to become a little tense around the place - to say the least. It's a small point, but the audio from Welles isn't the best and sometimes its quite difficult to make out what he's saying, but as the family dynamic becomes more strained and the backstory fills in a tale of a group of people for whom it's really only money that has become the thing that matters now - we end up with a characterful study of avarice and ambition tempered with some dark humour and an increasingly engaging effort from Welles and a smouldering - if maybe a little too predictable - chemistry from Woodward and Newman. It can be a bit wordy at times, but Martin Ritt keeps the pace even and taut as these folks evolve before us. It's not as intense as it might be, but it's still an easy two hours looking at the less salubrious side of human nature.