Popularity: 1 (history)
Director: | Blake Edwards |
---|---|
Writer: | Blake Edwards, Rod Amateau |
Staring: |
Tom Mix and Wyatt Earp team up to solve a murder at the Academy Awards in 1929 Hollywood. | |
Release Date: | Apr 29, 1988 |
---|---|
Director: | Blake Edwards |
Writer: | Blake Edwards, Rod Amateau |
Genres: | Crime, Mystery, Thriller, Western |
Keywords | showdown, wyatt earp, murder, western hero |
Production Companies | Cecchi Gori Group Tiger Cinematografica, TriStar Pictures, ML Delphi Premier Productions, Hudson Hawk Films Ltd. |
Box Office |
Revenue: $4,594,452
Budget: $16,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
James Garner | Wyatt Earp |
Bruce Willis | Tom Mix |
Malcolm McDowell | Alfie Alperin |
Mariel Hemingway | Cheryl King |
Kathleen Quinlan | Nancy Shoemaker |
Jennifer Edwards | Victoria Alperin |
Patricia Hodge | Christina Alperin |
Richard Bradford | Captain Blackworth |
M. Emmet Walsh | Chief Marvin Dibner |
Joe Dallesandro | Dutch Kieffer |
Andreas Katsulas | Arthur |
Dann Florek | Marty Goldberg |
Bill Marcus | Hal Flynn |
Michael C. Gwynne | Mooch |
Dermot Mulroney | Michael Alperin |
Miranda Garrison | Spanish Dancer |
Liz Torres | Rosa |
Castulo Guerra | Pancho (as Cástulo Guerra) |
Dakin Matthews | William Singer |
Vernon Wells | Australian Houseman |
Dennis Rucker | Paul |
John Dennis Johnston | Ed |
Kenny Call | Cowboy Fred |
Jack Garner | Cowboy Henry |
Jerry Tullos | Leo Vogel |
Herb Tanney | George the Conductor (as Steem Tanney) |
Peter Jason | Frank Coe |
Richard Fancy | Academy Speaker |
Glenn Shadix | Roscoe Arbuckle |
Lisa Alpert | Michael's Secretary |
Sonia Zimmer | Dibner's Secretary |
Marina Palmier | Candy Store Girl |
Tessa Taylor | Candy Store Girl |
Jon Van Ness | Director |
P. Randall Bowers | Assistant Director (as Randy Bowers) |
Maureen Teefy | Stagecoach Lady |
Arnold Johnson | George |
Eric Harrison | Alperin Butler |
Amy Michelson | Alfie's 1st Wife |
James O'Connell | Gate Guard |
Bing Russell | Studio Guard |
James C. Lewis | Jail Guard (as C. James Lewis) |
William Applegate Jr. | Jail Inmate (as Bill Applegate) |
Luis Contreras | Jail Inmates |
Charles Noland | Jail Inmates |
Robert Covarrubias | Jail Inmates |
Donalin Patton | Girls at Lunch |
Kay Perry | Girls at Lunch |
Rod McCary | Douglas Fairbanks |
John Fountain | John Gilbert |
Irene Olga López | Asuncion Maria Romero (as Irene Olga Lopez) |
Jeris Poindexter | Cleaning Man |
F. William Parker | Mayor Robert Hellman |
Grant Heslov | Car Attendant |
Don Sparks | Reporters |
Melanie Jones | Reporters |
Darrah Meeley | Reporters |
Tom Tarpey | Reporters |
Krista Gray | Reporters |
Katie Morgan | Reporters |
Bevis Faversham | Oliver Hardy (uncredited) |
Paul Higby | Newspaper Reporter (uncredited) |
Vincent Jerman-Jerosa | James Cagney (uncredited) |
Beverly Leech | Thelma Todd (uncredited) |
Marilyn Michaels | Mae West lookalike / Candy Girl (uncredited) |
Denney Pierce | Billy Clanton (uncredited) |
Barry Vigon | Boat Captain (uncredited) |
Name | Job |
---|---|
Blake Edwards | Director, Screenplay |
Miriam Nelson | Choreographer |
Henry Mancini | Original Music Composer, Conductor |
Anthony B. Richmond | Cinematography |
Robert Pergament | Editor |
Richard Y. Haman | Art Direction |
Patricia Norris | Costume Design |
Virginia G. Hadfield | Hair Designer |
Charlene Roberson | Makeup Artist |
Rod Amateau | Story |
Marvin March | Set Decoration, Art Direction |
Jean Austin | Hair Designer |
MichaelJohn | Hair Designer |
Rick Sharp | Makeup Artist |
Alan Levine | Production Manager |
Rodger Maus | Production Design |
Dave Grayson | Makeup Artist |
Josée Normand | Hair Designer |
Brad Wilder | Makeup Artist |
Danny Cangemi | Special Effects |
Joy Zapata | Hair Department Head |
Nancy Klopper | Casting |
Name | Title |
---|---|
Tony Adams | Producer |
Trish Caroselli | Associate Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 12 | 20 | 7 |
2024 | 5 | 14 | 25 | 8 |
2024 | 6 | 12 | 22 | 6 |
2024 | 7 | 14 | 25 | 8 |
2024 | 8 | 10 | 19 | 6 |
2024 | 9 | 8 | 11 | 5 |
2024 | 10 | 9 | 18 | 4 |
2024 | 11 | 7 | 14 | 4 |
2024 | 12 | 7 | 11 | 5 |
2025 | 1 | 9 | 17 | 5 |
2025 | 2 | 7 | 13 | 3 |
2025 | 3 | 4 | 8 | 1 |
2025 | 4 | 2 | 6 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 1 | 4 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
Trending Position
This is one of those cases of a movie that should have worked way better than it did. Just the very idea of watching Earp and Mix solving some murder mystery in Holywood sounds incredible and fun to watch. However, Edwards' screenplay never truly finds its identity, floating between Neo-Noir, Wes ... tern and Comedy. Maybe paired in Noir-Western or Comedy-Western it would've worked better: it just didn't know wheter to take itself seriously or not. That is, however, the only real problem with it. The production and time setting is awesome, with a shoutout to the costume design. Mix's especially. The colors are a sight to see, creating a warm-hot feel to the movie, reminiscent of the Western, but in a Noir setting. Mancini's soundtrack is one of the best I've ever heard. Perhaps as a consequence of the film's lack of true identity, Mancini went every which way with it. His "Sunday west" bits combined with more somber and serious tracks - reminiscent of his work on Touch of Evil (1958) - just complete each other so well. Willis is in a point in his career that is intersting to watch. Even before his greatest hit (and masterwork) Die Hard (1988), in which he hadn't found his persona yet. Still, he looks and sounds much like the star he would become months later, with a touch of Mix-cowboy in. He is a very "light" presence on-screen, and in the good way. McDowell is always a convincing actor, and his "Happy Hobo" Alfie Alperin is quite fun to watch - especially given the parallels to another Happy Hobo, Chaplin's The Tramp - but he isn't given a lot of screen time, and from the very beginning, it's quite clear that he is the villain. But the highlight of the film is the veteran James Garner. His incarnation of the legendary frontier lawman Wyatt Earp is (albeit anachronistic) one of the best. In my opinion, only second to Kurt Russell's in Tombstone (1993). That "hawk-eyed" archetype that Earp basically defines in pop-culture was very well-captured by Garner - even out of his "natural habitat" of the west. Sunset is a very fun, lighthearted buddy movie. It is a great movie that should have been an all time classic, yet it somehow feels right. It's a one-of-a-kind curio piece. And my heart says it deseves more recognition. Give or take a star or two.