Popularity: 4 (history)
| Director: | Vaughn Stein | 
|---|---|
| Writer: | Vaughn Stein | 
| Staring: | 
| In the dark heart of a sprawling, anonymous city, two assassins carry out a sinister mission, a teacher battles a fatal illness, and an enigmatic janitor and a curious waitress lead dangerous double lives. Murderous consequences unravel in the dead of night, as their lives intertwine at the hands of a mysterious criminal mastermind who is hell-bent on revenge. | |
| Release Date: | May 10, 2018 | 
|---|---|
| Director: | Vaughn Stein | 
| Writer: | Vaughn Stein | 
| Genres: | Drama, Crime, Thriller | 
| Keywords | assassin, double life, revenge, criminal mastermind, pulp, neo-noir, fatal | 
| Production Companies | Subotica, Miscellaneous Entertainment, Beagle Pug Films, Hassell Free Productions, Highland Film Group, LuckyChap Entertainment, Ruyi Films, Rapid Farms Productions | 
| Box Office | 
              
                Revenue: $843,970
                Budget: $0  | 
      
| Updates | 
          Updated: Feb 01, 2025 Entered: Apr 13, 2024  | 
      
| Name | Character | 
|---|---|
| Margot Robbie | Annie / Bonnie | 
| Simon Pegg | Bill | 
| Dexter Fletcher | Vince | 
| Max Irons | Alf | 
| Mike Myers | Clinton / Mr Franklyn | 
| Katarina Čas | Chloe Merrywheather | 
| Nick Moran | Illing | 
| Les Loveday | Young Clinton | 
| Jourdan Dunn | Conejo | 
| Matthew Lewis | Lenny | 
| Thomas Turgoose | Raymond | 
| Jay Simpson | Danny | 
| Benjamin Griffin | Toby | 
| Robert Goodman | Priest | 
| Paul Reynolds | Doctor | 
| Zita Banfalvi | Annie / Bonnie Picture Double | 
| Name | Job | 
|---|---|
| Vaughn Stein | Director, Writer | 
| Ken Galvin | Sound Re-Recording Mixer | 
| Adrien Asztalos | Art Direction | 
| Neely Eisenstein | Casting | 
| Julian Day | Costume Design | 
| Johannes Bock | Editor | 
| Christopher Ross | Director of Photography | 
| Alex Márquez | Editor | 
| Richard Bullock | Production Design | 
| Zoltán Frank | Set Decoration | 
| Tony Clarke | Original Music Composer | 
| Judit Sós | Line Producer | 
| Szandra Barbara Pozsár | Line Producer | 
| Robert Hartigan | Digital Compositor | 
| Stacy Mangan | Digital Compositor | 
| Márta Antal | Key Makeup Artist | 
| Nikola Medić | Supervising Sound Editor, Sound Re-Recording Mixer | 
| Tibor Gulyás | Clapper Loader | 
| Theo Berman | Focus Puller | 
| Hardy Ilona | Art Department Coordinator | 
| Arnold Gerhát | Set Dresser | 
| Balázs Vákár | Gaffer | 
| Martin Fanning | Assistant Editor | 
| János Horváth | Dolly Grip | 
| Iain Mackay | Steadicam Operator | 
| Veronika Varjasi | Extras Casting | 
| Sarolta Udvardi | Assistant Costume Designer | 
| Bánó Péter | Picture Car Coordinator | 
| Orosz Tamás | Leadman | 
| István Baranyai | Boom Operator | 
| Tilman Paulin | 2D Supervisor | 
| Ciaran Crowley | Visual Effects Producer | 
| Aaron Southerland | ADR Mixer | 
| Sallie Jaye | Hair Designer, Makeup Designer | 
| Bálint Csáki | Boom Operator | 
| Mika Cotellon | Still Photographer | 
| Mark Epstein | Techno Crane Operator | 
| Zsolt Ferenc Maier | Extras Casting | 
| Amy Pollitt | Assistant Costume Designer | 
| Attila Varsányi | Pyrotechnician | 
| János Csáki | Production Sound Mixer | 
| László Pintér | Pyrotechnic Supervisor | 
| Szilvassy Istvan | Pyrotechnician | 
| Gábor Iváncsik | Electrician | 
| Zoltán Lakatos | Rigging Gaffer | 
| Gergo Pocsai | Graphic Designer | 
| Fionn Higgins | Dialogue Editor | 
| Ferenc Deák | Special Effects Supervisor | 
| Attila Kolozs | Lighting Technician | 
| Lizzie Kilham | Standby Art Director | 
| Keith Maloney | Digital Compositor | 
| Morgan Carparelli | Assistant Dialogue Editor | 
| János Csáki Jr. | Sound Recordist | 
| Mark Henry | Sound Re-Recording Mixer | 
| Daryl McMahon | Digital Compositor | 
| Sosa Juristovszky | Costume Supervisor | 
| Réka Maróti | Makeup Artist | 
| Riemer Szandra | Assistant Art Director | 
| Márton Pintér | Pyrotechnician | 
| Tim Chauncey | Visual Effects Supervisor | 
| Gábor Kövári | Electrician | 
| Warwick Drucker | Key Grip | 
| Kovács András | Lighting Technician | 
| Gábor Kotschy | Still Photographer | 
| Tibor Gadácsi | Extras Casting Assistant | 
| Virág Kerényi | Key Costumer | 
| Máté Oláh | Video Assist Operator | 
| Rupert Gregson-Williams | Original Music Composer | 
| Robert Edwards | ADR Mixer | 
| Irene Chawko | Script Supervisor | 
| Dave Hughes | Digital Intermediate Colorist | 
| Name | Title | 
|---|---|
| Sophia Kerr | Co-Producer | 
| George Waud | Executive Producer | 
| Shelley Madison | Executive Producer | 
| Joe Simpson | Executive Producer | 
| Molly Hassell | Producer | 
| D. Todd Shepherd | Executive Producer | 
| Stephanie Pon | Co-Producer | 
| Aoife O'Sullivan | Executive Producer | 
| Habib Paracha | Executive Producer | 
| Matthew Jenkins | Executive Producer | 
| Teun Hilte | Producer | 
| Tristan Lynch | Executive Producer | 
| Margot Robbie | Producer | 
| Tom Ackerley | Producer | 
| David Barron | Producer | 
| Arianne Fraser | Producer | 
| Josey McNamara | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 27 | 45 | 19 | 
| 2024 | 5 | 35 | 67 | 18 | 
| 2024 | 6 | 20 | 31 | 14 | 
| 2024 | 7 | 22 | 33 | 15 | 
| 2024 | 8 | 19 | 36 | 13 | 
| 2024 | 9 | 17 | 25 | 10 | 
| 2024 | 10 | 19 | 32 | 10 | 
| 2024 | 11 | 16 | 24 | 11 | 
| 2024 | 12 | 15 | 25 | 9 | 
| 2025 | 1 | 17 | 25 | 12 | 
| 2025 | 2 | 13 | 21 | 3 | 
| 2025 | 3 | 5 | 15 | 1 | 
| 2025 | 4 | 3 | 6 | 1 | 
| 2025 | 5 | 2 | 7 | 1 | 
| 2025 | 6 | 2 | 3 | 1 | 
| 2025 | 7 | 2 | 2 | 1 | 
| 2025 | 8 | 3 | 5 | 2 | 
| 2025 | 9 | 4 | 5 | 3 | 
| 2025 | 10 | 4 | 6 | 3 | 
| 2025 | 11 | 4 | 4 | 4 | 
Trending Position
I absolutely, totally, completely, 100% understand why people don't like _Terminal_, that makes perfect sense to me. It was basically made for me and even I'm pretty mixed on it. But what I don't get is the number of people throwing out half star reviews. That's literally the lowest possible rating, ... I just don't see how _Terminal_ is a tie for world's worst movie. My expectations were pretty middling, and they were just more or less reached. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._