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I Bury the Living Poster

I Bury the Living

Out of a Time-Rotted Tomb Crawls an Unspeakable Horror!
1958 | 76m | English

(3421 votes)

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Popularity: 2 (history)

Director: Albert Band
Writer: Louis Garfinkle
Staring:
Details

A newly appointed cemetery chairman believes that, merely by inserting a black plot-marking pin into a wall-sized map of the cemetery, he can cause the deaths of that plot's owner.
Release Date: Jul 01, 1958
Director: Albert Band
Writer: Louis Garfinkle
Genres: Horror, Mystery, Thriller
Keywords cemetery, psychological thriller, graveyard, mysterious death
Production Companies Maxim Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 02, 2025
Entered: Apr 13, 2024
Trailers and Extras

Backdrops

International Posters

Full Credits

Name Character
Richard Boone Robert Kraft
Theodore Bikel Andy McKee
Herbert Anderson Jess Jessup
Robert Osterloh Lt. Clayborne
Howard Smith George Kraft
Peggy Maurer Ann Craig
Russ Bender Henry Trowbridge
Glen Vernon Stuart Drexel
Lynette Bernay Elizabeth Parrish Drexel
Ken Drake Bill Honegger
Matt Moore Charles Bates Sr.
Cyril Delevanti William Isham
Name Job
Gerald Fried Original Music Composer
Jack Pierce Makeup Artist
Albert Band Director
Louis Garfinkle Screenplay, Story
Frederick Gately Director of Photography
Frank Sullivan Editor
Edward Vorkapich Production Design
Gene Redd Art Direction
Leo J. Cornett Property Master
Roy Meadows Sound Mixer
Jack Kirschner Sound Editor
Eve Newman Music Editor
Bob Richards Wardrobe Supervisor
Clark L. Paylow Production Manager, Assistant Director
Name Title
Albert Band Producer
Louis Garfinkle Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 6 9 3
2024 5 8 13 5
2024 6 6 12 3
2024 7 7 15 4
2024 8 6 13 4
2024 9 4 7 2
2024 10 6 10 3
2024 11 5 11 3
2024 12 4 6 2
2025 1 4 7 2
2025 2 4 6 2
2025 3 3 6 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 2 3 1
2025 10 3 4 2
2025 11 2 2 2

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Reviews

John Chard
7.0

No needles, just pins! I Bury the Living is directed by Albert Band and written by Louis Garfinkle. It stars Richard Boone, Theodore Bikel, Howard Smith, Herbert Anderson, Robert Osterloh and Peggy Maurer. Music is scored by Gerald Fried and cinematography by Frederick Gately. Robert Kraft (Bo ... one) is appointed as the custodian of Immortal Hills Cemetery. On the wall in the cemetery office is a large map that details the plots that are taken by the dead, and the plots that are reserved by other town members. These are signified by black (taken) and white (reserved) pins. When Kraft accidentally places a black pin on the names of living people, he is stunned to find they end up dead shortly after. Coincidence? The title and the fabulous poster art that accompanies it has lured in many a horror fan, only for them to be disappointed with the end product since it's more a mystery thriller with potentially supernatural overtones. A slimline and modest budgeted pic, it's a film that sadly doesn't make the most of the premise at its core. However, there's still a very enjoyable movie here, one that thrives on an uneasy atmosphere and showcases some neat visual film noirish, touches. Shot in stark black and white to perfectly emphasise the shadowy tension in the plotting, director Band deftly lets the office cemetery map become the dominant force of the piece, marrying it up with the ever fretful Kraft's mental being. These scenes with just Kraft in the cold isolated office are the films best. Though the outer shots in the cemetery, with tombstones and wrought iron fencing, are suitably eerie too. Boone leads off with a very good performance as a man trying to comprehend the situation whilst doing the right thing, and music and photography is well worthy of our eyes and ears. It could have gone a darker route with Boone's protagonist, while the resolution has understandably infuriated more than it has pleased, but for its unique feel and worthy tech credits it's a better than average time filler. 7/10 DVD viewed was French Region 2 release from Bach Movies. Good print

May 16, 2024