Popularity: 7 (history)
Director: | Josh Boone |
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Writer: | Josh Boone, Knate Gwaltney |
Staring: |
Five young mutants, just discovering their abilities while held in a secret facility against their will, fight to escape their past sins and save themselves. | |
Release Date: | Apr 02, 2020 |
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Director: | Josh Boone |
Writer: | Josh Boone, Knate Gwaltney |
Genres: | Action, Science Fiction, Horror |
Keywords | superhero, mutant, based on comic, superhero team, captivity, suspenseful, tense, audacious |
Production Companies | Sunswept Entertainment, Marvel Entertainment, Genre Films, 20th Century Studios |
Box Office |
Revenue: $49,169,594
Budget: $67,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Blu Hunt | Dani Moonstar |
Maisie Williams | Rahne Sinclair |
Anya Taylor-Joy | Illyana Rasputin |
Charlie Heaton | Samuel Guthrie |
Henry Zaga | Roberto da Costa |
Alice Braga | Dr. Reyes |
Adam Beach | Dani's Father |
Happy Anderson | Reverend Craig |
Dustin Ceithamer | Smiling Man |
Marilyn Manson | Smiling Man (voice) |
Thomas Kee | Sam's Father |
Colbi Gannett | Young Illyana |
Jacinto Vega SpiritWolf | Frozen Cheyenne |
Mickey Gilmore | Coal Miner (uncredited) |
Jeffrey Corazzini | Coal Miner (uncredited) |
Name | Job |
---|---|
Carolyn Pickman | Casting |
Lori Berlanga | Production Coordinator |
Luci Romberg | Stunts |
Jade Quon | Stunts |
Chris Claremont | Thanks |
Bill Sienkiewicz | Thanks |
Kurt Bryant | Stunts |
Josh Boone | Director, Writer |
Frédéric North | Aerial Coordinator, Pilot |
Peter Deming | Director of Photography |
Ralph Ayala | Stand In |
Mark Snow | Original Music Composer |
Michael Geoghegan | Rigging Grip |
Carey Jones | Prosthetics, Special Effects Makeup Artist |
Gary M. Olitsky | Rigging Grip |
Mark DeSimone | ADR Mixer |
Eric A. Norris | Sound Effects Editor |
Chris McGeary | Music Editor |
Season Kent | Music Supervisor |
Dennis Colvin | Set Dresser |
Angela Peri | Extras Casting |
Travis Gomez | Stunts |
Vince Mountain | Set Designer |
Anthony Raymond | Set Designer |
Robb Sullivan | Editor |
Molly Hughes | Production Design |
Ravi Bansal | Art Direction |
Loic Zimmermann | Art Direction |
Merissa Lombardo | Set Decoration |
Leesa Evans | Costume Design |
Virginia B. Johnson | Costume Design |
Julie LeShane | Makeup Artist, Special Effects Makeup Artist |
Brenda McNally | Hair Department Head |
Trish Seeney | Makeup Department Head |
Kristen Strassel | Makeup Artist |
Steve Cantamessa | Sound Mixer |
Scott La Rue | Boom Operator |
Dan O'Connell | Foley Artist |
Adam Bellao | Special Effects Technician |
Andy Bergholtz | Special Effects Makeup Artist |
Thomas Carroll | Pyrotechnician |
Leslie Coogan | Special Effects Technician |
Mark Hawker | Special Effects Supervisor |
Pete Kelley | Special Effects Technician |
Juliana Lima | Pyrotechnician |
Timothy Massey | Special Effects Technician |
John Ruggieri | Pyrotechnic Supervisor |
Walter Garcia | Stunt Coordinator |
Katrina Schiller | Music Editor |
Jamison Bryant | Dialect Coach |
Casey McDougal | Stand In |
Nadia Sayess | Stand In |
Howard Samuelsohn | Dialect Coach |
Jesse Stoudt | Stunts |
Mike Mogis | Additional Music |
Nate Walcott | Additional Music |
Matthew Rundell | Editor |
Nicholas Mastandrea | First Assistant Director |
Rosemary C. Cremona | Second Assistant Director |
Katie Valovcin | Second Second Assistant Director |
Alicia Accardo | Script Supervisor |
Michael Peterson | Best Boy Electric |
David C. Romano | Best Boy Grip |
Patrick Rousseau | "A" Camera Operator |
Manolo Rojas | "B" Camera Operator, Steadicam Operator |
Maninder K. Saini | Digital Imaging Technician |
Teresa Hays | Dolly Grip |
Robert Clark | Electrician |
John S. DeSimone | Electrician |
Brian C. Doyle | Electrician |
Julia Korona | Electrician |
Mark Oliver | Electrician |
David Eubank | First Assistant "A" Camera |
Greg Wimer | First Assistant "B" Camera |
Joseph Battista | Grip |
Xavier Munoz | Grip |
Brian O'Connor | Grip |
Georgia Pantazopoulos | Grip |
Paul Wilkowsky | Key Grip |
Woody Bell | Key Rigging Grip |
Jason Cortazzo | Libra Head Technician |
Tim Dunbar | Lighting Technician |
Harry Pray IV | Lighting Technician |
Alec Roy | Lighting Technician |
Steve Sikora | Lighting Technician |
Toshadeva Palani | Loader |
Mark J. Casey | Rigging Gaffer |
Roger Marbury | Rigging Gaffer |
Steven P. Marabello Jr. | Rigging Grip |
Micheal Sheehan | Rigging Grip |
Jason Chef Sokolowski | Rigging Grip |
Dean Egan | Second Assistant "B" Camera |
Claire Folger | Still Photographer |
Kevin Gilligan | Techno Crane Operator |
Cheryl Jost | Contact Lens Technician |
Raul Hernandez | First Assistant Hairstylist |
Nichole Pleau | First Assistant Makeup Artist |
Vincent Schicchi | Special Effects Makeup Artist |
Natasha Ladek | Wigmaker |
Clinton E. O'Dell | Ager/Dyer |
Samantha Schwartz | Assistant Costume Designer |
Jennifer Betts | Costumer |
Gianna Soprano | Costumer |
Joanna Murphy | Key Costumer |
Honah Lee Milne | Key Set Costumer |
Hannah Rhein | Set Costumer |
Robin Chalfin | Tailor |
Jill Thibault | Textile Artist |
Dana Pacheco | Wardrobe Supervisor |
Jason Mayoh | Art Department Coordinator |
Noah Dubreuil | Assistant Property Master |
Debbie Cutler | Assistant Set Decoration |
Graves Bates | Carpenter |
Nick Bellofatto | Carpenter |
Paul DeQuattro | Carpenter |
John Larson | Carpenter |
Ehsan Bigloo | Character Designer |
Alexios Chrysikos | Concept Artist |
Kelton Cram | Concept Artist |
Jack Dudman | Concept Artist |
Eva Kuntz | Concept Artist |
Leandre Lagrange | Concept Artist |
Jamie O'Hara | Concept Artist |
Pat Presley | Concept Artist |
Steffen Reichstadt | Concept Artist |
Aaron Sims | Concept Artist |
Ivan Khomenko | Concept Artist |
Lauren Ashly Suchecki | Construction Buyer |
Theodore Suchecki | Construction Coordinator |
Jason Joubert | Construction Foreman |
Rick Radomski | Graphic Designer |
Brian Fry | Greensman |
Cameron Matheson | Leadman |
Thomas Colleran | Painter |
Benjamin Regan | Prop Maker |
Zachary Zablocki | Prop Maker |
David Gulick | Property Master |
Aimee Butterfield | Props |
Grace Gulick | Props |
Lisa Nagid | Props |
Kelly Walton | Props |
Dave Manning | Scenic Artist |
Kerri McGill | Scenic Artist |
Amber Primm | Scenic Artist |
Cammeron Truesdale | Scenic Artist |
Ashley L. Sykes | Set Decorating Coordinator |
Jonathan Champoux | Set Dresser |
Christopher Conroy | Set Dresser |
Gregory J. Corcoran | Set Dresser |
Wayne Kimball | Set Dresser |
Dawn Marie Richard | Set Dresser |
K.C. Roballo | Set Dresser |
Timothy Rowcroft | Set Dresser |
Tyris Smith | Set Dresser |
Court Chu | Storyboard Artist |
Ashley R. Guillory | Storyboard Artist |
Bill Thompson | Storyboard Artist |
David Boulton | ADR Mixer |
Justine Baker | ADR Recordist |
Kristin Catuogno | ADR Recordist |
David Wolowic | Sound Assistant, Assistant Sound Editor |
John T. Cucci | Foley Artist |
Greg ten Bosch | Sound Effects Editor |
Samuel R. Green | Sound Engineer |
David Giammarco | Sound Re-Recording Mixer |
Derek Vanderhorst | Sound Re-Recording Mixer |
Aaron Bouchard | Utility Sound |
Morgan Kern | Assistant Editor |
Jared Simon | Assistant Editor |
Danielle L. Statuto | Assistant Editor |
Gabriele McIntyre | Colorist |
Philip Marvin | Digital Intermediate Producer |
Robert Berman | First Assistant Editor |
Daniel M. Nussbaum | First Assistant Editor |
Andrew Doucette | Animation Supervisor |
Terence Bannon | Animation Supervisor |
Philippe Gaulier | Visual Effects Art Director |
Vincent Italia | CG Supervisor |
Ahmed Yousry | CG Supervisor |
Frank Belina | CG Supervisor |
Francesco Pinto | CG Supervisor |
Don Libby | CG Supervisor |
Mark Braithwaite | Compositing Supervisor |
Kelvin Yee | Compositing Supervisor |
Alex Llewellyn | Compositing Supervisor |
Stuart Bruzek | Compositing Lead |
Robert A. Willis | Compositing Lead |
Yogesh Badhe | Compositing Lead |
Anu Babu | Digital Compositor |
Brian Budak | Digital Compositor |
Dylan Campbell | Digital Compositor |
Karla Vazquez Ch | Digital Compositor |
Brian Ducharme | Digital Compositor |
Gabriele Filippelli | Digital Compositor |
Rich Hardy Jr. | Digital Compositor |
Jason Heinze | Digital Compositor |
Julianne Holzschuh | Digital Compositor |
Karthik Kesiraju | Digital Compositor |
Anu Liikkanen | Digital Compositor |
Giles Longman | Digital Compositor |
Mike C. Pare | Digital Compositor |
Miguel Ponce | Digital Compositor |
Naveesh Kumar Rana | Digital Compositor |
Petr Sajner | Digital Compositor |
Jesse Siglow | Digital Compositor |
Yuri Vasilyev | Digital Compositor |
Carmen Wong | Digital Compositor |
Mustafa Yasin Yalva | Digital Compositor |
Radoslav Yanudov | Digital Compositor |
Lucas Degani | Key Animation |
Carlo Loffredo | Key Animation |
Sachin S. Suryawanshi | Lead Animator |
Virender Dass | Matchmove Supervisor |
Erika Velikoivanenko | Matte Painter |
Thaddeus Warren | Matte Painter |
Alex Cannon | Pre-Visualization Supervisor |
Seyed Alireza Meraji | Senior Animator |
Bryan Litson | VFX Supervisor |
Eman Abdul-Razzak | VFX Lighting Artist |
Marvin Chua | VFX Lighting Artist |
Ryan D. Hansford | VFX Lighting Artist |
Gaeun Lee | VFX Lighting Artist |
Chris Palmer | VFX Lighting Artist |
Lyndsey Will | VFX Lighting Artist |
Thomas Scott Holland | Visual Effects Coordinator |
Edan Hopper | Visual Effects Coordinator |
Bryant Mudd | Visual Effects Coordinator |
Ameet Muley | Visual Effects Coordinator |
Joseph O'Sullivan | Visual Effects Coordinator |
Juan Orozco | Visual Effects Coordinator |
Leema Rose | Visual Effects Coordinator |
Sammy Shikaze | Visual Effects Coordinator |
Jennifer Stimpfig | Visual Effects Coordinator |
Connie Sung | Visual Effects Coordinator |
Kallan Treadwell | Visual Effects Coordinator |
Andrew Van Midde | Visual Effects Coordinator |
Neethu Vijayakumar | Visual Effects Coordinator |
Jessica Jara Yepez | Visual Effects Coordinator |
Vladislava Govednik | Visual Effects Coordinator |
Neil Greenberg | Visual Effects Editor |
Richard Lukacs | Visual Effects Editor |
Rachel Litz | Visual Effects Editor |
Jackson Chow | Visual Effects Editor |
Barbara Holmes | Visual Effects Editor |
Steven Spady | Visual Effects Editor |
Korey J. Cauchon | Visual Effects Producer |
Brian Drewes | Visual Effects Producer |
Greta Ruljevaite | Visual Effects Producer |
Steve Dubin | Visual Effects Producer |
Anton Agerbo | Visual Effects Producer |
Viktoria Gutheil | Visual Effects Production Assistant |
Stephanie Brandolini | Visual Effects Production Assistant |
Matt Daigle | Visual Effects Production Assistant |
Krzysztof Szulc | Visual Effects Production Manager |
Jack Lilburn | Visual Effects Production Manager |
Rebecca Matkaluk | Visual Effects Production Manager |
Monica Rho | Visual Effects Production Manager |
Mathew Krentz | Visual Effects Supervisor |
Craig Wentworth | Visual Effects Supervisor |
Dan Cayer | Visual Effects Supervisor |
Troy Moore | Visual Effects Supervisor |
Matt Hughes | Production Accountant |
Meghan Cassidy | Production Assistant |
Steven P. DeCoste Jr. | Production Assistant |
Delane Leahy | Production Assistant |
Marissa Messina | Production Assistant |
Tony Scelsi | Production Assistant |
Jasmine Zablocki | Production Assistant |
John Aufiero | Production Secretary |
Raymond Lisi | Production Secretary |
Timothy DuBois | Set Production Assistant |
Benjamin Zalusky | Set Production Assistant |
Molly Merrell | Travel Coordinator |
David Clayton | Main Title Designer |
Rachael M. Roth | Unit Publicist |
Steve Cooper | Supervising Art Director |
Michael Bird | Set Dresser |
Gabor Medveczky | Set Dresser |
Dawn Richard | Set Dresser |
Jennifer Driscoll | Art Department Assistant |
Randy Stone | Second Assistant "A" Camera |
Warren Hendriks | Supervising Sound Editor |
Wayne Lemmer | Supervising Sound Editor |
Nick Usen | Editorial Production Assistant |
Wyatt Lennertz | Editorial Production Assistant |
Sebastian J. Hughes | Editorial Production Assistant |
Mellisa Lytle | Sound Assistant |
Matthew Harrison | Foley Editor |
Richard Duarte | Foley Mixer |
Jack Cucci | Foley Mixer |
Mark Pappas | Foley Supervisor |
Jose 'Flecha' Hernandez | Generator Operator |
Dan Hutchinson | Generator Operator |
Tim Collins | Dolly Grip |
Frank A. Montesanto | Key Rigging Grip |
Joe Battista | Rigging Grip |
B. Tracy Ouellete | Rigging Grip |
Peter Hand | Rigging Grip |
Tim Catz | Rigging Grip |
Chris Ryerson | Rigging Grip |
Ed Regal | Rigging Grip |
JoJo Myers Proud | Makeup Artist |
Sam Hutchins | Location Manager |
Matt Bouldry | Casting Associate |
José Páramo | Special Effects Technician |
James Johnson | Special Effects Technician |
Bruce A. Ross | Special Effects Technician |
Victoria Haag | Special Effects Assistant |
Christina Todesco | Scenic Artist |
Cheryl Jefferies | Scenic Artist |
Kim Codner | Scenic Artist |
Rae Signer | Scenic Artist |
Michelle Stevens | First Assistant Accountant |
JoAnn Stevens | Second Assistant Accountant |
Sophia Tapia | Payroll Accountant |
Clara Kelly | Set Production Assistant |
Kylie Paul | Set Production Assistant |
Jenn A. Harris | Stunts |
Ellette Craddock | Stunts |
Kristina Baskett | Stunts |
Knate Gwaltney | Writer |
Bob McLeod | Thanks |
Rob Bliss | Concept Artist |
Camille Friend | Hairstylist |
Acei Martin | Stand In |
Andrew Buckland | Editor |
Simeon Wilkins | Storyboard Artist |
Stephen Nakamura | Digital Intermediate Colorist |
Ronna Kress | Casting |
Olivier Dumont | Visual Effects Supervisor |
Josephine Allegretti | Visual Effects |
Christopher Walsh | Special Effects Technician |
Name | Title |
---|---|
Lauren Shuler Donner | Producer |
Simon Kinberg | Producer |
Stan Lee | Executive Producer |
Joan Kelley Bierman | Associate Producer |
Michele Imperato Stabile | Executive Producer |
Karen Rosenfelt | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 87 | 173 | 45 |
2024 | 5 | 227 | 269 | 159 |
2024 | 6 | 135 | 241 | 44 |
2024 | 7 | 67 | 94 | 40 |
2024 | 8 | 44 | 63 | 28 |
2024 | 9 | 30 | 42 | 25 |
2024 | 10 | 45 | 74 | 26 |
2024 | 11 | 46 | 97 | 26 |
2024 | 12 | 32 | 40 | 26 |
2025 | 1 | 31 | 41 | 21 |
2025 | 2 | 28 | 38 | 8 |
2025 | 3 | 13 | 38 | 3 |
2025 | 4 | 6 | 9 | 4 |
2025 | 5 | 5 | 6 | 4 |
2025 | 6 | 5 | 6 | 3 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 5 | 8 | 4 |
2025 | 9 | 6 | 9 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 351 | 676 |
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2025 | 8 | 257 | 710 |
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2025 | 7 | 191 | 664 |
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2025 | 6 | 284 | 716 |
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2025 | 5 | 321 | 699 |
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2025 | 4 | 221 | 662 |
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2025 | 3 | 60 | 668 |
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2025 | 2 | 520 | 805 |
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2025 | 1 | 368 | 720 |
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2024 | 12 | 688 | 875 |
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2024 | 11 | 367 | 755 |
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2024 | 10 | 575 | 812 |
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2024 | 9 | 603 | 768 |
Year | Month | High | Avg |
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2024 | 8 | 196 | 583 |
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I still can't believe I'm about to write a review for The New Mutants... The last X-Men movie before they're introduced into the MCU became one of the most delayed films ever, but it finally got relea ... sed this week. Shot in 2017 with an original release date of April 2018, Josh Boone had reshoots planned, which postponed the movie for the first time. Disney began negotiations to merge with 20th Century Fox (now 20th Century Studios), keeping the film in a limbo state. A global pandemic emerged, pushing the movie even further. Final outcome: a worldwide limited release three years after finishing shooting, and without any reshoots. So, obviously, my expectations were pretty low... Surprise, surprise, The New Mutants isn't a horrible mess, it's... fine! I feel really sorry that so many people worked on this film and had to wait so long to see it being released to the world. I love how it's far from being just another generic, formulaic superhero flick. Sure, it has tons of cliches, and it does still feel like an X-Men movie at times, but I'll get there. I genuinely appreciate that Boone and Knate Lee wrote a narrative packed with significant and detailed character development, including a compelling romantic arc. Every young mutant gets their own story explained front-center. Each time the film dives into a character's past, it never feels like an irrelevant subplot. It all serves a purpose. The technical crew had a very low budget to work with compared to other movies in the genre, so I must praise them for transforming a small, one-location film into something surprisingly entertaining. The visual effects definitely don't have that quality that viewers are used to seeing now, but they're reasonably okay for the most part. The horror atmosphere is definitely present, but it feels like the movie could have benefited from a more assertive, bolder approach to these nightmarish sequences. The best aspect of the whole film is related to the indisputably talented cast, with just one exception... From Anya-Taylor Joy's rebel behavior to Charlie Heaton's experienced performance, passing through Maisie Williams' emotional display and Henry Zaga's charming one-liners, every one of these actors proves why they were cast in such a well-known franchise. Despite the ridiculously flawed accents, all share great chemistry between each other, including debutant Blu Hunt. However, the latter fails to be a compelling protagonist clearly due to her inexperience. I don't want to be too harsh on her because I did see some great moments when she shared the screen with her colleagues. However, I do need to state that every scene where she acts alone or against a green screen reaches cringe-worthy levels of bad acting. Boone and/or the casting crew must also take responsibility for choosing her as the main character, but honestly, she's not even my main issue. That has to do with her own character. While she gets the same focus as her fellow mutants when it comes to her backstory, she never really has to deal with her powers' consequences. Some mutants hurt or killed people, and they're unquestionably damaged because of it. Dani doesn't have a single moment where she feels sorry for whatever happened in her past or where she's confronted with it. It's quite hard to connect with a protagonist when both the character and the actress playing her lack that captivating personality. Finally, Alice Braga, as the doctor, is probably the most formulaic component of the movie. From the first conversation she has with the mutants, any viewer can guess where the story is going. Braga is good as Dr. Cecilia Reyes, but coincidentally or not, her character is the only one whose backstory wasn't remotely explored. Reyes' motivations and what lies beyond the hospital raise intriguing questions that, unfortunately, never get answered. Maybe the supposed reshoots could have solved some of these issues, perhaps they could have added some more. I don't know for sure, but what I do know is that The New Mutants is far from being an awful mess. All in all, Josh Boone and Knate Lee deliver a reasonably entertaining screenplay out of the generic zone of the superhero genre, packed with detailed character development and decent horror sequences, especially having in mind the low budget. The New Mutants features a marvelous cast, where everyone shares tremendous chemistry with each other. All actors deliver great performances, except for the debutant Blu Hunt who unfortunately lets her inexperience overcome her evident potential. Contrasting with the overall character treatment, Dani Moonstar fails to be a compelling protagonist since she's barely shown having to deal with the emotional consequences of her powers like every other mutant does. Despite the refreshing take on the overall story, there are still a few cliches and formulaic components throughout the film, especially related to the hospital. Overall, it's surprisingly okay considering the numerous production issues, so I definitely recommend it at least just to say goodbye to the last X-Men installment pre-MCU. Rating: B-
Just like 'Dark Phoenix', Fox's greatest loss is Disney's greatest gain: even as 'The New Mutants' opened, the discussion was already focused on how Disney's MCU is bound to resuscitate 'X-Men'. That's a shame because Josh Boone's relic from a defunct franchise, unceremoniously dumped in cinemas in ... the middle of pandemic, was a step in a potentially interesting new direction. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-new-mutants-an-enjoyably-small-scale-superheroic-character-piece
The problem with The New Mutants is that it fails in so many different areas that's its difficult to pin point why it's such a bad movie. If you're a X-Man fan you'll be disappointed by the main characters mutations, if you're a thriller fan you'll be disappointed by the villain. **When to watch: ... ** The only scenario I would recommend you watch this movie is if you are die hard fan of one of the actors (Even still you might be disappointed) **How to fix this movie:** 1. Replace the villain, stop trying to make this a weird horror crossover and focus on what made X-Man good to begin with. A PROPER VILLAIN. 2. Far to much focus on the poorly written backstory for each main character. 3. Make the Mutations better! The super powers should make the audience want to be them. 4. Cut the cheesy dialogue and pick a clear genre, this is a toss up between, Sci-Fi, Action, Horror, Romance, Cheesy B Level Movie.
As both a horror and X-men fan, I was looking forward to this mashup since the first trailer dropped. Even recently with mostly bad reviews and press, I wanted to see it for myself. And ... it pretty much sucked. That doesn't bode well for future work from Josh "The Fault in my Stars" Boone (e.g ... . "The Stand" mini-series. We pretty much know the gist from the trailers. Young mutants are haunted/harassed by something in a mental hospital. The best parts are pulled from the X-men series in which mutants first find out their powers, typically represented effectively on screen. Most times these scenes are fun, but the special effects are a mixed bag, jumping back and forth from decent to cheesy. Most of the ensemble cast are relatively new up-and-coming stars such as Maise Williams ("Game of Thrones"), Anya Taylor-Joy ("The Witch/Queen's Gambit"), and Charlie Heaton ("Stranger Things") but the acting is mediocre, and worst of all, they butcher whatever accent they are supposed to have (Irish, Russian[?], and U.S. southern respectively). And the story -- disappointing to say the least. If you drop your expectations to a bad 90 minute "Buffy the Vampire" episode, then maybe you'll find something to like.
Surprisingly great watch, will likely watch again, and do recommend. My expectations of this one were rock bottom: I honestly didn't think much of the trailer. I thought they were ruining "The New Warriors", my mistake, and I didn't realize they gender bent a character I was already familiar wit ... h. (Moonstar is basically another guy character from "The Initiative" in Marvel Comcs) What is really interesting, and NEVER ADDRESSED is what the facility is, who runs it, and what the point is. There just aren't answers to be had so simply during an uprising. Honestly worst part of the movie, but unless you're paying too much attention, you probably won't even notice. The characters are deceptively interesting, to the point where I was actually surprised at certain points, but they are what makes the movie. The discovery of the characters, they're evolution as a team, and their personal struggles are what makes the movie great. It is also FILLED with action after a certain point, beautifully rendered and weighted combat with something somewhat meaningful behind it. If you're into super powered action on any level, then give this a watch.