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The New Mutants

There is something new to fear.
2020 | 94m | English

(98526 votes)

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Popularity: 7 (history)

Details

Five young mutants, just discovering their abilities while held in a secret facility against their will, fight to escape their past sins and save themselves.
Release Date: Apr 02, 2020
Director: Josh Boone
Writer: Josh Boone, Knate Gwaltney
Genres: Action, Science Fiction, Horror
Keywords superhero, mutant, based on comic, superhero team, captivity, suspenseful, tense, audacious
Production Companies Sunswept Entertainment, Marvel Entertainment, Genre Films, 20th Century Studios
Box Office Revenue: $49,169,594
Budget: $67,000,000
Updates Updated: Aug 03, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Blu Hunt Dani Moonstar
Maisie Williams Rahne Sinclair
Anya Taylor-Joy Illyana Rasputin
Charlie Heaton Samuel Guthrie
Henry Zaga Roberto da Costa
Alice Braga Dr. Reyes
Adam Beach Dani's Father
Happy Anderson Reverend Craig
Dustin Ceithamer Smiling Man
Marilyn Manson Smiling Man (voice)
Thomas Kee Sam's Father
Colbi Gannett Young Illyana
Jacinto Vega SpiritWolf Frozen Cheyenne
Mickey Gilmore Coal Miner (uncredited)
Jeffrey Corazzini Coal Miner (uncredited)
Name Job
Carolyn Pickman Casting
Lori Berlanga Production Coordinator
Luci Romberg Stunts
Jade Quon Stunts
Chris Claremont Thanks
Bill Sienkiewicz Thanks
Kurt Bryant Stunts
Josh Boone Director, Writer
Frédéric North Aerial Coordinator, Pilot
Peter Deming Director of Photography
Ralph Ayala Stand In
Mark Snow Original Music Composer
Michael Geoghegan Rigging Grip
Carey Jones Prosthetics, Special Effects Makeup Artist
Gary M. Olitsky Rigging Grip
Mark DeSimone ADR Mixer
Eric A. Norris Sound Effects Editor
Chris McGeary Music Editor
Season Kent Music Supervisor
Dennis Colvin Set Dresser
Angela Peri Extras Casting
Travis Gomez Stunts
Vince Mountain Set Designer
Anthony Raymond Set Designer
Robb Sullivan Editor
Molly Hughes Production Design
Ravi Bansal Art Direction
Loic Zimmermann Art Direction
Merissa Lombardo Set Decoration
Leesa Evans Costume Design
Virginia B. Johnson Costume Design
Julie LeShane Makeup Artist, Special Effects Makeup Artist
Brenda McNally Hair Department Head
Trish Seeney Makeup Department Head
Kristen Strassel Makeup Artist
Steve Cantamessa Sound Mixer
Scott La Rue Boom Operator
Dan O'Connell Foley Artist
Adam Bellao Special Effects Technician
Andy Bergholtz Special Effects Makeup Artist
Thomas Carroll Pyrotechnician
Leslie Coogan Special Effects Technician
Mark Hawker Special Effects Supervisor
Pete Kelley Special Effects Technician
Juliana Lima Pyrotechnician
Timothy Massey Special Effects Technician
John Ruggieri Pyrotechnic Supervisor
Walter Garcia Stunt Coordinator
Katrina Schiller Music Editor
Jamison Bryant Dialect Coach
Casey McDougal Stand In
Nadia Sayess Stand In
Howard Samuelsohn Dialect Coach
Jesse Stoudt Stunts
Mike Mogis Additional Music
Nate Walcott Additional Music
Matthew Rundell Editor
Nicholas Mastandrea First Assistant Director
Rosemary C. Cremona Second Assistant Director
Katie Valovcin Second Second Assistant Director
Alicia Accardo Script Supervisor
Michael Peterson Best Boy Electric
David C. Romano Best Boy Grip
Patrick Rousseau "A" Camera Operator
Manolo Rojas "B" Camera Operator, Steadicam Operator
Maninder K. Saini Digital Imaging Technician
Teresa Hays Dolly Grip
Robert Clark Electrician
John S. DeSimone Electrician
Brian C. Doyle Electrician
Julia Korona Electrician
Mark Oliver Electrician
David Eubank First Assistant "A" Camera
Greg Wimer First Assistant "B" Camera
Joseph Battista Grip
Xavier Munoz Grip
Brian O'Connor Grip
Georgia Pantazopoulos Grip
Paul Wilkowsky Key Grip
Woody Bell Key Rigging Grip
Jason Cortazzo Libra Head Technician
Tim Dunbar Lighting Technician
Harry Pray IV Lighting Technician
Alec Roy Lighting Technician
Steve Sikora Lighting Technician
Toshadeva Palani Loader
Mark J. Casey Rigging Gaffer
Roger Marbury Rigging Gaffer
Steven P. Marabello Jr. Rigging Grip
Micheal Sheehan Rigging Grip
Jason Chef Sokolowski Rigging Grip
Dean Egan Second Assistant "B" Camera
Claire Folger Still Photographer
Kevin Gilligan Techno Crane Operator
Cheryl Jost Contact Lens Technician
Raul Hernandez First Assistant Hairstylist
Nichole Pleau First Assistant Makeup Artist
Vincent Schicchi Special Effects Makeup Artist
Natasha Ladek Wigmaker
Clinton E. O'Dell Ager/Dyer
Samantha Schwartz Assistant Costume Designer
Jennifer Betts Costumer
Gianna Soprano Costumer
Joanna Murphy Key Costumer
Honah Lee Milne Key Set Costumer
Hannah Rhein Set Costumer
Robin Chalfin Tailor
Jill Thibault Textile Artist
Dana Pacheco Wardrobe Supervisor
Jason Mayoh Art Department Coordinator
Noah Dubreuil Assistant Property Master
Debbie Cutler Assistant Set Decoration
Graves Bates Carpenter
Nick Bellofatto Carpenter
Paul DeQuattro Carpenter
John Larson Carpenter
Ehsan Bigloo Character Designer
Alexios Chrysikos Concept Artist
Kelton Cram Concept Artist
Jack Dudman Concept Artist
Eva Kuntz Concept Artist
Leandre Lagrange Concept Artist
Jamie O'Hara Concept Artist
Pat Presley Concept Artist
Steffen Reichstadt Concept Artist
Aaron Sims Concept Artist
Ivan Khomenko Concept Artist
Lauren Ashly Suchecki Construction Buyer
Theodore Suchecki Construction Coordinator
Jason Joubert Construction Foreman
Rick Radomski Graphic Designer
Brian Fry Greensman
Cameron Matheson Leadman
Thomas Colleran Painter
Benjamin Regan Prop Maker
Zachary Zablocki Prop Maker
David Gulick Property Master
Aimee Butterfield Props
Grace Gulick Props
Lisa Nagid Props
Kelly Walton Props
Dave Manning Scenic Artist
Kerri McGill Scenic Artist
Amber Primm Scenic Artist
Cammeron Truesdale Scenic Artist
Ashley L. Sykes Set Decorating Coordinator
Jonathan Champoux Set Dresser
Christopher Conroy Set Dresser
Gregory J. Corcoran Set Dresser
Wayne Kimball Set Dresser
Dawn Marie Richard Set Dresser
K.C. Roballo Set Dresser
Timothy Rowcroft Set Dresser
Tyris Smith Set Dresser
Court Chu Storyboard Artist
Ashley R. Guillory Storyboard Artist
Bill Thompson Storyboard Artist
David Boulton ADR Mixer
Justine Baker ADR Recordist
Kristin Catuogno ADR Recordist
David Wolowic Sound Assistant, Assistant Sound Editor
John T. Cucci Foley Artist
Greg ten Bosch Sound Effects Editor
Samuel R. Green Sound Engineer
David Giammarco Sound Re-Recording Mixer
Derek Vanderhorst Sound Re-Recording Mixer
Aaron Bouchard Utility Sound
Morgan Kern Assistant Editor
Jared Simon Assistant Editor
Danielle L. Statuto Assistant Editor
Gabriele McIntyre Colorist
Philip Marvin Digital Intermediate Producer
Robert Berman First Assistant Editor
Daniel M. Nussbaum First Assistant Editor
Andrew Doucette Animation Supervisor
Terence Bannon Animation Supervisor
Philippe Gaulier Visual Effects Art Director
Vincent Italia CG Supervisor
Ahmed Yousry CG Supervisor
Frank Belina CG Supervisor
Francesco Pinto CG Supervisor
Don Libby CG Supervisor
Mark Braithwaite Compositing Supervisor
Kelvin Yee Compositing Supervisor
Alex Llewellyn Compositing Supervisor
Stuart Bruzek Compositing Lead
Robert A. Willis Compositing Lead
Yogesh Badhe Compositing Lead
Anu Babu Digital Compositor
Brian Budak Digital Compositor
Dylan Campbell Digital Compositor
Karla Vazquez Ch Digital Compositor
Brian Ducharme Digital Compositor
Gabriele Filippelli Digital Compositor
Rich Hardy Jr. Digital Compositor
Jason Heinze Digital Compositor
Julianne Holzschuh Digital Compositor
Karthik Kesiraju Digital Compositor
Anu Liikkanen Digital Compositor
Giles Longman Digital Compositor
Mike C. Pare Digital Compositor
Miguel Ponce Digital Compositor
Naveesh Kumar Rana Digital Compositor
Petr Sajner Digital Compositor
Jesse Siglow Digital Compositor
Yuri Vasilyev Digital Compositor
Carmen Wong Digital Compositor
Mustafa Yasin Yalva Digital Compositor
Radoslav Yanudov Digital Compositor
Lucas Degani Key Animation
Carlo Loffredo Key Animation
Sachin S. Suryawanshi Lead Animator
Virender Dass Matchmove Supervisor
Erika Velikoivanenko Matte Painter
Thaddeus Warren Matte Painter
Alex Cannon Pre-Visualization Supervisor
Seyed Alireza Meraji Senior Animator
Bryan Litson VFX Supervisor
Eman Abdul-Razzak VFX Lighting Artist
Marvin Chua VFX Lighting Artist
Ryan D. Hansford VFX Lighting Artist
Gaeun Lee VFX Lighting Artist
Chris Palmer VFX Lighting Artist
Lyndsey Will VFX Lighting Artist
Thomas Scott Holland Visual Effects Coordinator
Edan Hopper Visual Effects Coordinator
Bryant Mudd Visual Effects Coordinator
Ameet Muley Visual Effects Coordinator
Joseph O'Sullivan Visual Effects Coordinator
Juan Orozco Visual Effects Coordinator
Leema Rose Visual Effects Coordinator
Sammy Shikaze Visual Effects Coordinator
Jennifer Stimpfig Visual Effects Coordinator
Connie Sung Visual Effects Coordinator
Kallan Treadwell Visual Effects Coordinator
Andrew Van Midde Visual Effects Coordinator
Neethu Vijayakumar Visual Effects Coordinator
Jessica Jara Yepez Visual Effects Coordinator
Vladislava Govednik Visual Effects Coordinator
Neil Greenberg Visual Effects Editor
Richard Lukacs Visual Effects Editor
Rachel Litz Visual Effects Editor
Jackson Chow Visual Effects Editor
Barbara Holmes Visual Effects Editor
Steven Spady Visual Effects Editor
Korey J. Cauchon Visual Effects Producer
Brian Drewes Visual Effects Producer
Greta Ruljevaite Visual Effects Producer
Steve Dubin Visual Effects Producer
Anton Agerbo Visual Effects Producer
Viktoria Gutheil Visual Effects Production Assistant
Stephanie Brandolini Visual Effects Production Assistant
Matt Daigle Visual Effects Production Assistant
Krzysztof Szulc Visual Effects Production Manager
Jack Lilburn Visual Effects Production Manager
Rebecca Matkaluk Visual Effects Production Manager
Monica Rho Visual Effects Production Manager
Mathew Krentz Visual Effects Supervisor
Craig Wentworth Visual Effects Supervisor
Dan Cayer Visual Effects Supervisor
Troy Moore Visual Effects Supervisor
Matt Hughes Production Accountant
Meghan Cassidy Production Assistant
Steven P. DeCoste Jr. Production Assistant
Delane Leahy Production Assistant
Marissa Messina Production Assistant
Tony Scelsi Production Assistant
Jasmine Zablocki Production Assistant
John Aufiero Production Secretary
Raymond Lisi Production Secretary
Timothy DuBois Set Production Assistant
Benjamin Zalusky Set Production Assistant
Molly Merrell Travel Coordinator
David Clayton Main Title Designer
Rachael M. Roth Unit Publicist
Steve Cooper Supervising Art Director
Michael Bird Set Dresser
Gabor Medveczky Set Dresser
Dawn Richard Set Dresser
Jennifer Driscoll Art Department Assistant
Randy Stone Second Assistant "A" Camera
Warren Hendriks Supervising Sound Editor
Wayne Lemmer Supervising Sound Editor
Nick Usen Editorial Production Assistant
Wyatt Lennertz Editorial Production Assistant
Sebastian J. Hughes Editorial Production Assistant
Mellisa Lytle Sound Assistant
Matthew Harrison Foley Editor
Richard Duarte Foley Mixer
Jack Cucci Foley Mixer
Mark Pappas Foley Supervisor
Jose 'Flecha' Hernandez Generator Operator
Dan Hutchinson Generator Operator
Tim Collins Dolly Grip
Frank A. Montesanto Key Rigging Grip
Joe Battista Rigging Grip
B. Tracy Ouellete Rigging Grip
Peter Hand Rigging Grip
Tim Catz Rigging Grip
Chris Ryerson Rigging Grip
Ed Regal Rigging Grip
JoJo Myers Proud Makeup Artist
Sam Hutchins Location Manager
Matt Bouldry Casting Associate
José Páramo Special Effects Technician
James Johnson Special Effects Technician
Bruce A. Ross Special Effects Technician
Victoria Haag Special Effects Assistant
Christina Todesco Scenic Artist
Cheryl Jefferies Scenic Artist
Kim Codner Scenic Artist
Rae Signer Scenic Artist
Michelle Stevens First Assistant Accountant
JoAnn Stevens Second Assistant Accountant
Sophia Tapia Payroll Accountant
Clara Kelly Set Production Assistant
Kylie Paul Set Production Assistant
Jenn A. Harris Stunts
Ellette Craddock Stunts
Kristina Baskett Stunts
Knate Gwaltney Writer
Bob McLeod Thanks
Rob Bliss Concept Artist
Camille Friend Hairstylist
Acei Martin Stand In
Andrew Buckland Editor
Simeon Wilkins Storyboard Artist
Stephen Nakamura Digital Intermediate Colorist
Ronna Kress Casting
Olivier Dumont Visual Effects Supervisor
Josephine Allegretti Visual Effects
Christopher Walsh Special Effects Technician
Name Title
Lauren Shuler Donner Producer
Simon Kinberg Producer
Stan Lee Executive Producer
Joan Kelley Bierman Associate Producer
Michele Imperato Stabile Executive Producer
Karen Rosenfelt Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 87 173 45
2024 5 227 269 159
2024 6 135 241 44
2024 7 67 94 40
2024 8 44 63 28
2024 9 30 42 25
2024 10 45 74 26
2024 11 46 97 26
2024 12 32 40 26
2025 1 31 41 21
2025 2 28 38 8
2025 3 13 38 3
2025 4 6 9 4
2025 5 5 6 4
2025 6 5 6 3
2025 7 5 6 4
2025 8 5 8 4
2025 9 6 9 5

Trending Position


Year Month High Avg
2025 9 351 676
Year Month High Avg
2025 8 257 710
Year Month High Avg
2025 7 191 664
Year Month High Avg
2025 6 284 716
Year Month High Avg
2025 5 321 699
Year Month High Avg
2025 4 221 662
Year Month High Avg
2025 3 60 668
Year Month High Avg
2025 2 520 805
Year Month High Avg
2025 1 368 720
Year Month High Avg
2024 12 688 875
Year Month High Avg
2024 11 367 755
Year Month High Avg
2024 10 575 812
Year Month High Avg
2024 9 603 768
Year Month High Avg
2024 8 196 583

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Reviews

msbreviews
6.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I still can't believe I'm about to write a review for The New Mutants... The last X-Men movie before they're introduced into the MCU became one of the most delayed films ever, but it finally got relea ... sed this week. Shot in 2017 with an original release date of April 2018, Josh Boone had reshoots planned, which postponed the movie for the first time. Disney began negotiations to merge with 20th Century Fox (now 20th Century Studios), keeping the film in a limbo state. A global pandemic emerged, pushing the movie even further. Final outcome: a worldwide limited release three years after finishing shooting, and without any reshoots. So, obviously, my expectations were pretty low... Surprise, surprise, The New Mutants isn't a horrible mess, it's... fine! I feel really sorry that so many people worked on this film and had to wait so long to see it being released to the world. I love how it's far from being just another generic, formulaic superhero flick. Sure, it has tons of cliches, and it does still feel like an X-Men movie at times, but I'll get there. I genuinely appreciate that Boone and Knate Lee wrote a narrative packed with significant and detailed character development, including a compelling romantic arc. Every young mutant gets their own story explained front-center. Each time the film dives into a character's past, it never feels like an irrelevant subplot. It all serves a purpose. The technical crew had a very low budget to work with compared to other movies in the genre, so I must praise them for transforming a small, one-location film into something surprisingly entertaining. The visual effects definitely don't have that quality that viewers are used to seeing now, but they're reasonably okay for the most part. The horror atmosphere is definitely present, but it feels like the movie could have benefited from a more assertive, bolder approach to these nightmarish sequences. The best aspect of the whole film is related to the indisputably talented cast, with just one exception... From Anya-Taylor Joy's rebel behavior to Charlie Heaton's experienced performance, passing through Maisie Williams' emotional display and Henry Zaga's charming one-liners, every one of these actors proves why they were cast in such a well-known franchise. Despite the ridiculously flawed accents, all share great chemistry between each other, including debutant Blu Hunt. However, the latter fails to be a compelling protagonist clearly due to her inexperience. I don't want to be too harsh on her because I did see some great moments when she shared the screen with her colleagues. However, I do need to state that every scene where she acts alone or against a green screen reaches cringe-worthy levels of bad acting. Boone and/or the casting crew must also take responsibility for choosing her as the main character, but honestly, she's not even my main issue. That has to do with her own character. While she gets the same focus as her fellow mutants when it comes to her backstory, she never really has to deal with her powers' consequences. Some mutants hurt or killed people, and they're unquestionably damaged because of it. Dani doesn't have a single moment where she feels sorry for whatever happened in her past or where she's confronted with it. It's quite hard to connect with a protagonist when both the character and the actress playing her lack that captivating personality. Finally, Alice Braga, as the doctor, is probably the most formulaic component of the movie. From the first conversation she has with the mutants, any viewer can guess where the story is going. Braga is good as Dr. Cecilia Reyes, but coincidentally or not, her character is the only one whose backstory wasn't remotely explored. Reyes' motivations and what lies beyond the hospital raise intriguing questions that, unfortunately, never get answered. Maybe the supposed reshoots could have solved some of these issues, perhaps they could have added some more. I don't know for sure, but what I do know is that The New Mutants is far from being an awful mess. All in all, Josh Boone and Knate Lee deliver a reasonably entertaining screenplay out of the generic zone of the superhero genre, packed with detailed character development and decent horror sequences, especially having in mind the low budget. The New Mutants features a marvelous cast, where everyone shares tremendous chemistry with each other. All actors deliver great performances, except for the debutant Blu Hunt who unfortunately lets her inexperience overcome her evident potential. Contrasting with the overall character treatment, Dani Moonstar fails to be a compelling protagonist since she's barely shown having to deal with the emotional consequences of her powers like every other mutant does. Despite the refreshing take on the overall story, there are still a few cliches and formulaic components throughout the film, especially related to the hospital. Overall, it's surprisingly okay considering the numerous production issues, so I definitely recommend it at least just to say goodbye to the last X-Men installment pre-MCU. Rating: B-

Jun 23, 2021
maketheSWITCH
6.0

Just like 'Dark Phoenix', Fox's greatest loss is Disney's greatest gain: even as 'The New Mutants' opened, the discussion was already focused on how Disney's MCU is bound to resuscitate 'X-Men'. That's a shame because Josh Boone's relic from a defunct franchise, unceremoniously dumped in cinemas in ... the middle of pandemic, was a step in a potentially interesting new direction. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-new-mutants-an-enjoyably-small-scale-superheroic-character-piece

Jun 23, 2021
NerdyPopcorn
1.0

The problem with The New Mutants is that it fails in so many different areas that's its difficult to pin point why it's such a bad movie. If you're a X-Man fan you'll be disappointed by the main characters mutations, if you're a thriller fan you'll be disappointed by the villain. **When to watch: ... ** The only scenario I would recommend you watch this movie is if you are die hard fan of one of the actors (Even still you might be disappointed) **How to fix this movie:** 1. Replace the villain, stop trying to make this a weird horror crossover and focus on what made X-Man good to begin with. A PROPER VILLAIN. 2. Far to much focus on the poorly written backstory for each main character. 3. Make the Mutations better! The super powers should make the audience want to be them. 4. Cut the cheesy dialogue and pick a clear genre, this is a toss up between, Sci-Fi, Action, Horror, Romance, Cheesy B Level Movie.

Jun 23, 2021
repojack
5.0

As both a horror and X-men fan, I was looking forward to this mashup since the first trailer dropped. Even recently with mostly bad reviews and press, I wanted to see it for myself. And ... it pretty much sucked. That doesn't bode well for future work from Josh "The Fault in my Stars" Boone (e.g ... . "The Stand" mini-series. We pretty much know the gist from the trailers. Young mutants are haunted/harassed by something in a mental hospital. The best parts are pulled from the X-men series in which mutants first find out their powers, typically represented effectively on screen. Most times these scenes are fun, but the special effects are a mixed bag, jumping back and forth from decent to cheesy. Most of the ensemble cast are relatively new up-and-coming stars such as Maise Williams ("Game of Thrones"), Anya Taylor-Joy ("The Witch/Queen's Gambit"), and Charlie Heaton ("Stranger Things") but the acting is mediocre, and worst of all, they butcher whatever accent they are supposed to have (Irish, Russian[?], and U.S. southern respectively). And the story -- disappointing to say the least. If you drop your expectations to a bad 90 minute "Buffy the Vampire" episode, then maybe you'll find something to like.

Jun 23, 2021
Kamurai
8.0

Surprisingly great watch, will likely watch again, and do recommend. My expectations of this one were rock bottom: I honestly didn't think much of the trailer. I thought they were ruining "The New Warriors", my mistake, and I didn't realize they gender bent a character I was already familiar wit ... h. (Moonstar is basically another guy character from "The Initiative" in Marvel Comcs) What is really interesting, and NEVER ADDRESSED is what the facility is, who runs it, and what the point is. There just aren't answers to be had so simply during an uprising. Honestly worst part of the movie, but unless you're paying too much attention, you probably won't even notice. The characters are deceptively interesting, to the point where I was actually surprised at certain points, but they are what makes the movie. The discovery of the characters, they're evolution as a team, and their personal struggles are what makes the movie great. It is also FILLED with action after a certain point, beautifully rendered and weighted combat with something somewhat meaningful behind it. If you're into super powered action on any level, then give this a watch.

Jun 23, 2021