Popularity: 1 (history)
Director: | Brad Furman |
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Writer: | Robert Mazur, Ellen Brown Furman |
Staring: |
A U.S Customs official uncovers a massive money laundering scheme involving Pablo Escobar. | |
Release Date: | Jul 13, 2016 |
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Director: | Brad Furman |
Writer: | Robert Mazur, Ellen Brown Furman |
Genres: | Drama, Crime, Thriller |
Keywords | undercover, biography, drugs, drug lord, suspenseful, critical, tense, callous, distressing, foreboding, ominous, powerful |
Production Companies | Good Films Collective |
Box Office |
Revenue: $21,011,110
Budget: $28,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Bryan Cranston | Robert Mazur |
Diane Kruger | Kathy Ertz |
John Leguizamo | Emir Abreu |
Daniel Mays | Frankie |
Benjamin Bratt | Roberto Alcaino |
Amy Ryan | Bonni Tischler |
Elena Anaya | Gloria Alcaino |
Joseph Gilgun | Dominic |
Gino Picciano | Banker |
Art Malik | Akbar Bilgrami |
Juan Cely | The Informant |
Jason Isaacs | Mark Jackowski |
Tom Vaughan-Lawlor | Steve Cook |
Olympia Dukakis | Aunt Vicky |
Saïd Taghmaoui | Amjad Awan |
Tim Dutton | Ian Howard |
Michael Paré | Barry Seal |
Rubén Ochandiano | Gonzalo Mora Jr. |
Carsten Hayes | Rudy Ambrecht |
Andy Beckwith | Joe |
Dinita Gohil | Farhana Awan |
Richard Katz | Attorney |
David Horovitch | Saul Mineroff |
Matthew Stirling | Mora's Henchman |
Juliet Aubrey | Evelyn Mazur |
Leanne Best | Bowling Alley Waitress |
Niall Hayes | Scott Mazur |
Lara Decaro | Andrea Mazur |
Ekaterina Zalitko | Lola - Emir Lapdancer |
Ashley Bannerman | Laura Sherman |
Jordan Loughran | Bianca Alcaino |
Georgia Braithwaite | Show Girl (Café de la Musica & Parisian Club) |
Natalie Davis | Show Girl (Café de la Musica & Parisian Club) |
Lucy Dean | Show Girl (Café de la Musica & Parisian Club) |
Katherine Derry | Show Girl (Café de la Musica & Parisian Club) |
Lauren Grigg | Show Girl (Café de la Musica & Parisian Club) |
Kiri Jones | Show Girl (Café de la Musica & Parisian Club) |
Marianne Prinelle | Show Girl (Café de la Musica & Parisian Club) |
Ellie Spicer | Show Girl (Café de la Musica & Parisian Club) |
Yul Vazquez | Javier Ospina |
Ronald Fox | Joshua Baron |
Samya Boulahri | Dancer 1 |
Jasmine Jardot | Dancer 2 |
Miguel Ruiz | Santerian Priest |
Nathan Morse | Wedding Priest |
Name | Job |
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Robert Mazur | Book |
Robert How | Line Producer |
Cathy Cosgrove | Set Decoration |
Chris Hajian | Original Music Composer |
Tanith James | Art Department Coordinator |
George Stone | Visual Effects Coordinator |
James Hayday | Sound Effects Editor |
Paul Cotterell | Sound Re-Recording Mixer, Supervising Dialogue Editor |
Zoe Freed | Foley Artist |
Jack Stew | Foley Artist |
Glen Frazier | ADR Recordist |
Leona McCarron | Stunts |
Grady Allen Bishop | Driver |
Ellen Brown Furman | Screenplay |
Luis Carballar | Editor |
Scott Jacobson | Set Decoration |
Caroline O'Reilly | Script Supervisor |
Mark Holt | Special Effects Supervisor |
Martin Gabriel | Visual Effects Producer |
Paul Carter | Sound Re-Recording Mixer |
Ben Tat | Dialogue Editor, ADR Editor |
Glen Gathard | Foley Mixer |
Jemma Riley-Tolch | Foley Mixer |
Mandy James Morgan | Stunts |
Joshua Reis | Director of Photography |
David Rosenbloom | Editor |
Karen Wakefield | Art Direction |
Dinah Collin | Costume Design |
Seth C. Harris | Music Supervisor |
James Carter | Special Effects Supervisor |
Uel Hormann | Visual Effects Supervisor |
Lilly Blazewicz | Foley Editor |
Liam Daniel | Still Photographer |
Kim McGarrity | Stunts |
Brad Furman | Director |
Jeff McEvoy | Editor |
Gail Stevens | Casting |
Crispian Sallis | Production Design |
Peter Burgis | Foley Artist |
Alexa Kahn | ADR Recordist |
Gemita Samarra | Stunt Double |
Belinda McGinley | Stunts |
Rosie Bernhard | Stunts |
Ben Shepherd | 3D Supervisor |
Rowley Irlam | Stunt Coordinator |
Tim Wooster | Second Unit Director of Photography |
George Kirby | Stunts |
Name | Title |
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Norman Merry | Executive Producer |
Paula Turnbull | Co-Producer |
Nicole Boccumini | Co-Producer |
Camela Galano | Executive Producer |
Scott LaStaiti | Executive Producer |
Jill Morris | Executive Producer |
Miriam Segal | Producer |
Paul M. Brennan | Producer |
Jess Fuerst | Co-Producer |
Peter Hampden | Executive Producer |
Robert Mazur | Executive Producer |
Martin Rushton-Turner | Executive Producer |
Don Sikorski | Producer |
Bryan Cranston | Executive Producer |
Kate Fasulo | Executive Producer |
Brad Furman | Producer |
Matt Ruskin | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 22 | 34 | 14 |
2024 | 5 | 25 | 45 | 16 |
2024 | 6 | 17 | 27 | 12 |
2024 | 7 | 24 | 36 | 14 |
2024 | 8 | 19 | 39 | 11 |
2024 | 9 | 14 | 21 | 9 |
2024 | 10 | 19 | 46 | 10 |
2024 | 11 | 22 | 49 | 12 |
2024 | 12 | 16 | 33 | 11 |
2025 | 1 | 19 | 36 | 11 |
2025 | 2 | 13 | 21 | 3 |
2025 | 3 | 5 | 18 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 1 | 1 |
Trending Position
**In this game, there's no room for any mistake!** An undercover theme based on the real event. In the 80s when the drug trafficking was so high in the United States that came from the Latin America through the southern border, the US customs service sent its members to infiltrate among them to b ... ust red handed. So this is one of the events where a married man with two children takes a most challenging assignment that might end up badly if he makes a single mistake. In such a tight spot how he and his team are going to achieve the one of a biggest crack in the history revealed in the remaining. So now we know the story, but this is not an easy game. There are many scenes that would pull you to the edge of your seat. After the wonderful performance in 'Trumbo' that got him an Academy Awards nominee last year, now he's back with another great character display. I'm talking about Bryan Cranson. Another Oscar's nod is quite possible in a second year row, but lets wait and see. This story mainly focused on him, but John Leguizamd was also impressive in an important supporting role and so the Diane Kruger. I think it was a most realistic undercover film among others I have seen. The drugs were not shown much and so the sex and nudes, despite the plot revolved around that. Even the stunts were minimised, but those rare action sequences were so good. The majority of the film was drama with lots of thrill scenes. The two hours long film, and the story were narrated with a good pace. Not to be missed if you like cops and thieves game. _8/10_