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Paris Is Burning Poster

Paris Is Burning

Having a ball… Wish you were here
1991 | 78m | English

(20762 votes)

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Popularity: 1 (history)

Director: Jennie Livingston
Writer:
Staring:
Details

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.
Release Date: Mar 13, 1991
Director: Jennie Livingston
Writer:
Genres: Documentary
Keywords transvestism, new york city, aids, drag queen, homophobia, male homosexuality, transsexual, subculture, shoplifting, lgbt, drag, woman director, harlem, new york city, black lgbt, 1980s, voguing, ball culture
Production Companies Off White Productions
Box Office Revenue: $3,800,000
Budget: $500,000
Updates Updated: Feb 04, 2026
Entered: Apr 13, 2024
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Full Credits

Name Job
Natalie G. Hill Production Manager
Lynn Geller Music
Paul Gibson Director of Photography
Sam Henriques Additional Camera
Stacia Thompson Sound Editor
Anne Dutlinger Graphic Designer
Jim Rogula Graphic Designer
Catherine Calderon Sound Recordist
Rick Dior Sound Mixer
Judy Karp Sound Recordist
Matt Skilton Sound Mixer
Pawel Wdowczak Sound
Jonathan Oppenheim Editor
Jennie Livingston Still Photographer, Director
Maryse Alberti Second Assistant Camera
Bill Megalos Additional Camera
Frank Prinzi Additional Camera
Alyson Denny Additional Camera
Ben Speth Additional Camera
Kate Davis Additional Editing
Carol Hillson Associate Editor
Elise Pettus Production Coordinator
Elizabeth Bouiss Assistant Editor
Nancy Crumley Assistant Editor
Melissa Hacker Assistant Editor
Spike Lampros Assistant Editor
Jacinta Orlando Assistant Editor
Michael Bon Villain Assistant Camera
Theo Crimona Assistant Camera
Lloyd Goldfine Assistant Camera
Rosalinda Alvira Production Assistant
Nicole Barnum Production Assistant
Harry Birckmeyer Production Assistant
Sara Blecher Production Assistant
Jane Bresnick Production Assistant
Penny Dow Production Assistant
Jan Heissinger Production Assistant
David Irrera Production Assistant
Karen Kandrak Production Assistant
Bengt Mattson Production Assistant
Tracy Morgan Production Assistant
Myra Paci Production Assistant
Sydney Pokorney Production Assistant
Eric Rosenblatt Production Assistant
Carolina Salguero Production Assistant
Kevin Skvorak Production Assistant
Phoebe Yantsis Production Assistant
Dorian Corey Still Photographer
Hector Crespo Still Photographer
Josef Astor Still Photographer
Name Title
Barry Swimar Producer
Nigel Finch Executive Producer
Claire Goodman Associate Producer
Madison Davis Lacy Executive Producer
Meg McLagan Associate Producer
Jennie Livingston Producer
Richard Dooley Associate Producer
Organization Category Person
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Popularity History


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Reviews

Geronimo1967
7.0

Set over a seven year period, this follows not just the evolution of a group of 1980s New York African-American and Latino drag artists, but it also shines quite a light on changing societal attitudes as these lively, strong and characterful folk try to assert their own identity amidst a city not al ... ways accepting or willing. It’s all about balls - literally and metaphorically, and showcases a community determined not to be ground down by using their exuberant fashions, dancing, extroversion, competitive spirit and overwhelming sense of community to provide each other with strength and inspiration. They are all from a working class background, but again are bent on using their wits to start businesses, to travel the world, to achieve stardom and to prove their worth to themselves and their frequently hostile and/or bamboozled neighbours. As you’d expect, there’s a lively soundtrack that epitomises the spunkiness of these people, there’s a flamboyance and there is also a vulnerability - rather tragically illustrated towards the end that shows us that being different, proud and “out” is not necessarily the same as being safe and respected. The contributors are passionate, erudite and engaging and though the timeframe offers us a degree of hope that lasting change is coming, slowly - it also reminds us that that change is neither consistent nor guaranteed. At times a little repetitive, maybe one too many catwalks, but it’s still a fascinating insight into an urban sub-culture set upon flourishing.

May 08, 2025