Menu
Samson and Delilah Poster

Samson and Delilah

HISTORY'S MOST BEAUTIFUL AND TREACHEROUS WOMAN!
1949 | 134m | English

(9666 votes)

TMDb IMDb

Popularity: 5 (history)

Details

When strongman Samson rejects the love of the beautiful Philistine woman Delilah, she seeks vengeance that brings horrible consequences they both regret.
Release Date: Dec 21, 1949
Director: Cecil B. DeMille
Writer: Jesse Lasky Jr., Fredric M. Frank, Vladimir Jabotinsky
Genres: Adventure, Drama, Romance
Keywords epic, christianity, torah, bible, male with long hair, god, strong man, old testament, religious film, strongman, christian, christian faith, biblical, samson, book of judges, philistine
Production Companies Paramount Pictures
Box Office Revenue: $11,500,000
Budget: $3,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Hedy Lamarr Delilah
Victor Mature Samson
George Sanders The Saran of Gaza
Angela Lansbury Semadar
Henry Wilcoxon Prince Ahtur
Olive Deering Miriam
Fay Holden Hazel
Julia Faye Haisham
Russ Tamblyn Saul
William Farnum Tubal
Lane Chandler Teresh
Moroni Olsen Targil
Francis McDonald Story Teller
William 'Wee Willie' Davis Garmiskar
John Miljan Lesh Lakish
Arthur Q. Bryan Fat Philistine Merchant Wearing No Robe
Kasey Rogers Spectator
Victor Varconi Lord of Ashdod
John Parrish Lord of Gath
Frank Wilcox Lord of Ekron
Russell Hicks Lord of Ashkelon
Boyd Davis First Priest of Dagon
Bert Moorhouse Spectator at Temple
Fritz Leiber Lord Sharif
Mike Mazurki Leader of Philistine Soldiers
Davison Clark Merchant Prince
George Reeves Wounded Messenger
Pedro de Cordoba Bar Simon
Frank Reicher Village Barber
Colin Tapley Prince
Dorothy Adams Screaming Temple Spectator (uncredited)
Claire Du Brey Temple Spectator (uncredited)
Cecil B. DeMille Narrator (uncredited)
Dick Foote Soldier at Temple (uncredited)
Byron Foulger (uncredited)
Name Job
Hans Dreier Art Direction
Jesse Lasky Jr. Writer
Fredric M. Frank Screenplay
Vladimir Jabotinsky Novel
George Barnes Director of Photography
Walter H. Tyler Art Direction
Ray Moyer Set Decoration
Gwen Wakeling Costume Design
Elois Jenssen Costume Design
Gile Steele Costume Design
Edward Salven Assistant Director
Bill Shanks Script Supervisor
Elaine Ramsey Hairstylist
Ed Henderson Still Photographer
Harry Lindgren Sound Recordist
John Cope Sound Recordist
Murray Young Grip
Pat Williams Wardrobe Designer
Cecil B. DeMille Director
Anne Bauchens Editor
Sam Comer Set Decoration
Edith Head Costume Design
Dorothy Jeakins Costume Design
Theodore Kosloff Choreographer
Victor Young Original Music Composer
Name Title
Cecil B. DeMille Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 44 53 35
2024 5 53 135 31
2024 6 43 67 26
2024 7 43 74 26
2024 8 39 71 27
2024 9 30 38 23
2024 10 38 64 27
2024 11 33 58 25
2024 12 30 35 24
2025 1 32 41 23
2025 2 23 32 4
2025 3 11 30 2
2025 4 7 17 3
2025 5 3 4 2
2025 6 2 3 2
2025 7 3 4 2
2025 8 2 3 2
2025 9 4 5 2

Trending Position


No trending metrics available.

Return to Top

Reviews

Geronimo1967
7.0

Maybe not one of Cecil B. De Mille's better biblical epics, this, but it's still an enjoyable, if slightly long, watch with Hedy Lamarr on good form as the eponymous temptress. Snubbed by "Samson" (Victor Mature) in favour of her beautiful but fickle sister "Samadar" (Angela Lansbury) whom is subseq ... uently killed, she sets out - with the aid of the Saran of Gaza (George Sanders), to find the secret behind the strength of the handsome, strong and decent man and use it do ensure his disgrace and downfall. De Mille uses a certain amount of cinematic licence with the biblical verses upon which this is based, but that does it no harm - it is a live, fairly action-packed romantic adventure that looks every inch the part. Sumptuous settings and costumes give it a visual richness and Victor Young has written a score than accompanies the grandeur of the visuals well, too. The acting, well that's quite another matter though. Lamarr is efficient, certainly, but Mature and Sanders are both as wooden as a picket fence. They deliver their dialogue as if they were reading it straight from off-screen cue cards. There is a great deal of activity filmed on sound stages that, though colourful, does limit the imagination (especially the terrifying stuffed lion that starts off the whole enterprise in the first place). George Barnes did try quite hard to photograph the legendary denouement creatively, but even that is just too stage bound to be wholly effective. Luckily, for me anyway, it leaves out much of the moralising. It's about power, avarice, betrayal, maybe even love and ultimately redemption but the narrative is left to deliver what messages we choose to receive, rather than having pontificating monologues aimed between our eyes. That helps to keep this a decent example of entertaining, big screen cinema that delivers a feast for your eyes, if not so much for your brain.

Jun 24, 2022