Popularity: 2 (history)
| Director: | Richard Glatzer, Wash Westmoreland |
|---|---|
| Writer: | Lisa Genova, Richard Glatzer, Wash Westmoreland |
| Staring: |
| Alice Howland, happily married with three grown children, is a renowned linguistics professor who starts to forget words. When she receives a devastating diagnosis, Alice and her family find their bonds tested. | |
| Release Date: | Dec 05, 2014 |
|---|---|
| Director: | Richard Glatzer, Wash Westmoreland |
| Writer: | Lisa Genova, Richard Glatzer, Wash Westmoreland |
| Genres: | Drama |
| Keywords | mother, based on novel or book, professor, alzheimer's disease, memory loss, family, illness, columbia university |
| Production Companies | Killer Films, Big Indie Pictures, BSM Studio, Shriver Films, Lutzus-Brown |
| Box Office |
Revenue: $44,779,195
Budget: $5,000,000 |
| Updates |
Updated: Dec 14, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Julianne Moore | Alice Howland |
| Kate Bosworth | Anna Howland-Jones |
| Shane McRae | Charlie Howland-Jones |
| Hunter Parrish | Tom Howland |
| Alec Baldwin | John Howland |
| Seth Gilliam | Frederic Johnson |
| Kristen Stewart | Lydia Howland |
| Stephen Kunken | Dr. Benjamin |
| Erin Darke | Jenny |
| Daniel Gerroll | Eric Wellman |
| Quincy Tyler Bernstine | Nursing Home Administrator |
| Maxine Prescott | Nursing Home Resident |
| Orlagh Cassidy | Primary Care Doctor |
| Rosa Arredondo | Convention Facilitator |
| Zillah Glory | Masha (Three Sisters) |
| Caridad Montanez | Elena |
| Cal Freundlich | Young Musician |
| Charlotte Robson | Young Musician |
| Jean Burns | Olga (Three Sisters) (uncredited) |
| José Báez | Head Waiter (uncredited) |
| Victoria Cartagena | Prof. Hooper (uncredited) |
| Jeannette Gould | Alzheimer's Patient (uncredited) |
| Takako Haywood | Alzheimer's Conference Attendee (uncredited) |
| Samantha Kelly | TV Reporter (uncredited) |
| Diane Kimbrell | Alzheimer's Patient (uncredited) |
| Cat Lynch | Pinkberry Worker (uncredited) |
| Joanne Perica | Crying Woman (uncredited) |
| Jamie Lee Petronis | Pinkberry Worker (uncredited) |
| Nancy Ellen Shore | Nurse (uncredited) |
| Eha Urbsalu | Alice's Mother (uncredited) |
| Name | Job |
|---|---|
| Kerry Barden | Casting |
| Lisa Genova | Novel |
| Nicolas Chaudeurge | Editor |
| Tommaso Ortino | Production Design |
| Denis Lenoir | Director of Photography |
| Paul Schnee | Casting |
| Stacey Battat | Costume Design |
| Jacqueline Weiss | Key Hair Stylist |
| Anton Gold | Sound Mixer |
| Andrew Brown | Musician |
| Randall Poster | Music Supervisor |
| Meghan Currier | Music Supervisor |
| Chris Carroll | First Assistant Director |
| Derek Wimble | Second Assistant Director |
| Lynn Appelle | Unit Production Manager, Line Producer |
| Catherine Farrell | Post Production Supervisor |
| Michele Baker | Location Manager |
| Susan Perlman | Set Decoration |
| Megan Sanders | Wardrobe Supervisor |
| James Baker | Location Sound Mixer |
| Brien Sauchelli | Key Grip |
| Karl Hartman | Production Coordinator |
| Susan Reilly LeHane | Makeup Department Head |
| Jeong-Hwa Fonkalsrud | Key Makeup Artist |
| Kimberly Braisin | Key Makeup Artist |
| Mandy Lyons | Hair Department Head |
| Andrea Ulrich | Script Supervisor |
| Javier Bennassar | Supervising Sound Editor |
| Ruy García | Sound Effects Editor |
| Debora Lilavois | Music Editor |
| Josine Cohen | Music Coordinator |
| Duncan Heath | Thanks |
| Caroline Arnoul | Thanks |
| Maria E. Garcia | Tailor |
| Richard Glatzer | Director, Screenplay |
| Wash Westmoreland | Director, Screenplay |
| Allison Estrin | Casting |
| Stephen McLaughlin | Music Producer |
| Matthias Gohl | Music Producer |
| Kelly Reichardt | Thanks |
| Declan Baldwin | Unit Production Manager |
| Tony Kushner | Thanks |
| Steven Pinker | Thanks |
| Todd Haynes | Thanks |
| Anton Chekhov | Thanks |
| Teddy Blanks | Title Designer |
| Leslie Shatz | Sound Re-Recording Mixer |
| Ilan Eshkeri | Original Music Composer |
| Carissa Spatcher | Best Boy Grip |
| Name | Title |
|---|---|
| James Brown | Producer |
| Lex Lutzus | Producer |
| Marie Savare | Executive Producer |
| Nicholas Shumaker | Executive Producer |
| Jean-Baptiste Babin | Executive Producer |
| David Atlan Jackson | Executive Producer |
| Joel Thibout | Executive Producer |
| Elizabeth Gelfand Stearns | Co-Producer |
| Pamela Koffler | Producer |
| Christine Vachon | Executive Producer |
| Maria Shriver | Executive Producer |
| Celine Rattray | Executive Producer |
| Trudie Styler | Executive Producer |
| Emilie Georges | Executive Producer |
| Declan Baldwin | Co-Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Actress | Julianne Moore | Won |
| SAG Awards | Best Actress | Julianne Moore | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 27 | 42 | 18 |
| 2024 | 5 | 32 | 47 | 22 |
| 2024 | 6 | 33 | 94 | 16 |
| 2024 | 7 | 28 | 52 | 17 |
| 2024 | 8 | 31 | 65 | 15 |
| 2024 | 9 | 23 | 28 | 16 |
| 2024 | 10 | 21 | 41 | 14 |
| 2024 | 11 | 33 | 98 | 14 |
| 2024 | 12 | 18 | 40 | 11 |
| 2025 | 1 | 22 | 41 | 11 |
| 2025 | 2 | 15 | 24 | 4 |
| 2025 | 3 | 7 | 21 | 1 |
| 2025 | 4 | 3 | 3 | 2 |
| 2025 | 5 | 3 | 3 | 2 |
| 2025 | 6 | 3 | 4 | 2 |
| 2025 | 7 | 2 | 4 | 2 |
| 2025 | 8 | 3 | 5 | 2 |
| 2025 | 9 | 4 | 5 | 3 |
| 2025 | 10 | 3 | 5 | 2 |
| 2025 | 11 | 5 | 15 | 1 |
| 2025 | 12 | 2 | 2 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 717 | 742 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 898 | 898 |
'Still Alice' is a film that boasts a remarkable central performance from Julianne Moore. It tells the story of a University linguistics professor (Moore) as she is diagnosed a rare form of Auzheimer's disease. Richard Glatzer's direction of the movie can be viewed as a parallel to his own life a ... nd personal struggle as he lived with ALS disease. 'Still Alice' is full of emotive shots as the characters show care and support to Moore as she tries to continue juggling her career and family life with the disease. Aspects such as the music and cinematography is given a very straight-forward approach to allow the actors' performances to tell the story and to add a true to life direction. Based on the novel of the same name written by Lisa Genova, the screenplay is very faithfully adapted. The film really focuses on the story and the dialogue between the characters and some scenes and interactions are extremely moving thanks to how well it is written. Julianne Moore is perfect as the main character. She portrays her struggle with the disease with so much inner strength and dignity. Moore is supported by a solid cast such as Alec Baldwin and Kristen Stewart but are outshone by her brilliant performance. Overall, 'Still Alice' is a very good film. It is very touching and moving tale about coping with such a life changing and destructive disease. However, it seems to only be memorable due to Julianne Moore's incredible acting. ★★★½
At the ripe old age of fifty, renowned American linguist “Alice” (Julianne Moore) is at the top of her game and looking forward to a married life with three grown up children and a grand-child. Then she starts noticing that she is becoming a little forgetful. Those climbing the stairs then forgettin ... g why you went up in the first place moments start to become more regular. She can’t recall the words for her lectures and presentations, indeed she can’t always even recall the topic she is supposed to be speaking about. These aren’t complete memory blackouts, but they concern her enough to go to doctor who confirms that she has early-onset Alzheimer’s. Her husband (Alec Baldwin) and her children rally around her, they do what they can, but in the end it is the distressing dismantling of a life that Moore presents quite poignantly here as her character’s illness worsens and it’s effects on her family resonate quite profoundly. The children themselves prove quite useful in portraying the differing responses to the illness, with independently-minded daughter “Lydia” (Kristen Stewart) who is already having a tempestuous relationship with her mother being one of the powerful litmus tests offered by auteur Richard Glatzer as they come to terms with the situation. There’s an especially effective scene where she essentially creates a trap-door, or exit strategy, for herself and that illustrates just how difficult it is for someone who’s life has always relied on her cerebral abilities, being gradually eroded to the point where reason becomes something blurred and complicated. It does flirt a little with sentimentality, but for the most part it is a thought-provoking, slightly observational, drama that raised quite a few question about our own mortality.