Popularity: 2 (history)
Director: | Jean-Baptiste Léonetti |
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Writer: | Robb White, Stephen Susco |
Staring: |
A high-rolling corporate shark and his impoverished young guide play the most dangerous game during a hunting trip in the Mojave Desert. | |
Release Date: | Sep 06, 2014 |
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Director: | Jean-Baptiste Léonetti |
Writer: | Robb White, Stephen Susco |
Genres: | Thriller |
Keywords | desert, hunting |
Production Companies | Furthur Films |
Box Office |
Revenue: $45,895
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Michael Douglas | Madec |
Jeremy Irvine | Ben |
Hanna Mangan Lawrence | Laina |
Ronny Cox | Sheriff Robb |
Martin Palmer | Charlie (uncredited) |
Patricia Bethune | Secretary |
David Garver | Ben's Father (uncredited) |
Name | Job |
---|---|
Colin Zaug | Leadman |
Marisa Frantz | Set Designer |
Jean-Baptiste Léonetti | Director |
Robb White | Novel |
Clark Hunter | Production Design |
Jo Edna Boldin | Casting |
James F. Oberlander | Art Direction |
Adam Wolfe | Editor |
Alton Walpole | Line Producer |
Mamie Mitchell | Script Supervisor |
Daniel Holt | Special Effects Coordinator |
Bill Holmquist | Construction Coordinator |
Dan Delgado | Chief Lighting Technician, Gaffer |
Greg Strasz | Visual Effects Supervisor |
Alicia Castro Chicol | Art Department Coordinator |
Edgar Vidal | Foley Supervisor, Sound Designer |
Cristina Sansone | Visual Effects Editor |
Diego Panadisi | Visual Effects Producer |
Mara Herdmann | Set Costumer |
Jimmy Romano | Stunt Coordinator |
Edward McLoughlin | Set Decoration |
Corey Welk | Makeup Effects |
Will Arnot | Camera Operator |
Mikael Sandgren | Music Editor |
Lahly Poore | Costume Design |
Chris Tergesen | Music Editor |
Chip Byrd | First Assistant Camera, First Assistant "A" Camera |
Dale Glenn Waseta Sr. | Video Assist Operator |
David Greene | Special Effects Supervisor |
Claudia Breckenridge | Hair Department Head |
Wittney Horton | Casting Associate |
Francesca Esposito | Visual Effects Coordinator |
Marie A. Kohl | Casting Associate |
Juliet Hyde-White | Costume Supervisor |
Julia Ballou | Casting Assistant |
Wynema Chavez | Ager/Dyer |
Lorrie Latham | Extras Casting |
Bryan Perkal | Makeup Artist |
Debra Chapman | Seamstress |
Lynn Lockwood | Camera Operator |
Maria Bentfield | Key Set Costumer |
Blair Leonard | Key Makeup Artist |
Birgitta Bjerke | Ager/Dyer |
Ian Hanna | Dolly Grip |
Justin P. Boyes | Grip |
Lonam Fogleman | Set Dresser |
William J. Albarez | Set Dresser |
Josh Kupanoff | Assistant Sound Editor |
Michael Eaves | Digital Intermediate Colorist |
Alphonse Swinehart | Main Title Designer |
Vincent Berardi | Prop Maker |
Lelan Keffer | Set Dresser |
Bayard Carey | Sound Mixer |
Joe Bacharka | Best Boy Electric |
Joey Bacharka | Lighting Technician |
Sarah Robinson | Scenic Artist |
Joseph Lefevre | Digital Compositor |
Pietro Silvestri | Visual Effects Production Manager |
Josh Mason | Production Secretary |
Brian Malone | Best Boy Grip |
Tim Naylor | Grip |
Peter C. Clarke | Property Master |
Matteo Petricone | Compositing Supervisor |
Kelly Urig | Production Assistant |
Kurt Kornemann | Key Grip |
Jeff Bettis | Grip |
Bruce Lewis | Lighting Technician |
Sean Wright | Grip |
Michael Hackett | Lighting Technician |
Pablo Perea | Painter |
Erik Vidal | Foley Artist |
Jean E. Jacobson | First Assistant Accountant |
Robert L. Palmer | Lighting Technician |
Gianluca De Pasquale | Digital Compositor |
Cathy Marshall-Hart | Payroll Accountant |
Cory L. Bol | Travel Coordinator |
Stephen Lippross | Production Supervisor |
Rafel Montoya | Digital Imaging Technician |
Nick Shuster | First Assistant "B" Camera |
Emanuele Serra | Digital Compositor |
Chance Romero | Production Coordinator |
Rocky De la Vega | Painter |
Brent Brewington | Boom Operator |
Evan Fisher | Additional Editing |
Natalie Heltzel | Digital Intermediate Producer |
Kaaren F. Ochoa | First Assistant Director |
Rob Salviotti | Second Assistant "A" Camera |
Adrian Lobato | Greensman |
Kiku Vidal | Foley Artist |
Atom Crawford | Grip |
Lance Cheatham | Set Dresser |
Matt Miller | Set Dresser |
Nolan Hughes | ADR Editor |
Sandy Gendler | Sound Effects Editor |
Eli Schneider | Lighting Technician |
Alexander Paul | Second Assistant "B" Camera |
David Battenberg | Sculptor |
Yagmur Kaplan | Dialogue Editor |
Victoria Carlson | Painter |
Diego Fileri | Digital Compositor |
Joy Ellison | Dialect Coach |
Diego Arroyo | Lighting Technician |
Anthony Prochaska | Assistant Sound Editor |
Christopher Sheldon | Sound Supervisor |
Jeremy E. Wilcox | Production Accountant |
Mike Blatner | Prop Maker |
Ester Kim | Set Dresser |
Matthew Whitehurst | Sound Editor |
Kevin Black | Second Second Assistant Director |
Stephen Susco | Screenplay |
Russell Carpenter | Director of Photography |
Carmen Cuba | Casting |
Dickon Hinchliffe | Original Music Composer |
Clay Enos | Still Photographer |
Ellen Mirojnick | Costume Consultant |
Michael Runyard | Stunt Double |
Name | Title |
---|---|
Diego Panadisi | Co-Producer |
Jeremy E. Wilcox | Associate Producer |
Robert Mitas | Producer |
Philip Elway | Executive Producer |
Greg Strasz | Co-Producer |
Michael Douglas | Producer |
Stephen Susco | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 38 | 15 |
2024 | 5 | 25 | 40 | 17 |
2024 | 6 | 22 | 35 | 14 |
2024 | 7 | 31 | 74 | 19 |
2024 | 8 | 21 | 31 | 13 |
2024 | 9 | 18 | 28 | 12 |
2024 | 10 | 24 | 34 | 15 |
2024 | 11 | 26 | 64 | 14 |
2024 | 12 | 20 | 32 | 14 |
2025 | 1 | 19 | 28 | 13 |
2025 | 2 | 14 | 21 | 5 |
2025 | 3 | 7 | 23 | 1 |
2025 | 4 | 2 | 6 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 3 | 4 | 1 |
2025 | 7 | 2 | 5 | 1 |
2025 | 8 | 2 | 2 | 1 |
Trending Position
> When logic and prediction isn't an issue, you'll get a decent thriller. When the big production houses along with the great filmmakers and young stars turning towards the comic books and dystopian themes, what do you think the yesteryear legends are doing. It is very sad to see the 70s, 80s ... and the 90s icons are discarded like a trash, but they're trying their best to keep the star status by doing small scale films from the lower rated and debuting filmmakers. That's the best shot they've got which obviously won't do well at the big screens. So that's where this film too comes in. As usual Michael Douglas was good, but the story had many possible ways to travel and that's where the viewers raise their voice by saying it should have been like this, like that or why would he do that. Overall, its a decent entertainment that is kind of closest theme to 'No Country for Old Men'. The entire film revolves around just two men and sets in the desert. So a minimal cast film. Based on the book 'Deathwatch'. A simple story, but quite interesting film characters. Filled with fairly predictable stuffs yet the performances and very suitable locations are what draws us in. It's a right kind of project for Michael Douglas for his age, but the 'War Horse' actor was also good in his role. An average film, or maybe just above that. If you skip it, you would miss nothing, but if you give it a try, I think that's not a bad idea too. 6/10