The Remaining
After the rapture, there are fates worse than death.
2014 | 88m | English
Popularity: 3 (history)
| Director: | Casey La Scala |
|---|---|
| Writer: | Chris Dowling, Casey La Scala |
| Staring: |
| When a group of close-knit friends assemble for the marriage of Skylar and Dan, they have no idea they will witness The Rapture and face a series of catastrophic events turning the celebration into a life-or-death struggle. | |
| Release Date: | Aug 25, 2014 |
|---|---|
| Director: | Casey La Scala |
| Writer: | Chris Dowling, Casey La Scala |
| Genres: | Horror, Thriller |
| Keywords | apocalypse, wedding, found footage, end of times |
| Production Companies | Affirm Films, Triumph Films, Sunrise Pictures, Cinematic, Baron Films |
| Box Office |
Revenue: $1,169,603
Budget: $0 |
| Updates |
Updated: Feb 03, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Alexa PenaVega | Skylar |
| Johnny Pacar | Tommy |
| Shaun Sipos | Jack |
| Italia Ricci | Allison |
| Bryan Dechart | Dan |
| Liz E. Morgan | Sam |
| John Pyper-Ferguson | Pastor Shay |
| Kim Pacheco | Nurse Rachel |
| Hayley Lovitt | Southern Belle |
| Name | Job |
|---|---|
| Chris Dowling | Writer |
| Shaun O'Rourke | Production Assistant |
| Kristen Peluso | Production Assistant |
| Robin Spears | Production Assistant |
| Andrew Zeffiro | Production Assistant |
| G. Peter King | Stunt Coordinator |
| Nathan Whitehead | Original Music Composer |
| Christopher M. Lee | Production Assistant |
| Kate M. Gibbs | Production Assistant |
| Elizabeth A. Dennis | Production Coordinator |
| Andrew Chalk | Second Assistant Accountant |
| Scott Corbett | Set Medic |
| Michael McKay | Set Production Assistant |
| Casey La Scala | Director, Writer |
| Doug Emmett | Director of Photography |
| Paul Covington | Editor |
| Brian Stultz | Production Design |
| Brian Baker | Art Direction |
| Thurston Edwards | Set Decoration |
| Carol Cutshall | Costume Design |
| Colleen LaBaff | Hairstylist |
| Coni Andress | Hairstylist |
| Elisabeth Fry | Makeup Department Head |
| Tonya Johnson | Makeup Artist |
| Cecilia Verardi | Makeup Artist |
| Kim Breece | Art Department Coordinator |
| Ryan Gegenheimer | Sound Effects Editor |
| Tom Boykin | Sound Re-Recording Mixer |
| Eric Lalicata | Supervising Sound Editor |
| William Dawson | Special Effects Coordinator |
| Charles Rose | CG Supervisor |
| Sabina Fredenburg | Visual Effects Producer |
| Chris Morley | Visual Effects Supervisor |
| Paige Thomas | Camera Operator |
| Alicia Gbur | Still Photographer |
| Kari King | Set Costumer |
| Tim J. Walters | Transportation Coordinator |
| Amber Harley | Script Supervisor |
| Andy Sleet | Location Manager |
| Chuck Duke | Animation |
| Dhyana Carlton-Tims | Supervising Dialogue Editor, Supervising ADR Editor |
| Gregory Messer | Property Master |
| Tara Blume | Foley Artist |
| John St. Denis | ADR Recordist |
| Matt Hovland | ADR Mixer |
| Shaun Cunningham | Foley Editor |
| Andy Henry | Casting Associate |
| Marty Siu | Extras Casting |
| Juli Emmons | Extras Casting Assistant |
| Jackie Burch | Local Casting |
| Robbie McKeithan | Assistant Costume Designer |
| Stephanie A. Hagens | Key Costumer |
| Alex Dawson | Wardrobe Assistant |
| Dennis Thorlaksen | Assistant Editor |
| Glenn Garland | Consulting Editor |
| Jonathan Reid | Colorist |
| Vahe Giragol | Digital Intermediate Editor |
| Daniel Hawley | Digital Intermediate Producer |
| Andrea E. Crampe | First Assistant Accountant |
| Taylor Ammons | Payroll Accountant |
| Karen Chalk Wheeler | Production Accountant |
| Nancy Nayor | Casting |
| Name | Title |
|---|---|
| Casey La Scala | Producer |
| Brad Luff | Producer |
| Marc Bienstock | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 52 | 64 | 38 |
| 2024 | 5 | 50 | 68 | 40 |
| 2024 | 6 | 50 | 87 | 35 |
| 2024 | 7 | 51 | 94 | 33 |
| 2024 | 8 | 50 | 80 | 34 |
| 2024 | 9 | 74 | 127 | 41 |
| 2024 | 10 | 58 | 102 | 42 |
| 2024 | 11 | 49 | 85 | 34 |
| 2024 | 12 | 42 | 80 | 30 |
| 2025 | 1 | 47 | 79 | 35 |
| 2025 | 2 | 35 | 57 | 7 |
| 2025 | 3 | 15 | 46 | 3 |
| 2025 | 4 | 9 | 14 | 5 |
| 2025 | 5 | 5 | 9 | 4 |
| 2025 | 6 | 5 | 7 | 4 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 4 | 5 | 3 |
| 2025 | 9 | 4 | 6 | 3 |
| 2025 | 10 | 4 | 5 | 3 |
| 2025 | 11 | 7 | 9 | 4 |
| 2025 | 12 | 3 | 8 | 2 |
| 2026 | 1 | 2 | 3 | 2 |
| 2026 | 2 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 706 | 767 |
The story was a little weak, especially since a lot of the information was not biblical. But the concept of choice was (to me) the most important take away. Great acting and directing.🌟🌟🌟🌟 ...
The Remaining starts off with a decent setup, introducing its characters with a handheld camera style that gives it a sense of immediacy. Unfortunately, that's about where the good parts end. The plot quickly falls apart, with pacing that feels inconsistent and a script that relies too much on clich ... és. The movie never really builds tension, and instead of diving into the weight of its concept, it leans on surface-level drama without much depth. The directing feels amateurish, especially with the way scenes abruptly cut with no proper transition, making it feel more like a rough edit than a finished film. Visually, the choice of a full-frame camera works against the movie's intended disaster and apocalyptic tone, making everything look too polished when it should feel gritty. The overuse of shaky cam doesn't add intensity, it just makes the scenes hard to watch. The acting is passable, but the characters are one-dimensional, with dialogue that feels forced and unnatural. The score doesn’t do much to enhance the atmosphere, and the sound design, while functional, never elevates the tension. By the end, the movie just feels like wasted potential, dragging itself to a finish with nothing memorable to take away.