Dead End
THE GREATEST GANGSTER THRILLER THAT EVER EXPLODED FROM THE SCREEN!
1937 | 93m | English
Popularity: 1 (history)
| Director: | William Wyler |
|---|---|
| Writer: | Lillian Hellman |
| Staring: |
| The lives of a young man and woman, an infamous gangster and a group of street kids converge one day in a volatile New York City slum. | |
| Release Date: | Aug 27, 1937 |
|---|---|
| Director: | William Wyler |
| Writer: | Lillian Hellman |
| Genres: | Crime, Drama |
| Keywords | plastic surgery, mobster, gunfight, class differences, dead end kids, deep focus, juvenile delinquent, knifing, doorman, street urchin, reward, tenement, hoodlum, wanted for murder, snitch, return to hometown, fugitive murderer, facial reconstruction, street scene |
| Production Companies | Samuel Goldwyn Productions |
| Box Office |
Revenue: $0
Budget: $900,000 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sylvia Sidney | Drina |
| Joel McCrea | Dave |
| Humphrey Bogart | "Baby Face" Martin |
| Wendy Barrie | Kay |
| Claire Trevor | Francey |
| Allen Jenkins | Hunk |
| Marjorie Main | Mrs. Martin |
| Billy Halop | Tommy |
| Huntz Hall | Dippy |
| Bobby Jordan | Angel |
| Leo Gorcey | Spit |
| Gabriel Dell | T. B. |
| Bernard Punsly | Milty |
| Charles Peck | Philip |
| Minor Watson | Mr. Griswald |
| James Burke | Mulligan |
| Ward Bond | Doorman |
| Elisabeth Risdon | Mrs. Connell |
| Esther Dale | Mrs. Fenner |
| George Humbert | Pascagli |
| Marcelle Corday | Governess |
| Don 'Red' Barry | Dr. Flynn, Intern (uncredited) |
| Wade Boteler | Policeman at Killing (uncredited) |
| Al Bridge | Policeman in Drina's Apartment (uncredited) |
| G. Pat Collins | Detective at Killing (uncredited) |
| Thomas E. Jackson | Police Lieutenant at Killing (uncredited) |
| Tom Ricketts | Old Man (uncredited) |
| Walter Soderling | Coroner at Killing (uncredited) |
| Earl Askam | Griswald's Chauffeur (uncredited) |
| Gilbert Clayton | Man with Weak Voice (uncredited) |
| Jerry Cooper | Baby (uncredited) |
| Bill Dagwell | Drunk (uncredited) |
| Bud Geary | Kay's Chauffeur (uncredited) |
| Charles Halton | Whitey (uncredited) |
| Robert Homans | Policeman on Morning Beat (uncredited) |
| Esther Howard | Neighbor with Coarse Voice (uncredited) |
| Kathryn Ann Lujan | Milty's Sister (uncredited) |
| Mona Monet | Nurse (uncredited) |
| Gertrude Valerie | Old Lady with Old Man (uncredited) |
| Charlotte Treadway | Woman with Poodle (uncredited) |
| Maude Lambert | Woman with Poodle (uncredited) |
| Lucile Browne | Well-Dressed Woman (uncredited) |
| Frank Shields | Well-Dressed Man (uncredited) |
| Wesley Giraud | Tough Boy Looking for Fight (uncredited) |
| Mickey Martin | Tough Boy Looking for Fight (uncredited) |
| Payne B. Johnson | Boy on Dock (uncredited) |
| Sidney Kibrick | Boy (uncredited) |
| Larry Harris | Boy (uncredited) |
| Norman Salling | Boy (uncredited) |
| Hugh Sheridan | Boy (uncredited) |
| Tom Randall | Boy (uncredited) |
| Audrey Carol | Girl (uncredited) |
| Paula Hariette Levy | Girl (uncredited) |
| Name | Job |
|---|---|
| Daniel Mandell | Editor |
| Alfred Newman | Music Director, Original Music Composer |
| Lillian Hellman | Screenplay |
| Julia Heron | Set Decoration |
| Omar Kiam | Costume Design |
| Edward B. Powell | Orchestrator |
| Sidney Kingsley | Theatre Play |
| James Basevi | Special Effects |
| Edmond F. Bernoudy | Assistant Director |
| Richard Day | Art Direction |
| Frank Maher | Sound Recordist |
| Frank P. Goodnow | Dialogue |
| Samuel Goldwyn | Presenter |
| William Wyler | Director |
| Gregg Toland | Director of Photography |
| Fred Graham | Stunts |
| Name | Title |
|---|---|
| Merritt Hulburd | Associate Producer |
| Samuel Goldwyn | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Actress | Mary Astor | Won |
| Academy Awards | Best Director | William Wyler | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 20 | 33 | 8 |
| 2024 | 5 | 28 | 42 | 19 |
| 2024 | 6 | 20 | 44 | 7 |
| 2024 | 7 | 14 | 25 | 8 |
| 2024 | 8 | 13 | 22 | 8 |
| 2024 | 9 | 8 | 15 | 5 |
| 2024 | 10 | 11 | 18 | 7 |
| 2024 | 11 | 9 | 18 | 6 |
| 2024 | 12 | 11 | 25 | 7 |
| 2025 | 1 | 10 | 22 | 5 |
| 2025 | 2 | 7 | 11 | 3 |
| 2025 | 3 | 5 | 11 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
| 2025 | 11 | 6 | 10 | 2 |
| 2025 | 12 | 4 | 8 | 0 |
| 2026 | 1 | 0 | 1 | 0 |
| 2026 | 2 | 1 | 1 | 0 |
Trending Position
OK, so this is definitely not the cheeriest of stories but Bogart and Joel McCrea are on good form throughout this gritty drama of hardship and depravity on the East Side of New York. "Baby Face Martin" - who, to be fair, maybe benefits a bit optimistically from the moniker - returns to his childhoo ... d home to reunite with his mother and childhood sweetheart. His mother wants nothing to do with him and his ex "Francie" (Claire Trevor) turned to prostitution and hasn't long to go before syphilis does for her. Meantime his friend, aspiring/struggling architect "Dave" (McCrae) is juggling his romantic interests between sweet but rather dreary "Drina" and "Kay" (Wendy Barrie) who already has a rich boyfriend. All of this misery is made all the more poignant by the fact that this ghetto is overlooked by the apartments of the wealthy that have relocated to new properties that overlook the adjacent East river. When Bogart decides that he wants to re-assert himself in the community by organising a high-profile kidnapping, he and his erstwhile friend find themselves on opposite sides of the plot! The crime drama is there, but it is comparatively weak compared with the pretty blatant social commentary from Lillian Hellman's screenplay that draws attention, unashamedly, to the stark contrast between the standards of living (and dying) of those just yards apart.