Jailbait
A cop on the edge. A girl on the run.
1993 | 96m | English
Popularity: 0.4 (history)
| Director: | Rafal Zielinski |
|---|---|
| Writer: | Robert Vincent O'Neil, Donald P. Borchers, Alien Castle |
| Staring: |
| 17 year old Kyle comes to the big city in search of her half-sister Merci. Merci is on the run after being used to set up a murder, and now both the police and the killers want to find her. In her search, Kyle ends up on the streets until renegade cop Sgt. Teffler takes her in. Now he must protect her while also trying to stop a white slavery ring from abducting more young girls. | |
| Release Date: | Oct 22, 1993 |
|---|---|
| Director: | Rafal Zielinski |
| Writer: | Robert Vincent O'Neil, Donald P. Borchers, Alien Castle |
| Genres: | Thriller |
| Keywords | |
| Production Companies | Planet Productions, Skouras Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 30, 2026 Entered: Apr 24, 2024 |
| Name | Character |
|---|---|
| C. Thomas Howell | Sergeant Lee Teffler |
| Renée Humphrey | Kyle Bradley |
| Krista Errickson | Merci Cooper |
| David Labiosa | Roman Delphino |
| Angel Aviles | Pizza Girl |
| Ron Karabatsos | Kelso |
| Leslie Zemeckis | Roman's Girlfriend |
| Gene Hartline | Carlo |
| David Anthony Marshall | Tommy Sweeney |
| Bobby Ellerbee | Mikey |
| Billy Maddox | Sparks |
| William Marquez | Captain |
| Dean Norris | Hershiser |
| Jophery C. Brown | Paul |
| Jimmy Ortega | Johnny |
| Zarif | Anton |
| Ralph Ahn | Mr. Tsu |
| Gary Epper | Robber #1 |
| Jim Wilkey | Robber #2 |
| Clifton Wells | Ernie Birnbaum |
| Rebecca Stanley | Laurie |
| Doug Collins | Donut Stand Owner |
| Al Maines | Candy Store Owner |
| Melinda Armstrong | Dawn |
| Marc St. Pierre | Party Boy #1 |
| Danny Epper | Party Boy #2 |
| Nichole Francois | Filipina |
| Ann Fairlie | Teen Administrator |
| Name | Job |
|---|---|
| Rafal Zielinski | Director |
| Robert Vincent O'Neil | Story, Screenplay |
| Kurt Bryant | Stunts |
| Donald P. Borchers | Story |
| Alien Castle | Screenplay |
| Jennifer Watson-Johnston | Stunts |
| Zoltán David | Director of Photography |
| Gary Combs | Stunts |
| Mike Watson | Stunts |
| Deborah Raymond | Production Design |
| Dorian Vernacchio | Production Design |
| Kristin M. Burke | Costume Design |
| Beverley Hartigan | Special Effects |
| Chris Howell | Stunt Coordinator |
| Steve Hulin | Stunts |
| David S. Bouza | Gaffer |
| Paul Martin Smith | Editor |
| John C. Hartigan | Special Effects |
| Noon Orsatti | Stunts |
| Jonathan Elias | Original Music Composer |
| Alex Lasarenko | Original Music Composer |
| Fritz Doddy | Original Music Composer |
| Emidio Antonio | Stunts |
| Russell Clark | Choreographer |
| David Tripet | Executive In Charge Of Production |
| Marjorie Skouras | Executive In Charge Of Production |
| Bruce Wayne Gillies | Production Manager |
| Marybeth Hagner | First Assistant Director |
| Mark Buckles | Second Assistant Director |
| Arthur Huh | Second Assistant Director |
| Lowell Dean Cox | Production Accountant |
| Page Rosenberg-Marvin | Production Coordinator |
| Dennis C. Tyler | Location Manager |
| Gergely Fonyó | First Assistant Camera |
| Paul Janossy | Second Assistant Camera |
| Gabor Szitanyi | "B" Camera Operator |
| Gretchen Widmer | First Assistant "B" Camera |
| Bill Rubenstein | Still Photographer |
| Nancy S. Fallace | Set Decoration |
| Scott Burch | Set Dresser |
| Barbara Cole | Property Master |
| Louis Saint Calbre | Leadman |
| Michael Strong | Swing |
| Daniel Shields | Swing |
| Karen Ragozzine | Key Hair Stylist, Key Makeup Artist |
| Michele Teleis-Fickle | Assistant Makeup Artist, Assistant Hairstylist |
| Maria Hansson | Assistant Costume Designer |
| Robin Roberts | Wardrobe Assistant |
| Jack Lindauer | Production Sound Mixer |
| Scott Hamre | Boom Operator |
| Daniel Anaya | Best Boy Electric |
| Danny Tuchuck | Best Boy Electric |
| Joseph D. Beam | Electrician |
| Dan Curtis | Electrician |
| Brian Kinzey | Electrician |
| Michael McGarry | Electrician |
| Mark Putnam | Electrician |
| Roderick Spencer | Electrician |
| Waide R. Allen | Key Grip |
| Brad Draper | Key Grip |
| David Ariniello | Best Boy Grip |
| Jeff Ahrens | Grip |
| Jeffrey N. Civa | Grip |
| Kenny Yakkel | Grip |
| Charles Bishop | Grip |
| Eva Zelder | Script Supervisor |
| Peter Sloman | Script Researcher |
| Krish Mani | Assistant Accountant |
| Ingrid Lantz | Assistant Production Coordinator |
| Mike Jackson | Additional Editor |
| Ron Resnick | Assistant Editor |
| Dan Muscarella | Color Timer |
| Paul Hickerson | Special Effects |
| Brian Kahn | Transportation Coordinator |
| Andy Napell | Sound Re-Recording Mixer |
| Adriane Marfiak | Supervising Sound Editor |
| Todd Orr | Sound Effects Editor |
| Charlie Shepard | Sound Effects Editor |
| Tom Scurry | Dialogue Editor |
| Sarah Brady | ADR Editor |
| Doug Reed | Foley Editor |
| Brian Harman | Sound Recordist |
| Barbara Harris | ADR Voice Casting |
| Vance Burberry | Second Unit Director of Photography |
| Cory Shiozaki | First Assistant Camera |
| Jeff Venditti | First Assistant Camera |
| Maylene Au | Second Assistant Camera |
| Cindy Maxwell | Script Supervisor |
| Michael Weaver | Gaffer |
| Jon Guerra | Gaffer |
| Edward B. Bernstein | Electrician |
| Jeffrey Douglas | Key Grip |
| James Irons | Grip |
| Linda Perry | Grip |
| Jan Brodin | Sound Mixer |
| Barbara Michels | Boom Operator |
| Danny Hurley | Extras Casting |
| Erik DeSando | Extras Casting |
| Sheila Thompson | Extras Casting |
| Name | Title |
|---|---|
| Donald P. Borchers | Producer |
| Barry Barnholtz | Executive Producer |
| Ronald Colby | Co-Producer |
| Jeffrey D. Holmes | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 7 | 13 | 1 |
| 2024 | 5 | 8 | 25 | 3 |
| 2024 | 6 | 6 | 18 | 2 |
| 2024 | 7 | 5 | 11 | 3 |
| 2024 | 8 | 5 | 14 | 1 |
| 2024 | 9 | 4 | 7 | 2 |
| 2024 | 10 | 3 | 8 | 2 |
| 2024 | 11 | 3 | 8 | 2 |
| 2024 | 12 | 3 | 8 | 1 |
| 2025 | 1 | 3 | 8 | 1 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 2 | 4 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 3 | 1 |
| 2025 | 11 | 2 | 4 | 1 |
| 2025 | 12 | 1 | 4 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
This is one of those movies that really, honestly, and genuinely attempts to make a statement about something that, at least the writer, thought was important and needed to be said. Because of that, when you watch it, you do get the feeling that there was an honest to god attempt at something bigger ... . There was real emotion and heartfelt sincerity behind it. So I'm giving it 10 out of 10 for effort. They wanted to say something about the horrors of life on the streets and on the street corners and they gave it their best shot. There is no way I can nay say that and feel comfortable. There was an attempt here, and you can tell. But it suffers from low production values, and some of the actors saw it as a job, a paycheck, instead of something that could further their career, and the direction was... just god awful. So, what you have here is a straight to video film with a script that honestly tries, and a director and producers that didn't cared less than the screen writers.