Popularity: 4 (history)
Director: | Antoine Fuqua |
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Writer: | Michael C. Martin |
Staring: |
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong. | |
Release Date: | Mar 04, 2010 |
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Director: | Antoine Fuqua |
Writer: | Michael C. Martin |
Genres: | Drama, Crime, Thriller |
Keywords | corruption, betrayal, police corruption, brooklyn, new york city, frantic, deception, bag of money, pregnant woman, detached, police, undercover cop, police detective, nypd, police brutality, revenge, dirty cop, guilt, neo-noir, husband wife relationship, murder |
Production Companies | Nu Image, Millennium Media, Langley Productions, Thunder Road, Fuqua Films |
Box Office |
Revenue: $45,700,000
Budget: $17,000,000 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Richard Gere | Off. Eddie Dugan |
Don Cheadle | Det. Clarence 'Tango' Butler |
Ethan Hawke | Det. Sal Procida |
Wesley Snipes | Casanova 'Caz' Phillips |
Vincent D'Onofrio | Bobby 'Carlo' Powers |
Ellen Barkin | Agent Smith |
Michael Kenneth Williams | Red |
Shannon Kane | Chantel |
Brían F. O'Byrne | Det. Ronny Rosario |
Will Patton | Lt. Bill Hobarts |
Lili Taylor | Angela Procida |
Wass Stevens | Det. Patrick Leary |
Armando Riesco | Det. George Montress |
Wade Allain-Marcus | C-Rayz |
Logan Marshall-Green | Melvin Panton |
Jesse Williams | E. Quinlan |
Hassan Johnson | Beamer |
Jas Anderson | K. Rock |
John D'Leo | Vinny |
Stella Maeve | Cynthia |
Raquel Castro | Katherine |
Robert John Burke | State Trooper #1 |
Cle Sloan | |
Bruce MacVittie | Father Scarpitta (as Bruce Macvittie) |
Sarah Thompson | Sarie |
Thomas Jefferson Byrd | Uncle Jeb |
Lela Rochon | Investigator #1 (as Lela Rochon Fuqua) |
Ed Moran | Investigator #2 |
Isiah Whitlock, Jr. | Investigator #3 (as Isiah Whitlock) |
Tawny Cypress | Allisa |
Frank Anello | NYPD Officer (uncredited) |
George DeNoto | Vito |
Name | Job |
---|---|
Marcelo Zarvos | Original Music Composer |
Antoine Fuqua | Director |
Michael C. Martin | Writer |
Juliet Polcsa | Costume Design |
Thérèse DePrez | Production Design |
Mila Khalevich | Set Decoration |
Richard Hebrank | Construction Coordinator |
Eric J. Paul | Music Editor |
Phillip V. Caruso | Still Photographer |
Patrick Murguia | Camera Operator, Director of Photography |
Barbara Tulliver | Editor |
Matiki Anoff | Makeup Department Head |
Maurice Schell | Sound Designer, Supervising Sound Editor |
Mike O'Shea Jr. | Camera Operator, Steadicam Operator |
Dan Evans Farkas | Music Editor |
Nicholas Bernstein | Location Manager |
Richard Friedlander | Visual Effects Producer |
Peter DeCurtis | Leadman |
Justin Ball | Visual Effects Supervisor |
John M. Davis | Music Editor |
Jay Fortune | Gaffer |
Ed Duranté | Script Supervisor |
Mariusz Glabinski | Sound Effects Editor |
Lauren Buckley | Art Department Coordinator |
Roderick Alleyne | Production Supervisor |
Phillip Schneider | Scenic Artist |
Deirdre Horgan | Script Supervisor |
Jessica Kelly | Casting Associate |
Brian McClean | Best Boy Electric |
Thomas Dolan | Rigging Gaffer |
Laura Civiello | Dialogue Editor |
Ruth Hernandez | ADR Editor |
Nathan J. Busch II | Hair Department Head |
Carmen S. Riviera | Key Hair Stylist |
LuAnn Claps | Makeup Artist |
Joe Napolitano | First Assistant Director |
Peter Soldo | Second Assistant Director |
Lorraine Z. Calvert | Assistant Costume Designer |
Alex Bovaird | Costume Coordinator |
Aissatou Parks | Set Costumer |
Gus Magalios | Best Boy Grip |
Louis Sabat | Dolly Grip |
Kenneth Potter | Electrician |
Bobby Mancuso | First Assistant "A" Camera |
Raymond Fortune | Generator Operator |
Kevin Gilligan | Grip |
Ernest Yurich | Grip |
Billy Patsos | Key Rigging Grip |
Jason Brignola | Second Assistant "A" Camera |
Adam Johnson | Second Assistant "B" Camera |
John Galuppo | Construction Grip |
Michael Saccio | Property Master |
Frank DeCurtis | Set Dresser |
Michael Leather | Set Dresser |
David Boulton | ADR Mixer |
Alfredo Viteri | Boom Operator |
Igor Nikolic | First Assistant Sound Editor |
Matthew Haasch | Foley Editor |
John Werner | Foley Supervisor |
John Scott Cook | Associate Editor |
Stefan Sonnenfeld | Colorist |
Rob Cadzow | Digital Intermediate |
Devin Sterling | Digital Intermediate Producer |
Yale Kozinski | First Assistant Editor |
Al Cerullo | Pilot |
Kathi Scharer | Production Accountant |
Paul Lozada | Police Consultant |
Joseph Bannon | Police Consultant |
Ahsaan Mitchell | Production Assistant |
Peter I. Sabat | Production Coordinator |
Kirstin Liu | Production Secretary |
Debbe DuPerrieu | Set Costumer |
Patricia Sprott | Scenic Artist |
Shawnique Hill | Set Costumer |
Jennifer Dunnington | Music Editor |
Glenn Allen | Visual Effects Producer |
Nancy Allen | Music Editor |
Peter Bundrick | Construction Foreman |
Peter Baran | Art Direction |
Tom Fleischman | Sound Re-Recording Mixer |
Ralph Rea | Rigging Grip |
Lindsay Graham Ahanonu | Casting Associate |
Bret Johnson | Sound Recordist |
Erica Kissack | Contact Lens Technician |
Lyndell Quiyou | Hairstylist |
Sunday Englis | Key Makeup Artist |
Kentaro Yano | Tattooist |
Angela Jensen | Second Second Assistant Director |
Lauren Press | Assistant Costume Designer |
Tommy Boyer | Costumer |
Barrett Hong | Wardrobe Supervisor |
Kevin Kasarda | Camera Loader |
Mike Yurich | Dolly Grip |
Jim McCullough Jr. | Electrician |
Scott Tinsley | First Assistant "B" Camera |
Kevin Califano | Grip |
Rocco Proscia | Grip |
George Patsos | Key Grip |
James J. McCullagh | Lighting Technician |
Julian J. Delacruz | Second Assistant "B" Camera |
Hunter Popalis | Art Department Production Assistant |
Derrick Kardos | Graphic Designer |
Eddie DeCurtis | Set Dresser |
Bear Davies | Set Dresser |
John Saracco | Set Dresser |
Brian Gallagher | ADR Recordist |
Eric McAllister | First Assistant Sound Editor |
Jay Peck | Foley Artist |
Gerald Donlan | Sound Editor |
Joshua Anderson | Utility Sound |
Ryan Bennett | Colorist |
Sean Dunckley | Colorist |
Nicholas Hasson | Digital Intermediate Editor |
Luke Ciarrocchi | Editorial Production Assistant |
Selena Arizanovic | Music Coordinator |
Andy Goldman | Title Designer |
Ryder Washburn | Armorer |
Tom Antonetti | Police Consultant |
Tom Murray | Police Consultant |
Jerry Speziale | Police Consultant |
Alan J. Lam | Production Controller |
Kenneth Daniels | Production Secretary |
Scott 'Hitman' Sims | Production Secretary |
Theron Alford | Set Production Assistant |
Ja'nae Burgess | Set Production Assistant |
Cle Sloan | Production Secretary |
Cynthia Bauer | Set Production Assistant |
Lisa Falzarano | Set Production Assistant |
Steve Jean-Baptiste | Set Production Assistant |
Aaron Vexler | Stunts |
Garrette Henson | Set Production Assistant |
Jon Shaw | Set Production Assistant |
Suzanne Smith Crowley | Casting |
Mary Vernieu | Casting |
Alan Lawson | Scenic Artist |
John Cenatiempo | Stunt Coordinator |
Conrad 'Connie' F. Brink | Special Effects Coordinator |
Richard King | Sound Effects Editor |
Ryan Collison | Foley Mixer |
Joe White | Sound Mixer |
John Houlihan | Music Supervisor |
Jalil Jay Lynch | Stunts |
Bobby Beckles | Stunts |
Carl Paoli | Stunt Double |
Derrick Simmons | Stunts |
Douglas Crosby | Stunts |
Norman Douglass | Stunts |
Jeff Chena | Stunts |
David S. Lomax | Stunts |
John Mangia | Digital Compositor |
Name | Title |
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Boaz Davidson | Executive Producer |
Antoine Fuqua | Executive Producer |
Avi Lerner | Executive Producer |
Danny Dimbort | Executive Producer |
Robert Greenhut | Executive Producer |
Jesse Kennedy | Executive Producer |
Mary Viola | Executive Producer |
John Thompson | Producer |
Trevor Short | Executive Producer |
Elie Cohn | Producer |
Marco Weber | Executive Producer |
Jeanne O'Brien-Ebiri | Producer |
Joe Napolitano | Producer |
Kat Samick | Producer |
Basil Iwanyk | Producer |
John Langley | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 21 | 33 | 14 |
2024 | 5 | 24 | 42 | 12 |
2024 | 6 | 19 | 32 | 12 |
2024 | 7 | 22 | 38 | 11 |
2024 | 8 | 20 | 41 | 10 |
2024 | 9 | 11 | 20 | 7 |
2024 | 10 | 15 | 22 | 9 |
2024 | 11 | 16 | 28 | 9 |
2024 | 12 | 14 | 24 | 9 |
2025 | 1 | 15 | 31 | 10 |
2025 | 2 | 11 | 21 | 3 |
2025 | 3 | 6 | 14 | 1 |
2025 | 4 | 3 | 9 | 1 |
2025 | 5 | 2 | 9 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 4 | 7 | 2 |
Trending Position
The first thought I had after finishing the film was "This shit is on par with The Wire". It surely dramatized (it's a film after all), but it doesn't seem to be pulling any punches. The colors, the lighting, the stories that intertwine... pretty damn good. But what I liked the most was that ther ... e's no happy ending. It's a not a feel good movie. It's raw, just like life and it's how it should be.