Popularity: 10 (history)
Director: | Brad Peyton |
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Writer: | Andre Fabrizio, Jeremy Passmore, Carlton Cuse |
Staring: |
In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey across the state in order to rescue his estranged daughter. | |
Release Date: | May 27, 2015 |
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Director: | Brad Peyton |
Writer: | Andre Fabrizio, Jeremy Passmore, Carlton Cuse |
Genres: | Action, Drama, Thriller |
Keywords | san francisco, california, disaster, teenage daughter, divorced couple, rescue operation, search and rescue, california, looting, earthquake, tsunami, los angeles, california, helicopter pilot, scientist, seismologist, catastrophe, disaster movie, san andreas, california, helicopter crash, mass destruction, tectonic plates, hoover dam, serious, intense, lafd - los angeles fire department, aftershocks |
Production Companies | New Line Cinema, Village Roadshow Pictures, Warner Bros. Pictures, Flynn Picture Company |
Box Office |
Revenue: $473,990,832
Budget: $110,000,000 |
Updates |
Updated: Aug 06, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Dwayne Johnson | Ray Gaines |
Alexandra Daddario | Blake Gaines |
Carla Gugino | Emma Gaines |
Ioan Gruffudd | Daniel Riddick |
Archie Panjabi | Serena Johnson |
Paul Giamatti | Dr. Lawrence Hayes |
Hugo Johnstone-Burt | Ben Taylor |
Art Parkinson | Ollie Taylor |
Will Yun Lee | Dr Kim Park |
Kylie Minogue | Susan Riddick |
Colton Haynes | Joby O'Leary |
Todd Williams | Marcus |
Matt Gerald | Harrison |
Alec Utgoff | Alexi |
Marissa Neitling | Phoebe |
Morgan Griffin | Natalie |
Breanne Hill | Larissa |
Laurence Coy | Elgin |
Fiona Press | Margie |
Dennis Coard | Herb |
Ben McIvor | Dylan |
Nick Allen-Ducat | Preppy |
Claire Lovering | Glasses |
Sophia Emberson-Bain | Ponytail |
Julian Shaw | Stoner |
Sofie Formica | Refugee Camp Reporter |
Julie Brandt-Richards | Refugee |
Hugh Boddam-Whetham | Daniel Reddick's Assistant |
Brad McMurray | Riddick Building Security Guard |
John Reynolds | Daniel Riddick's Driver |
Simone Kessell | Kim Swann |
Saskia Williscroft | Jenny Swann |
Arabella Morton | Mallory |
Hayley Sullivan | Riddick Female Assistant |
Renee Somerfield | Female Flight Attendant |
Joey Vieira | Man in Parking Garage |
Benjamin Blankenship | Looter #1 |
Barry Southgate | Looter #2 |
Nikki Green | Female Teen Messenger |
Calum Grant | Pedestrian #1 |
Eduardo Ambriz DeColosio | Pedestrian #2 |
Michael Asberry | Pedestrian #3 |
Teirrah McNair | Pedestrian #4 |
Michael Yamaguchi | Motobike Cop on Foot |
AnnaCorey | Julie - Tsunami Victim (uncredited) |
Stephen Chang | D . Park (uncredited) |
Hayley Gagner | Survivor (uncredited) |
Stephanie Johnston | Wounded Girl on Bridge (uncredited) |
Tom O'Reilly | Business Man Survivor (uncredited) |
Vanessa Ross | Disaster Resident (uncredited) |
Andrea Walker | Reddick Architect (uncredited) |
Allan Poppleton | Looter with Gun (uncredited) |
Dustin Christenson | Attendee |
Name | Job |
---|---|
Brian N. Bentley | Compositors |
Sean Button | Stunts |
Chris O'Connell | Compositors |
Barry Chusid | Production Design |
Andre Fabrizio | Story |
Michael E. Goldman | Art Direction |
Jacinta Leong | Art Direction |
Tom Nursey | Art Direction |
Matthew Putland | Art Direction |
Lisa Thompson | Set Decoration |
Michael Westerman | Set Decoration |
John T. Cucci | Foley |
Dan O'Connell | Foley |
Alex Ullrich | Foley |
Ann Scibelli | Sound Designer |
Peter Staubli | Sound Designer |
Christopher Assells | Sound Effects Editor |
Dan Hegeman | Sound Effects Editor |
Jon Title | Sound Effects Editor |
Gregg Landaker | Sound Re-Recording Mixer |
Tim LeBlanc | Sound Re-Recording Mixer |
Per Hallberg | Supervising Sound Editor |
Leanne Brooks | Special Effects Coordinator |
Geoff Heron | Special Effects Coordinator |
Joe Pancake | Special Effects Coordinator |
Rhys Claringbull | CG Supervisor |
Eric Clement | CG Supervisor |
Joel Sevilla | CG Supervisor |
Remy Torre | CG Supervisor |
Cristofer Adrian | Gaffer |
Reg Garside | Gaffer |
Keir Beck | Camera Operator |
Brian Bernstein | Camera Operator |
Stephen Buckingham | Camera Operator |
Peter Gulla | Camera Operator |
Richard Roles | Helicopter Camera |
Mark Goellnicht | Steadicam Operator |
Jasin Boland | Still Photographer |
Marlene Chazot | Animation Director |
Nina Henninger | Casting |
Elly Kamal | Costume Supervisor |
Amanda Ramirez | Set Costumer |
Philip Beckner | Digital Intermediate |
Jeff Halsey | Digital Intermediate |
Sam Bollinger | First Assistant Editor |
Tom Kramer | Music Editor |
Victoria Sullivan | Script Supervisor |
Sara Ghaffar | Art Department Coordinator |
John Higgins | Art Department Coordinator |
Sherman Kew | Art Department Coordinator |
Susan Alegria | Assistant Art Director |
Jodie Whetter | Assistant Art Director |
Tony Williams | Assistant Art Director |
Andrew Lockington | Original Music Composer |
Charlie Revai | Supervising Art Director |
Mark Edward Wright | Visual Effects Editor |
Rick Findlater | Makeup Designer |
Robert Mrazik | Hairstylist |
Yvette Rivas | Key Hair Stylist |
Gretchen Davis | Key Makeup Artist |
Maria O'Reilly | Makeup Artist |
Andrea Pino | Makeup Artist |
Desiree Vogelsang | Makeup Artist |
Jennifer Stanfield | Makeup Artist |
Ross Clarke | Construction Coordinator |
Vincent DeSantis | Construction Coordinator |
David Hendrickson | Art Department Coordinator |
Ben Nichols | Construction Coordinator |
Stephanie Furr | Property Master |
Justine Dunn | Property Master |
Bob Finley III | Chief Lighting Technician |
Don L. Henderson | Dolly Grip |
David Shaw | Dolly Grip |
Gregory M. Childers | Dolly Grip |
Adam Kuiper | Key Grip |
Dave Childers | Key Grip |
Sean Aston | Key Grip |
Mark Bills | Lighting Technician |
James Kennedy | Lighting Technician |
Nathan Frost | Lighting Technician |
Sophie Shellenberger | Lighting Technician |
David Tilburey | Lighting Technician |
James Kumarelas | Rigging Gaffer |
Gregory Collis | Rigging Grip |
Brook Johnson | Rigging Grip |
Michael Best | Rigging Grip |
Patty Connolly | ADR Voice Casting |
Sarah Kliban | Casting Associate |
Stevie Ray | Casting Associate |
Sharon Fauvel | Ager/Dyer |
Margaret Robbs | Assistant Costume Designer |
Samantha Walker | Set Costumer |
Tanya Woelfle | Set Costumer |
Alphonse Swinehart | Title Designer |
Burke Beardsley | Marine Coordinator |
David Alan Hughes | Pilot |
Ben Skorstad | Pilot |
Ted Stallings | Pilot |
Amanda Brand | Unit Publicist |
Nicolas Cadorette Vigneau | 2D Supervisor |
Philip Trieu | 3D Artist |
Andres Martinez | 3D Generalist |
Jordan Fast | 3D Generalist |
Tilo Spalke | 3D Generalist |
Lenora Acidera | 3D Modeller |
Daniel Perez | 3D Modeller |
Greg Fisher | Animation Supervisor |
Eric Petey | Animation Supervisor |
Mike Mulock | Lead Animator |
Yuji Yagasaki | Lighting Supervisor |
Jeff Ranasinghe | Lighting Supervisor |
Monty Granito | Pre-Visualization Supervisor |
J. Todd Constantine | Pre-Visualization Supervisor |
Jason Cooper | VFX Editor |
William Marshall Wilkinson | VFX Editor |
Graham Martin | VFX Production Coordinator |
Melyssa Forget Turcotte | VFX Production Coordinator |
Holger Voss | VFX Supervisor |
Max Wood | VFX Supervisor |
Mohsen Mousavi | VFX Supervisor |
Jason Bradford | Visual Effects Coordinator |
Philip Cabana | Visual Effects Coordinator |
Jamie Erickson | Visual Effects Coordinator |
Suzanne Evans-Booth | Visual Effects Coordinator |
Sonia Gilmore | Visual Effects Coordinator |
Anna Guseva | Visual Effects Coordinator |
Simran Khalsa | Visual Effects Coordinator |
Shannon Y.F. Lum | Visual Effects Coordinator |
Philip Marvin | Visual Effects Coordinator |
Kristin Patterson | Visual Effects Coordinator |
Melanie Marlar | Visual Effects Coordinator |
CJ Cole | Visual Effects Coordinator |
Gemma Office | Visual Effects Coordinator |
Shelley Andagan | Visual Effects Coordinator |
Sara Bold | Visual Effects Coordinator |
Ryan Flick | Visual Effects Coordinator |
Megan Galbraith | Visual Effects Coordinator |
Mohan Sangeeth | Visual Effects Coordinator |
Andrea Schimpl | Visual Effects Coordinator |
Leanna Kruse | Visual Effects Coordinator |
Kyle Sironen | Visual Effects Editor |
Ayse Dedeoglu | Visual Effects Editor |
Esther Sokolow | Visual Effects Editor |
Evan Salusbury | Visual Effects Editor |
Crys Forsyth-Smith | Visual Effects Producer |
Anna-Louise Gordon | Visual Effects Producer |
Roopesh Gujar | Visual Effects Producer |
Randy Starr | Visual Effects Producer |
Sarah Swick | Visual Effects Producer |
Robert E. Evans | Visual Effects Producer |
Dane Allan Smith | Visual Effects Producer |
Jeff Atherton | Visual Effects Producer |
Eric A. Kohler | Visual Effects Producer |
Katherine Renee Jones | Visual Effects Supervisor |
Martyn Culpitt | Visual Effects Supervisor |
Nordin Rahhali | Visual Effects Supervisor |
Bruce Woloshyn | Visual Effects Supervisor |
Allan Magled | Visual Effects Supervisor |
Vanessa Mendoza | Production Supervisor |
David Burr | Second Unit Director of Photography |
Jaron Presant | Second Unit Director of Photography |
Daniel Saxlid | Dialogue Editor |
Kerry Dean Williams | ADR Editor |
Chris Jargo | ADR Supervisor |
Laura Graham | ADR Editor |
Jessie Pariseau | Foley Editor |
Karen Kelly | Hairstylist |
Jon Devore | Stunt Coordinator |
Paul Jennings | Stunt Coordinator, Second Unit Director |
Simon Christidis | Underwater Camera |
Shaun Aprahamian | Assistant Editor |
Brett McManus | Assistant Editor |
Rajanikant Arya | Production Coordinator |
Christopher Billig | Title Designer |
Nicholas Copping | Production Coordinator |
Peter Kent | Dialogue Coach |
Ellen Heuer | Foley Artist |
Simon Warnock | First Assistant Director |
Guy Campbell | Second Assistant Director |
Anne Bruning | Unit Production Manager |
Marieke Spence | Assistant Director |
Brittany Morris | Stunts |
Jeremy Passmore | Story |
Bob Ducsay | Editor |
Brad Peyton | Director |
Carlton Cuse | Screenplay |
Deborah Aquila | Casting |
Wendy Chuck | Costume Design |
Greg Baldi | Camera Operator |
Tricia Wood | Casting |
Alec Gillis | Makeup Effects |
Mark Sussman | ADR Voice Casting |
Frédéric North | Aerial Coordinator, Pilot |
Tom Woodruff Jr. | Makeup Effects |
Dylan Goss | Aerial Director of Photography |
Alan D. Purwin | Pilot |
Chantelle Slee | Stunts |
Brett Dowler | Visual Effects Producer |
Colin Strause | Visual Effects Supervisor |
Greg Strause | Visual Effects Supervisor |
Allan Poppleton | Stunt Coordinator |
Jon H. Epstein | Stunts |
Tanoai Reed | Stunts |
Monika Sloan | Stunts |
Kimberly Shannon Murphy | Stunts |
Keith Campbell | Stunt Coordinator |
Steve Yedlin | Director of Photography |
Bryan Grill | Visual Effects Supervisor |
Bob Brown | Stunt Coordinator |
Angela Barac | Production Secretary |
Glenn Ruehland | Stunts |
Stephen Smart | Data Wrangler |
Orlando R. Gonzales | Production Coordinator |
Julian Summers | Special Effects Supervisor |
Maggie Balaco | Visual Effects Supervisor |
Maggie Evans | Visual Effects Supervisor |
Kirsty McGregor | Casting |
Tara Macken | Stunts |
Nicolas Bosc | Stunts |
Name | Title |
---|---|
Beau Flynn | Producer |
Samuel J. Brown | Executive Producer |
Michael Disco | Executive Producer |
Richard Brener | Executive Producer |
Tripp Vinson | Executive Producer |
Rob Cowan | Executive Producer |
Hiram Garcia | Co-Producer |
Bruce Berman | Executive Producer |
Steven Mnuchin | Executive Producer |
Wendy Jacobson | Associate Producer |
Toby Emmerich | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 82 | 120 | 62 |
2024 | 5 | 86 | 126 | 67 |
2024 | 6 | 84 | 126 | 67 |
2024 | 7 | 86 | 128 | 66 |
2024 | 8 | 89 | 137 | 60 |
2024 | 9 | 82 | 124 | 61 |
2024 | 10 | 80 | 124 | 57 |
2024 | 11 | 71 | 142 | 56 |
2024 | 12 | 62 | 88 | 50 |
2025 | 1 | 74 | 111 | 47 |
2025 | 2 | 53 | 90 | 12 |
2025 | 3 | 22 | 77 | 3 |
2025 | 4 | 10 | 13 | 8 |
2025 | 5 | 9 | 10 | 8 |
2025 | 6 | 8 | 9 | 6 |
2025 | 7 | 8 | 11 | 7 |
2025 | 8 | 8 | 9 | 6 |
2025 | 9 | 9 | 11 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 320 | 674 |
Year | Month | High | Avg |
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2025 | 8 | 465 | 746 |
Year | Month | High | Avg |
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2025 | 7 | 438 | 715 |
Year | Month | High | Avg |
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2025 | 6 | 250 | 698 |
Year | Month | High | Avg |
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2025 | 5 | 249 | 706 |
Year | Month | High | Avg |
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2025 | 4 | 253 | 675 |
Year | Month | High | Avg |
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2025 | 3 | 235 | 661 |
Year | Month | High | Avg |
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2025 | 2 | 302 | 703 |
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2025 | 1 | 342 | 712 |
Year | Month | High | Avg |
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2024 | 12 | 513 | 756 |
Year | Month | High | Avg |
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2024 | 11 | 472 | 804 |
Year | Month | High | Avg |
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2024 | 10 | 617 | 803 |
Year | Month | High | Avg |
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2024 | 9 | 688 | 811 |
Year | Month | High | Avg |
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2024 | 8 | 244 | 749 |
> Film San Andreas nice but to be honest I do not like the plot, why? because in the story of this movie seem monotonous and selfish. Many victims around but why Ray and Emma only focused to rescue his daughter (Blake) alone, but Ray is living as rescuers, the film tends to be lacking in the deliver ... y of its humanitarian message.
Lots of rocks everywhere... It's CGI destruction time as Dwayne Johnson battles earthquakes and a tsunami to go rescue his daughter - with estranged wife in tow of course. Disaster films are easy to kick because very rarely they are nothing more than candy carnage with a trite screenplay and c ... heese laden dialogue. Such is the case with San Andreas. In essence this is a remake of Roland Emmerich's 2012, only this is the shorter version with the time span that 2012 should have had. This does exactly what the marketing department promised it would, namely lots of crash bang and wallop, but just like Emmerich's behemoth it gets boring entering the final third, the writing just not good enough to hold interest once the noise and destruction dies down before the big finale arrives. Suspense is absent, emotional investment in characters is null and void, while there are no worthwhile surprises in store. But on the plus side Johnson is a likable guy and he carries us through till the end of what is a fun movie if expectation levels are appropriately set at dumb popcorn fodder. 6/10
I have never been a fan of the Disaster genre, I don't seem to be able to take much more away from it than visual noise. I was hoping that the combined might of Alexandra Daddario and The Rock would be enough to turn me around on _San Andreas_, alas, it was not to be. _Final rating:★★ - Had some ... things that appeal to me, but a poor finished product._
This is a classical Hollywood movie, thin plot and a lot of effects. However, this time, I quite liked it. Actually I liked it a lot. The plot, although thin, is not altogether bad, it holds together even though are quite a few unbelievable moments. However, put in the context of a traditional disas ... ter movie, it is not bad.. Maybe this is what I like about the movie. It is really a good old fashioned disaster movie. When I first read the blurb about this movie I was afraid that it was going to be a big apocalypse at the beginning and then it was going to be a “slow” search for Ray’s daughter. It is nothing of the kind. It has a decent build up of suspense up to quite a few more or less spectacular earth quake scenes … and then it continues. I was pretty happy that there was a decent build up from the start but I was even more happy that the initial earth wrecking event was actually not the big event. As I wrote at the beginning, the plot is pretty thin. The special effects are not however. At least, I liked them. Not surprisingly houses a are falling over like there was no tomorrow (which for a lot of people there are not) but it is done quite well. I also liked the scenes where the earth wobbles when Ray and his wife flies over it in his chopper. I found that quite cool. There are a few moments that are, well let us say not too well thought through. For instance the classical collapsing building that collapses in the just the right pace for the heroes to do there job. The we have when Ray and his wife speeds through the waters of Los Angeles after the quake, which are riddled with trash. The amount of trash in the water would have rendered their propeller useless after a few hundred meters. But then, I think I am too much of an engineer now. Speaking of Ray’s wife. That was one of the things I really did not like with the movie. Maybe the movie directors and actors in Hollywood are so used to divorcing all the time that they think it is a “standard” plot element and do not think twice about it but for us other “ordinary” people it is a tragedy (especially people outside of the US apparently if one should go by the trash that is spewed out from Hollywood all the time) and I really do not want to watch that crap all the time in movies and TV-shows! I was actually tempted to downgrade the movie at last a star, even two, for that crap but what the heck, it is a good movie and I do like “The Rock”. So after, after that little outburst, I have to say that I this one was a really enjoyable movie. One of the few lately that I have watched. It is a quite good, classical, disaster movie with a good build up, really good effects and a good and happy ending (for the main characters at last) and I am a sucker for happy endings.
Solid enough, if not overly long, disaster movie. Dwayne Johnson is... well Dwayne Johnson but has more than enough charisma to carry this and never a bad thing having BOTH Carla Gugino and Alexandra Daddario either. Some of the effects were pretty good, others a bit iffy however. Still, I enjoy the ... se disaster movies and while it doesn't measure up to The Poseidon Adventure or The Towering Inferno, but entertaining nonetheless. **3.5/5**