Menu
King Kong Poster

King Kong

The eighth wonder of the world.
2005 | 188m | English

(463403 votes)

TMDb IMDb

Popularity: 9 (history)

Details

In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
Release Date: Dec 12, 2005
Director: Peter Jackson
Writer: Peter Jackson, Philippa Boyens, Fran Walsh, Merian C. Cooper, Edgar Wallace
Genres: Adventure, Action, Drama
Keywords new york city, exotic island, movie business, show business, human animal relationship, great depression, giant insect, remake, prehistoric creature, dinosaur, creature, kaiju, empire state building, giant ape, woman in peril, 1930s, giant gorilla, grand, king kong
Production Companies WingNut Films, Universal Pictures, Big Primate Pictures, MFPV Film
Box Office Revenue: $562,363,449
Budget: $207,000,000
Updates Updated: Aug 18, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Naomi Watts Ann Darrow
Adrien Brody Jack Driscoll
Jack Black Carl Denham
Andy Serkis Kong / Lumpy
Colin Hanks Preston
Thomas Kretschmann Captain Englehorn
Jamie Bell Jimmy
Kyle Chandler Bruce Baxter
Evan Parke Hayes
Lobo Chan Choy
John Sumner Herb
Craig Hall Mike
Peter McKenzie Venture Crew
William Johnson Manny
David Pittu Weston
Mark Hadlow Harry
Geraldine Brophy Maude
David Dennis Taps
Pip Mushin Zelman
Jim Knobeloch Thuggish Executive
Ric Herbert Sleazy Executive
Lee Donahue Studio Guy's Assistant
Tom Hobbs Young Assistant
Tiriel Mora Fruit Vendor
Jed Brophy Venture Crew
John Wraight Venture Crew
Will Wallace Venture Crew
Frank Edwards Venture Crew
Crawford Thomson Venture Crew
Richard Kavanagh Venture Crew
Stephen Hall Venture Crew
Joe Folau Venture Crew
Chic Littlewood Old Security Guard
Samuel Taylor Hooverville Child
Lorraine Ashbourne Theatre Actor
Laura Surrich New York Theatre Goer
Katie Jackson NY Child
Michael Lawrence Venture Crew
Ray Woolf Venture Crew - Helmsman
Eddie Campbell Venture Crew - Crewman
Greg Smith Venture Crew
Phil Grieve Laughing Man
Matt Wilson Photographer
Jim McLarty Photographer
Latham Gaines Photographer
Camille Keenan New York Citizen (uncredited)
Peter Jackson Biplane gunner
Billy Jackson NY Child
Jack Machiela American Soldier (uncredited)
Frank Darabont Biplane gunner (uncredited)
Name Job
Kelly Port Compositing Artist
Peter Jackson Director, Writer
Andrew Lesnie Director of Photography
James Newton Howard Original Music Composer
Jamie Selkirk Editor
Victoria Burrows Casting
John Hubbard Casting
Liz Mullane Casting
Dan Hubbard Casting
David Farmer Sound Designer
Joel Fletcher Animation
Dan Hennah Supervising Art Director, Set Decoration
Hammond Peek Sound Recordist
Peter Dillon Utility Stunts
Carolynne Cunningham First Assistant Director
David Birrell First Assistant Editor
Mike Hopkins Supervising Sound Editor
Atsushi Sato Animation Supervisor
Jared Connon Location Manager
Alan Lee Conceptual Design
Chris Anderson Stunt Coordinator
Sarah Valentine Extras Casting
Joe Letteri Senior Visual Effects Supervisor
Kelly Valentine Hendry Casting Assistant
Ethan Van der Ryn Supervising Sound Editor
Christopher Boyes Sound Re-Recording Mixer
Michael Semanick Sound Re-Recording Mixer
Christian Rivers Animation Director
Carrie McLaughlin Foley Artist
Dayna Grant Stunts
Daniel Falconer Creature Design
Philippa Boyens Writer
Fran Walsh Writer
Richard Taylor Makeup Supervisor, Creature Technical Director
Armen Ksajikian Musician
Steven Boyle Makeup Effects
Mana Hira Davis Stunts
Winham Hammond Stunts
Jason Tahu Stunts
Andrew Stehlin Stunts
Tim Wong Stunts
Mark Trotter Stunts
Min Windle Stunt Double
Shane Rangi Stunt Double
Tom Johnson Sound Re-Recording Mixer
Shane Dawson Stunt Coordinator
Ben Snow Visual Effects Supervisor
Guy Williams 3D Supervisor
David Long Original Music Composer
Mel Wesson Original Music Composer
Terry Ryan Costume Design
Brent Burge Sound Designer
Grant Major Production Design
Sean Button Stunts
Hugo Dominguez Visual Effects
Joe Bleakley Art Direction
Simon Bright Art Direction, Set Decoration
Kristie Breslin Art Department Coordinator
Chris Hennah Art Department Manager
Eliza Godman Assistant Costume Designer
Carolyn M. Fenton Costume Supervisor
Gunner Ashford Armorer
Victoria Sullivan Script Supervisor
Merrin Ruck Script Supervisor
Shona McCullagh Choreographer
Greg Cockerill Set Decoration
Jacqui Allen Assistant Art Director
Jeremy Bennett Visual Effects, Conceptual Design
Ed Mulholand Construction Coordinator
Colin Davidson Construction Foreman
Daniel Aird Greensman
Genevieve Cooper Lead Painter
Carl Bellavia Location Scout
Stephen Crene Painter
Christopher Aitken Sculptor
Miriam Bellard Set Designer
Ben Milsom Standby Painter
Rhys Duncan Camera Operator
Colin Deane First Assistant Camera
Tony Keddy Key Grip
Darren Bradnock Grip
David B. Nowell Aerial Director of Photography
Simon Harding Steadicam Operator
Pierre Vinet Still Photographer
Susie Glass Hairstylist
Corinne Bossu Makeup Artist
Simon Ward Set Costumer
Andy McLaren Set Dresser
Kevin Anderton Carpenter
Greg Butler CGI Supervisor
Chris Walker Craft Service
Julie Adams Dialect Coach
Aaron Cubis Projection
Pete Butters Propmaker
Nick Weir Property Master
Andy Buckley Set Medic
Shane Cooper Software Engineer
Karl Chisholm Special Effects Coordinator
Peter Russell Stand In
Ben Hall Systems Administrators & Support
David Hollingsworth Telecine Colorist
Collin Butrum Transportation Coordinator
Anne Bruning Unit Production Manager
Guy Adan Unit Publicist
Matt Holmes Visual Effects Editor
Veronique Lawrence Script Supervisor
Lynne Reed Color Timer
Ray Beentjes Dialogue Editor
Huw Griffiths Best Boy Electric
Tim Stratton Electrician
Reg Garside Gaffer
Taipua Adams Lighting Technician
David Brown Rigging Gaffer
Hannah Clarke Production Coordinator
Belindalee Hope Production Manager
Philippa Wood Publicist
Nigel Stone ADR Supervisor
Corrin Ellingford Boom Operator
Martin Kwok First Assistant Sound Editor
Tim Starnes Music Editor
Pete Anthony Conductor, Orchestrator
Chris Hiles Production Sound Mixer
Matthew Lambourn Sound Editor
Hayden Collow Sound Editor, Sound Effects Editor
Derek Casari Sound Engineer
Robert Baldwin Creature Design
Dan Akers Digital Compositors
Rebecca Downes Visual Effects Coordinator
Vicki Galloway Weimer Visual Effects Producer
Scott E. Anderson Visual Effects Supervisor
Colin Alway Sequence Leads
Julie Zavala Ron Machinist
Rick Findlater Hair Supervisor
James Van Der Reyden Motion Capture Artist
Jabez Olssen Additional Editing
Bruce Emery Dolby Consultant
Randy Link Animation
Emily Ireland Unit Manager
Peter Cobbin Thanks
Patrick Kalyn Animation
Ed Hawkins Digital Compositor
Hayley Atherton Assistant Makeup Artist
Lucy Adams Costume Assistant
Cilla Leckie Costume Coordinator
Lucy McLay Costumer
Paul Hambleton Extras Dresser
Richard Matthews Additional Second Assistant Director
Stephanie Weststrate Second Assistant Director
Skot Thomas Second Second Assistant Director
Randall William Cook Second Unit Director
Del Chatterton Third Assistant Director
Darryl Longstaffe Draughtsman
Mark Cameron Williams Graphic Designer
Chris Guise Title Designer
Polly McKinnon ADR Editor
Brian Kahanek ADR Mixer
Rick Canelli ADR Recordist
Neil Aldridge Assistant Dialogue Editor
Robyn McFarlane Foley Recordist
Karen Harper Vocals
Jonathan Roy Grindlay Special Effects Assistant
Ross Anderson Special Effects Technician
Heather Clarke Additional Visual Effects
Mario de Dios VFX Artist
Alex Funke VFX Director of Photography
Juliette Davis Visual Effects Production Assistant
Marion Davey Visual Effects Production Manager
Ryan Carey Stunt Double
Noor Razzak Assistant Grip
Dion Hartley Best Boy Grip
Alys Rowe Camera Trainee
Alexandra Bishop Clapper Loader
Andrew Lambert Data Wrangler
Kayne Asher Dolly Grip
Mike Knudson Focus Puller
Tony Monk Helicopter Camera
Steve Allanson Second Assistant Camera
Eric Leighton Animation Director
William Dwelly Animation Technical Director
Jamie Beard Lead Animator
Keith Huggins Senior Animator
Katy Wood Sound Editor
Mark Hawthorne Assistant Editor
Nadia Diggins Color Grading
Jan Kruse Digital Colorist
Jayne Herrmann Digital Intermediate Assistant
Holger Spill Digital Intermediate Editor
Shara Hudson Post Production Coordinator
Mathew Gordon Location Assistant
Stuart Michael Thomas Music Consultant
Nigel Scott Music Coordinator
Jim Weidman Supervising Music Editor
Linda Klein-Nixon Accountant
Jessica A. Gihon Assistant Accountant
Aimee Aspinall Assistant Production Coordinator
Aria Harrison Assistant Script
Leigh van der Byl CG Artist
Christine Arboit Creature Technical Director
Tanya Blumstein Dialogue Coach
Cyndi Ochs Digital Effects Producer
Miranda Rivers Extras Casting Coordinator
Peter Baustaedter Matte Painter
Emily Griffiths Production Assistant
Jeff Barnes Production Executive
Jonny Doig Production Runner
Sarah Milnes Researcher
Evan Christie Rotoscoping Artist
Michael Hedges Sound Re-Recording Mixer
Brian Van't Hul Visual Effects Supervisor
Graham Binding Animation
Sally Eccleston First Assistant Camera
Clint Elvy Stunts
Morgan Evans Stunts
Baz Karbouris Stunts
Sebastian Foxx Stunts
Kirk Maxwell Stunt Coordinator
Tony Marsh Stunt Double
David J. Muzzerall Stunts
Steve Reinsfield Stunts
Sharon Maxwell Stunts
Amanda Foubister Stunts
Jonathan Costelloe Stunts
Ann Robinson Casting
Steve Ingram Special Effects Coordinator
Dave Whitehead Sound Designer
Melanie Graham Sound Editor
Justin Webster Sound Editor
John Simpson Foley Supervisor
Peter Mills Foley Editor
Craig Tomlinson Foley Editor
George Murphy Visual Effects Supervisor
Rodney Cook Stunt Coordinator
Matt Aitken CG Supervisor
Dan Lemmon Digital Effects Supervisor
Erik Winquist Compositing Supervisor
Peter Swords King Makeup Designer, Hair Designer
Pippa Anderson Post Production Supervisor
Andrew Stroud First Assistant Camera
Stuart Thorp Stunts
Alexander Nowotny VFX Artist
Merian C. Cooper Original Story
Edgar Wallace Original Story
Name Title
Carolynne Cunningham Producer
Peter Jackson Producer
Fran Walsh Producer
Philippa Boyens Co-Producer
Jan Blenkin Producer
Annette Wullems Associate Producer
Eileen Moran Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 146 180 115
2024 5 99 192 56
2024 6 66 88 44
2024 7 69 115 51
2024 8 60 92 36
2024 9 50 69 33
2024 10 53 79 34
2024 11 47 90 35
2024 12 45 52 36
2025 1 55 88 41
2025 2 41 61 9
2025 3 15 49 3
2025 4 9 11 7
2025 5 9 11 7
2025 6 9 10 7
2025 7 8 10 7
2025 8 8 10 7
2025 9 10 12 9

Trending Position


Year Month High Avg
2025 9 358 752
Year Month High Avg
2025 8 237 755
Year Month High Avg
2025 7 233 640
Year Month High Avg
2025 6 536 849
Year Month High Avg
2025 5 271 733
Year Month High Avg
2025 4 17 523
Year Month High Avg
2025 3 99 552
Year Month High Avg
2025 2 36 450
Year Month High Avg
2025 1 123 547
Year Month High Avg
2024 12 226 600
Year Month High Avg
2024 11 205 560
Year Month High Avg
2024 10 269 582
Year Month High Avg
2024 9 304 537
Year Month High Avg
2024 8 312 585

Return to Top

Reviews

John Chard
7.0

They just couldn't leave him on his island could they... King Kong is directed by Peter Jackson and Jackson co-writes the screenplay with Fran Walsh and Philippa Boyens. It's based on a story by Merian C. Cooper and Edgar Wallace. It stars Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann ... , Colin Hanks, Andy Serkis, Evan Parke, Jamie Bell and Kyle Chandler. Music is by James Newton Howard and cinematography by Andrew Lesnie. After completing the hugely successful Lord of the Rings trilogy, Peter Jackson turned his attentions to a reimaging of that daddy of classic creature features, King Kong. With all the new tools of the trade to hand, Jackson set about making a Kong film full of love and respect the original from 1933, whilst obviously making his own beast as it were. Story remains the same, mankind sets off to a fabled place known as Skull Island, there they find beasties not of this world, not least a gigantic mountain of a gorilla. They stupidly bring him back to America for money making exercises and things go really bad. The End. I have personally found it most interesting re-watching the film nearly 15 years since its release, especially given we have not long had a different Kong reboot with "Kong: Skull Island" in 2017. For the differences, for better or worse depending on your proclivities in Kongdom, are enormous. Kong: Skull Island is a no brain adventure yarn, high on action but low on intelligence, but it does know it. Jackson's Kong aspired to be much more cerebral, and for the most part it achieves it. Sadly it takes a whopping 3 hours to reveal its intentions, which was a problem to many back in 2005, and is still a hindrance sitting down to watch it these days - this even knowing and preparing once again for how long it is. Frustratingly there's a great film in the mix just crying out for an hour of extraneous filler and clunky dialogue to be jettisoned. Once set up has been achieved in the first hour, we finally get to Skull Island and it's an absolute technical treat. The look is fantastic, the turn of events as Kong and his acolytes have been introduced is terrific. From here it's creature feature mayhem, the beauty and the beast aspect kicks into gear, and it's all very comforting, thrilling even - with one exception. A dinosaur stampede looks ridiculous, the blend of human actors and CGI is so poor it belies the money spent on the effects for this production. That aside, though, the action sequences are electric, particularly the monster mash ups. Yet the quite reflective periods on Skull Island really strike a chord as well, just sections where Kong and Ann Darrow (Naomi Watts) are chilling out together, taking in the landscape that money mad men want to take Kong away from... Then it's back to The States and carnage ensues, culminating in a brilliantly staged last quarter of film, where all that superb period detail gets obliterated during the battle between man and beast, and where even now I'm rooting for Kong to win! As the tenderness of the Beauty and the Beast arc subsides - and it is beautiful - it's then that you once again know that Jackson was too indulgent. His cast were on form, Serkis as Kong a revelation, this is a great picture at times, a real treat in High Definition, if only someone had fronted him up to not over indulge. For then we might have a 9/10 movie as opposed to a bloated 7/10 one.

May 16, 2024
GenerationofSwine
1.0

05 is the worst of the Kong movies, mainly because it tries to do way too much. It tries to be epic, and because it tries to be epic it drags. DRAGS. Watching through it, there is about an hour and a half that I would cut, mostly because it's not necessary for a movie like this. There was charact ... er development... but too much of it. There was plot, but too much of it. If the movie was trimmed down with an eye to making it flow, it would have been decent. But instead they let it run too long with with not enough happening in it to be an exciting monster movie. The result was kind of a drag.

Jan 10, 2023