Popularity: 4 (history)
Director: | Baltasar Kormákur |
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Writer: | Simon Beaufoy, William Nicholson |
Staring: |
Inspired by the incredible events surrounding a treacherous attempt to reach the summit of the world's highest mountain, "Everest" documents the awe-inspiring journey of two different expeditions challenged beyond their limits by one of the fiercest snowstorms ever encountered by mankind. Their mettle tested by the harshest of elements found on the planet, the climbers will face nearly impossible obstacles as a lifelong obsession becomes a breathtaking struggle for survival. | |
Release Date: | Sep 10, 2015 |
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Director: | Baltasar Kormákur |
Writer: | Simon Beaufoy, William Nicholson |
Genres: | Adventure, Drama, History |
Keywords | himalaya mountain range, mountain, hiking, snowstorm, based on true story, climbing, snow, death, blizzard, mountain climbing, mount everest |
Production Companies | Universal Pictures, Working Title Films, Walden Media, Cross Creek Pictures, Free State Pictures, RVK Studios |
Box Office |
Revenue: $203,427,584
Budget: $55,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jason Clarke | Rob Hall |
Josh Brolin | Beck Weathers |
John Hawkes | Doug Hansen |
Sam Worthington | Guy Cotter |
Emily Watson | Helen Wilton |
Martin Henderson | Andy 'Harold' Harris |
Michael Kelly | Jon Krakauer |
Keira Knightley | Jan Arnold |
Jake Gyllenhaal | Scott Fischer |
Robin Wright | Peach Weathers |
Thomas M. Wright | Michael Groom |
Clive Standen | Ed Viesturs |
Naoko Mori | Yasuko Namba |
Mia Goth | Meg Weathers |
Elizabeth Debicki | Caroline Mackenzie |
Tom Goodman-Hill | Neal Beidleman |
Vanessa Kirby | Sandy Hill Pittman |
Mark Derwin | Lou Kasischke |
Ingvar E. Sigurðsson | Anatoli Boukreev |
Ang Phula Sherpa | Ang Dorjee |
Charlotte Bøving | Lene Gammelgaard |
Pemba Sherpa | Lopsang |
Amy Shindler | Charlotte Fox |
Simon Harrison | Tim Madsen |
Chris Reilly | Klev Schoening |
Tim Dantay | John Taske |
Todd Boyce | Frank Fischbeck |
Justin Salinger | Ian Woodall |
Stormur Jón Kormákur Baltasarsson | Bub Weathers |
Demetri Goritsas | Stuart Hutchison |
Chike Chan | Makalu Gau |
Micah A. Hauptman | David Breashears |
Nancy Baldwin | Janie |
Lucy Newman-Williams | Linda |
Vijay Lama | Colonel Madan |
Avin Shah | Co-Pilot |
Johnny Otto | Airline Captain (uncredited) |
Andrew Moore | South African Team Climber (uncredited) |
Name | Job |
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Cécile Bouquet | Researcher |
James Shannon | Dolby Consultant |
Marion Strunck | Animation |
Ross Grainger | Rigging Gaffer |
Marco Sticchi | Rigging Gaffer |
Kubilay Kocaoglu | Animation |
Paul McGeachan | Gaffer |
Felice Guzzi | Gaffer |
Shaun Cobley | Additional Camera |
Olafur Thor Magnusson | Animation |
Jason Ewart | Camera Operator, Steadicam Operator |
Annette Field | Hairstylist, Makeup Artist |
Paul Wheeldon | First Assistant Camera |
Jasin Boland | Still Photographer |
Alessandro Santucci | Art Direction |
Mick Audsley | Editor |
Guy Speranza | Costume Design |
Tori Parry | Line Producer |
Raffaella Giovannetti | Set Decoration |
Oliver Cubbage | 3D Supervisor |
Niv Adiri | Sound Re-Recording Mixer |
Glen Pratt | Visual Effects Supervisor |
Gianpaolo Rifino | Assistant Art Director |
Federico Laurenti | Makeup Artist |
Zoey Stones | Hairstylist, Makeup Artist |
Theo Demiris | Visual Effects Editor |
Francine Fontaine | Visual Effects Coordinator |
Laura Lilley | Hairstylist, Makeup Artist |
Stefan Andersson | Visual Effects Supervisor |
Alice Searby | Casting Associate |
Jan Sewell | Makeup Designer, Hair Designer |
Ed Symon | Assistant Art Director |
Matteo Silvi | Makeup Artist |
Zoe Morgan | Script Supervisor |
Deeps Hargunani | Visual Effects Coordinator |
Maggie Rodford | Music Supervisor |
Laura Miles | Script Supervisor |
Matthias Bjarnason | CG Supervisor |
Carmel Jackson | Key Hair Stylist |
Emiliano Topai | First Assistant Camera |
Paul Santoni | First Assistant Camera |
Dillon Bennett | Sound Effects Editor |
Simona De Angelis | Art Department Assistant |
Todd Kleparski | Digital Intermediate |
Priyanka Balasubramania | Visual Effects Producer |
Francesca Birri | Art Department Coordinator |
Melanie Farley | Visual Effects Coordinator |
Sigurður Eyþórsson | Visual Effects Editor |
Måns Björklund | Visual Effects Producer |
Dadi Einarsson | Visual Effects Supervisor |
Simon Hughes | Visual Effects Supervisor |
Richard Van Den Bergh | Special Effects Supervisor |
Jenny King | Visual Effects Coordinator |
Alex Rouse | Wigmaker |
Lukasz Bukowiecki | Visual Effects Editor |
Roma O'Connor | Visual Effects Producer |
Melody Woodford | Visual Effects Producer |
Danny Freemantle | Sound Effects Editor |
Tim Caplan | Visual Effects Producer |
Annie Crawford | Costume Supervisor |
Ines Li | Visual Effects Coordinator |
Finola O'Brien | Visual Effects Coordinator |
Mikael Schärström | Visual Effects Coordinator |
Brian Greenway | First Assistant Camera |
Kira Fitzpatrick | Digital Intermediate |
Pani Scott | First Assistant Editor |
Gabriella Loria | Assistant Costume Designer |
Caitlin Thomas | Visual Effects Coordinator |
Toby White | Visual Effects Coordinator |
Keith Mason | Visual Effects Editor |
Hjörtur Grétarsson | Visual Effects Producer |
Paula Anhesini | ADR Editor, Dialogue Editor |
Kent Harvey | Second Unit Director of Photography |
Peter Gleaves | ADR Mixer |
Adrian Bell | Sound Mixer |
Nina Hartstone | Supervising Dialogue Editor, ADR Editor |
Jack Stew | Foley Artist |
Glen Gathard | Foley Mixer |
Sebastiano Murer | Property Master |
John Marzano | Aerial Director of Photography |
Mark Appleby | ADR Mixer |
Peter Hanson | Foley Editor |
Peter N. Brown | Construction Manager |
Mylan Stepanovich | Production Manager |
Jim Philpott | Grip |
Lisa Curtis Saunders | Software Engineer |
Viktor Petrov | Animation Department Coordinator |
Brian N. Bentley | Compositor |
Simon Beaufoy | Screenplay |
Baltasar Kormákur | Director |
William Nicholson | Screenplay |
Dario Marianelli | Original Music Composer, Orchestrator |
Salvatore Totino | Director of Photography |
Gary Freeman | Production Design |
Rosalyn Mitchell | Art Department Assistant |
Chris Benstead | Music Editor |
Glenn Freemantle | Sound Designer, Supervising Sound Editor |
Arne Kaupang | Visual Effects Supervisor |
Fiona Weir | Casting |
Tom Still | Supervising Art Director |
Peter Burgis | Foley Artist |
Nellie Burroughes | Stunt Double |
Fraser Taggart | Second Unit Director of Photography |
Sarah Lochlan | Stunts |
Pete Ford | Stunts |
Massimiliano Alagia | Electrician |
Massimiliano Sticchi | Electrician |
George Kirby | Stunts |
Name | Title |
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Nicky Kentish Barnes | Producer |
Evan Hayes | Producer |
Tyler Thompson | Producer |
Brandt Andersen | Executive Producer |
David Nichols | Co-Producer |
Peter Mallouk | Executive Producer |
David Breashears | Co-Producer |
Lauren Selig | Executive Producer |
Tim Bevan | Producer |
Eric Fellner | Producer |
Brian Oliver | Producer |
Mark Mallouk | Executive Producer |
Randall Emmett | Executive Producer |
Baltasar Kormákur | Producer |
Liza Chasin | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 43 | 68 | 24 |
2024 | 5 | 44 | 74 | 26 |
2024 | 6 | 30 | 42 | 23 |
2024 | 7 | 39 | 90 | 21 |
2024 | 8 | 35 | 61 | 18 |
2024 | 9 | 25 | 43 | 18 |
2024 | 10 | 41 | 70 | 19 |
2024 | 11 | 32 | 71 | 19 |
2024 | 12 | 25 | 33 | 18 |
2025 | 1 | 37 | 66 | 22 |
2025 | 2 | 22 | 36 | 4 |
2025 | 3 | 9 | 30 | 2 |
2025 | 4 | 4 | 4 | 3 |
2025 | 5 | 4 | 5 | 3 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 4 | 6 | 3 |
2025 | 8 | 4 | 5 | 3 |
2025 | 9 | 5 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 1 | 569 | 867 |
Year | Month | High | Avg |
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2024 | 12 | 659 | 817 |
Year | Month | High | Avg |
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2024 | 11 | 703 | 703 |
Year | Month | High | Avg |
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2024 | 8 | 642 | 840 |
"Director Baltasar Kormákur’s vast, encompassing vision thematically broaches the existential drive that consumes extreme climbers, questioning both the brusque heroism and innate fatalism of those that attempt to conquer such harsh climes..." Full review here: http://screen-space.squarespace.com ... /reviews/2015/9/10/everest.html
1996, and Mother Nature's big mama is playing her hand again. Based on a true story, Everest tells about a climbing expedition on the world's highest mountain that would become devastated by a severe snow storm. She stands and watches over us all, she is Mount Everest, and climbing her is seen ... as one of the pinnacles of mountaineering. No matter how many lives are lost over the years, there will always be another group of adventurers ready to take on the mountain and the elements that come with her. The ill fated 1996 trek up Everest gets a worthy cinematic treatment here. Sure it suffers from some of the pitfalls of the disaster movie genre, such as weak characterisations and fake sequences, but emotional investment is high and ready to be grasped by those so inclined. The drama on the mountain is gripping, and thankfully this is matched by the frantic concurrent story strands involving the family and friends waiting at base camp and the family homes. Cinematography is often breathtaking, the acting performances as solid as one of Everest' rock faces, but it's the story that sells itself. A tale well worth reading about, and the cynical among us should do well to remember this fact. 8/10
> One of the most realistically approached adventure movie based on the real. I was completely surprised with the movie. Because I was expecting 'Vertical Limit' kind of movie. Like, you know, there's no heroic adventure with the incredible stunt sequences in it. But it was very real and more rea ... l. Usually while adapting the true events for the screen, unnecessary overdose stunts created to commercialise the product. But in this it was too much closer to the real world adventure, like a documentary film. It was a man versus the mother nature and nothing else. The human villains were not included or the romance and other subplots. It was a multi starrer movie. Lots of big names played only a small role and magnified the expectation for the movie. But like I said expecting awesomeness will lead you to a great disappointment. One must approach this movie with a clear mind for a good result, because I felt the film very honest, and being honest is always a bit boring. The film was emotionally very strong. No character developments, not individually, but the entire film was focused on one particular expedition taken by a couple of trekking teams that goes wrong after they got hit by a storm. This is Jason Clarke's one of the best films in a lead role, as well as for the director of 'Contraband'. I definitely regret missing it out in digital 3D. It is a good watch, absolutely refreshing from the mainstream commercial films. 7/10
I have read dozens of books about mountaineering expeditions, and several about this particular disastrous climbing season, including Jon Krakuer’s bestseller. Overall I think they did a good job depicting the events in this movie, which makes sense, as they used the expertise of Guy Cotter, a climb ... ing and business partner of Rob Hall, one of the expedition leaders in the forefront of this tragedy. They do an adequate job of putting the grandeur of the mountain on display, while still focusing on the human interactions and personal physical challenges of the characters. The plot runs fairly true to events and the dialogue is well-written. They made changes, of course, such as details of the helicopter rescue scene, but stayed true to the important stuff. I think I agree with the above-mentioned Guy Cotter, who stated in an interview that he only wished they had depicted in more depth the motivations of climbers to risk their lives climbing up in the “Death Zone.” For some climbers of Everest, their reasons are mundane: to be able to gain respect by saying they did it, or to “inspire” others to be all they can be, or even to make money and win some measure of fame. But the true mountaineers are driven by something deeper, close to what they see as their self identity. They can’t not climb. There is exhilaration in challenging their physical limits and in appreciation of the rare beauty found at high altitudes. If it was easy they might not do so much of it, being in an odd way addicted to the pain, cold and danger. WHen they are on the mountains they dream of home; when they are home they dream of the mountains. It’s reminds me of aging boxing champions who keep on fighting when they should retire. Oh, they want the money, obviously, but even well-off champions may fight on and endure pain and suffering inside the ring for the cheers of the crowd and the additional acclaim it may bring them.
Based on true events, this rather beautifully shot film tells the story of Kiwi Rob Hall (an adequate Jason Clarke) who ran an exclusive adventure agency that took well-heeled climbers up Mount Everest. In 1996 he decided to team up with accomplished but rather enigmatic mountaineer Scott Fischer (J ... ake Gyllenhaal). What now ensues are a rather join-the-dot series of predicable escapades as the mountain decides that it's had enough of these messy and polluting human gadflies on it's slopes, and so it fights back - impressively and decisively. That leads us to the problem with this - the characterisations are seriously undercooked. I didn't really feel that I knew any of them, nor did I actually find - especially with Gyllenhaal - that I cared whether they survived or not. That might be a testament to their acting skills - some creating an aura of complacency and arrogance that well deserved their just desserts, but for the most part the script and the story were just all a bit flat. The cinematography is astonishing though, with actuality of the Nepalese base camps and of the rather benign looking mountain itself. It features quite a notable supporting cast, but again they offer little to beef up the sense of personality here or give us any real sense of the danger, teamwork and camaraderie that must have prevailed in real life. It is watchable for the imagery, and it also serves to remind up that mankind is pretty insignificant when the planet decides to stir itself against us, but as a piece of drama it's all just too lacklustre.