Popularity: 4 (history)
| Director: | Kevin Smith |
|---|---|
| Writer: | Kevin Smith |
| Staring: |
| When his best friend and podcast co-host goes missing in the backwoods of Canada, a young guy joins forces with his friend's girlfriend to search for him. | |
| Release Date: | Sep 19, 2014 |
|---|---|
| Director: | Kevin Smith |
| Writer: | Kevin Smith |
| Genres: | Comedy, Horror |
| Keywords | canada, obsession, interview, walrus, deception, mysterious man, disfigurement, podcaster, abduction, turned into animal, sinister |
| Production Companies | Phase 4 Films, Demarest Films, SModcast Pictures |
| Box Office |
Revenue: $1,882,074
Budget: $3,000,000 |
| Updates |
Updated: Nov 06, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Michael Parks | Howard Howe |
| Justin Long | Wallace Bryton |
| Genesis Rodriguez | Ally Leon |
| Haley Joel Osment | Teddy Craft |
| Johnny Depp | Guy Lapointe |
| Harley Morenstein | Border Agent |
| Ralph Garman | Detective |
| Jennifer Schwalbach Smith | Gimli Slider Waitress |
| Harley Quinn Smith | Girl Clerk #1 |
| Lily-Rose Depp | Girl Clerk #2 |
| Ashley Greene | Convenient Store Customer |
| Douglas Banks | Kill Bill Kid |
| Matthew Shively | Young Howe |
| Zak Knutson | Ernest Hemingway (uncredited) |
| Name | Job |
|---|---|
| Michael Barton | Art Direction |
| John D. Kretschmer | Production Design |
| Christopher Drake | Original Music Composer, Music |
| Luci Wilson | Set Decoration |
| Maya Lieberman | Costume Design |
| Wendy Bell | Makeup Department Head |
| Heather Hawkins | Assistant Hairstylist |
| Heather Richardson | Hair Department Head |
| Andrew Blau | Production Supervisor |
| Jenny Hinkey | Unit Production Manager |
| Alisa Fredericks | First Assistant Director |
| Clint Buckner | Second Assistant Director |
| Neal Gray | Second Second Assistant Director |
| Michelle Schrauwers | Second Second Assistant Director |
| Jeremy Conner | Stunts |
| Kevin Morgan | Stunts |
| Dino Muccio | Stunt Coordinator |
| Dan Clark | Script Supervisor |
| John F. Teeple | Driver |
| John Navarro Jr. | Driver |
| Randy Byers | Location Scout |
| F. Curtis Gaston | Assistant Location Manager |
| Jason Allen King | Location Manager |
| Dieter H. Wagner | Location Production Assistant |
| Christopher 'Kit' Marlowe | Loader |
| Monica Barrios-Smith | Assistant Camera |
| Stephen Andrew Cook | First Assistant "B" Camera |
| Conor Daily | Grip |
| Philip Dann | Dolly Grip |
| Zak Ettlinger | Electrician |
| Kahlil Fadel | Lighting Technician |
| Zsolt P. Haraszti | Second Assistant "A" Camera |
| Mark Fellman | Additional Still Photographer |
| Jessica Hoffman | Grip |
| Dan Lewis | Chief Lighting Technician |
| Nicole Lobell | Camera Operator |
| Todd Luckey | Lighting Technician |
| Ryan 'Sparks' Lynch | Best Boy Electric |
| Jamie A. Marlowe | First Assistant Camera |
| Mark C. McManus | Video Assist Operator |
| Alan Newcomb | First Assistant "A" Camera |
| Jarrod Oswald | First Assistant "A" Camera |
| Michael Otis Ropert | Camera Operator |
| Anthony Schrader | Key Grip |
| Casey Slade | Grip |
| Steve A. Stephenson | Best Boy Grip |
| Bob Williams | Dolly Grip |
| Tona B. Dahlquist | Extras Casting |
| T. Ryan Hill | Extras Casting Assistant |
| Bo Webb | "A" Camera Operator |
| Candace Kualii | Set Costumer |
| Ben Brenner | Set Dresser |
| Robert Lee Church | Set Dresser |
| Lindsay Glick | Set Dresser |
| Billyjack Jory | Set Dresser |
| Joshua Aaron Johnson | Sound Editor |
| Peter D. Lago | Sound Effects Editor |
| Otis Van Osten | Supervising Sound Editor, Sound Effects Editor |
| Michael R. Currie | VFX Artist |
| Matt Fann | Boom Operator |
| Larry Long | Sound Mixer |
| D.J. Hall | Transportation Coordinator |
| Tiffany Apple Keenan | Graphic Designer |
| Peter Battistelli | Construction Coordinator |
| Ralph Woollaston | Construction Foreman |
| Kelly Rubottom | Property Master |
| Daniel Kresco | Scoring Mixer |
| Darleen Stoker | Dialogue Editor |
| Gloria D'Alessandro | Dialogue Editor |
| Aran Tanchum | Foley Editor |
| John Joseph Thomas | Sound Effects Editor |
| Alex Ullrich | Foley Artist |
| Ellen Heuer | Foley Artist |
| Stacey Michaels | Foley Mixer |
| Corinne Bogdanowicz | Digital Intermediate Colorist |
| Derek Eby | Digital Intermediate Producer |
| Kevin Smith | Director, Editor, Writer |
| James Laxton | Director of Photography |
| Alan Tuskes | Makeup Effects |
| Cal Johnson | Stunt Coordinator |
| Joel Dougherty | Sound Re-Recording Mixer |
| David Greathouse | Special Effects Makeup Artist |
| Kent Smith | Still Photographer |
| Name | Title |
|---|---|
| William D. Johnson | Producer |
| Nate Bolotin | Executive Producer |
| Chris Parkinson | Associate Producer |
| Shannon McIntosh | Producer |
| Nick Spicer | Executive Producer |
| Jordan Monsanto | Associate Producer |
| Jennifer Schwalbach Smith | Executive Producer |
| Sam Englebardt | Producer |
| David S. Greathouse | Producer |
| Jason Mewes | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 63 | 136 | 30 |
| 2024 | 5 | 141 | 193 | 109 |
| 2024 | 6 | 74 | 147 | 38 |
| 2024 | 7 | 34 | 48 | 24 |
| 2024 | 8 | 30 | 44 | 19 |
| 2024 | 9 | 29 | 43 | 17 |
| 2024 | 10 | 32 | 57 | 21 |
| 2024 | 11 | 30 | 61 | 19 |
| 2024 | 12 | 25 | 39 | 18 |
| 2025 | 1 | 27 | 37 | 17 |
| 2025 | 2 | 19 | 34 | 3 |
| 2025 | 3 | 8 | 24 | 1 |
| 2025 | 4 | 3 | 4 | 2 |
| 2025 | 5 | 3 | 4 | 2 |
| 2025 | 6 | 4 | 5 | 2 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 4 | 5 | 3 |
| 2025 | 10 | 4 | 6 | 3 |
| 2025 | 11 | 4 | 5 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 728 | 798 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 820 | 877 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 998 | 998 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 805 | 839 |
This movie is much deeper than it may appear on the surface. I know not everyone is interested in delving into a film if it doesn’t appeal to them, and I understand that. I also understand that, for an audience expecting an engaging, supernatural, or entertaining horror movie, this might come across ... as particularly bizarre and eccentric. Moreover, it's a horror comedy, and horror comedies are often not well-received. In this case, it's a horror comedy that takes a distinctly grotesque and disturbing turn. I put myself in the shoes of someone watching this movie for the first time without any prior knowledge. The second half disorients you. You laugh, yes, but it's one of those nervous laughs, and you think, 'What the hell am I watching?' And the ending. That damn ending. It's a good ending, doesn’t it? The protagonist survives, so everyone should be satisfied, right? But who wouldn’t feel terrible for the protagonist?This horror comedy is much, much more than it might seem at first glance. The protagonist comes across as a jerk, selfish, unlikable, ambitious, indifferent—call him what you will. You expect him to suffer. But damn, what he goes through isn’t the usual punishment like a 'Saw'-style slasher gore. It’s something much worse. But there’s something good in it. His 'dehumanization,' in some way, restores his dignity. He’s more human now than he was at the start of the movie. It works better than any of Saw's traps.The only downside: I’ve heard that Kevin Smith intends to make a sequel, where the protagonist (rehumanized) might become the 'villain' in turn. Great, but that would kind of ruin his redemption. Let’s wait and see..."
I watched this move now, over 10 years after it was released, and I was very excited about it after reading the main premise of the movie and seeing a few cuts form the internet. It turned out to be one of the worst movies I have ever seen. While the main premise of the movie is awesome - a seri ... al killer living in the middle of nowhere that obsesses over turning people into a walrus - the movie falls short of being a new "human centipede" due to the poor execution. Cheap pitiful "humor" to try to mask the terrible acting, pathetic soundtrack that annoys more than aclimate the viewer, and ok but unimpressive photography that does not compensate the boring and sometimes stupid dialogs in the movie. The cherry on the cake was the ending, that in the last 10min of the movie seemed to be converging into a good ending, but ended up in the most unrealistic and absurd sequence of the whole movie. Do yourself a favor and invest this couple of hours of your life in something better.