Give Me Liberty
The Most Inspiring and Important Short In Recent Years
1936 | 22m | English
Popularity: 1 (history)
| Director: | B. Reeves Eason |
|---|---|
| Writer: | Forrest Barnes |
| Staring: |
| Patrick Henry's rousing speech before the Virginia legislature argues for colonial independence. | |
| Release Date: | Dec 19, 1936 |
|---|---|
| Director: | B. Reeves Eason |
| Writer: | Forrest Barnes |
| Genres: | Drama, History |
| Keywords | famous speech, american revolution, usa history, founding fathers, short film |
| Production Companies | Warner Bros. Pictures, The Vitaphone Corporation |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2026 Entered: May 01, 2024 |
| Name | Character |
|---|---|
| John Litel | Patrick Henry |
| Nedda Harrigan | Doxie Henry |
| Carlyle Moore Jr. | Capt. Milton |
| Robert Warwick | George Washington |
| George Irving | Thomas Jefferson |
| Boyd Irwin | British Commissioner |
| Gordon Hart | Anti-Rebel Delegate Speaker |
| Myrtle Stedman | Martha Washington |
| Ted Osborne | Randolph Peyton |
| Jesse Graves | Washington's Servant Moses (uncredited) |
| Wade Lane | Judge (uncredited) |
| Charles Frederick Lindsley | Narrator (voice) (uncredited) |
| Wilfred Lucas | His Excellency Permitting Henry's Arrest (uncredited) |
| Jack Mower | Gentleman (uncredited) |
| Paul Panzer | Frontiersman (uncredited) |
| William Worthington | Pendleton (uncredited) |
| Name | Job |
|---|---|
| B. Reeves Eason | Director |
| Forrest Barnes | Story, Screenplay |
| W. Howard Greene | Director of Photography |
| Louis Hesse | Editor |
| Ted Smith | Art Direction |
| M.K. Jerome | Original Music Composer |
| Jack Scholl | Lyricist |
| Frank Craven | Dialogue Coach |
| Name | Title |
|---|
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 3 | 1 |
| 2024 | 5 | 4 | 6 | 1 |
| 2024 | 6 | 3 | 8 | 1 |
| 2024 | 7 | 3 | 7 | 1 |
| 2024 | 8 | 2 | 5 | 0 |
| 2024 | 9 | 2 | 5 | 1 |
| 2024 | 10 | 3 | 10 | 1 |
| 2024 | 11 | 2 | 8 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 1 | 3 | 1 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 3 | 2 |
| 2025 | 11 | 1 | 2 | 0 |
| 2025 | 12 | 1 | 2 | 0 |
| 2026 | 1 | 1 | 3 | 0 |
| 2026 | 2 | 3 | 5 | 1 |
Trending Position
Despite an half-decent effort from John Litel as he takes to a church in Virginia as Patrick Henry to espouse liberty from British colonial rule, the rest of this is all a rather lacklustre and overly theatrical costume drama with some serious over-acting. The presence of neatly suited and booted ch ... aracters like “Moses” isn’t deemed relevant as these privileged white folks pontificate about liberty and freedom whilst just about every manual function in their lives is carried out by slaves. It’s that hypocrisy that becomes a little harder to stomach as this sets about illustrating, albeit inadvertently, that for the vast majority of women and for just about everyone of colour in Virginia, and elsewhere, all this would result in is a change from wigged and proud gents in London to equally wigged and proud gents closer to home. Had they just stuck to allowing Litel to deliver a complete version of Henry’s rousing and impassioned speech as if it were a monologue, then it might have worked. They didn’t, and what we have here is a borderline and nauseatingly simplistic critique on the glories of the as yet unformed USA versus the supposed and exaggerated tyrannies of the Old World. I found this to be annoying, sorry!