Popularity: 4 (history)
Director: | Jon Amiel |
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Writer: | Michael Hertzberg, Ronald Bass, William Broyles Jr. |
Staring: |
Two thieves, who travel in elegant circles, try to outsmart each other and, in the process, end up falling in love. | |
Release Date: | Apr 29, 1999 |
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Director: | Jon Amiel |
Writer: | Michael Hertzberg, Ronald Bass, William Broyles Jr. |
Genres: | Drama, Romance, Mystery |
Keywords | new year's eve, london, england, distrust, undercover, burglar, skyscraper, blackmail, heist, thief, older man younger woman relationship, art thief, criminal, art theft, millennium, manhattan, new york city, kuala lumpur malaysia |
Production Companies | Fountainbridge Films, Regency Enterprises |
Box Office |
Revenue: $212,404,400
Budget: $66,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Catherine Zeta-Jones | Virginia "Gin" Baker |
Sean Connery | Robert "Mac" MacDougal |
Will Patton | Hector Cruz |
Maury Chaykin | Conrad Greene |
Ving Rhames | Aaron Thibadeaux |
Kevin McNally | Haas |
Terry O'Neill | Quinn |
Madhav Sharma | Security Chief |
David Yip | Chief of Police |
Tim Potter | Millennium Man |
Eric Meyers | Waverly Technician |
Aaron Swartz | Cruz's Man |
William Marsh | Computer Technician |
Tony Xu | Banker |
Rolf Saxon | ICB Director |
Tom Clarke Hill | ICB Operator |
David Howard | ICB Technician |
Stuart Yung Sai-Kit | Doctor |
Ravin J. Ganatra | 1st Security Guard |
Rhydian Jai-Persad | 2nd Security Guard |
Hari Dhillon | 3rd Security Guard |
Name | Job |
---|---|
Michelle Guish | Casting |
Penny Rose | Costume Design |
Sarah Bradshaw | Production Supervisor |
Keith Pain | Art Direction |
Sue Whitaker | Assistant Art Director |
Norman Garwood | Production Design |
Michael Hertzberg | Story |
Elaine Burt | Production Coordinator |
Michael Boone | Art Direction |
Bryn Court | Sculptor |
Roger Pearce | Camera Operator |
Susan Hegarty | Dialect Coach |
Colin Jamison | Hair Department Head |
Paul Cridlin | Boom Operator |
Christian McWilliams | Location Manager |
Jim Shields | Supervising Sound Editor |
John Hayward | Sound Re-Recording Mixer |
Charles Cottrell | Standby Painter |
Peter Davey | Underwater Camera |
Roy Alon | Stunts |
William Parnell | Dialogue Editor |
Kevin Phipps | Art Direction |
Gary Lamantia | Camera Technician |
Charles Bodycomb | Armorer |
Derek Dackombe | Painter |
James R. Belletier | First Assistant Camera |
Jenny Nichols | Craft Service |
William Dodds | Set Production Assistant |
Stuart Clarke | Scenic Artist |
Francis Abdullah | Transportation Coordinator |
Bob Balzarini | Video Assist Operator |
David Rees | Color Timer |
Andrew Gardiner | Electrician |
John H. Starke | Unit Production Manager |
James Armstrong | Assistant Director |
Tim Grover | First Assistant Editor |
Faye Ong | Production Manager |
Bruce Babcock | Orchestrator |
Colin Alway | Digital Compositors |
Judy Britten | Unit Manager |
Carlos Fidel | Third Assistant Director |
John Fox | Dressing Prop |
Martin Asbury | Storyboard Artist |
Pete Anthony | Conductor |
Stephen Challenor | Supervising Carpenter |
Ben Georgiades | Assistant Sound Engineer |
Cliff Corbould | Special Effects Assistant |
Steve Truglia | Stunt Driver |
Lee Vickery | Camera Loader |
Tom Gilligan | Dolly Grip |
Lucinda Syson | Additional Casting |
Christina Thomas | Casting Coordinator |
Elvin Lee Chee Peng | Assistant Camera |
Nick Murray | Camera Trainee |
Andy Stevens | Focus Puller |
Louis Elman | ADR Voice Casting |
David Croucher | Wardrobe Assistant |
Tony Tromp | Assistant Editor |
Linzi Baltrunas | Location Assistant |
Emma Bendell | Assistant Accountant |
Ben Smith | Floor Runner |
Don Ng | Production Assistant |
Temple Clark | Storyboard Artist |
Mohan Singh | Leadman |
Alf Tramontin | Steadicam Operator |
Katie Gabriel | Art Department Coordinator |
Kim Miscia | Casting |
John Norster | Assistant Costume Designer |
Belinda Parish | Makeup Artist |
Jan Jamison | Hairstylist |
Maxie McDonald | Property Master |
Richard Sharkey | Location Manager |
Carol McAulay | Special Effects Coordinator |
Linda Gamble | Unit Publicist |
Jim Dowdall | Stunt Coordinator |
Jim Morahan | Supervising Art Director |
Gary Tomkins | Assistant Art Director |
Lisa Vick | Script Supervisor |
Linda Bodily | Makeup Artist |
David John | Sound Mixer |
Terry Potter | Gaffer |
Simon Marsden | Location Manager |
Andrew Glen | Music Editor |
John Ash | Rigging Gaffer |
Mads Hansen | Script Coordinator |
Vernon Connolly | Best Boy Electric |
Ramesh Appathurai | Location Manager |
Simon Eves | Researcher |
Chris George | 3D Animator |
Geoff Foster | Score Engineer |
Simon P Thorp | Thanks |
Hilary Haines | Key Hairdresser |
Brenda Coxon | Production Accountant |
Bob Risk | Foley |
Mike Williams | Animation Supervisor |
Mark Kenna | Dolby Consultant |
Les Benson | Property Master |
Adam Brockbank | Concept Artist |
Carol Kupisz | Graphic Designer |
Mei Lai Hippisley Coxe | Costume Coordinator |
Jack Dyer | Construction Buyer |
Trevor Dyer | Head Carpenter |
Christopher Ackland | ADR Editor |
Pat Gilbert | First Assistant Sound Editor |
William J. Bishop | Special Effects Technician |
Sandy Buchanan | ADR Mixer |
Gareth John | Sound Assistant |
Gabe Cronnelly | Stunt Double |
Azman Bin Hitam | Assistant Grip |
Sam Barnes | Clapper Loader |
Oliver Cary | Second Assistant Camera |
Gaby Kester | Casting Assistant |
Mark Holmes | Wardrobe Master |
Stuart Bailey | Project Manager |
Ken Crouch | Wardrobe Supervisor |
Becky Jones | Assistant Location Manager |
Bob Last | Music Consultant |
Steve Mcleod | Assistant Chief Lighting Technician |
Courtney Vanderslice | Head of Production |
Emily Lascelles | Production Runner |
Gloria Salas | Accountant |
Mona Benjamin | Assistant Production Coordinator |
Cyril Gibbons | Health and Safety |
Joane Baptiste | Production Secretary |
Jon Amiel | Director |
Ronald Bass | Screenplay, Story |
William Broyles Jr. | Screenplay |
Terry Rawlings | Editor |
Donna Isaacson | Casting |
Phil Meheux | Director of Photography |
Vic Armstrong | Stunt Coordinator, Second Unit Director |
Anna Pinnock | Set Decoration |
Paul Harris | Choreographer |
Frances Hannon | Makeup Department Head |
Peter Robb-King | Makeup Artist |
Neil Corbould | Special Effects Supervisor |
Alexandra Day | Visual Effects Coordinator |
Nick Davis | Visual Effects Supervisor |
David Appleby | Still Photographer |
Christopher Young | Original Music Composer |
Alex Bicknell | Digital Effects Supervisor |
Stuart Clark | Utility Stunts |
Michael Stevenson | Second Assistant Director |
Benedikt Brydern | Music Coordinator |
Name | Title |
---|---|
Michael Hertzberg | Producer |
Rhonda Tollefson | Producer |
Ronald Bass | Executive Producer |
Sean Connery | Producer |
Arnon Milchan | Executive Producer |
Iain Smith | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 41 | 69 | 22 |
2024 | 5 | 43 | 86 | 22 |
2024 | 6 | 32 | 48 | 19 |
2024 | 7 | 36 | 61 | 21 |
2024 | 8 | 38 | 75 | 22 |
2024 | 9 | 35 | 59 | 19 |
2024 | 10 | 32 | 47 | 18 |
2024 | 11 | 29 | 49 | 19 |
2024 | 12 | 26 | 53 | 18 |
2025 | 1 | 27 | 47 | 21 |
2025 | 2 | 18 | 30 | 3 |
2025 | 3 | 7 | 21 | 1 |
2025 | 4 | 3 | 3 | 2 |
2025 | 5 | 2 | 3 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 3 | 5 | 2 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 4 | 5 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 784 | 784 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 350 | 759 |
Year | Month | High | Avg |
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2025 | 6 | 872 | 925 |
Year | Month | High | Avg |
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2025 | 5 | 761 | 772 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 782 | 782 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 983 | 983 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 454 | 665 |
Millennium heist flick with Sean Connery, Catherine Zeta-Jones and Catherine’s derrière Gin, an insurance agent with the curious skills of a cat burglar (Catherine Zeta-Jones), is sent by her employer (Will Patton) to wiggle into the company of aging British master-thief “Mac” MacDougal (Sean ... Connery). He tentatively accepts her but insists on arduous training before stealing a priceless Chinese mask from the well-guarded Bedford Palace. Their developing attraction and suspicion threaten to ruin their partnership but the lure of $8 billion from a heist at the Petronas Twin Towers in Kuala Lumpur, Malaysia, maintains their alliance. I usually don’t like heist flicks (because I’m not interested in the glorification of criminals), but the charisma of Connery and the beauty of Zeta-Jones keeps “Entrapment” (1999) interesting, not to mention the all-around stylish and kinetic filmmaking. Mac's hideout, an isolated castle in Scotland, is an unexpected attraction. The movie’s similar in tone to the contemporaneous “Eye of the Beholder” (1999), but without the pall of moody gloom and sleaze. The first 70 minutes are surprisingly entertaining before slumping for 20 minutes, but the film thankfully recovers for the thrilling and twisty last act. “Entrapment” is famous for iconic stills of Catherine acrobatically maneuvering her way through a laser security system, which showcase her heightened derrière. She’s a beautiful woman and these sequences are certainly highlights. Yet you could hardly call them pornographic since she’s fully clothed and, while her outfit might be tight, it’s not exactly skintight. Concerning the mild controversy over the dubious attraction of Mac (Connery) and Gin (Zeta-Jones), Connery was 68 when "Entrapment" was shot, but Mac is 60 in the story. Catherine was almost 30 during shooting, but looks & acts 35. So their age-difference is roughly 25 years, which isn’t anything unheard of. Moreover, men are naturally attracted to younger women and Gin is a full-fledged whoa-man, not a teenager or even 20-something. Mac may have been 60, but he was charismatic, intelligent, virile and very much young at heart; so it’s no wonder Gin was attracted to him. Lastly, being attracted to someone isn't the same as wanting to marry the person or even have sex. You can be naturally attracted to someone, but dismiss any further entanglement for numerous reasons, such as you're married, s/he is married, s/he is too young, s/he is too old, you prefer being single, etc. The film runs 1 hour, 53 minutes and was shot in England, Scotland (Duart Castle & Eilean Donan Castle), Malaysia and New York City. Ving Rhames costars as Mac’s covert ally. GRADE: B
**Entrapment is a quality heist film with high stakes and great twists that overcomes its strange romantic moments.** Entrapment showcases clever heists, stunning leads, and beautiful locations resulting in a well-crafted and entertaining heist film. The question of “Who is playing who?” constant ... ly has the viewer guessing what twists could come and wondering what each character is really up to. The first half of the movie is stronger than the second. The planning of the first heist and its execution have great pacing and intrigue. After all that, the second half of the movie, which is supposed to be the bigger and more difficult heist, feels rushed and less satisfying. And let’s just say it, the awkward romance between Sean Connery and Catherine Zeta-Jones when he is nearly 40 years older and 69 at the time of Entrapment’s release is CRINGE. They could have taken the father/daughter or mentor/student relationship and kept it from being weird. All in all, Entrapment is a solid entry in the heist genre because of the effort, planning, and prep behind each robbery and great performances from the beautiful Catherine Zeta-Jones and the classic Sean Connery.
I quite enjoyed this cyber-crime caper - the two stars have a chemistry that largely gets past the slightly fluffy dialogue and far-fetched plot. Catherine Zeta-Jones is, ostensibly, an insurance operative sent to help catch arch thief "Mac" (Sean Connery) once a valuable Rembrandt is taken from an ... seemingly impregnable high-rise office. It transpires that she has other fish to fry, however, and before long the poacher and the gamekeeper have a grand design to commit the creme de la creme of computer hacks without getting caught. It's at it's best during the heist planning stages, though sadly falls away a bit during a rather poorly constructed last twenty minutes that also introduces a romance that I found a bit cheesy. A pretty wooden Ving Rhames features - luckily, quite sparingly - as a duplicitous FBI agent but Maury Chaykin is really quite good as the odious, sexually ambiguous fixer "Conrad Greene". Worth a watch.