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Entrapment Poster

Entrapment

The trap is set.
1999 | 112m | English

(128128 votes)

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Popularity: 4 (history)

Details

Two thieves, who travel in elegant circles, try to outsmart each other and, in the process, end up falling in love.
Release Date: Apr 29, 1999
Director: Jon Amiel
Writer: Michael Hertzberg, Ronald Bass, William Broyles Jr.
Genres: Drama, Romance, Mystery
Keywords new year's eve, london, england, distrust, undercover, burglar, skyscraper, blackmail, heist, thief, older man younger woman relationship, art thief, criminal, art theft, millennium, manhattan, new york city, kuala lumpur malaysia
Production Companies Fountainbridge Films, Regency Enterprises
Box Office Revenue: $212,404,400
Budget: $66,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Catherine Zeta-Jones Virginia "Gin" Baker
Sean Connery Robert "Mac" MacDougal
Will Patton Hector Cruz
Maury Chaykin Conrad Greene
Ving Rhames Aaron Thibadeaux
Kevin McNally Haas
Terry O'Neill Quinn
Madhav Sharma Security Chief
David Yip Chief of Police
Tim Potter Millennium Man
Eric Meyers Waverly Technician
Aaron Swartz Cruz's Man
William Marsh Computer Technician
Tony Xu Banker
Rolf Saxon ICB Director
Tom Clarke Hill ICB Operator
David Howard ICB Technician
Stuart Yung Sai-Kit Doctor
Ravin J. Ganatra 1st Security Guard
Rhydian Jai-Persad 2nd Security Guard
Hari Dhillon 3rd Security Guard
Name Job
Michelle Guish Casting
Penny Rose Costume Design
Sarah Bradshaw Production Supervisor
Keith Pain Art Direction
Sue Whitaker Assistant Art Director
Norman Garwood Production Design
Michael Hertzberg Story
Elaine Burt Production Coordinator
Michael Boone Art Direction
Bryn Court Sculptor
Roger Pearce Camera Operator
Susan Hegarty Dialect Coach
Colin Jamison Hair Department Head
Paul Cridlin Boom Operator
Christian McWilliams Location Manager
Jim Shields Supervising Sound Editor
John Hayward Sound Re-Recording Mixer
Charles Cottrell Standby Painter
Peter Davey Underwater Camera
Roy Alon Stunts
William Parnell Dialogue Editor
Kevin Phipps Art Direction
Gary Lamantia Camera Technician
Charles Bodycomb Armorer
Derek Dackombe Painter
James R. Belletier First Assistant Camera
Jenny Nichols Craft Service
William Dodds Set Production Assistant
Stuart Clarke Scenic Artist
Francis Abdullah Transportation Coordinator
Bob Balzarini Video Assist Operator
David Rees Color Timer
Andrew Gardiner Electrician
John H. Starke Unit Production Manager
James Armstrong Assistant Director
Tim Grover First Assistant Editor
Faye Ong Production Manager
Bruce Babcock Orchestrator
Colin Alway Digital Compositors
Judy Britten Unit Manager
Carlos Fidel Third Assistant Director
John Fox Dressing Prop
Martin Asbury Storyboard Artist
Pete Anthony Conductor
Stephen Challenor Supervising Carpenter
Ben Georgiades Assistant Sound Engineer
Cliff Corbould Special Effects Assistant
Steve Truglia Stunt Driver
Lee Vickery Camera Loader
Tom Gilligan Dolly Grip
Lucinda Syson Additional Casting
Christina Thomas Casting Coordinator
Elvin Lee Chee Peng Assistant Camera
Nick Murray Camera Trainee
Andy Stevens Focus Puller
Louis Elman ADR Voice Casting
David Croucher Wardrobe Assistant
Tony Tromp Assistant Editor
Linzi Baltrunas Location Assistant
Emma Bendell Assistant Accountant
Ben Smith Floor Runner
Don Ng Production Assistant
Temple Clark Storyboard Artist
Mohan Singh Leadman
Alf Tramontin Steadicam Operator
Katie Gabriel Art Department Coordinator
Kim Miscia Casting
John Norster Assistant Costume Designer
Belinda Parish Makeup Artist
Jan Jamison Hairstylist
Maxie McDonald Property Master
Richard Sharkey Location Manager
Carol McAulay Special Effects Coordinator
Linda Gamble Unit Publicist
Jim Dowdall Stunt Coordinator
Jim Morahan Supervising Art Director
Gary Tomkins Assistant Art Director
Lisa Vick Script Supervisor
Linda Bodily Makeup Artist
David John Sound Mixer
Terry Potter Gaffer
Simon Marsden Location Manager
Andrew Glen Music Editor
John Ash Rigging Gaffer
Mads Hansen Script Coordinator
Vernon Connolly Best Boy Electric
Ramesh Appathurai Location Manager
Simon Eves Researcher
Chris George 3D Animator
Geoff Foster Score Engineer
Simon P Thorp Thanks
Hilary Haines Key Hairdresser
Brenda Coxon Production Accountant
Bob Risk Foley
Mike Williams Animation Supervisor
Mark Kenna Dolby Consultant
Les Benson Property Master
Adam Brockbank Concept Artist
Carol Kupisz Graphic Designer
Mei Lai Hippisley Coxe Costume Coordinator
Jack Dyer Construction Buyer
Trevor Dyer Head Carpenter
Christopher Ackland ADR Editor
Pat Gilbert First Assistant Sound Editor
William J. Bishop Special Effects Technician
Sandy Buchanan ADR Mixer
Gareth John Sound Assistant
Gabe Cronnelly Stunt Double
Azman Bin Hitam Assistant Grip
Sam Barnes Clapper Loader
Oliver Cary Second Assistant Camera
Gaby Kester Casting Assistant
Mark Holmes Wardrobe Master
Stuart Bailey Project Manager
Ken Crouch Wardrobe Supervisor
Becky Jones Assistant Location Manager
Bob Last Music Consultant
Steve Mcleod Assistant Chief Lighting Technician
Courtney Vanderslice Head of Production
Emily Lascelles Production Runner
Gloria Salas Accountant
Mona Benjamin Assistant Production Coordinator
Cyril Gibbons Health and Safety
Joane Baptiste Production Secretary
Jon Amiel Director
Ronald Bass Screenplay, Story
William Broyles Jr. Screenplay
Terry Rawlings Editor
Donna Isaacson Casting
Phil Meheux Director of Photography
Vic Armstrong Stunt Coordinator, Second Unit Director
Anna Pinnock Set Decoration
Paul Harris Choreographer
Frances Hannon Makeup Department Head
Peter Robb-King Makeup Artist
Neil Corbould Special Effects Supervisor
Alexandra Day Visual Effects Coordinator
Nick Davis Visual Effects Supervisor
David Appleby Still Photographer
Christopher Young Original Music Composer
Alex Bicknell Digital Effects Supervisor
Stuart Clark Utility Stunts
Michael Stevenson Second Assistant Director
Benedikt Brydern Music Coordinator
Name Title
Michael Hertzberg Producer
Rhonda Tollefson Producer
Ronald Bass Executive Producer
Sean Connery Producer
Arnon Milchan Executive Producer
Iain Smith Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 41 69 22
2024 5 43 86 22
2024 6 32 48 19
2024 7 36 61 21
2024 8 38 75 22
2024 9 35 59 19
2024 10 32 47 18
2024 11 29 49 19
2024 12 26 53 18
2025 1 27 47 21
2025 2 18 30 3
2025 3 7 21 1
2025 4 3 3 2
2025 5 2 3 2
2025 6 3 5 2
2025 7 3 5 2
2025 8 3 4 2
2025 9 4 5 2

Trending Position


Year Month High Avg
2025 8 784 784
Year Month High Avg
2025 7 350 759
Year Month High Avg
2025 6 872 925
Year Month High Avg
2025 5 761 772
Year Month High Avg
2025 3 782 782
Year Month High Avg
2025 2 983 983
Year Month High Avg
2024 11 454 665

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Reviews

Wuchak
7.0

Millennium heist flick with Sean Connery, Catherine Zeta-Jones and Catherine’s derrière Gin, an insurance agent with the curious skills of a cat burglar (Catherine Zeta-Jones), is sent by her employer (Will Patton) to wiggle into the company of aging British master-thief “Mac” MacDougal (Sean ... Connery). He tentatively accepts her but insists on arduous training before stealing a priceless Chinese mask from the well-guarded Bedford Palace. Their developing attraction and suspicion threaten to ruin their partnership but the lure of $8 billion from a heist at the Petronas Twin Towers in Kuala Lumpur, Malaysia, maintains their alliance. I usually don’t like heist flicks (because I’m not interested in the glorification of criminals), but the charisma of Connery and the beauty of Zeta-Jones keeps “Entrapment” (1999) interesting, not to mention the all-around stylish and kinetic filmmaking. Mac's hideout, an isolated castle in Scotland, is an unexpected attraction. The movie’s similar in tone to the contemporaneous “Eye of the Beholder” (1999), but without the pall of moody gloom and sleaze. The first 70 minutes are surprisingly entertaining before slumping for 20 minutes, but the film thankfully recovers for the thrilling and twisty last act. “Entrapment” is famous for iconic stills of Catherine acrobatically maneuvering her way through a laser security system, which showcase her heightened derrière. She’s a beautiful woman and these sequences are certainly highlights. Yet you could hardly call them pornographic since she’s fully clothed and, while her outfit might be tight, it’s not exactly skintight. Concerning the mild controversy over the dubious attraction of Mac (Connery) and Gin (Zeta-Jones), Connery was 68 when "Entrapment" was shot, but Mac is 60 in the story. Catherine was almost 30 during shooting, but looks & acts 35. So their age-difference is roughly 25 years, which isn’t anything unheard of. Moreover, men are naturally attracted to younger women and Gin is a full-fledged whoa-man, not a teenager or even 20-something. Mac may have been 60, but he was charismatic, intelligent, virile and very much young at heart; so it’s no wonder Gin was attracted to him. Lastly, being attracted to someone isn't the same as wanting to marry the person or even have sex. You can be naturally attracted to someone, but dismiss any further entanglement for numerous reasons, such as you're married, s/he is married, s/he is too young, s/he is too old, you prefer being single, etc. The film runs 1 hour, 53 minutes and was shot in England, Scotland (Duart Castle & Eilean Donan Castle), Malaysia and New York City. Ving Rhames costars as Mac’s covert ally. GRADE: B

Jun 23, 2021
mooney240
7.0

**Entrapment is a quality heist film with high stakes and great twists that overcomes its strange romantic moments.** Entrapment showcases clever heists, stunning leads, and beautiful locations resulting in a well-crafted and entertaining heist film. The question of “Who is playing who?” constant ... ly has the viewer guessing what twists could come and wondering what each character is really up to. The first half of the movie is stronger than the second. The planning of the first heist and its execution have great pacing and intrigue. After all that, the second half of the movie, which is supposed to be the bigger and more difficult heist, feels rushed and less satisfying. And let’s just say it, the awkward romance between Sean Connery and Catherine Zeta-Jones when he is nearly 40 years older and 69 at the time of Entrapment’s release is CRINGE. They could have taken the father/daughter or mentor/student relationship and kept it from being weird. All in all, Entrapment is a solid entry in the heist genre because of the effort, planning, and prep behind each robbery and great performances from the beautiful Catherine Zeta-Jones and the classic Sean Connery.

Sep 24, 2022
Geronimo1967
7.0

I quite enjoyed this cyber-crime caper - the two stars have a chemistry that largely gets past the slightly fluffy dialogue and far-fetched plot. Catherine Zeta-Jones is, ostensibly, an insurance operative sent to help catch arch thief "Mac" (Sean Connery) once a valuable Rembrandt is taken from an ... seemingly impregnable high-rise office. It transpires that she has other fish to fry, however, and before long the poacher and the gamekeeper have a grand design to commit the creme de la creme of computer hacks without getting caught. It's at it's best during the heist planning stages, though sadly falls away a bit during a rather poorly constructed last twenty minutes that also introduces a romance that I found a bit cheesy. A pretty wooden Ving Rhames features - luckily, quite sparingly - as a duplicitous FBI agent but Maury Chaykin is really quite good as the odious, sexually ambiguous fixer "Conrad Greene". Worth a watch.

Aug 28, 2023