Popularity: 5 (history)
Director: | Denis Villeneuve |
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Writer: | José Saramago, Javier Gullón |
Staring: |
A mild-mannered college professor discovers a look-alike actor and delves into the other man's private affairs. | |
Release Date: | Mar 14, 2014 |
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Director: | Denis Villeneuve |
Writer: | José Saramago, Javier Gullón |
Genres: | Mystery, Thriller |
Keywords | infidelity, nightmare, pregnancy, toronto, canada, symbolism, surrealism, dream sequence, double identity, based on novel or book, professor, paranoia, delusion, spider, mental illness, doppelgänger, subconscious |
Production Companies | Rhombus Media, micro_scope, Pathé, Entertainment One, Roxbury Pictures, Mecanismo Films |
Box Office |
Revenue: $3,396,726
Budget: $0 |
Updates |
Updated: Aug 02, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jake Gyllenhaal | Adam / Anthony |
Mélanie Laurent | Mary |
Sarah Gadon | Helen |
Isabella Rossellini | Mother |
Joshua Peace | Teacher at School |
Tim Post | Anthony's Concierge |
Kedar Brown | Security Guard |
Darryl Dinn | Video Store Clerk |
Misha Highstead | Lady in the Dark Room |
Megan Mane | Lady in the Dark Room |
Alexis Uiga | Lady in the Dark Room |
Kiran Friesen | Sad, Broken Woman (uncredited) |
Loretta Yu | Receptionist (uncredited) |
Stephen R. Hart | Bouncer (uncredited) |
Paul Stephen | Dark Room Patron (uncredited) |
Name | Job |
---|---|
José Saramago | Novel |
Javier Gullón | Writer |
Matthew Hannam | Editor |
Nicolas Bolduc | Director of Photography |
Danny Bensi | Original Music Composer |
Branko Racki | Stunts |
Patrice Vermette | Production Design |
Jennifer Vey | Stunt Double |
Morag Ross | Makeup Designer |
Martha Sparrow | Set Designer |
Sean Breaugh | Art Direction |
Renée April | Costume Design |
Saunder Jurriaans | Original Music Composer |
Marc Bech | Sound Editor, Sound Re-Recording Mixer |
Marc Orts | Sound Re-Recording Mixer |
Jim Lambie | Set Decoration |
Herwig Gayer | Production Sound Mixer |
Albert Ribas | Sound Editor |
Oriol Tarragó | Sound Designer, Supervising Sound Editor |
Sam Hudecki | Storyboard Artist |
Jordan Kerner | Set Dresser |
John MacLean | Key Grip |
Caroline Aquin | Prosthetic Makeup Artist |
Mark Unterberger | Prosthetic Makeup Artist |
Patrick Arias | Second Assistant Director |
Christopher Richards | Casting Associate |
Chris Paré | Digital Imaging Technician |
Daryl Patchett | Stunt Double, Stunts |
Frédéric Gagnon | Special Effects Technician |
Kirk Middleton | Special Effects Technician |
Guillaume Champagne | CG Artist |
Alan Fregtman | CG Artist |
Raphael Letertre | CG Artist |
Irene Smirnova | CG Artist |
Deirdre Bowen | Casting |
Debra Johnson | Key Hair Stylist |
Reid A. Dunlop | First Assistant Director |
Manuel Carrión | Foley Artist |
Terry Banting | Gaffer |
Sean Sealey | Steadicam Operator |
Mark Ahee | Special Effects Coordinator |
Dylan Hankinson | Special Effects Technician |
Marie-Cecile Dahan | Visual Effects Producer |
Mikaël Damant-Sirois | CG Artist |
Samuel Jacques | CG Artist |
Eric Senecal | CG Artist |
Alison Reid | Stunt Coordinator |
Denis Villeneuve | Director |
Adrien Morot | Prosthetic Designer |
Matthieu Veillette | Matte Painter |
Patrick David | Digital Compositor |
Name | Title |
---|---|
Niv Fichman | Producer |
Miguel A. Faura | Producer |
François Ivernel | Executive Producer |
Cameron McCracken | Executive Producer |
Victor Loewy | Executive Producer |
Mark Slone | Executive Producer |
Luc Déry | Co-Producer |
Kim McCraw | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 31 | 46 | 21 |
2024 | 5 | 39 | 82 | 22 |
2024 | 6 | 47 | 89 | 24 |
2024 | 7 | 33 | 61 | 18 |
2024 | 8 | 32 | 61 | 21 |
2024 | 9 | 30 | 46 | 19 |
2024 | 10 | 28 | 55 | 18 |
2024 | 11 | 28 | 49 | 19 |
2024 | 12 | 28 | 54 | 21 |
2025 | 1 | 31 | 51 | 23 |
2025 | 2 | 23 | 34 | 4 |
2025 | 3 | 9 | 29 | 2 |
2025 | 4 | 8 | 14 | 4 |
2025 | 5 | 7 | 8 | 6 |
2025 | 6 | 4 | 6 | 3 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 5 | 8 | 3 |
2025 | 9 | 5 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 392 | 711 |
Year | Month | High | Avg |
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2025 | 8 | 74 | 628 |
Year | Month | High | Avg |
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2025 | 7 | 379 | 760 |
Year | Month | High | Avg |
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2025 | 6 | 169 | 724 |
Year | Month | High | Avg |
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2025 | 5 | 416 | 754 |
Year | Month | High | Avg |
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2025 | 4 | 648 | 848 |
Year | Month | High | Avg |
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2025 | 3 | 576 | 823 |
Year | Month | High | Avg |
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2025 | 2 | 432 | 690 |
Year | Month | High | Avg |
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2025 | 1 | 995 | 995 |
Year | Month | High | Avg |
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2024 | 11 | 718 | 834 |
Year | Month | High | Avg |
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2024 | 10 | 913 | 913 |
_La double vie de Veronique_ but make it worse. ...
_Enemy_ is one of those films that’s more interesting than fun to watch. Gyllenhaal’s on great form (twice over), and Villeneuve’s direction is slick and moody as ever. I was into the whole theme of self-sabotage—how bad decisions come back to bite—but it’s definitely more of a thinker than a thrill ... er. The final scene is meant to rattle you, but it didn’t do much for me, mainly because that kind of thing doesn’t freak me out. I know loads of people who’d hate it, though. It's not a bad watch; it's just not one I’d be in a hurry to revisit.