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The Great White Hope Poster

The Great White Hope

He could beat any white man in the world. He just couldn't beat all of them.
1970 | 103m | English

(3048 votes)

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Popularity: 1 (history)

Director: Martin Ritt
Writer: Howard Sackler
Staring:
Details

A black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down.
Release Date: Oct 11, 1970
Director: Martin Ritt
Writer: Howard Sackler
Genres: Drama
Keywords sports, based on play or musical, boxing
Production Companies 20th Century Fox, Lawrence Turman Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 07, 2026
Entered: Apr 20, 2024
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Full Credits

Name Character
James Earl Jones Jack Jefferson
Jane Alexander Eleanor
Lou Gilbert Goldie
Joel Fluellen Tick
Chester Morris Pop Weaver
Robert Webber Dixon
Marlene Warfield Clara
Hal Holbrook Cameron
Beah Richards Mama Tiny
Moses Gunn Scipio
Larry Pennell Brady
Marcel Dalio French Promoter
Manuel Padilla Jr. Paco
Scatman Crothers Carnival Barker (uncredited)
R.G. Armstrong Captain Dan
Rodolfo Acosta El Jefe
Ernest Anderson Mrs. Jefferson's Friend (uncredited)
Name Job
Howard Sackler Screenplay, Theatre Play
Jack Martin Smith Art Direction
Walter M. Scott Set Decoration
Pat Abbott Hairstylist
Tim Zinnemann Assistant Director
Burnett Guffey Director of Photography
William Reynolds Editor
Raphael Bretton Set Decoration
Edwin Butterworth Makeup Artist
Paul Stanhope Jr. Makeup Artist
Marvin Weldon Script Supervisor
Lionel Newman Original Music Composer
Martin Ritt Director
Irene Sharaff Costume Design
Donald McKayle Choreographer
John DeCuir Production Design
Jerry Ziesmer Assistant Director
Name Title
Lawrence Turman Producer
Organization Category Person
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Reviews

Geronimo1967
7.0

Well you can’t fault James Earl Jones for tackling just about every issue on the books in this drama about a heavyweight boxer. “Jefferson” is the champion of the world and is making short shrift of his opponents. Needless to say, this is narking many of his (mainly white) brethren so when he and hi ... s fiancée “Eleanor” (Jane Alexander) fall foul of rules banning mixed couples from inter-state travel they capitalise on this and have him arrested. Thanks to an outrageously pink shirt and a bit of legerdemain, he manages to escape to Europe where he finds things only marginally better. That’s not so much because of his colour, although that is a factor, it’s more because those vested interests in the UK and France don’t want to see their own champions pummelled into the canvas. Finally, a bit like the real Jack Johnson, he ends up in Cuba with a fight that could change everything, but by this point he and his gal are on different paths and even some amongst his own community are turning against him. JEJ is on lively and entertaining form throughout this critique on bigotry and boxing and his performance is well complemented by an Alexander whose characterisation of a woman increasingly struggling with his excesses is quite potent and plausibly delivered. The boxing action is not nearly so convincing, though. The use of long-shot photography shows up some of the basic editing and there isn’t really that much actual action throughout this drama which can leave it perilously close to soap at times. Still, it’s another film that illustrates just how hard people were prepared to work to escape an economic grind that offered working African American men very little by way of opportunity.

Jul 05, 2025