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No More Orchids

When she met her man she forgot her millions — and was just a woman in LOVE!
1932 | 71m | English

(592 votes)

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Popularity: 0.6 (history)

Details

Despite loving another man, a young woman is talked into marrying a wealthy and boorish prince in order to help her financially-strapped father.
Release Date: Nov 25, 1932
Director: Walter Lang
Writer: Grace Perkins, Keene Thompson, Gertrude Purcell
Genres:
Keywords parent child relationship, banker, pre-code, insurance policy, uncle niece relationship, financial ruin
Production Companies Columbia Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Jan 19, 2026
Entered: May 01, 2024
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Full Credits

Name Character
Carole Lombard Annie Holt
Lyle Talbot Tony Gage
Walter Connolly Bill Holt
Louise Closser Hale Grandma Holt
Allen Vincent Dick
C. Aubrey Smith Jerome Cedric
Ruthelma Stevens Rita
Arthur Housman Serge
William V. Mong Burkehart
Jameson Thomas Prince Carlos
Name Job
Joseph H. August Director of Photography
Sam Nelson Assistant Director
Robert Kalloch Costume Design
Grace Perkins Story
Jack Dennis Editor
Keene Thompson Adaptation
Walter Lang Director
Gertrude Purcell Screenplay
Edward Bernds Sound
Name Title
Organization Category Person
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Reviews

Geronimo1967
7.0

“Annie” (Carole Lombard) is the spoilt gal used to delaying ocean liners and swapping her baubles at dinner. It’s on that very boat, that she encounters “Tony” (Lyle Talbot) who proves completely impervious to her charms and that just makes her even more determined to get her man. Meantime, she gets ... home to her family where, unbeknownst to her, her banker father (Walter Connolly) is in a bit of a bind. The family wealth comes from her grandfather (Sir C. Aubrey Smith) and he will only help out if she agrees to marry an European prince. She loves her man, she loves her father, her grandad only loves himself and his dynastic plans. What will she do? I like Lombard. She always managed to exude a strength of character, usually disguised amidst some ditziness and flamboyance and here’s there quite a bit of defiance too. Talbot does fine as her onboard foil, Connolly likewise as her out-of-his-depth dad and there are also a punchy series of contributions from Louise Closser Hale as the cocktail-loving grandmother. The ending is really quite fitting, but not in the way you might expect and with some really quite lively writing throughout, it’s a good watch.

Aug 07, 2025