No More Orchids
When she met her man she forgot her millions — and was just a woman in LOVE!
1932 | 71m | English
Popularity: 0.6 (history)
| Director: | Walter Lang |
|---|---|
| Writer: | Grace Perkins, Keene Thompson, Gertrude Purcell |
| Staring: |
| Despite loving another man, a young woman is talked into marrying a wealthy and boorish prince in order to help her financially-strapped father. | |
| Release Date: | Nov 25, 1932 |
|---|---|
| Director: | Walter Lang |
| Writer: | Grace Perkins, Keene Thompson, Gertrude Purcell |
| Genres: | |
| Keywords | parent child relationship, banker, pre-code, insurance policy, uncle niece relationship, financial ruin |
| Production Companies | Columbia Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 19, 2026 Entered: May 01, 2024 |
| Name | Character |
|---|---|
| Carole Lombard | Annie Holt |
| Lyle Talbot | Tony Gage |
| Walter Connolly | Bill Holt |
| Louise Closser Hale | Grandma Holt |
| Allen Vincent | Dick |
| C. Aubrey Smith | Jerome Cedric |
| Ruthelma Stevens | Rita |
| Arthur Housman | Serge |
| William V. Mong | Burkehart |
| Jameson Thomas | Prince Carlos |
| Name | Job |
|---|---|
| Joseph H. August | Director of Photography |
| Sam Nelson | Assistant Director |
| Robert Kalloch | Costume Design |
| Grace Perkins | Story |
| Jack Dennis | Editor |
| Keene Thompson | Adaptation |
| Walter Lang | Director |
| Gertrude Purcell | Screenplay |
| Edward Bernds | Sound |
| Name | Title |
|---|
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 3 | 1 |
| 2024 | 5 | 3 | 6 | 1 |
| 2024 | 6 | 3 | 9 | 1 |
| 2024 | 7 | 3 | 6 | 1 |
| 2024 | 8 | 3 | 8 | 1 |
| 2024 | 9 | 4 | 8 | 1 |
| 2024 | 10 | 2 | 3 | 1 |
| 2024 | 11 | 2 | 5 | 1 |
| 2024 | 12 | 2 | 5 | 1 |
| 2025 | 1 | 1 | 4 | 1 |
| 2025 | 2 | 2 | 4 | 1 |
| 2025 | 3 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 2 | 0 |
| 2025 | 9 | 4 | 6 | 2 |
| 2025 | 10 | 0 | 2 | 0 |
| 2025 | 11 | 0 | 0 | 0 |
| 2025 | 12 | 0 | 0 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
“Annie” (Carole Lombard) is the spoilt gal used to delaying ocean liners and swapping her baubles at dinner. It’s on that very boat, that she encounters “Tony” (Lyle Talbot) who proves completely impervious to her charms and that just makes her even more determined to get her man. Meantime, she gets ... home to her family where, unbeknownst to her, her banker father (Walter Connolly) is in a bit of a bind. The family wealth comes from her grandfather (Sir C. Aubrey Smith) and he will only help out if she agrees to marry an European prince. She loves her man, she loves her father, her grandad only loves himself and his dynastic plans. What will she do? I like Lombard. She always managed to exude a strength of character, usually disguised amidst some ditziness and flamboyance and here’s there quite a bit of defiance too. Talbot does fine as her onboard foil, Connolly likewise as her out-of-his-depth dad and there are also a punchy series of contributions from Louise Closser Hale as the cocktail-loving grandmother. The ending is really quite fitting, but not in the way you might expect and with some really quite lively writing throughout, it’s a good watch.