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Return to Never Land Poster

Return to Never Land

The Classic Continues
2002 | 72m | English

(23372 votes)

TMDb IMDb

Popularity: 2 (history)

Details

In 1940, the world is besieged by World War II. Wendy, all grown up, has two children; including Jane, who does not believe Wendy's stories about Peter Pan.
Release Date: Feb 14, 2002
Director: Donovan Cook, Robin Budd
Writer: Temple Mathews
Genres: Animation, Family, Fantasy, Adventure
Keywords flying, cartoon, sequel
Production Companies Walt Disney Pictures, Disney Television Animation
Box Office Revenue: $109,862,682
Budget: $20,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Harriet Owen Jane / Young Wendy (Voice)
Blayne Weaver Peter Pan (Voice)
Jeff Bennett Smee / Pirates (Voice)
Kath Soucie Wendy Darling (voice)
Corey Burton Captain Hook (voice)
Andrew McDonough Danny (voice)
Roger Rees Edward (voice)
Spencer Breslin Cubby (voice)
Bradley Pierce Nibs (voice)
Quinn Beswick Slightly (voice)
Aaron Spann Twins (voice)
Frank Welker Nana II / Octopus (voice)
Dan Castellaneta Additional Voices (voice)
Jim Cummings Additional Voices(voice)
Rob Paulsen Additional Voices(voice)
Clive Revill Additional Voices (voice)
Wally Wingert Additional Voices (voice)
Name Job
J.M. Barrie Characters
Donovan Cook Co-Director
Joel McNeely Conductor, Original Music Composer
Adam Beck Animation
Christina Butterfield Animation Manager
Ian Harrowell Animation Director
Charlie Luce Technical Supervisor
Dan Forster Production Manager
John Kleber Production Design
Lianne Hughes Supervising Animator
Manny Banados Senior Animator
Hong Qi Animation
Brad Hughes Animation Manager
Temple Mathews Screenplay
Wendell Luebbe Art Direction
Anthony Rocco Editor
Kevin Wade Production Manager
Andrew Collins Supervising Animator
Bob Baxter Supervising Animator
David J. Hardy Layout
Joe Giampapa Animation
Sharon Morrill Robinov Executive In Charge Of Production
Carter Crocker Additional Writing
Alex Nicholas Layout Supervisor
Pieter Lommerse Supervising Animator
Robin Budd Director
Jamie Thomason Casting
Kevin Lima Thanks
Warwick Gilbert Animation
Charles Bonifacio Character Designer
Name Title
Christopher Chase Producer
Michelle Pappalardo-Robinson Producer
Chris Henderson Associate Producer
Dan Rounds Producer
Lizbeth Velasco Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 31 43 22
2024 5 34 42 20
2024 6 29 53 16
2024 7 34 51 17
2024 8 26 37 20
2024 9 30 46 17
2024 10 23 35 17
2024 11 25 43 15
2024 12 23 45 17
2025 1 23 32 15
2025 2 17 29 4
2025 3 8 21 2
2025 4 2 3 2
2025 5 2 3 1
2025 6 3 4 2
2025 7 2 3 1
2025 8 2 3 2
2025 9 4 6 2

Trending Position


Year Month High Avg
2025 6 802 904
Year Month High Avg
2025 5 777 895
Year Month High Avg
2025 2 304 818
Year Month High Avg
2025 1 488 741
Year Month High Avg
2024 11 750 750

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Reviews

Kamurai
3.0

Bad watch, won't watch again, and can't recommend unless you're just a huge Peter Pan fan and a completionist. This is in that run of unnecessary sequels Disney did to make some cheap bucks; it's (clearly) also right after they started in with digital animation. While they managed to capture P ... eter and the lost boys fairly well, Hook and Shmee are more like loose cartoony references to their former selves. Jane and Wendy seem to have the most detail put into their animation. The (classic) crocodile was replaced with an octopus (but still includes a suction cup version of tik-toking) by a visual director that barely understood what an octopus was. Now, being that I'm generally opposed to the octopus in general, I happen to know a few things about octopus so giving it snail-like eyes, a beak AND teeth, as well as an over-sized tongue broke me a little. The behaviors were typically way off, to include swimming with it's arms above water (they typically help with the locomotion) and some weird physics when climbing the boat. Also, we've pretty much pinpointed the inspiration for Neverland Island, which does actually include salt water crocodiles, but as it is in the Caribbean, this Giant Pacific Octopus is completely out of place. The animation style was also shifting from scene to scene, object to object. Sometimes it is very jarring, a digital cell character atop a cg rendered log, or other times it's a cg rendered background against the digital cell animation of the ship (or vice versa) that really took me out of it as it just looked so unnatural. I'll site "Titan A.E." (Fox) and "Treasure Planet" (Disney) as too different examples where it was blended much more smoothly. I actually like the premise better: Hook kidnap's Wendy's daughter, but the movie does so many weird things. Even though the original movie was officially set in the 1950s, Wendy grows at least 4-6 years to 18 to have a 12 year old daughter and a (generously) 3 year old boy, but the entire world travels backwards to WW2. Even if we retro the original setting, make Wendy....30?, that means the original occurred in 1929 at the latest, as this sequel could occur during 1945 at the latest, and I just did more math than I'm comfortable with to enjoy a movie. And this bad movie has the audacity to drop like real dilemmas in the middle: obligation to family vs trustworthiness, acceptance of others, and this crazy mechanical suggestion about how The Fey of the island work. Does belief of faeries / pixies matter, is it disbelief that actually harms them? Look, this isn't the worst thing to watch, but I honestly kind of regret my time spent on it.

Jun 23, 2021