Serena
Some loves can never let go.
2014 | 109m | English
Popularity: 1 (history)
| Director: | Susanne Bier |
|---|---|
| Writer: | Christopher Kyle, Ron Rash |
| Staring: |
| North Carolina mountains at the end of the 1920s – George and Serena Pemberton, love-struck newly-weds, begin to build a timber empire. Serena soon proves herself to be equal to any man: overseeing loggers, hunting rattle-snakes, even saving a man’s life in the wilderness. With power and influence now in their hands, the Pembertons refuse to let anyone stand in the way of their inflated love and ambitions. However, once Serena discovers George’s hidden past and faces an unchangeable fate of her own, the Pemberton’s passionate marriage begins to unravel leading toward a dramatic reckoning. | |
| Release Date: | Oct 12, 2014 |
|---|---|
| Director: | Susanne Bier |
| Writer: | Christopher Kyle, Ron Rash |
| Genres: | Drama |
| Keywords | corruption, sheriff, mountain, wilderness, ambition, north carolina, marriage, murder, debt, empire, hunting, woman director, logging, 1920s |
| Production Companies | 2929 Productions, Nick Wechsler Productions, Chockstone Pictures |
| Box Office |
Revenue: $5,092,129
Budget: $30,000,000 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Bradley Cooper | George Pemberton |
| Jennifer Lawrence | Serena Pemberton |
| Rhys Ifans | Galloway |
| Toby Jones | Sheriff McDowell |
| Blake Ritson | Lowenstein |
| Sean Harris | Campbell |
| Sam Reid | Vaughn |
| Charity Wakefield | Agatha |
| Douglas Hodge | Horace Kephart |
| Kim Bodnia | Abe Hermann |
| Ana Ularu | Rachel |
| David Dencik | Buchanan |
| Ned Dennehy | Ledbetter |
| Christian McKay | Banker in Boston |
| Bodil Jørgensen | Mrs. Sloan |
| Michael Ryan | Coldfield |
| Hilton McRae | Doctor |
| Conleth Hill | Doctor Chaney |
| Philip Zandén | Calhoun |
| Kvido Najser | Baby Jacob |
| Tereza Hroudova | Baby Jacob |
| Amelie Vernerova | Baby Jacob |
| Matej Sonka | Toddler Jacob |
| Vladimír Marek | Convulsing logger |
| Petr Vaněk | Frizzell |
| Petr Drozda | Big Bill McComb |
| Filip Kaňkovský | Chopper |
| Todd Wagner | Waiter |
| Helena Dvořáková | Nurse |
| Raymond Waring | Ticket master |
| Jirka Firt | Shay engine driver |
| Barbara Lukešová | Crying woman at bank |
| Jan Monczka | Commissioner #1 |
| Pavel Řezníček | Commissioner #2 |
| Aryan Barvah | Indian man #1 |
| Piyasiri Gunaranta | Indian man #2 |
| Harpal Singh Bamrah | Indian man #3 |
| Ivo Zubaty | Crane operator |
| Pavel Kříž | Upset man at bank |
| John Comer | Beggar |
| Alena Dlouhá | Hotel receptionist |
| Petr Inenicka | Hotel waiter |
| Nataša Burger | Mother in waiting room |
| Tereza Machacova | Child in waiting room |
| Jiří Maria Sieber | Photographer #2 |
| Bruce Davidson | Working man at slideshow |
| Jim High | Wood Cutter (uncredited) |
| Mark O'Neal | Lumberjack (uncredited) |
| Name | Job |
|---|---|
| Christopher Kyle | Writer |
| Simon Webb | Editor |
| Graeme Purdy | Set Decoration |
| Alena Koucka | Set Costumer |
| Claudia Kalindjian | Unit Publicist |
| Morag Cameron | Script Supervisor |
| Richard Bridgland | Production Design |
| Martin Kurel | Supervising Art Director |
| Shaun O'Dell | Second Unit Director |
| Weston Middleton | Production Assistant |
| Susanne Bier | Director |
| Pernille Bech Christensen | Editor |
| Ron Rash | Novel |
| Morten Søborg | Director of Photography |
| Matthew Newman | Editor |
| Jina Jay | Casting |
| Signe Sejlund | Costume Design |
| Leopold Hughes | Post Production Assistant |
| Johan Söderqvist | Original Music Composer |
| Wolfgang Stegemann | Stunts, Fight Choreographer |
| Chris Lyons | Special Effects Makeup Artist |
| Martina Ter-Akopowá | Art Direction |
| Barbora Bucharová | Set Decoration |
| Nathaniel De'Lineadeus | Special Effects Makeup Artist |
| Jacqueline Fowler | Special Effects Makeup Artist |
| Graham Johnston | Makeup Artist |
| Lori McCoy-Bell | Hairstylist |
| Andrea McDonald | Makeup Artist |
| Julien Naudin | Foley Artist |
| Tomáš Bělohradský | Sound |
| Arwa Salmanova | Casting |
| Name | Title |
|---|---|
| Susanne Bier | Producer |
| Ben Cosgrove | Producer |
| Ron Halpern | Producer |
| Steve Schwartz | Producer |
| Nick Wechsler | Producer |
| Paula Mae Schwartz | Producer |
| Todd Wagner | Producer |
| Mark Cuban | Executive Producer |
| Olivier Courson | Executive Producer |
| Peter McAleese | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 23 | 44 | 12 |
| 2024 | 5 | 26 | 74 | 14 |
| 2024 | 6 | 18 | 29 | 11 |
| 2024 | 7 | 23 | 52 | 12 |
| 2024 | 8 | 19 | 56 | 12 |
| 2024 | 9 | 19 | 33 | 12 |
| 2024 | 10 | 14 | 25 | 10 |
| 2024 | 11 | 16 | 27 | 10 |
| 2024 | 12 | 14 | 23 | 10 |
| 2025 | 1 | 16 | 31 | 10 |
| 2025 | 2 | 12 | 17 | 3 |
| 2025 | 3 | 6 | 16 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 3 | 1 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 4 | 17 | 1 |
| 2025 | 12 | 1 | 2 | 0 |
| 2026 | 1 | 1 | 1 | 1 |
| 2026 | 2 | 1 | 1 | 1 |
Trending Position
**_Tragic tale of a timber baron and his new wife in North Carolina, 1929-1930_** As The Depression sets-in, Pemberton (Bradley Cooper) brings his wife to his logging ranch in the Smokey Mountains (Jennifer Lawrence) and she has no problem proving her mettle with the guys. She settles in, but tre ... achery soon manifests. Shot in the spring of 2012, "Serena” wasn’t released until 2.5 years later in 2014-2015. It was inspired by the 2008 novel, but is different enough that the two have to be viewed as separate entities in order to appreciate the movie. Here, Serena is mentally unstable and vulnerable underneath her surface strengths whilst, in the book, she is strong and in control until the very last line. She often wears dresses and looks glammed-up whereas the novel makes it a point that she dresses like a man, always wearing trousers. Moreover, Pemberton is much nicer here. There are several other changes as well. As such, I’m reviewing this as a stand-alone story. It’s great for the first half with top-of-the-line locations and cinematography, as well as a compelling enough drama with occasional thrills, including crimes and corruption. It goes without saying that the period piece costumes and sets are superb. At the halfway point, however, it bogs down, turning melancholy and, then, relentlessly downbeat for the final act. Think “Revolutionary Road.” So, I understand the low ratings, but there’s still a lot of gems to mine from the heart-rending proceedings. For instance, the movie stresses the expectations of wedlock, such as total faithfulness and the sense of betrayal when one is (inevitably) let down. Furthermore, with a husband and wife, it’s assumed that an heir is forthcoming and, if that fails to manifest, it can change everything, real or imagined. Think of Hannah’s situation in the opening chapter of 1 Samuel. Lastly, Rhys Ifans’ Galloway is a fascinating character, a sigma male with mystical trappings and a whiff of danger. Too bad there wasn’t enough time to flesh him out more. It runs 1 hour, 49 minutes, and was shot in the Czech Republic at Barrandov Studios, Prague, with establishing shots done at Great Smoky Mountains National Park in North Carolina. GRADE: B-