The Ploughman's Lunch
An age of deceit... A man of our times
1983 | 107m | English
Popularity: 0.6 (history)
| Director: | Richard Eyre |
|---|---|
| Writer: | Ian McEwan |
| Staring: |
| As the UK begins its military engagement in the Falklands, a BBC news journalist attempts to climb up from his working-class roots, at any cost, lying to those around him to get what he wants, only to discover that he is the recipient of a deception far more clever than his own. | |
| Release Date: | May 30, 1983 |
|---|---|
| Director: | Richard Eyre |
| Writer: | Ian McEwan |
| Genres: | Drama |
| Keywords | london, england, british politics, falklands war, news reporter, norfolk |
| Production Companies | Goldcrest, Film4 Productions, Greenpoint Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 30, 2026 Entered: Apr 30, 2024 |
| Name | Character |
|---|---|
| Jonathan Pryce | James Penfield |
| Tim Curry | Jeremy Hancock |
| Rosemary Harris | Ann Barrington |
| Frank Finlay | Matthew Fox |
| Charlie Dore | Susan Barrington |
| David de Keyser | Gold |
| Bill Paterson | Lecturer |
| Orlando Wells | Tom Fox |
| Nat Jackley | Mr Penfield |
| Pearl Hackney | Mrs Penfield |
| Peter Walmsley | Bob Tuckett |
| Robert Cartland | Editor |
| Christopher Fulford | Young Journalist |
| David Lyon | Newsreader |
| Simon Stokes | Edward |
| Witold Schejbal | Jacek |
| William Maxwell | Journalist |
| Andy Rashleigh | Journalist |
| Polly Abbott | Gold's Assistant |
| Anna Wing | Woman at Poetry Reading |
| Ken Drury | Young Man at Poetry Reading |
| Richard Cottan | Student at Poetry Reading |
| Peter Birch | Barman |
| Ken Shorter | Squash Coach |
| Libba Davies | Betty |
| Sandra Voe | Carmen |
| Andrew Norton | Pete |
| Cecily Hobbs | Carol |
| Clare Sutcliffe | Jill |
| Name | Job |
|---|---|
| Richard Eyre | Director |
| Susie Figgis | Casting Director |
| Christopher Figg | Second Assistant Director |
| Sue Gibson | Clapper Loader |
| Ian McEwan | Writer |
| Clive Tickner | Director of Photography |
| David Martin | Editor |
| Redmond Morris | Production Manager |
| David Stephenson | Sound Mixer |
| Simon Relph | Assistant Director |
| Pat Rambaut | Continuity |
| Michael Pickwoad | Art Direction |
| John Hedges | Construction Manager |
| Trisha Edwards | Property Buyer |
| Roy Cannon | Property Master |
| Luciana Arrighi | Costume Design |
| Rita Wakely | Wardrobe Master |
| Elaine Carew | Makeup Artist |
| Joan Carpenter | Hairdresser |
| Alan John | Accountant |
| Linda Bruce | Second Assistant Director |
| Rachel Neale | Production Assistant |
| Deborah Barnard | Assistant Accountant |
| Jasper Fforde | Production Runner |
| David Bryant | Focus Puller |
| Jeremy Hiles | Clapper Loader |
| Ted Whitby | Grip |
| Keith Pamplin | Boom Operator |
| Des Edwards | Sound Engineer |
| Michael Parkinson | Assistant Editor |
| Simon Harris | Assistant Editor |
| John Brown | Still Photographer |
| Leo Davis | Casting Assistant |
| Tom Brown | Gaffer |
| Steve Mcleod | Electrician |
| Bill Thornhill | Electrician |
| Billy Merrell | Electrician |
| Nicholas Jenkins | Title Designer |
| Derek Robbins | Publicist |
| Dominic Muldowney | Original Music Composer |
| Name | Title |
|---|---|
| Simon Relph | Producer |
| Ann Scott | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 4 | 1 |
| 2024 | 5 | 5 | 8 | 3 |
| 2024 | 6 | 3 | 9 | 1 |
| 2024 | 7 | 7 | 19 | 2 |
| 2024 | 8 | 3 | 6 | 2 |
| 2024 | 9 | 5 | 10 | 2 |
| 2024 | 10 | 3 | 7 | 1 |
| 2024 | 11 | 3 | 6 | 1 |
| 2024 | 12 | 2 | 4 | 1 |
| 2025 | 1 | 3 | 8 | 1 |
| 2025 | 2 | 3 | 4 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 3 | 2 |
| 2025 | 11 | 2 | 4 | 1 |
| 2025 | 12 | 2 | 5 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
With rumblings coming from the wires about some Argentine activity on the remote island of South Georgia and Margaret Thatcher’s first administration struggling to deal with the gloomy British economic outlook, jaded radio journalist “Penfield” (Jonathan Pryce) finds himself trying to stay motivated ... despite the fact that he hasn’t a penny to his name. In search of at least a degree of self-fulfilment, he decides to write a book all about the Franco-British invasion on the Suez Canal in 1956. He has an interest in the geo-political dynamics and history of those turbulent events, and so sets about lining up some interviewees to put some flesh on the bones and it’s whilst he is researching, he encounters the redoubtable “Ann” (Rosemary Harris) whose left wing political agenda chimes a little with his but more revealingly shows him up as a bit of an intellectual lightweight. Indeed, his lack of societal “evolution” is all too clearly demonstrated as he visits his poorly mother and his father, both traditional working class and proud parents, with whom he has but a tangential connection nowadays. To be honest, I found this all to be a little too pedestrian and introspective a tale of a man who probably started out as an idealist but who was complicit in letting the system grind him down into a supercilious cynic. Pryce delivers well enough but with so little by way of characterisation to work with it all rather drearily meanders along. Harris, on the other hand, has less to do but makes much more of her role as a women still tainted by life, but much more in control of what she thinks and what she wants. Of course there is some political commentary here, and a thinly veiled critique of all things Conservative and capitalist - either contemporary or during Suez when Eden was at the British helm, but that’s also rather undercooked and disappointingly predictable. All in all it comes across as a television movie in terms of the production, the score and the photography and though watchable enough as a comment on Britain at the time, isn’t really very memorable.