Popularity: 11 (history)
Director: | Ridley Scott |
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Writer: | William Monahan |
Staring: |
After his wife dies, a blacksmith named Balian is thrust into royalty, political intrigue and bloody holy wars during the Crusades. | |
Release Date: | May 03, 2005 |
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Director: | Ridley Scott |
Writer: | William Monahan |
Genres: | Adventure, Action, Drama, History, War |
Keywords | muslim, blacksmith, crusade, jerusalem, catapult, epic, battlefield, knight, swordsman, religion, epic battle, desert battle, knight templars, 12th century, saladin, suspicious, christian, dramatic, egotistical, ambiguous, antagonistic, audacious, authoritarian, complicated, derogatory, dubious, melodramatic, sword battle |
Production Companies | 20th Century Fox, Babelsberg Film, Scott Free Productions, BK, KOH, Reino del Cielo, Inside Track 3 |
Box Office |
Revenue: $218,366,336
Budget: $130,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Orlando Bloom | Balian de Ibelin |
Eva Green | Sibylla |
Jeremy Irons | Tiberias |
David Thewlis | Hospitaler |
Ghassan Massoud | Saladin |
Liam Neeson | Godfrey de Ibelin |
Brendan Gleeson | Reynald de Chatillon |
Marton Csokas | Guy de Lusignan |
Alexander Siddig | Nasir |
Michael Sheen | Priest |
Khaled El Nabawy | Mullah |
Nikolaj Coster-Waldau | Village Sheriff |
Kevin McKidd | English Sergeant |
Velibor Topic | Almaric |
Jon Finch | Patriarch of Jerusalem |
Ulrich Thomsen | Templar Master |
Jouko Ahola | Odo |
Shane Attwooll | Reynald's Templar Knight |
Peter Cant | Peasant Boy |
Nathalie Cox | Balian's Wife |
Emilio Doorgasingh | Saracen Engineer |
Samira Draa | Sibylla's Maid |
Ériq Ebouaney | Firuz |
Giannina Facio | Saladin's Sister |
Iain Glen | Richard Coeur de Lion |
Philip Glenister | Squire |
Martin Hancock | Gravedigger |
Lotfi Yahya Jedidi | Old Ibelin Housekeeper |
Nasser Memarzia | Muslim Grandee |
Steven Robertson | Angelic Priest |
Matthew Rutherford | Rider |
Karim Saleh | Saracen Messenger |
Michael Shaeffer | Young Sergeant |
Bronson Webb | Apprentice |
Angus Wright | Richard's Knight |
Edward Norton | King Baldwin (uncredited) |
Name | Job |
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William Monahan | Screenplay |
Harry Gregson-Williams | Original Music Composer |
John Mathieson | Director of Photography |
Janty Yates | Costume Design |
José Luis Escolar | Line Producer |
David Appleby | Still Photographer |
Stephen Barton | Additional Music |
Marc Streitenfeld | Music Supervisor |
Abdellah Achir | Stand In |
Branko Lustig | Unit Production Manager |
Oleg Botin | Utility Stunts |
Bruce Devan | Production Manager |
Neil Corbould | Special Effects Supervisor |
Gonzalo Hernández | Stunts |
Cristiano Donzelli | Storyboard Artist |
Ciro Candia | Second Assistant Camera |
Victoria Alonso | Visual Effects Producer |
Jordan Sheehan | Executive Assistant |
C.C. Smiff | Fight Choreographer |
Simon Atherton | Weapons Master |
Peter Burgis | Foley Artist |
Allan Smith | Stunt Double |
Sonja Klaus | Set Decoration |
Robert Cowper | Art Direction |
Ivo Hušnjak | Art Direction |
John King | Art Direction |
Karim Abouobayd | Line Producer |
Alessandro Alberti | Art Direction |
Carlos Bodelón | Art Direction |
Marco Trentini | Supervising Art Director |
Louis Joon | Costume Design |
Saida Elidrissi | Art Department Assistant |
Francesca Birri | Art Department Coordinator |
Abdellah Baadil | Assistant Art Director |
Alain Brochu | Construction Coordinator |
Damir Gabelica | Construction Foreman |
Fatiha Aitbadi | Greensman |
Giancarlo Di Fusco | Painter |
Lora E. Revitt | Production Illustrator |
Colin Jackman | Sculptor |
Iñigo Navarro | Set Designer |
Brahim Ait Belkas | Additional Camera |
Martin Hume | Camera Operator |
David Appleby | Grip |
John Marzano | Aerial Director of Photography |
Daniele Massaccesi | Steadicam Operator |
Andrea Cripps | Assistant Costume Designer |
Clare Spragge | Costume Supervisor |
Marcelle Genovese | Hairstylist |
Mariam Lee Abounouom | Makeup Artist |
Paul Engelen | Makeup Designer |
Gabi Brown | Set Costumer |
Brian Bero | Armorer |
Robert Capan | Carpenter |
Gary Brozenich | CG Supervisor |
Roisin Carty | Dialect Coach |
Diego Campos | Driver |
Carmen Ruiz de Huidobro | Post Production Assistant |
Patrick Esposito | Post-Production Manager |
Graeme Purdy | Property Master |
Adam Gascoyne | Sequence Supervisor |
Topaz Adizes | Set Production Assistant |
Daniel Urdiales | Sound Recordist |
Mark Meddings | Special Effects Coordinator |
Gustáv Kyselica | Stunt Coordinator |
Rachid Abbad | Stunts |
El Mahjoub Najma | Transportation Captain |
Brian Baverstock | Transportation Coordinator |
Quinn Donoghue | Unit Publicist |
Robert Hamilton | Video Assist Operator |
Ian Differ | Visual Effects Editor |
Anna Worley | Script Supervisor |
Simon Chase | Dialogue Editor |
Sam Horsefield | Electrician |
Chuck Finch | Gaffer |
Shawn Walsh | Lighting Artist |
Fred Brown | Lighting Technician |
Dean Brkic | Rigging Gaffer |
Emanuele Salvatore | Rigging Grip |
Tannis Vallely | Casting Associate |
Gonzalo Cañellas | Location Manager |
Giorgio Catalano | Production Accountant |
Patricia Nieto | Production Coordinator |
Kimberley Ann Berdy | Production Supervisor |
Steve Newman | Publicist |
Paul Conway | ADR & Dubbing |
Gary Dodkin | Boom Operator |
David Mackie | Assistant Sound Editor |
Harry Barnes | Foley Editor |
Christopher Assells | Sound Editor |
Bryan Bowen | Sound Effects Editor |
David Stephenson | Sound Mixer |
Per Hallberg | Supervising Sound Editor |
Judy Barr | Digital Compositors |
Claudia Dehmel | Visual Effects Coordinator |
Peter Chiang | Visual Effects Supervisor |
Gary Roberts | Motion Capture Artist |
Alex Corven Caronia | Unit Manager |
Ed Hawkins | Compositing Supervisor |
Jemma Scott-Knox-Gore | Contact Lens Technician |
Lahcen Abbana | Costume Assistant |
Mohammed Boukhouima | Costumer |
Sophie Norinder | Key Dresser |
Julie Wright | Prosthetics Painter |
Alex Kirby | Assistant Director |
Ian Stone | Second Assistant Director |
Akrame El Meziane | Second Second Assistant Director |
Tarik Ait Ben Ali | Third Assistant Director |
James Foster | Draughtsman |
Jessica Scott-Reed | Textile Artist |
Derek Casari | ADR Engineer |
Colin Cooper | ADR Mixer |
Alexander Beddow | ADR Recordist |
Mark Taylor | Additional Sound Re-Recording Mixer |
Ed Colyer | Foley Mixer |
Alex Joseph | Foley Supervisor |
Esther Smith | Sound Mix Technician |
David Brighton | Special Effects Assistant |
Edward Barton | Special Effects Technician |
Adrian Banton | 2D Supervisor |
Richard Gomes | Visual Effects Technical Director |
Menyhért René Balog-Dutombé | Stunt Double |
Kevin Haverty | Assistant Camera |
Phil Murray | Best Boy Grip |
Lewis Hume | Camera Loader |
Charlie Herranz | Camera Trainee |
Andrew Baggarley | Data Wrangler |
Claudio Del Gobbo | Dolly Grip |
Simon Hume | Focus Puller |
Abigail Barbier | ADR Voice Casting |
Mourad Barouche | Casting Assistant |
Abdeliah Bidari | Wardrobe Assistant |
Rob Brown | Wardrobe Master |
Andrew Haigh | Assistant Editor |
Keith Brachmann | Associate Editor |
Paul Ensby | Digital Color Timer |
Skip Kimball | Digital Intermediate Colorist |
Roger Ames Berger | Digital Intermediate Editor |
Zara Park | Digital Intermediate Producer |
Steve Farman | Negative Cutter |
David McKimmie | Post Production Coordinator |
Toufiq Abouobayd | Assistant Location Manager |
Mark Birmingham | Accountant |
Marc Wolff | Aerial Coordinator |
Khalid Bachra | Assistant Accountant |
Lola Belsito | Assistant Production Coordinator |
Helena Masand | CG Artist |
Gruff Owen | Compositing Artist |
Clifford De Spenser | Dialect Coach |
Hamid Ait Timaghrit | Extras Casting |
Beatrice Giraud | First Assistant Accountant |
Michael Elson | Head of Production |
Nicole Luther | Key Set Production Assistant |
Arnaud Pecqueur | Matte Painter |
Jill Anderson | Payroll Accountant |
Kamal Ounejjar | Production Assistant |
Fred Baron | Production Executive |
David Roker | Production Runner |
Mandi Dillin | Production Secretary |
Kathy Heaser | Researcher |
Alex Mein Smith | Rotoscoping Artist |
Sam Chouia | Script Consultant |
Samantha Quinn | Second Assistant Accountant |
Steve Cummings | Supervising Armorer |
Trilby Norton | Travel Coordinator |
Robert Palmer | Second Assistant Camera |
Ben Wilson | First Assistant Camera |
Adil Abdelwahab | Assistant Director |
Hugh Johnson | Second Unit Director, Second Unit Director of Photography |
John Harvey | CGI Supervisor |
Andie Derrick | Foley Artist |
Peter Gleaves | ADR Mixer |
Dody Dorn | Editor |
Arthur Max | Production Design |
Antoinette Boulat | Casting |
Debra Zane | Casting |
Jina Jay | Casting |
Natalie Lovatt | Visual Effects Coordinator, Visual Effects Production Manager |
Natalie MacDonald | Digital Compositor |
Andy Williams | Special Effects Supervisor |
Angela Pledge | Costume Assistant |
Ángel de la Serna | Production Assistant |
Ángel de la Serna | Production Assistant |
Giuliano Dionisio Vigano | Digital Compositor |
Julian Gnass | Digital Compositor |
Julian Mann | Head of Research |
Juliana Malucelli | Still Photographer |
Massimiliano Bianchi | Stunts |
Massimiliano Trevis | Camera Operator |
William Dodds | Third Assistant Director |
William Skellorn | Visual Effects Supervisor |
Owen E. Williams | Visual Effects |
William Foxwell | Visual Effects Supervisor |
William Foxwell | Visual Effects Supervisor |
Glyn Williams | First Assistant Camera |
Cathy Burrow | Compositor |
Angela Magrath | Visual Effects Supervisor |
Lisa Gonzalez | Visual Effects Supervisor |
Ridley Scott | Director |
Murray Barber | Digital Compositor |
Stuart Penn | Senior Modeller |
Alistair Williams | Special Effects Supervisor |
Name | Title |
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Branko Lustig | Executive Producer |
Bruce Devan | Co-Producer |
Henning Molfenter | Co-Producer |
Denise O'Dell | Co-Producer |
Lisa Ellzey | Executive Producer |
Terry Needham | Executive Producer |
Mark Albela | Co-Producer |
Teresa Kelly | Associate Producer |
Ty Warren | Associate Producer |
Thierry Potok | Co-Producer |
Ridley Scott | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 74 | 98 | 50 |
2024 | 5 | 76 | 111 | 58 |
2024 | 6 | 72 | 95 | 52 |
2024 | 7 | 116 | 213 | 56 |
2024 | 8 | 70 | 116 | 51 |
2024 | 9 | 59 | 79 | 46 |
2024 | 10 | 58 | 81 | 44 |
2024 | 11 | 64 | 103 | 43 |
2024 | 12 | 68 | 83 | 50 |
2025 | 1 | 69 | 93 | 52 |
2025 | 2 | 55 | 91 | 11 |
2025 | 3 | 25 | 86 | 3 |
2025 | 4 | 18 | 24 | 11 |
2025 | 5 | 16 | 20 | 13 |
2025 | 6 | 15 | 18 | 13 |
2025 | 7 | 12 | 13 | 11 |
2025 | 8 | 12 | 12 | 11 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 169 | 333 |
Year | Month | High | Avg |
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2025 | 7 | 109 | 403 |
Year | Month | High | Avg |
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2025 | 6 | 37 | 202 |
Year | Month | High | Avg |
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2025 | 5 | 24 | 352 |
Year | Month | High | Avg |
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2025 | 4 | 103 | 500 |
Year | Month | High | Avg |
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2025 | 3 | 68 | 608 |
Year | Month | High | Avg |
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2025 | 2 | 141 | 637 |
Year | Month | High | Avg |
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2025 | 1 | 211 | 649 |
Year | Month | High | Avg |
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2024 | 12 | 228 | 609 |
Year | Month | High | Avg |
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2024 | 11 | 377 | 692 |
Year | Month | High | Avg |
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2024 | 10 | 390 | 707 |
Year | Month | High | Avg |
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2024 | 9 | 386 | 720 |
Year | Month | High | Avg |
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2024 | 8 | 453 | 765 |
Good start and ending, weak middle, but magnificent photography and haunting score "Kingdom of Heaven" (2005) isn’t as good as contemporaneous sword & sandal flicks "Troy" (one of my favorites) and "King Arthur" (very good), but it's not bad either. THE PLOT: After the death of his child and ... suicide of his wife, Balian (Orlando Bloom) meets his long, lost father (Liam Neeson) who encourages him to go to Jerusalem and start a new life. After a long eventful trip, Balian arrives in Jerusalem and is introduced to Princess Sibylla (Eva Green), the leprous King Baldwin and other VIPs. The political maneuverings of these key personnel is mindboggling (I suggest using the subtitles to keep track of who’s who) but, when all is said and done, Balian must rise to the challenge of defending the city against Saladin (Ghassan Massoud) and his great Muslim army. Like "Lawrence of Arabia" (1962), "Kingdom of Heaven" is a film that can be enjoyed just for the visuals and soundtrack. The film was shot in Morocco where a vast replica of ancient Jerusalem was built in the desert with the backgrounds enhanced by CGI effects, and so on. Story-wise, the beginning and ending are strong while the convoluted soap operatics of Jerusalem aren't very compelling, but Eva Green's awesome eyes help. I'm no connoisseur of the crusades but I realize the filmmakers put a modern spin on the events and ideology of the characters. So what else is new? In any case, I was impressed that all the main players are based on real-life people and that the gist of the story is accurate. The Theatrical Cut runs 144 minutes and the Director's Cut about 48 minutes longer. The DC is heralded as one of the best DCs ever, like "Daredevil" (2003). BOTTOM LINE: "Kingdom of Heaven" is worth it just for the magnificent visuals and soundtrack. The story starts strong and ends strong while the dramatics of the lengthy mid-section are complicated and not very compelling. But story drive and interesting characters were never director Ridley Scott’s strong suit. Nevertheless, Orlando Bloom is likable as the protagonist and Massoud makes for a striking Saladin, who doesn’t appear till the halfway point. GRADE: C+/B-
One of the most hated movies by Ridley Scott, that shows the difference of what versions and cuts can have on a movie. This movie have a Theatrical version (144 min.) a Director's Cut (189 min.) and Director's Cut Roadshow Version (194 min.) (that I watched years after watching the theatrical on ci ... nema). The movie is loosely based on the story of Balian I of Ibelin (originally a noble of French or Italy, but portraited as his son in this movie and epoch) travels to Jerusalem during the Crusades of the 12th century, and there he finds himself as the defender of the city and its people. A tale of noble actions and ideals on the 2nd Crusade among equally noblesse and troubled people. It is not totally historically accurate (let's say 50%) but is one of the most impressive movies about the crusade with all the desert, sun and bloody scenes than you can imagine (and a fictional end). Originally a 7.0 raised up to a 7.8 out of 10.0 in this version B+ (not sure if this is the version that Netflix have).